As this year Cannes Classics has twenty-two (22) feature films and two (2) documentaries decided to do an independent post to list them all and will have a link to this post in the Official Selection post.
Perhaps is just me but feel that this year this section is very ambitious as will cover many genres in the homage to the birth of the Italian Western plus genres in the many restored movies from Henri Langlois, Kieslowski, Truffaut, Carné, Renoir and other restorations coming from all over the world. On top the section has a Guest of Honor whom is none other than Sophia Loren that will give a masterclass! Ambitious program but yes, interesting and puzzling.
Guest of honor: Sophia Loren
Award for Best Actress in 1961 and president of the jury in 1966, Sophia Loren is the guest of honor of Cannes Classics. She will be present at the screening of the short film La Voce Humana (2014) directed by her son, Edoardo Ponti, which marks the occasion of her comeback to the movies. During the same evening Marriage Italian Style by Vittorio De Sica will be screened.
Sophia Loren has also accepted to give a masterclass—a conversation which will take place on the stage of Salle Buñuel.
The Films
Per un pugno di dollari (A Fistful of Dollars), Sergio Leone, Italy, Spain and West Germany (1964)
To celebrate the birth in 1964 of the Italian western, the Cinematheque of Bologna will present the film restored in 4K by L’Immagine Ritrovata of A Fistful of Dollars directed by Sergio Leone in 1964 with Clint Eastwood and Gian Maria Volonte.
Paris, Texas, Wim Wenders, West Germany, France, UK and USA (1984)
Awarded by the President of the Jury Dirk Bogarde and handed out on stage by Faye Dunaway, the Palme d’or of Paris,Texas is thirty years old. Wim Wenders will be back on the Croisette (besides his selection at Un Certain Regard with The Salt of the Earth) with a new print of Paris Texas. HD Transfer done at Deluxe Laboratory in New York, supervised by Wim Wenders, and Spirit Scan made at the German laboratory CinePost Production. Digital transfer made by Criterion.
Matrimonio all'italiana (Marriage Italian Style), Vittorio De Sica, Italy and France (1064)
4K restoration by L’Immagine Ritrovata.
La Paura (aka Non credo più all'amore) (Fear aka Angst), Roberto Rossellini, Italy and West Germany (1954)
Within the framework of the Rossellini project, a restoration made in 4K by L’Immagine Ritrovata in Bologna. Cannes Classics has been welcoming since 2011 the ambitious Italian project, The Rossellini Project, from the collaboration between Instituto Luce Cinecittà, Cineteca di Bologna, CSC-Cineteca Nazionale and Coproduction Office (in charge of international sales). Print restored by the Cineteca di Bologna with L’Immagine Ritrovata collaborating with the Istituto Luce Cinecittà, CSC-Cineteca Nazionale and Coproduction Office.
Przypadek (Blind Chance), Krzysztof Kieślowski, Poland (1981)
A presentation by the Polish Film Institute. Restoration carried out in 2K with the color framing supervised by the director of photography.
La Chienne (The Bitch), Jean Renoir, France (1939)
Film presented by Les Films du Jeudi with the support of the CNC and the help of the Cinémathèque française and the Fonds Culturel Franco-Américain (DGA – MPA – SACEM – WGAW). Restoration in 2K (from a 4K scan) made by Digimage Classics and sound restoration by Diapason.
Le jour se lève (Daybreak), Marcel Carné (1939)
Restoration 4K presented by Studio Canal. Work on the images made by Eclair, sound restored by Diapason in partnership with Eclair.
Le dernier métro (The Last Metro), François Truffaut, France (1980)
Presented by MK2 and the Cinémathèque française with the support of the French and American Fund on the occasion of the thirty years of François Truffaut’s passing away. The original negative was scanned in 4K and restored frame by frame by 2K Digimage laboratory. Restoration and color framing were supervised by DP Guillaume Schiffman. (Photo: Catherine Deneuve and Gérard Depardieu)
Les croix de bois (Wooden Crosses), Raymond Bernard, France (1931)
Presented by Pathé and the Fondation Jérôme Seydoux – Pathé. The film was scanned and restored in 4K by the laboratory L'Immagine Ritrovata Bologna. The restoration was carried out by Pathé.
Léolo, Jean-Claude Lauzon, France and Canada (1992)
A presentation of "Éléphant, mémoire du cinéma québécois." Digital restoration made in 2k from the original negative, sound restored by the Cinémathèque québécoise. Technical services: Technicolor, creative services: Marie-José Raymond et Robert Jacquier for Éléphant.
La Vie de château (Gracious Living aka A Matter of Resistance), Jean-Paul Rappeneau, France (1965)
Presented by TF1 DA. Film restored in 2K at Mikros from the original negative, with a restoration of the stock shots. Color framing realized in collaboration between Jean-Paul Rappeneau and Pierre Lhomme, director of photography. Restoration of Michel Legrand’s music by Stéphane Lerouge.
Les violons du bal, Michel Drach, France (1974)
Restoration Silverway Média. Financing by Port-Royal Films with the CNC and the support of the Fondation pour la Mémoire de la Shoah.
Seishun zankoku monogatari (Cruel Story of Youth, aka Naked Youth), Nagisa Ôshima, Japan (1960)
A presentation by Shochiku studio. The digital restoration was performed in by 4K Shochiku Co., Ltd. under the supervision of Takashi Kawamata, cameraman of Nagisa Ôshima.
龍門客棧 Long men kezhan (Dragon Inn), King Hu, Taiwan (1967)
A presentation of the Chinese Taipei Film Archive. Digital restoration made in 4K by the L’Immagine Ritrovata in Bologna from the negative. The director of photography has supervised the color framing.
Overlord, Stuart Cooper , UK (1975)
A restoration presented by The Criterion Collection (New York). HD Digital transfer supervised by director Stuart Cooper from a new 35mm fine-grain master. Mono sound now in 24 bits.
Jamaica Inn, Alfred Hitchcock, UK (1939)
A presentation of the Cohen Film Collection LLC. Digital restoration made in 4K by 4K RRsat Europe – Ray King and Anthony Badger Finishing Post Productions Ltd – Jason Tufano and Marc Bijum.
Sayat Nova (The Color of Pomegranates), Sergei Parajanov, Soviet Union (1968)
Restoration financed by the Film Foundation-World Cinema Project (New York) and made in 4K by L’immagine Ritrovata.
Tsisperi mtebi anu daujerebeli ambavi (Blue Mountains, or Unbelievable Story), Eldar Shengelaia (aka Eldar Shengelaya), Soviet Union and Georgia (1983)
A presentation of the Georgian National Film Center. The digitalization of the image and the sound was made from the original negative in 4K par Gosfilmfond Russia.
Lost Horizon, Frank Capra, USA (1937)
A presentation of Park Circus in a digital print restored in 4k by Sony Pictures Colorworks. Park Circus will release the film in 2014.
Regards sur une Revolution: Comment Yukong déplaça les montagnes (How Yukong Moved the Mountains), Marceline Loridan Ivens and Joris Ivens, France (1976) (documentary)
A presentation by Marceline Loridan and the Archives françaises du film of the CNC. Digital restoration was carried out from the 2K scan of the 16mm negatives. Scans and restorations were carried out by the laboratory of CNC Bois d'Arcy. Color grading and finishes have been made by the Eclair laboratory.
Tôkyô orinpikku (Tokyo Olympiad), Kon Ichikawa, Japan (1965) (documentary)
A presentation of the International Olympic Committee. Digital restoration in 4K by Warner Bros. Motion Picture Imaging and Audio Mechanics at Burbank.
Also in Cannes Classics two recent documentaries about cinema:
Life Itself, Steve James,USA (2014)
The life and journey of Roger Ebert, great American film critic.
The Go-Go Boys: The Inside Story of Cannon Films, Hilla Medalia, USA (2014)
The story of Cannon Films and the producers Menahem Golan and Yoram Globus, who will be present.
There are many films that have seen but there are a couple that will see as seem quite interesting, like for example Dragon Inn.
Also announced today, the opening film of Cinéma de la Plage, 8½ by Federico Fellini (1963)
Restored by Gaumont and Eclair will be screened to give an echo to the poster of the 67th Festival de Cannes and pay a tribute to Marcello Mastroianni. The complete Cinéma de la Plage program will be announced later.
Wednesday 30 April 2014
Tuesday 29 April 2014
Big Picture: THE GWEN STACY PARADOX
Thanks to the slow, drawn-out receding of The American Empire, AMAZING SPIDER-MAN 2 has already been out all over the world so you're probably going to get my review before Friday - as in later today, I think.
Until then, here's something else also about Spider-Man because that's what my week looks like:
Until then, here's something else also about Spider-Man because that's what my week looks like:
Saturday 26 April 2014
April Expiration Watch: Looking for Preston (2014)
As we begin this final weekend of April, it's time to once again take stock of the noteworthy titles leaving Netflix streaming. It's not the most painful list of deletions to come this blog's way, but some of them will sting, especially the handful of 1970s films that arrived only three months ago. Those titles, singled out here back in February, are Harold and Maude, North Dallas Forty, and Marathon Man, all of which contain the welcome grit and unpredictability that were hallmarks of 1970s cinema (and which seem so hard to come by amid today's endless sequels and remakes).
Other Me Decade flicks ascending to Netflix Heaven (or is it only Limbo?) are Paul Mazursky's touching and funny Harry and Tonto, which won Oscars for Mazursky's screenplay and Art Carney's lead performance; the original, made-for-TV, Brian's Song�the first movie to introduce my younger brother and me to cry-bonding when we were kids; and tough-guy director Don Siegel's Two Mules for Sister Sara, a western starring Clint Eastwood and Shirley MacLaine.
Read more �
Other Me Decade flicks ascending to Netflix Heaven (or is it only Limbo?) are Paul Mazursky's touching and funny Harry and Tonto, which won Oscars for Mazursky's screenplay and Art Carney's lead performance; the original, made-for-TV, Brian's Song�the first movie to introduce my younger brother and me to cry-bonding when we were kids; and tough-guy director Don Siegel's Two Mules for Sister Sara, a western starring Clint Eastwood and Shirley MacLaine.
Stanwyck, Fonda |
Masters of Comedy
All of the above will be disappearing in the final seconds of April 30, as will a couple of bona fide classics from even further back: Preston Sturges' screwball gem, The Lady Eve (1941), and Billy Wilder's Some Like It Hot (1959). The Wilder film�which has streamed only since January�should be familiar to even casual classic-movie (or Marilyn Monroe) fans, but the lesser-known Sturges flick remains an essential entry among screwball comedies of the 1930s and '40s. In fact, the genre was all but played out by 1940, until the man who cut his teeth as a screenwriter in the previous decade convinced a wary studio to let him direct, giving him the chance to take his unique mix of verbal wit and physical comedy to dizzying heights.Read more �
Friday 25 April 2014
DRAGON DAY Trailer: "The Asians are coming! The Asians are coming!!!"
Wow. How'd we miss this one?
I get that there are folks who thought the Mandarin twist in IRON MAN 3 didn't work logically, didn't see the humor in it or just would've preferred to see the magic alien rings stuff play out closer to the source. I get that. What I'll never get are the people who can't grasp why a comics-perfect translation of a character whose entire shtick is "MYAH HA HA! I AM THE FACE OF EXOTIC AND EEEEEEEEEEVIL CHINA!!!!!" just doesn't fly anymore in a mainstream movie.
But, if xenophobic paranoia about those scaaaaaary Asians taking over America is your bag? Don't worry, cameras are now cheap enough for hack propagandists to get your back. Below, the trailer for DRAGON DAYS (which somehow escaped my notice to this point) a literal, honest to goodness, no-bullshit Yellow Peril movie somehow coming out in the 21st century. Wow...
I get that there are folks who thought the Mandarin twist in IRON MAN 3 didn't work logically, didn't see the humor in it or just would've preferred to see the magic alien rings stuff play out closer to the source. I get that. What I'll never get are the people who can't grasp why a comics-perfect translation of a character whose entire shtick is "MYAH HA HA! I AM THE FACE OF EXOTIC AND EEEEEEEEEEVIL CHINA!!!!!" just doesn't fly anymore in a mainstream movie.
But, if xenophobic paranoia about those scaaaaaary Asians taking over America is your bag? Don't worry, cameras are now cheap enough for hack propagandists to get your back. Below, the trailer for DRAGON DAYS (which somehow escaped my notice to this point) a literal, honest to goodness, no-bullshit Yellow Peril movie somehow coming out in the 21st century. Wow...
Thursday 24 April 2014
6th La Fabrique des Cinémas du Monde
La Fabrique des Cinémas du Monde has been developed by working closely with the Festival de Cannes and the Marché du Film. This professional program invites every year directors and producers who develop their first or second feature film at the Festival de Cannes.
Located at the heart of Cannes Film Festival’s international village, the pavilion is a unique venue dedicated to filmmakers from Africa, Asia, Latin America, Central and Eastern Europe, and the Near and Middle East. As a platform for working and networking opportunities, it has become the place to be for artists, professionals and international institutions seeking information on world cinema during the festival.
In order to share his experience with young professionals, Walter Salles has accepted to be the patron of the 6th edition of the Fabrique des Cinémas du Monde program. He will hold a master class for directors and producers on Friday 16 May.
This year, the 10 projects selected at La Fabrique des Cinémas du Monde are :
All The Dead Ones, Caetano Gotardo and Marco Dutra, Brazil
August, Armando Capó Ramos, Cuba and Costa Rica
Chedda, Damien Ounouri, Algeria
Dearest Sister, Mattie Do, Laos
Dede, Mariam Khatchvani, Georgia
La Familia, Gustavo Rondon Cordova, Venezuela
My Favorite Fabric, Gayaneh Jiji, Syria, Morocco and France
Silence of the Seashell, Kamar Ahmad, Bangladesh
The Wound, John Trengove, South Africa
Une si Longe Lettre, Angèle Diabang, Senegal
To check info about each project go official site here or go here.
Located at the heart of Cannes Film Festival’s international village, the pavilion is a unique venue dedicated to filmmakers from Africa, Asia, Latin America, Central and Eastern Europe, and the Near and Middle East. As a platform for working and networking opportunities, it has become the place to be for artists, professionals and international institutions seeking information on world cinema during the festival.
In order to share his experience with young professionals, Walter Salles has accepted to be the patron of the 6th edition of the Fabrique des Cinémas du Monde program. He will hold a master class for directors and producers on Friday 16 May.
This year, the 10 projects selected at La Fabrique des Cinémas du Monde are :
All The Dead Ones, Caetano Gotardo and Marco Dutra, Brazil
August, Armando Capó Ramos, Cuba and Costa Rica
Chedda, Damien Ounouri, Algeria
Dearest Sister, Mattie Do, Laos
Dede, Mariam Khatchvani, Georgia
La Familia, Gustavo Rondon Cordova, Venezuela
My Favorite Fabric, Gayaneh Jiji, Syria, Morocco and France
Silence of the Seashell, Kamar Ahmad, Bangladesh
The Wound, John Trengove, South Africa
Une si Longe Lettre, Angèle Diabang, Senegal
To check info about each project go official site here or go here.
Wednesday 23 April 2014
2014 Queer Palm News
A few days ago the Jury for the 5th edition of the Queer Palm at Cannes was announced with the following members.
President: Bruce LaBruce, director, Canada
Ana Margarita Albelo, director, Cuba and USA
Joao Ferreira, festival programer, Portugal
Charlotte Lipinska, film critic, France
Ricky Mastro, director, Brasil
To check info on each of the jurors go here, info available only in French up-to-today.
After all the sections did their announcements and with the possibility of a few more films in the main selection, the feature films that MAYBE will be in competition for the 2014 Queer Palm are the following that will confirm when organizers publish their selection in a different post, so this is just an advance.
Main Competition
Saint Laurent, Bertrand Bonello, France (G)
Mommy, Xavier Dolan, Canada and France (G) Not really sure BUT everyone is speculating that will have gay interest
Un Certain Regard
Party Girl, Claire Burger, Samuel Theis, Marie Amachoukeli, France (L?) Not sure BUT all LGTB sites are talking about the filmmakers and the movie
Xenia, Panos Koutras, Greece, France and Belgium (G?)
Quinzaine
Bande de Filles (Girlhood), Céline Sciamma, France (L) This is the last installment of the trilogy that started with Naissance des Pieuvres followed by Tomboy -films that had lesbian interest-, so many, including me, are speculating film will also have some lesbian interest.
Pride, Matthew Warchus, UK (LG)
Semaine de la Critique
Respire, Mélanie Laurent, France (L)
Più buio di mezzanotte (Darker that Midnight), Sebastiano Riso, Italy (Q)
If you wish to read about those films go here. As soon as organizers publish their selection will do post that will include the documentaries and short films.
President: Bruce LaBruce, director, Canada
Ana Margarita Albelo, director, Cuba and USA
Joao Ferreira, festival programer, Portugal
Charlotte Lipinska, film critic, France
Ricky Mastro, director, Brasil
To check info on each of the jurors go here, info available only in French up-to-today.
After all the sections did their announcements and with the possibility of a few more films in the main selection, the feature films that MAYBE will be in competition for the 2014 Queer Palm are the following that will confirm when organizers publish their selection in a different post, so this is just an advance.
Main Competition
Saint Laurent, Bertrand Bonello, France (G)
Mommy, Xavier Dolan, Canada and France (G) Not really sure BUT everyone is speculating that will have gay interest
Un Certain Regard
Party Girl, Claire Burger, Samuel Theis, Marie Amachoukeli, France (L?) Not sure BUT all LGTB sites are talking about the filmmakers and the movie
Xenia, Panos Koutras, Greece, France and Belgium (G?)
Quinzaine
Bande de Filles (Girlhood), Céline Sciamma, France (L) This is the last installment of the trilogy that started with Naissance des Pieuvres followed by Tomboy -films that had lesbian interest-, so many, including me, are speculating film will also have some lesbian interest.
Pride, Matthew Warchus, UK (LG)
Semaine de la Critique
Respire, Mélanie Laurent, France (L)
Più buio di mezzanotte (Darker that Midnight), Sebastiano Riso, Italy (Q)
If you wish to read about those films go here. As soon as organizers publish their selection will do post that will include the documentaries and short films.
Tuesday 22 April 2014
22nd L'ACID Selection
As every year there are nine (9) films in the selection and six (6) are first feature films; 10 filmmakers (5 female and 5 male) and two (2) films are documentaries. It is a very French selection this year, which I find quite strange as usually selection includes more films from other countries.
Just in case you do not recall, L'ACID is the Association du Cinéma Indépendant pour sa Diffusion, a film directors association that promotes diffusion of independent films in movie theaters and encourages debates between authors and audience for the last 22 years.
* Brooklyn, Pascal Tessaud, France
Cesta Ven, Petr Václav, Czech Republic
شلاط تونس Le Challat de Tunis, Ben Hania Kaouther, Tunisa, France, Canada, UAE
La Fille et le Fleuve, Aurélia Georges, France
* Mercuriales, Virgil Vernier, Farnce
* New Territories, Fabianny Deschamps, China and France
* Qui Vive, Marianne Tardieu, France
Les Règles du jeu (Rules of the Game), Claudine Bories and Patrice Chagnard, France (documentary)
* Spartacus & Cassandra, Ioanis Nuguet, France (documentary)
*1st film
To check info about each film go here.
The Catalog
Just in case you do not recall, L'ACID is the Association du Cinéma Indépendant pour sa Diffusion, a film directors association that promotes diffusion of independent films in movie theaters and encourages debates between authors and audience for the last 22 years.
* Brooklyn, Pascal Tessaud, France
Cesta Ven, Petr Václav, Czech Republic
شلاط تونس Le Challat de Tunis, Ben Hania Kaouther, Tunisa, France, Canada, UAE
La Fille et le Fleuve, Aurélia Georges, France
* Mercuriales, Virgil Vernier, Farnce
* New Territories, Fabianny Deschamps, China and France
* Qui Vive, Marianne Tardieu, France
Les Règles du jeu (Rules of the Game), Claudine Bories and Patrice Chagnard, France (documentary)
* Spartacus & Cassandra, Ioanis Nuguet, France (documentary)
*1st film
To check info about each film go here.
The Catalog
Saturday 19 April 2014
Thursday 17 April 2014
Clint Eastwood's "JERSEY BOYS" Trailer
Has enough time passed that the public has agreed to just let Clint Eastwood's weird "Invisible Obama" thing at the RNC fade from memory? I hope so, because he remains an interesting presence of the film landscape and appears to have decided that he's simply not going to stop making movies. His latest is a feature adaptation of the stage musical about Frankie Valli & The Four Seasons:
Tuesday 15 April 2014
67th Festival de Cannes News
I was waiting for fest organizers to unveil poster to share all the fest available news before next Thursday when the Official Selection will be announced but poster was so stunning that gave a post just to talk about it. So here are the fest news up to today.
Main Selection
This year the festival jury has a woman as president and is none other than Jane Campion that has a long history with the festival, starting by being the ONLY female director to have won the Palme d'Or for The Piano in 1993, being the unique double of also wining the Short Film Palme d'Or for Peel in 1986, to last year winning the Carrosse d'Or given by La Société des réalisateurs de films and was The Cinéfondation and Short Films Jury President. Her Cannes story continues with having her first feature film, Sweetie, screened in Competion as well as her film Bright Star and being part of great collective adventure of To Each His Own Cinema.
Thierry Frémaux says: “We are immensely proud that Jane Campion has accepted our invitation. Following on from Michèle Morgan, Jeanne Moreau, Françoise Sagan, Isabelle Adjani, Liv Ullmann and Isabelle Huppert in 2009, she is the latest distinguished name to grace a prestigious roster of female Presidents. Coming from a country and indeed a continent where film is a rare but powerful phenomenon, she is one of those directors who perfectly embody the idea that you can make films as an artist and yet still appeal to a worldwide public. And we are confident that her exacting approach will be mirrored by her Jury.”
On other news we already know one film that is in the Official Selection and next Thursday we will learn if is In or Out of Competition, Grace of Monaco by Olivier Dahan. Unfortunately the film is plagued with very bad news that start with Grace family not approving the film and go to a terrible fight between the director Olivier Dahan and the US distributor (yep, Weinstein). They are fighting with what to include in the final cut, so I'm wondering what will be shown in Cannes: the director's cut or the US distributor cut? I just hope that French distributor Gaumont allows Dahan to make the movie he envisioned and that version is the one shown in Cannes. Sigh. If you do not remember the director let me remind you that he became quite famous thanks to his 2007 film La Vie en Rose with Marion Cotillard in the role that gave her the Best Actress Oscar in 2008.
Un Certain Regard
Another movie that we already know will be in the Official selection is Party Girl a first film written and directed by Marie Amachoukeli, Claire Burger and Samuel Theis, a film that will open the Un Certain Regard section.
Party Girl shows the life of Angélique, a 60 year-old night club hostess who still loves men and enjoys partying, but now as the senior member on staff, feels she has reached the end of the line. On an impulse, she agrees to marry her regular client, Michel. The film is a portrait of a free woman who has chosen to live on the margins of conventional society, and delves deep into a France that is often underrepresented. With total realism, the lead role is played by the real-life Angélique.
On other section news, it was announced that none other than Pablo Trapero is the Jury President that will choose a winner among some 20 films that will be announced next Thursday. After learning this honor he commented:
“I am very proud to serve as President of the Jury for Un Certain Regard. Proud to take part in another way in the adventure in Cannes. Un Certain Regard, where I have presented three of my films, is always a very exciting selection. It brings us grand masters, promising young talent, new countries and new forms of cinema.”
Pablo Trapero was born in Argentina in 1971. His first feature film Mundo Grúa received the Critics’ Award at the Venice Film Festival in 1999. His second, El Bonaerense, was selected in 2002 at the Festival de Cannes (Un Certain Regard). In 2008, Leonera, screened in Competition at the Festival de Cannes, reveals the exceptional talent of actress Martina Gusman (his wife). Carancho (2010) and Elefante blanco (2012), critically acclaimed internationally, were both presented in Un Certain Regard.
Cinéfondation and Short Films
The 2014 Cinéfondation and Short Films Jury will be presided by Abbas Kiarostami (Iran), supported by directors Noémie Lvovsky (France), Daniela Thomas (Brazil), Mahamat-Saleh Haroun (Chad), and Joachim Trier (Norway). They will be tasked with awarding three prizes to films submitted by students from film schools the world over, which will be presented in the Cinéfondation Selection, to be announced at a later date. The Jury will also decide the Short Film Palm d’Or to be awarded at the prize-giving ceremony on Saturday 24th May.
Abbas Kiarostami, the Iranian director and screenwriter, is one of the greatest directors of contemporary cinema. After rising to international fame with Où est la maison de mon ami ? (1987), Abbas Kiarostami has since presented a number of his films at the Festival de Cannes, including five in Competition: Through the Olive Trees (1994), Taste of Cherry (Palme d’or 1997), Ten (2002), Certified Copy (2010) and Like Someone in Love (2012). He is also known for his photography work. He has been interested in the Cinéfondation since its creation in 1998, when he agreed to be a patron of the project alongside Martin Scorsese.
Other News
This is the last year that Gilles Jacob is the president of the festival and he will leave the post effective July 1st, 2014, but he will remain as Honorary President of the Festival . If you were expecting -as many did- Thierry Frémauxto be named the new festival president, well you will be disappointed as the honor (and work) went to Pierre Lescure. In twitter Frémaux commented that he was NOT interested in the top post and somehow I believe him as his work as General Delegate is less "political" and more about what we all love: the movies.
The Master of Ceremonies of the 67th Festival de Cannes is Lambert Wilson who will welcome President Jane Campion and her jury on to the stage at the Palais des Festivals during the festival opening ceremony and will host the award ceremony on Saturday May 24th. Wilson’s predecessors in this role include Audrey Tautou, who enchanted the audience last year, Vincent Cassel (2006) and Edouard Baer (2008 and 2009).
The epitome of elegance, this multi-talented artist who describes himself as a "sociable hermit", divides his time between the theatre, the cinema and singing. In film he has excelled in the most eclectic variety of roles, crossing over easily from humour to thrillers, and from art-house to romcoms. He has worked with some of the great names in French cinema, from André Téchiné to Benoît Jacquot, and from Bertrand Tavernier to Alain Resnais.
On the very light news the amfAR, against Sida foundation founded by Elizabeth Taylor, yearly gala will take place on May 22 at Eden Roc with Sharon Stone, Carla Bruni-Sarkozy and John Travolta as co-Presidents. Music/entertainment by Lana Del Rey, Robin Thicke and Aloe Blacc. Ah! Indian press claims Aishwarya Rai will be in Cannes for amfAR gala, sigh.
Main Selection
This year the festival jury has a woman as president and is none other than Jane Campion that has a long history with the festival, starting by being the ONLY female director to have won the Palme d'Or for The Piano in 1993, being the unique double of also wining the Short Film Palme d'Or for Peel in 1986, to last year winning the Carrosse d'Or given by La Société des réalisateurs de films and was The Cinéfondation and Short Films Jury President. Her Cannes story continues with having her first feature film, Sweetie, screened in Competion as well as her film Bright Star and being part of great collective adventure of To Each His Own Cinema.
Thierry Frémaux says: “We are immensely proud that Jane Campion has accepted our invitation. Following on from Michèle Morgan, Jeanne Moreau, Françoise Sagan, Isabelle Adjani, Liv Ullmann and Isabelle Huppert in 2009, she is the latest distinguished name to grace a prestigious roster of female Presidents. Coming from a country and indeed a continent where film is a rare but powerful phenomenon, she is one of those directors who perfectly embody the idea that you can make films as an artist and yet still appeal to a worldwide public. And we are confident that her exacting approach will be mirrored by her Jury.”
On other news we already know one film that is in the Official Selection and next Thursday we will learn if is In or Out of Competition, Grace of Monaco by Olivier Dahan. Unfortunately the film is plagued with very bad news that start with Grace family not approving the film and go to a terrible fight between the director Olivier Dahan and the US distributor (yep, Weinstein). They are fighting with what to include in the final cut, so I'm wondering what will be shown in Cannes: the director's cut or the US distributor cut? I just hope that French distributor Gaumont allows Dahan to make the movie he envisioned and that version is the one shown in Cannes. Sigh. If you do not remember the director let me remind you that he became quite famous thanks to his 2007 film La Vie en Rose with Marion Cotillard in the role that gave her the Best Actress Oscar in 2008.
Un Certain Regard
Another movie that we already know will be in the Official selection is Party Girl a first film written and directed by Marie Amachoukeli, Claire Burger and Samuel Theis, a film that will open the Un Certain Regard section.
Party Girl shows the life of Angélique, a 60 year-old night club hostess who still loves men and enjoys partying, but now as the senior member on staff, feels she has reached the end of the line. On an impulse, she agrees to marry her regular client, Michel. The film is a portrait of a free woman who has chosen to live on the margins of conventional society, and delves deep into a France that is often underrepresented. With total realism, the lead role is played by the real-life Angélique.
On other section news, it was announced that none other than Pablo Trapero is the Jury President that will choose a winner among some 20 films that will be announced next Thursday. After learning this honor he commented:
“I am very proud to serve as President of the Jury for Un Certain Regard. Proud to take part in another way in the adventure in Cannes. Un Certain Regard, where I have presented three of my films, is always a very exciting selection. It brings us grand masters, promising young talent, new countries and new forms of cinema.”
Pablo Trapero was born in Argentina in 1971. His first feature film Mundo Grúa received the Critics’ Award at the Venice Film Festival in 1999. His second, El Bonaerense, was selected in 2002 at the Festival de Cannes (Un Certain Regard). In 2008, Leonera, screened in Competition at the Festival de Cannes, reveals the exceptional talent of actress Martina Gusman (his wife). Carancho (2010) and Elefante blanco (2012), critically acclaimed internationally, were both presented in Un Certain Regard.
Cinéfondation and Short Films
The 2014 Cinéfondation and Short Films Jury will be presided by Abbas Kiarostami (Iran), supported by directors Noémie Lvovsky (France), Daniela Thomas (Brazil), Mahamat-Saleh Haroun (Chad), and Joachim Trier (Norway). They will be tasked with awarding three prizes to films submitted by students from film schools the world over, which will be presented in the Cinéfondation Selection, to be announced at a later date. The Jury will also decide the Short Film Palm d’Or to be awarded at the prize-giving ceremony on Saturday 24th May.
Abbas Kiarostami, the Iranian director and screenwriter, is one of the greatest directors of contemporary cinema. After rising to international fame with Où est la maison de mon ami ? (1987), Abbas Kiarostami has since presented a number of his films at the Festival de Cannes, including five in Competition: Through the Olive Trees (1994), Taste of Cherry (Palme d’or 1997), Ten (2002), Certified Copy (2010) and Like Someone in Love (2012). He is also known for his photography work. He has been interested in the Cinéfondation since its creation in 1998, when he agreed to be a patron of the project alongside Martin Scorsese.
Other News
This is the last year that Gilles Jacob is the president of the festival and he will leave the post effective July 1st, 2014, but he will remain as Honorary President of the Festival . If you were expecting -as many did- Thierry Frémauxto be named the new festival president, well you will be disappointed as the honor (and work) went to Pierre Lescure. In twitter Frémaux commented that he was NOT interested in the top post and somehow I believe him as his work as General Delegate is less "political" and more about what we all love: the movies.
The Master of Ceremonies of the 67th Festival de Cannes is Lambert Wilson who will welcome President Jane Campion and her jury on to the stage at the Palais des Festivals during the festival opening ceremony and will host the award ceremony on Saturday May 24th. Wilson’s predecessors in this role include Audrey Tautou, who enchanted the audience last year, Vincent Cassel (2006) and Edouard Baer (2008 and 2009).
The epitome of elegance, this multi-talented artist who describes himself as a "sociable hermit", divides his time between the theatre, the cinema and singing. In film he has excelled in the most eclectic variety of roles, crossing over easily from humour to thrillers, and from art-house to romcoms. He has worked with some of the great names in French cinema, from André Téchiné to Benoît Jacquot, and from Bertrand Tavernier to Alain Resnais.
On the very light news the amfAR, against Sida foundation founded by Elizabeth Taylor, yearly gala will take place on May 22 at Eden Roc with Sharon Stone, Carla Bruni-Sarkozy and John Travolta as co-Presidents. Music/entertainment by Lana Del Rey, Robin Thicke and Aloe Blacc. Ah! Indian press claims Aishwarya Rai will be in Cannes for amfAR gala, sigh.
67th Festival de Cannes Poster
There are many news about the festival but the most important is that in two days, next Thursday, the selection will be announced and the Cannes yearly event will start full force as many, including me, are speculating that this year the selection will have "great" movies.
Today the festival poster was released to my great pleasure as yes I love iconic Marcello Mastroianni and most of all one of my most admired movies is none other than 8 1/2 by master filmmaker Federico Fellini. The poster is a beauty to my eyes that shows us Marcello in one of his particular looks to camera in Fellini's 8 1/2.
What follows is the story of how the poster came to life.
Hervé Chigioni and his graphic designer Gilles Frappier have based the poster design for the 67th Festival de Cannes on a photogram taken from Federico Fellini’s 8½, which was presented in the Official Selection in 1963.
In Marcello Mastroianni and Federico Fellini, we celebrate a cinema that is free and open to the world, acknowledging once again the artistic importance of Italian and European cinema through one of its most stellar figures.
“The way he looks at us above his black glasses draws us right in to a promise of global cinematographic happiness,” explains the poster’s designer. “The happiness of experiencing the Festival de Cannes together.”
In his films, Marcello Mastroianni continued to encapsulate everything that was most innovative, nonconformist and poetic about cinema. On seeing the poster for the first time, Chiara Mastroianni, the actor’s daughter, said simply: “I am very proud and touched that Cannes has chosen to pay tribute to my father with this poster. I find it very beautiful and modern, with a sweet irony and a classy sense of detachment. It’s really him through and through!”
The Festival de Cannes thanks Gaumont, which owns the rights to the film. The 2014 Festival poster is signed Lagency / Taste, Paris. The graphic charter of the 2014 Festival was designed by Bronx, Paris.
For your pleasure and mine, take a look at the movie scene that gave life to the poster; scene show us Mastroianni and Claudia Cardinale.
Today the festival poster was released to my great pleasure as yes I love iconic Marcello Mastroianni and most of all one of my most admired movies is none other than 8 1/2 by master filmmaker Federico Fellini. The poster is a beauty to my eyes that shows us Marcello in one of his particular looks to camera in Fellini's 8 1/2.
What follows is the story of how the poster came to life.
Hervé Chigioni and his graphic designer Gilles Frappier have based the poster design for the 67th Festival de Cannes on a photogram taken from Federico Fellini’s 8½, which was presented in the Official Selection in 1963.
In Marcello Mastroianni and Federico Fellini, we celebrate a cinema that is free and open to the world, acknowledging once again the artistic importance of Italian and European cinema through one of its most stellar figures.
“The way he looks at us above his black glasses draws us right in to a promise of global cinematographic happiness,” explains the poster’s designer. “The happiness of experiencing the Festival de Cannes together.”
In his films, Marcello Mastroianni continued to encapsulate everything that was most innovative, nonconformist and poetic about cinema. On seeing the poster for the first time, Chiara Mastroianni, the actor’s daughter, said simply: “I am very proud and touched that Cannes has chosen to pay tribute to my father with this poster. I find it very beautiful and modern, with a sweet irony and a classy sense of detachment. It’s really him through and through!”
The Festival de Cannes thanks Gaumont, which owns the rights to the film. The 2014 Festival poster is signed Lagency / Taste, Paris. The graphic charter of the 2014 Festival was designed by Bronx, Paris.
For your pleasure and mine, take a look at the movie scene that gave life to the poster; scene show us Mastroianni and Claudia Cardinale.
Sunday 13 April 2014
"DOFP" Action Scene Has Mutant Power to Deflate Your Expectations
The emerging coolness of certain viral marketing sites had lulled me into a false sense of thinking that maybe X-MEN: DAYS OF FUTURE PAST might be a better movie than it's looked like up to this point. So thank you, MTV Movie Awards, for debuting this actual scene from the film to bring me back down to Earth:
Aaaaah. People in interchangable black club-wear running through hazy underlit hallways. Bryan Singer, ladies and gentlemen: For some reason, we decided he was an action director.
Aaaaah. People in interchangable black club-wear running through hazy underlit hallways. Bryan Singer, ladies and gentlemen: For some reason, we decided he was an action director.
Friday 11 April 2014
Here's Where To Find MOVIEBOB At PAXEast 2014
Hey guys!
I'll probably be out and about at PAX and surrounding areas starting around 1-2pm on Friday, so please feel free to stop, say hi, take a picture, buy a book, whatever. I'm also scheduled to appear on two panels, as follows:
WHAT YOU CAN DO TO END BILE AND HATRED IN GAMES CULTURE
Friday, 7:30pm in Albatross Theater
GAMES SO BAD THEY'RE GOOD
Saturday, 6:00pm in BumbleBee Theater
I'll also likely be tweeting likely the whole time, so if you're not already following @The_MovieBob you should probably start.
I'll probably be out and about at PAX and surrounding areas starting around 1-2pm on Friday, so please feel free to stop, say hi, take a picture, buy a book, whatever. I'm also scheduled to appear on two panels, as follows:
WHAT YOU CAN DO TO END BILE AND HATRED IN GAMES CULTURE
Friday, 7:30pm in Albatross Theater
GAMES SO BAD THEY'RE GOOD
Saturday, 6:00pm in BumbleBee Theater
I'll also likely be tweeting likely the whole time, so if you're not already following @The_MovieBob you should probably start.
Thursday 10 April 2014
Manic Pixie Dream God
"What would you do if something challenged your scientific beliefs?" Um... I dunno, maybe point out that there's no such thing as a "scientific belief?"
Looks like this might be a good year for the Smart Movies With Stupid Premises subgenre of science fiction. First up is Wally Pfister's "TRANSCENDENCE," which thus far looks like nothing so much as a preemptive anti-Singularity hit-piece ("Don't let the smart people become TOO smart!!! It might not work out so well for the normals!!!" Heaven forbid...)
Now we have the trailer for "I, ORIGINS" (just wait till you see how the title is actually a pun,) Mike Cahill's follow-up to "ANOTHER EARTH." It's yet another movie about a dorky, introverted nerd (Michael Pitt) whose life is turned upside-down for the better by a whirlwind romance with a quirky, flighty, spin-dancing-for-no-reason, Zooey-Deschanel-as-a-Portland-area-kindergarten-teacher dreamgirl (Astrid Berges-Frisbey.) The nominal twist this time? Instead of coaxing our dweeb hero out of his introversion or giving him the confidence to finally finish that novel/play/startup, Organic Food-Truck Tinkerbell cures him of atheism.
No, for real. That's apparently our premise this time: Pitt is an evolutionary biologist specializing in the human eye, who's grand ambition is to explode for once and for all the popular Creationist assertion that the complexities of the eye are evidence for Intelligent Design. But after getting good n' Garden-State'd by Burning Man Barbie ("Why are you working so hard to disprove God??"), he's chasing mystical albino peacocks to India because hey, maybe reincarnation is a thing.
Looks like this might be a good year for the Smart Movies With Stupid Premises subgenre of science fiction. First up is Wally Pfister's "TRANSCENDENCE," which thus far looks like nothing so much as a preemptive anti-Singularity hit-piece ("Don't let the smart people become TOO smart!!! It might not work out so well for the normals!!!" Heaven forbid...)
Now we have the trailer for "I, ORIGINS" (just wait till you see how the title is actually a pun,) Mike Cahill's follow-up to "ANOTHER EARTH." It's yet another movie about a dorky, introverted nerd (Michael Pitt) whose life is turned upside-down for the better by a whirlwind romance with a quirky, flighty, spin-dancing-for-no-reason, Zooey-Deschanel-as-a-Portland-area-kindergarten-teacher dreamgirl (Astrid Berges-Frisbey.) The nominal twist this time? Instead of coaxing our dweeb hero out of his introversion or giving him the confidence to finally finish that novel/play/startup, Organic Food-Truck Tinkerbell cures him of atheism.
No, for real. That's apparently our premise this time: Pitt is an evolutionary biologist specializing in the human eye, who's grand ambition is to explode for once and for all the popular Creationist assertion that the complexities of the eye are evidence for Intelligent Design. But after getting good n' Garden-State'd by Burning Man Barbie ("Why are you working so hard to disprove God??"), he's chasing mystical albino peacocks to India because hey, maybe reincarnation is a thing.
I'm On This Podcast So Watch This Podcast
ALSO: If you've noticed that there have been slightly less-frequent updates to this main blog this week, it's because I'm now part of The Escapist's news team; so a lot of movie-news and trailer stuff I might otherwise have been tossing up here have instead become news posts there. If you'd like to stay current, here's a handy link to ALL of my posts, shows and articles on the site.
Wednesday 9 April 2014
2014 Cinéfondation News - Update
Update with the 2014 Livre of Projects at post bottom. Enjoy!
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4/2/14
Created in 1998 and devoted to the search for new talent, the Cinéfondation selects fifteen to twenty short and medium-length films each year from film schools all over the world. The Cinéfondation selection forms part of the Official Selection and the selected films are presented to the Cinéfondation and Shorts Jury which awards a prize to the best three at an official ceremony.
As we know the Cinéfondation and Shorts Jury President is none other than Abbas Kiarostami supported by directors Noémie Lvovsky (France), Daniela Thomas (Brazil), Mahamat-Saleh Haroun (Chad), and Joachim Trier(Norway). I expect the selection to be announced as part of the official selection.
La Résidence
The Residence offers its laureates the opportunity of devoting themselves to the writing of their feature films in a privileged setting in the heart of Paris. Over the four and a half months of their stay at the Residence, every filmmaker is accompanied in the development of his or her script, and advised in the transition to production.
This year the 28th Session began on March 3 and will end on July 15 and these are the participants.
Caetano Gotardo, Brazil
At the Résidence, he is developing the project Todos os mortos, which will be directed in collaboration with Marco Dutra, the story of the decline of a family at the beginning of the 20th Century in São Paulo, narrated from the point of view of its three women.
Gudmundur Gudmudsson, Iceland
Gudmundur is developing his first feature film Hearstone. The film is set in the beautiful but harsh nature of Iceland and tells a story of strong friendship between two young boys growing up in a fishing village. Thor is in love with a girl in the village and his best friend Christian helps him win her heart over, but in the process finds himself falling for Thor.
Sam Holst, Australia
While in residence at the Cinéfondation Holst will develop original feature screenplay Last Autumn: In the final months of 1999, when his wife falls ill and must move to hospital for treatment a father is left to care for his two young sons by himself.
Marcelo Marinessi, Paraguay
He is currently developing his first feature film set in Asunción, based on the experiences of a 60 year old woman as she is forced to abandon the comfort of her petit bourgeois existence.
Marcela Saïd, Chile
Her new film project, Small Talk, participated in the Sundance Institute Screenwriters Lab this past January. Small Talk is a film about a married woman, a silent victim of psychological violence, who starts a strange relationship with a riding instructor and former colonel with a suspicious and dark past.
Katarina Stankovic, Serbia
Katarina is currently developing her first feature film Against The Day based on true events from recent Serbian history where parallel worlds and times intersect.
The Opening Shot Prize is attributed every year to the best script of the last two sessions and it is awarded to the French partner of the film project.
L'Atelier
In 2005, the Festival gave the Cinéfondation the task of organizing L'Atelier, a new step in its action to promote the creation of new works. Each year, L'Atelier selects about fifteen feature length projects from around the world, and invites their directors to the Festival de Cannes in order to put them in contact with film professionals.
The filmmakers are selected according to the quality of their project and that of their previous films, as well as on the state of progress of their finance plan. The program will enable them to gain access to international financing and speed up the production process.
This year selection includes the following projects.
A Yellow Bird, K. Rajagopal, Singapore and France
Aliyushka, Adilkhan Yerzhanov, Netherlands, Kazakhstan and France
Ce Sentiment de l'ete, Mikhael Hers, France and Germany
Dogs, Bogdan Mirica, Romania and France
In The Shade of The Trees, Matias Rojas Valencia, Chile
Invisible, Pablo Giorgelli, Argentine and France
Oil On Water, Newton Aduaka, Nigeria and France
Ruta Salvatge, Marc Recha, Spain and France
Saudade, Antonio Mendez Esparza, Brazil, Spain and France
Tabija, Igor Drljaca, Bosnia and Herzegovina
Territoria, Nora Martirosyan, Armenia and France
The Darkness, Daniel Castro Zimbron, Mexico
To All Naked Men, Bassam Chekhes, Turkey and France
Ville-Marie, Guy Edoin, Canada
White Sun, Deepak Rauniyar, Nepal, Netherlands and USA
To read information about each project go here.
Here is the Book of Projects for 2014.
---///---
4/2/14
Created in 1998 and devoted to the search for new talent, the Cinéfondation selects fifteen to twenty short and medium-length films each year from film schools all over the world. The Cinéfondation selection forms part of the Official Selection and the selected films are presented to the Cinéfondation and Shorts Jury which awards a prize to the best three at an official ceremony.
As we know the Cinéfondation and Shorts Jury President is none other than Abbas Kiarostami supported by directors Noémie Lvovsky (France), Daniela Thomas (Brazil), Mahamat-Saleh Haroun (Chad), and Joachim Trier(Norway). I expect the selection to be announced as part of the official selection.
La Résidence
The Residence offers its laureates the opportunity of devoting themselves to the writing of their feature films in a privileged setting in the heart of Paris. Over the four and a half months of their stay at the Residence, every filmmaker is accompanied in the development of his or her script, and advised in the transition to production.
This year the 28th Session began on March 3 and will end on July 15 and these are the participants.
Caetano Gotardo, Brazil
At the Résidence, he is developing the project Todos os mortos, which will be directed in collaboration with Marco Dutra, the story of the decline of a family at the beginning of the 20th Century in São Paulo, narrated from the point of view of its three women.
Gudmundur Gudmudsson, Iceland
Gudmundur is developing his first feature film Hearstone. The film is set in the beautiful but harsh nature of Iceland and tells a story of strong friendship between two young boys growing up in a fishing village. Thor is in love with a girl in the village and his best friend Christian helps him win her heart over, but in the process finds himself falling for Thor.
Sam Holst, Australia
While in residence at the Cinéfondation Holst will develop original feature screenplay Last Autumn: In the final months of 1999, when his wife falls ill and must move to hospital for treatment a father is left to care for his two young sons by himself.
Marcelo Marinessi, Paraguay
He is currently developing his first feature film set in Asunción, based on the experiences of a 60 year old woman as she is forced to abandon the comfort of her petit bourgeois existence.
Marcela Saïd, Chile
Her new film project, Small Talk, participated in the Sundance Institute Screenwriters Lab this past January. Small Talk is a film about a married woman, a silent victim of psychological violence, who starts a strange relationship with a riding instructor and former colonel with a suspicious and dark past.
Katarina Stankovic, Serbia
Katarina is currently developing her first feature film Against The Day based on true events from recent Serbian history where parallel worlds and times intersect.
The Opening Shot Prize is attributed every year to the best script of the last two sessions and it is awarded to the French partner of the film project.
L'Atelier
In 2005, the Festival gave the Cinéfondation the task of organizing L'Atelier, a new step in its action to promote the creation of new works. Each year, L'Atelier selects about fifteen feature length projects from around the world, and invites their directors to the Festival de Cannes in order to put them in contact with film professionals.
The filmmakers are selected according to the quality of their project and that of their previous films, as well as on the state of progress of their finance plan. The program will enable them to gain access to international financing and speed up the production process.
This year selection includes the following projects.
A Yellow Bird, K. Rajagopal, Singapore and France
Aliyushka, Adilkhan Yerzhanov, Netherlands, Kazakhstan and France
Ce Sentiment de l'ete, Mikhael Hers, France and Germany
Dogs, Bogdan Mirica, Romania and France
In The Shade of The Trees, Matias Rojas Valencia, Chile
Invisible, Pablo Giorgelli, Argentine and France
Oil On Water, Newton Aduaka, Nigeria and France
Ruta Salvatge, Marc Recha, Spain and France
Saudade, Antonio Mendez Esparza, Brazil, Spain and France
Tabija, Igor Drljaca, Bosnia and Herzegovina
Territoria, Nora Martirosyan, Armenia and France
The Darkness, Daniel Castro Zimbron, Mexico
To All Naked Men, Bassam Chekhes, Turkey and France
Ville-Marie, Guy Edoin, Canada
White Sun, Deepak Rauniyar, Nepal, Netherlands and USA
To read information about each project go here.
Here is the Book of Projects for 2014.
Tuesday 8 April 2014
Monday 7 April 2014
In Case You Were Wondering, Janeway is STILL The Worst Captain (UPDATED)
There are two kinds of people in the world: Thinkers and Believers.
UPDATE: That is, in fact, Kate Mulgrew's voice narrating the pro-geocentrism documentary bankrolled by anti-semitic Holocaust-denying Christian Fundamentalist Robert Sungenis, but apparently she was mislead into the voiceover work.
\
Man, but that's sad. I know not everyone gets to have the post-Captain career of Shatner or Patrick Stewart, but GEEZ... you don't see Sisko doing this shit...
UPDATE: That is, in fact, Kate Mulgrew's voice narrating the pro-geocentrism documentary bankrolled by anti-semitic Holocaust-denying Christian Fundamentalist Robert Sungenis, but apparently she was mislead into the voiceover work.
\
Man, but that's sad. I know not everyone gets to have the post-Captain career of Shatner or Patrick Stewart, but GEEZ... you don't see Sisko doing this shit...
Sunday 6 April 2014
8th Asian Film Award Winners
A few days back the Asian Film Awards Academy had their award ceremony and the big winner is none other than the Grandmaster by extraordinary filmmaker Won Kar-wai by collecting seven awards including best picture, best director, best actress and more.
Really regret that excellent actor Tony Leung (still consider him THE best actor in the world) didn't got an honor BUT do not mind that Irfan Khan received the award as he gave us a great performance in The Lunchbox.
Winners are in *BLUE. If you wish to learn winners in all categories please go official site here.
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2/17/14
On February 11 the Asian Film Awards Academy announced its establishment as the official organizer of the annual Asian Film Awards. To remind you readers, during the past seven years the awards were organized by the Hong Kong International Film Festival Society.
The newly established Academy will be based in Hong Kong and is chaired by Dr. Wilfred Wong Ying-wai, who is also the chairman of the Hong Kong International Film Festival Society. Committee members include Mr. Lee Yong-kwan, Director of the Busan International Film Festival in South Korea, and Mr. Yasushi Shiina, Director General of the Tokyo International Film Festival and TIFFCOM market from Japan.
The AFA Academy also announced that the 8th Asian Film Awards will be presented by an innovative collaboration with Asia’s leading integrated entertainment resort City of Dreams Macau. The award ceremony will be held on March 27, 2014 at the state-of-the-art Dancing Water Theater, home to the world’s largest water-based extravaganza “The House of Dancing Water”.
Wong Kar-wai's The Grandmaster leads the nominations with 11 nominations and to check nominees in all categories please go here or here.
Best Film
無人區 Wu ren qu (No Man's Land), Hao Ning, China
*一代宗師 Yi dai zong shi (The Grandmaster),Wong Kar-Wai, China and Hong Kong
舟を編む Fune wo amu (The Great Passage), Yûya Ishii ,Japan
Dabba (The Lunchbox), Ritesh Batra, India, France, Germany and USA
Snowpiercer, Joon-ho Bong, France, Korea and USA
郊遊 Jiao you (Stray Dogs), Ming-liang Tsai, France and Taiwan
Best Director
Bong Joon-ho for Snowpiercer, France, Korea and USA
Anthony Chen for Ilo Ilo, Singapore
Koreeda Hirokazu for Soshite chichi ni naru (Like Father, Like Son), Japan
Tsai Ming-liang for Jiao you (Stray Dogs), France and Taiwan
*Wong Kar-wai for Yi dai zong shi (The Grandmaster), China and Hong Kong
Best Actress
Eugene Domingo in Barber's Tales, Philippines
Han Hyo-joo in Cold Eyes, South Korea
Paw Hee Ching in Rigor Mortis, Hong Kong
Maki Yoko in The Ravine Of Goodbye, Japan
*Zhang Zi Yi in The Grandmaster, Hong Kong and China
Best Actor
Fukuyama Masaharu in Like Father, Like Son, Japan
*Irrfan Khan in The Lunchbox, India
Lee Kang Sheng in Stray Dogs, France and Taiwan
Tony Leung Chiu Wai in The Grandmaster, Hong Kong and China
Song Kang-ho in The Attorney, South Korea
Jury List
Jury President: Peter Ho-Sun Chan, Hong Kong
Celebrity Jury: Donnie Yen, Hong Kong
Ronald Arguelles, Philippines
John Baldalu, Indonesia
Patricia Cheng, Hong Kong
Kenji Ichizaka, Japan
Christian Jeune, France
Eric Khoo, Singapore
Lee Yong-Kwan, South Korea
Kong Rithdee, Thailand
tien-hisang Wen, Taiwan
Jacob Wong, Hong Kong
Have seen some movies but in general believe there are some great movies that will be honored this year.
Friday 4 April 2014
22nd L'Acid News
While we have to wait until Tuesday, April 22 to learn the ACID selection with the nine (9) films that will get promotion at Cannes thanks to the join effort of CNC and SACD, we can take a look at the independent section of the festival poster.
The poster was designed by Natalia Olbinski, student at École nationale supérieure des Arts Décoratifs (EnsAD). Find poster perhaps too graphically traditional and due to the nature of the association activities poster should be a lot more with modern graphic design. Sigh.
For your information ACID is an association of film directors which, for 21 years, has been promoting the cinema distribution of independent films and encouraging debates between the authors and the audiences. The strength of ACID is its founding principle : the support given by filmmakers to other filmmakers, French or international.
ACID has had its own programme at the Cannes International Film Festival since 1993. It screens nine feature films, fiction and documentary, chosen by ACID filmmakers among hundreds of works from all around the world. ACID filmmakers follow their love for a film and wish to give visibility to directors whose work is scarcely distributed, in order to facilitate a theatrical release.
ACID’s Cannes programme is a long-awaited meeting for distributors, film programmers and international festivals. It allows them to see films and for ACID to rely on the programmers’ feedback to prepare the releases. The screenings, in the presence of ACID filmmakers and the films’ crews, are also open to the public and to high school students of the Provence-Alpes-Côte d’Azur region.
The films shown in Cannes are then accompanied by ACID and its filmmakers in the various stages of the theatrical release (search for distributors / promotion / programming / organization of the Q&A’s / audience research).
Among authors discovered in ACID Cannes are : Lucas Belvaux, Serge Bozon, Djinn Carrénard, Vincent Dieutre, Rachid Djaïdani, Alain Gomis, Arnaud et Jean-Marie Larrieu, Ursula Meier, Avi Mograbi, Yolande Moreau & Gilles Porte, Nicolás Pereda, Pierre Schoeller, Claire Simon…
The poster was designed by Natalia Olbinski, student at École nationale supérieure des Arts Décoratifs (EnsAD). Find poster perhaps too graphically traditional and due to the nature of the association activities poster should be a lot more with modern graphic design. Sigh.
For your information ACID is an association of film directors which, for 21 years, has been promoting the cinema distribution of independent films and encouraging debates between the authors and the audiences. The strength of ACID is its founding principle : the support given by filmmakers to other filmmakers, French or international.
ACID has had its own programme at the Cannes International Film Festival since 1993. It screens nine feature films, fiction and documentary, chosen by ACID filmmakers among hundreds of works from all around the world. ACID filmmakers follow their love for a film and wish to give visibility to directors whose work is scarcely distributed, in order to facilitate a theatrical release.
ACID’s Cannes programme is a long-awaited meeting for distributors, film programmers and international festivals. It allows them to see films and for ACID to rely on the programmers’ feedback to prepare the releases. The screenings, in the presence of ACID filmmakers and the films’ crews, are also open to the public and to high school students of the Provence-Alpes-Côte d’Azur region.
The films shown in Cannes are then accompanied by ACID and its filmmakers in the various stages of the theatrical release (search for distributors / promotion / programming / organization of the Q&A’s / audience research).
Among authors discovered in ACID Cannes are : Lucas Belvaux, Serge Bozon, Djinn Carrénard, Vincent Dieutre, Rachid Djaïdani, Alain Gomis, Arnaud et Jean-Marie Larrieu, Ursula Meier, Avi Mograbi, Yolande Moreau & Gilles Porte, Nicolás Pereda, Pierre Schoeller, Claire Simon…
Thursday 3 April 2014
53rd Semaine de la Critique News
For its 53rd edition, La Semaine de la Critique unveils its new poster, which captures the creative energy of a whole new generation of filmmakers.
Conceived by the digital agency “Les bons faiseurs“, the poster features Kate Moran, one of the stars of Rencontres d’après minuit (You and the Night), the first feature of Yann Gonzalez, discovered at La Semaine de la Critique. Posing for photographer Jean-Claude Moireau, the actress sits astride a motorbike, looking like she's ready to conquer new horizons.
Find the poster graphically very interesting and most of all, modern which is quite unusual for Cannes posters. Bravo! Let's hope the festival also surprise us with a modern and interesting poster.
The Grand Prize of this 53rd edition of the Semaine de la Critique will be presided over by British filmmaker Andrea Arnold. The Jury, made up of four international journalists, will award one of the seven feature films in competition. The winning entry will follow Fabio Grassadonia and Antonio Piazza's Salvo, winner of 2013's Grand Prize.
Andrea Arnold returns to the Semaine de la Critique, which helped her launch her early career by screening her short film Milk. Very quickly, her career took off thanks to very impressive works, revealing her talent and originality to larger audiences. Another short film, Wasp won the Oscar for best short in 2003. Her first two feature films Red Road in 2006 and Fish Tank, in which she directed Michael Fassbender in 2009, won both the Jury Prize at the Cannes Film Festival, which really cemented her reputation internationally as one of the very few women film makers to have been rewarded at Cannes. In 2011, she presented her adaptation of Emily Brontë's Wuthering Heights in the Venice International Film Festival Competition. La Semaine de la Critique is delighted to welcome such an exceptional filmmaker to reward one of the emerging artists from the competition with the Grand Prize.
La Semaine de la Critique is dedicated to bringing new filmmakers to bigger audiences, following in the footsteps of their predecessors, Chris Marker, Jean Eustache, Paul Morrissey, Ken Loach, Wong Kar-wai, Leos Carax, Arnaud Desplechin, Guillermo del Toro, Jacques Audiard, Alejandro González Iñárritu, Keren Yedaya, Quentin Dupieux and Jeff Nichols.
Join us at La Semaine de la Critique in Cannes from 15 to 23 May to discover our new selection of ten short and ten feature films; twenty new pieces of work that bear witness to the vitality of the film industry.
Conceived by the digital agency “Les bons faiseurs“, the poster features Kate Moran, one of the stars of Rencontres d’après minuit (You and the Night), the first feature of Yann Gonzalez, discovered at La Semaine de la Critique. Posing for photographer Jean-Claude Moireau, the actress sits astride a motorbike, looking like she's ready to conquer new horizons.
Find the poster graphically very interesting and most of all, modern which is quite unusual for Cannes posters. Bravo! Let's hope the festival also surprise us with a modern and interesting poster.
The Grand Prize of this 53rd edition of the Semaine de la Critique will be presided over by British filmmaker Andrea Arnold. The Jury, made up of four international journalists, will award one of the seven feature films in competition. The winning entry will follow Fabio Grassadonia and Antonio Piazza's Salvo, winner of 2013's Grand Prize.
Andrea Arnold returns to the Semaine de la Critique, which helped her launch her early career by screening her short film Milk. Very quickly, her career took off thanks to very impressive works, revealing her talent and originality to larger audiences. Another short film, Wasp won the Oscar for best short in 2003. Her first two feature films Red Road in 2006 and Fish Tank, in which she directed Michael Fassbender in 2009, won both the Jury Prize at the Cannes Film Festival, which really cemented her reputation internationally as one of the very few women film makers to have been rewarded at Cannes. In 2011, she presented her adaptation of Emily Brontë's Wuthering Heights in the Venice International Film Festival Competition. La Semaine de la Critique is delighted to welcome such an exceptional filmmaker to reward one of the emerging artists from the competition with the Grand Prize.
La Semaine de la Critique is dedicated to bringing new filmmakers to bigger audiences, following in the footsteps of their predecessors, Chris Marker, Jean Eustache, Paul Morrissey, Ken Loach, Wong Kar-wai, Leos Carax, Arnaud Desplechin, Guillermo del Toro, Jacques Audiard, Alejandro González Iñárritu, Keren Yedaya, Quentin Dupieux and Jeff Nichols.
Join us at La Semaine de la Critique in Cannes from 15 to 23 May to discover our new selection of ten short and ten feature films; twenty new pieces of work that bear witness to the vitality of the film industry.
Wednesday 2 April 2014
ANNOUNCEMENT: MovieBob Will Be At CONBRAVO 2014!
Yes, it's true - we're taking this circus to CANADA!
Details on panels, appearances, etc will be announced at a later date. Me, I'm just hoping modern Canada hasn't been over-sold to me :)
Details on panels, appearances, etc will be announced at a later date. Me, I'm just hoping modern Canada hasn't been over-sold to me :)
46th Quinzaine des Réalisateurs News
Created by the Société des réalisateurs de films (French Directors Guild) in May 1969 to aid filmmakers and contribute to their discovery by the critics and audiences alike, this parallel section of the Cannes Festival surely will surprise us this year with their selection that surely will be announced after the fest selection is announced in April 17. But while we wait lets check what the section has been doing.
Recently the Directors' Fortnight unveiled their poster and according to Edouard Waintrop there are two diametrically opposed ways to consider the poster created by Michel Welfringer, based on a photograph by Cécile Burban.
"Either we are watching a spectator making good his escape by way of the screen...a clean getaway...Or else this man is slipping into a shadow world as it represented in a certain cinema of 2014, serie noire... if the word hadn't already been patented. We will be showing both kinds this year and you will decide which you prefer. In any case, as this poster suggests, the films we are showing will usher you into a filmic dimension which, we hope, continues to be bigger than life…"
For me the poster looks more like someone trying to get into cinema from an unconventional way, forcing himself inside or without paying (its dues?). Sigh.
Soon the Carrosse d'Or winner will be announced and some of you will recall that last year the award went to Jane Campion that this year is the Festival Main Competition Jury President.
The Cannes parallel section this year will run from May 15 to 25.
Recently the Directors' Fortnight unveiled their poster and according to Edouard Waintrop there are two diametrically opposed ways to consider the poster created by Michel Welfringer, based on a photograph by Cécile Burban.
"Either we are watching a spectator making good his escape by way of the screen...a clean getaway...Or else this man is slipping into a shadow world as it represented in a certain cinema of 2014, serie noire... if the word hadn't already been patented. We will be showing both kinds this year and you will decide which you prefer. In any case, as this poster suggests, the films we are showing will usher you into a filmic dimension which, we hope, continues to be bigger than life…"
For me the poster looks more like someone trying to get into cinema from an unconventional way, forcing himself inside or without paying (its dues?). Sigh.
Soon the Carrosse d'Or winner will be announced and some of you will recall that last year the award went to Jane Campion that this year is the Festival Main Competition Jury President.
The Cannes parallel section this year will run from May 15 to 25.
New in April: Revival of the Fittest (2014)
With the possible exception of zombies and radiation-breathing monsters, everyone loves a good resurrection, right? Especially if it means a second month in a row of Netflix reviving so many great titles from expiration lists past. It's tough to beat last month's bounty, with all its returning classics and Altman movies, but April's not too shabby either. Among personal faves I'll go ahead and plug Barton Fink (review) and Chinatown (review), both of which have already received attention here but can never be watched too often (and really, if you still haven't seen Chinatown, I'm not sure why you're even finishing this sentence. Go! Stream!).
Marilyn Monroe�and musical�fans also get some love this month, with renewed doses of There's No Business Like Show Business (1954) and Gentlemen Prefer Blondes (1953), the latter representing Monroe's second collaboration with director Howard Hawks (the first�Monkey Business (1952)�is already available). That brings MM's presence on Netflix to nine titles, and Hawks' to four. And while this still leaves a serious streaming gap in the classics department, it's a step in the right direction.
You could even argue that these last couple months represent a conscious replenishment of many director and star catalogs. For instance, the returns of Titanic and The Terminator mark a beefing up of director James Cameron's filmography on the site, providing backstory for the already-streaming Terminator 2�and simultaneously adding to the presence of Arnold Schwarzenegger. Ah-nuld, who recently saw the addition of The Last Stand and Last Action Hero to Instant, can now also be spotted sprinting through The Running Man�one of the more entertaining examples of his late '80s output (and one that fits neatly between two similarly themed films, 1974's Rollerball and 2012's The Hunger Games).
Read more �
Marilyn Monroe�and musical�fans also get some love this month, with renewed doses of There's No Business Like Show Business (1954) and Gentlemen Prefer Blondes (1953), the latter representing Monroe's second collaboration with director Howard Hawks (the first�Monkey Business (1952)�is already available). That brings MM's presence on Netflix to nine titles, and Hawks' to four. And while this still leaves a serious streaming gap in the classics department, it's a step in the right direction.
A very special episode of Family Feud |
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Tuesday 1 April 2014
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