Wednesday, 29 March 2017

#Cannes2017 Visual Identity

Since last week have been impatiently waiting for the unveil of this edition visual identity and finally today the suspense ended with a pleasant surprise and a very-unpleasant shocker.  Sigh.

Let's start with the great news as none other than beautiful Claudia Cardinale is this year's cinema icon that graces the poster and the photo designers selected is a fantastic picture from an unknown photographer that only adds some mystery to the photography.  As in last year poster a color filter is applied and this year the filter is red that enhance the gold letters.  So is a "hot" combination of red and gold for a milestone anniversary.

From above writings you can tell that I like the poster as yes, I do love Claudia Cardinale from all her movies I saw in my youth. See, along with Monica Vitti, Virna Lisi, Gina Lollobrigida and  Sofia Loren, Cardinale belongs to a group of 60's Italian Cinema beauties that gave some outstanding performances in several films by very well-known master filmmakers.  My huge problem, and very-unpleasant news, is the use of photoshop to slim Cardinale.  Check the original black and white photo.

 

As some of you know, my background is advertising and yes, I know about the use of photoshop to enhance visuals and getting to the point, approve to erase the hair between arm and face plus the reduction of her skirt in a couple of places BUT what was unnecessary is to slim her waist and her legs as NONE of those elements, if left them as the original, would have interfere with the number 70 or the letters in Cannes design.  So, the later is unacceptable as does not represent the actress and reinforces the negativity around women curves and photoshop. Shame, sigh.

There is a lot of controversy and one article that gives a clue about what's happening is the one that claims to have contacted Cannes authorities to be told to contact the advertising agency, which in turn told reporters to contact Cannes authorities!  Gosh, seems no one will assume responsibility as probably there most be hundreds (or thousands) of print material already printed with "slim" Claudia and to change them means lost of thousands of money. (LOL)  It is my experience that the person from the Client (the festival) who approved the work is in trouble BUT as always happens, it is the advertising agency the one that will be blamed (lol) and perhaps even fired.

Check the following photo published by Le Huffington Post in a article here; it shows all points where photo was manipulated.



Well, enough of the bad and lets proceed with the positive.  The following is a cut and paste of the official press release.

Full of joy, freedom and daring, just like Claudia Cardinale dancing on its official poster, the 70th Festival de Cannes (17-28 May) promises a celebration in passionate red and sparkling gold.

She dances, she laughs, she lives! Who better to symbolize the next Festival than Claudia Cardinale, the image of an adventurous actress, independent woman and social activist? Throughout the 12-days festival, the spirit of openness and welcome will infuse the Croisette – as it does every year – with pictures of a world that dares to look itself in the mirror, to stand proud and to speak out.

"I am honoured and proud to be flying the flag for the 70th Festival de Cannes," says Claudia Cardinale, "and delighted with this choice of photo. It’s the image I myself have of the Festival, of an event that illuminates everything around. That dance on the rooftops of Rome was back in 1959. No one remembers the photographer’s name… I’ve also forgotten it. But this photo reminds me of my origins, and of a time when I never dreamed of climbing the steps of the world’s most famous cinema hall. Happy anniversary!"

With Monica Bellucci as Mistress of Ceremonies and Pedro Almodóvar as the President of the Jury, the Festival de Cannes will kick off on Wednesday 17 May.

The last ends the press release.  Now, what I find nice are the colorful -with a degrade that goes from hot to cold or from cold to hot- this year signatures; check the following examples to see if you agree.





To check the news at festival official site go here and what follows are the credits for the original photography, the advertising agency plus the visual identity creator and the vertical poster.

Credits
Bronx (Paris). Photo: Claudia Cardinale © Archivio Cameraphoto Epoche/Getty Images
Bronx agency (Paris) / www.bronx.fr designed the poster for the 70th Festival de Cannes.
The visual identity was created by Philippe Savoir (Filifox) / www.filifox.com.

61st David di Donatello Awards Winners

Last Monday, March 27th the Italian cinema academy had their award ceremony and Like Crazy by Paolo Virzì won top honors and a total of 5 prizes but top winners were Indivisible and Italian Race as each took 6 awards.

Roberto Benigni was honored with a special career achievement award presented by President Sergio Mattarella and Italy's Culture Minister Dario Francheschini.

To check winners in all categories go official site here.  Winners for main categories are below in *BLUE.

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2/21/17
Today the Accademia del Cinema Italiano announced at the Casa del Cinema, the nominations for the 2017 edition of the annual David di Donatello awards that honor Italian cinema.

Two films lead the pack, each with 17 nominations, Indivisibili by Edoardo De Angelis and La Pazza Gioia by Paolo Virzì followed very close by Veloce come il Vento by Matteo Rovere with 16.  Most remarkable is the two nominations for Valerio Mastandrea as Best Actor and Best Supporting Actor.

There are some films from 2016 Cannes like Sweet Dreams and Like Crazy that opened at Directors Fortnight, Fiore that also opened at the Directors sidebar and was competing for the Queer Palm, or films from 2016 Biennale like Indivisible that won several collateral awards, just to mention films from the five nominees to Best Film.

Have to confess that also in 2016 -as happened in 2015- did not watched much Italian cinema but as always occurs when doing the annual awards, and this time is no exception, some films have become relevant for me to NOT skip and surely will add a few to my film viewing too-long queue. 

Best Film
Fai bei sogni (Sweet Dreams)
Fiore
Indivisibili (Indivisible)
*La Pazza Gioa (Like Crazy)
Veloce come il vento (Italian Race)

Best European Film
Florence Foster Jenkins, Stephen Frears
*I, Daniel Blake, Ken Loach
Julieta, Pedro Almodóvar
Sing Street, John Carney
Truman, Cesc Gay

Best Foreign Film
*Nocturnal Animals, Tom Ford
Captain Fantastic, Matt Ross
Lion, Garth Davis
Paterson, Jim Jarmusch
Sully, Clint Eastwood

Best Documentary
60 - Ieri, oggi, domani, Giorgio Treves
Acqua e zucchero: Carlo Di Palma, i colori della vita, Fariborz Kamkari
*Crazy for football, Volfango de Biasi
Liberami, Federica di Giacomo
Magic Island, Marco Amenta

Best Director
Marco Bellocchio for Fai bei sogni (Sweet Dreams)
Claudio Giovannesi for Fiore
Eduardo De Angelis for Indivisibili (Indivisible)
Matteo Rovere for Veloce come il vento
*Paolo Virzì for La pazza gioia (Like Crazy)

Best New Director
Michele Vannucci for Il più grande sogno
*Marco Danieli for La ragazza del mondo (Worldly Girl)
Marco Segato for La pelle dell’orso
Fabio Guaglione and Fabio Resinaro for Mine
Lorenzo Corvino for WAX: We Are X

Best Actress
Daphne Scoccia in Fiore
Angela and Marianna Fontana in Indivisibili (Indivisible)
*Valeria Bruni Tedeschi in La pazza gioia (Like Crazy)
Micaela Ramazzotti in La pazza gioia (Like Crazy)
Matilda De Angelis in Veloce come il vento (Italian Race)

Best Supporting Actress
*Antonia Truppo in Indivisibili (Indivisible)
Valentina Carnelutti in La pazza gioia (Like Crazy)
Valeria Golino in La vita possibile
Michela Cescon in Piuma
Roberta Mattei in Veloce come il vento (Italian Race)

Best Actor
Valerio Mastandrea in Fai bei sogni (Sweet Dreams)
Michele Riondino in La ragazza del mondo (Worldly Girl)
Sergio Rubini in La stoffa dei sogni
Toni Servillo in  Le confessioni (The Confessions)
*Stefano Accorsi in Veloce come il vento (Italian Race)

Best Supporting Actor
*Valerio Mastrandrea in Fiore
Massimiliano Rossi in Indivisibili (Indivisible)
Ennio Fantastichini in La stoffa dei sogni
Pierfrancesco Favino in Le confessioni (The Confessions)
Roberto De Francesco in Le ultime cose

To check nominees in other categories go official site here, available only in Italian. For the second year the awards ceremony will be produced by Sky Cinema and broadcasted live in Sky Cinema Uno, Sky Cinema David di Donatello, Sky Uno, Sky Arte and TV8 on March 27 at 9:15pm local time; ceremony host is Alessandro Cattelan.

Video with excerpts from the five films nominated to 2017 Best Film


PODCAST 249: Blade & Tank Girl [Another 90's Comics Edition]


This week the Horror Duo conclude their exploration of 90's superhero movies. Forest shares his thoughts on the gothic, techno-rave fueled adaptation of Marvel Comics' Blade. Cory endures a flamboyant punk landscape of the futuristic dystopia that is Tank Girl.
CONTINUE READING

Tuesday, 28 March 2017

Desierto Movie Review

Desierto (2015)
Buy Desierto on Amazon Video
Written by: Jonás Cuarón, Mateo Garcia
Directed by: Jonás Cuarón
Starring: Gael García Bernal, Jeffrey Dean Morgan, Alondra Hidalgo
Rated: R

My rating is simple, Watch It, It Depends, Skip it. Read my previous movie reviews!

Plot
A vigilante attacks a group of people trying to cross the border from Mexico into the United States.

Verdict
It's not bad. It's a solid chase/thriller movie but it doesn't set itself apart either. A few contrivances nudge this to the forgettable category, despite looking at a border crossing from the immigrant's side.
It depends.

Review
Writer and director Jonás Cuarón is the son of Alphonso Cuarón, who directed Harry Potter and the  Prisoner of Azkaban (2004), Children of Men (2006), Gravity (2013).

This starts with a group of people attempting to cross the Mexico border into the U.S. Their truck breaks down and the group is split up, forced to walk. Enter Jeffrey Dean Morgan as Sam, a vigilante hunting illegals on his own.

It's already hinted that Sam doesn't think much of border patrol, and even less of illegal immigrants. The scene where Sam finds the imigrants builds tension as Sam's dog discovers the lead group. Sam goes for his rifle, and we don't know if he just wants a better look, is going to scare them, or will shoot them. It's the latter. This gets crazy as Sam picks off men, women, and children with no hesitation. Obviously this isn't his first time, but if he does this frequently, the body count would raise a lot of questions.

The rest of the movie is Sam tracking the remaining Mexicans, as they try to escape him and his killer dog. This movie is focused. It's all about the hunt, and this is almost like a horror movie with a villain that just doesn't stop. His dog also kills at will.
There's a specific scene where you can tell the dog is a prop. It's laughable, but they should have forgotten about the prop and have the action in that scene happen off screen. It looks incredibly fake.

More than a few plot points come off as contrived just to trap the survivors. A truck flips over on the only piece of ground that isn't flat. This leads to one of the final scenes is a cat and mouse game between Sam and his potential victim on a giant rock outcropping. It's kind of like when you and your sibling would chase each other around the dinner table.

The movie is trying to invoke empathy and sympathy, and while it does to a degree by appealing to human ethics, it doesn't try to be very deep or even make the characters that interesting. With this kind of genre the characters don't have to be deep, but it helps when the subject matter is divisive.

Ingobernable Season 1 Netflix Series Pilot Review

Ingobernable (2017-)
Season 1 - 15 episodes (2017

Watch Ingobernable Season 1 on Netflix
Created by: Epigmenio Ibarra, Natasha Ybarra-Klor, Veronica Velasco
Starring: Kate del Castillo, Eréndira Ibarra, Alberto Guerra, Erik Hayser
Rated: TV-MA

Plot
In this Spanish language series, when Mexico's president Diego Nava compromises his ideals, his wife Emilia Urquiza (Kate del Castillo) leaves him. When he's found dead she's the main suspect, already presumed guilty and now on the run.

Verdict
While the premise is more than a bit flimsy, the plot and pilot of this political thriller are gripping. The first lady of Mexico is on the run accused of murdering her husband, the president. Like The Fugitive (1993), she claims she didn't do it and is on the run. I've only seen the first two episodes, but I definitely want to see more. Various plot lines have potentially been setup to turn this into a far reaching conspiracy.
Watch it.

Review
This starts with a fight between the first lady and president that soon turns physical. She claims he betrayed her and the country while he accuses her of cheating, which she denies. The fight gets nasty.
The First Lady and the President.
This is the part of the show that could have been done better. This is the crux of the show and it's unclear what exactly happened. They're on a balcony during a thunderstorm. She pushes past him and the show jumps to a different scene. When we cut back to them, she wakes up holding a gun on the balcony and he's gone. I don't know what caused her to pass out. None of this is clarified until the second episode, and she doesn't really know what happened. Either way, President Diego Nava went off the balcony and landed on top of a car in spectacular fashion. I wondered if when she pushed past him, she inadvertently pushed him off the balcony, as unlikely as that is. That doesn't explain why she passed out. Did he jump off? I wasn't sure.
First Lady Emilia Urquiza peering over the balcony.
In the second episode she recounts the story to a confidant. While she doesn't know much, it helps clarify the muddled setup in the first episode. I watched that part of the first episode twice, thinking it was me. It's not. He didn't jump and she didn't push him. It's a mystery. The end result, the President was shot and thrown off the balcony. Emilia doesn't know what happened. She decides to become a fugitive. It seems like going to the secret service, who know you, and explaining the situation would be the best course of action. As beaten up as she was, self defense seems like a completely plausible claim. Why didn't she want to explain? Running is a means to an end. Though it will give the show time to develop the conspiracy, which undoubtedly will follow. That may be the only reason she ran.

While there are threads of a conspiracy, having Nava decide to jump would be a better mystery, and much clearer. There was no one else with them. The murder is a good hook, even if the set up is thin. The first lady is on a security briefing panel, so she knows how to hide the show tells us. We see how dedicated she is when she performs minor surgery on herself. As smart as she is, I don't get why she hasn't changed out of heels and a dress at the end of the second episode.
Secretary of the Interior José Barquet
We don't know how the president betrayed Emilia. They were a political power couple unaffiliated with any parties. Is the issue he allied with a party? The president may have made some back room deals. There are a lot of side characters, many introduced with very little context. Emilia's dad is a big time business man that will invariably play a part in this. Secretary of the Interior José Barquet assumes the presidency, and I have to wonder if he is a ploy or a plant. I expect this mystery to go deep, with various conspiracies clashing and factions vying for power.
The conclusion to the second episode is melodramatic with sweeping music and various characters crying. If this can avoid the drama and focus on Emilia the fugitive while developing the conspiracy, this has a lot of potential.

Get Me Roger Stone Netflix Documentary Trailer

Get Me Roger Stone (2017)
Get Me Roger Stone premieres on May 12

Roger Stone became the youngest person called before the Watergate grand jury, and his career as a master in backroom politics has intersected many momentous low points in modern political history. He's been with Donald Trump since the beginning, planting the seeds of a political run.
 
 

Santa Clarita Diet Netflix Series Season 2 Will Debut in 2018

Santa Clarita Diet (2017-)
Season 2 (2018)
Santa Clarita Diet Season 2 premieres in 2018

Drew Barrymore and Timothy Olyphant play married real estate agents Sheila and Joel Hammond whose lives take a dark turn when Barrymore's character experiences a dramatic change. She dies and develops a taste for human flesh, all while maintaining her family and business relationships.