Tuesday, 31 May 2011

BMC MOVIE OF THE WEEK: DAGON

Dagon
  • Dagon
  • Dagon - La secta del mal (2001)
The nightmares of Paul Marsh (Ezra Godden), a successful businessman, are haunted by a mermaid that neither he nor his beautiful girlfriend, Barbara (Raquel Merono), can figure out. While on a boating vacation off the Spanish shore, a sudden storm sends their sailboat crashing into the rocks, causing Paul and Barbara to paddle to the nearby fishing village for help. But the village is inhabited by a race of people who are half-human/half-fish, and the time has come for them to sacrifice humans to their monstrous leader, Dagon. Not only that, but Paul's nightmares become horrifying reality when he encounters beautiful and passionate Uxia (Macarena Gomez), the mermaid of his visions, and boy does she have a surprise for him besides the double tentacles under her skirt. – Rovi
40% want to see it

R, 1 hr. 35 min.

Director: Stuart Gordon

May 29, 2011: Sixth Sunday of Easter (Year A)

Oh sure, Stuart Gordon’s made more than a few notable B-movies (Dolls, Robot Jox, Space Truckers. No, seriously, Space Truckers, look it up.) in his time, but in the end it’s his Lovecraft inspired films (Re-Animator, From Beyond, Castle Freak) which have earned him a throng of lifetime devotees. So it was no big surprise when Gordon returned to the tentacle ridden tomes of ole H. P. again  in 2002 with Dagon, a story based mostly on The Shadow Over Innsmouth. No, the big surprise is that, after two decades of mining the same territory again and again, Dagon actually turned out to be one of the director’s best.

What Dagon manages to accomplish that other attempts at adapting Lovecraft have failed so miserably at is to capture what The Encyclopedia Cthulhiana: A Guide to Lovecraftian Horror describes as the essence of the author’s work, the cosmic horror of the unknown. That’s not to say the movie doesn’t deliver its fair share of fishy monsters and gooey puddles and the peeling off of flesh (not a scene you’re likely to forget any time soon) that one would expect to find in a Lovecraft movie, because it certainly does. But more importantly, what Dagon has in abundance is an overwhelming sense of doom for what might be coming next.

Shot on location in what has to be the oldest creepiest seaside village in all of Spain, the movie has an atmosphere so wonderfully thick you could latch onto it with a boat hook. Gordon films the town (of course) in a perpetually dark never ending downpour, and you can’t help but get a little case of the willies as the various deformed fish-men lumber and drag themselves through the shadowy waterlogged cobblestone laden back alleyways.

That doesn’t really sound like the kind of town you’d want to visit, does it? That’s why the script wisely has Barbara kidnapped almost immediately, so it gives the character of Paul good reason to stick around and explore the town even after he starts noticing gill slits on the locals and hearing the moans of "Iä! Iä! Cthulhu fhtagn!" In a way, Paul’s situation calls to mind this week’s first reading in which “Philip went down to the city of Samaria and proclaimed the Christ to them. With one accord, the crowds paid attention to what was said by Philip when they heard it and saw the signs he was doing. For unclean spirits, crying out in a loud voice, came out of many possessed people” Which might make you ask, just what kind of place was this Samaria to be so overrun with possessed people and why would Philip purposely want to spend any amount of time there?

Well, according to the Ask A Rabbi website, which seems to pretty much gel with what Josephus' reported in his Antiquities of the Jews, “The Samaritans were non-Jews brought to Israel by the Assyrians to populate the North after the exile of the Ten Tribes. They ostensibly converted to Judaism, but in reality they continued worshipping idols, save for a period when they were mistakenly considered genuine converts; hence the Samaritans were not considered Jews, neither by Jewish law nor by the Jewish people. They did not accept the Oral Tradition, which forms the overwhelming bulk of Jewish law. They also did not accept any books of the Bible except for the Pentateuch and the book of Joshua… The Samaritans often acted as enemies of the Jewish people. They tried to destroy the Temple and to inform against the Jews to Roman authorities.” So ancient Samaria was basically a place populated with psuedo-Jews with some paganistic influences which might possibly account for the high possession rate. So it’s no wonder the ancient Jews wanted nothing to do with the place.

Except for Jesus, who stubbornly kept showing up in Samaria time and time again, even when He wasn’t all that welcome (the apostles pretty much wanted to burn the place to the ground in Luke 9). So really, Philip was just following in his master’s footsteps. And so must we. Which means sometimes we have to cut off the computers and deal with unbelievers face to face, maybe even on their own hostile turf. As Pope Benedict XVI put it at the Vatican’s World Day of Communication a few months back, "Entering cyberspace can be a sign of an authentic search for personal encounters with others, provided that attention is paid to avoiding dangers such as enclosing oneself in a sort of parallel existence, or excessive exposure to the virtual world… It is important always to remember that virtual contact cannot and must not take the place of direct human contact with people at every level of our lives.” So let’s get out there and talk to people. I promise, only a handful of them are devolving into slimy fish-men.

 

Thursday, 26 May 2011

Almost Summer Movie Bits

After Cannes I was left with an entertainment mood wishing to watch only irrelevant escape films that take me into fantasy land. So that’s exactly what I have been doing with a few exceptions. But I’m also in a 3D mood so for sure will go to watch not Pirates but the green movie that soon will open at a theater near you with none other than Ryan Reynolds and a story about my favorite super hero from when I was a kid.

Unknown – If you don’t expect much then this thriller will entertain you even when story is similar to many other stories –man hits head and not even wife recognizes him- but here the twist at the end is unexpected and unfortunately anticlimactic. Starring great Liam Neeson carrying the entire film well -but take note that this is NO great Taken- plus many other great actors like Bruno Ganz, Sebastian Koch, Frank Langella, Aidan Quinn, January Jones and Diane Kruger makes movie watchable and for a while you will surely forget everything about your real life. Enjoy!

Just Go with It – Expecting not much, movie really surprised me. First because I had no idea Nicole Kidman was here and much less that she was doing comedy. Second because movie is as good/entertaining as those movies with the Sandler/Barrymore duo. Third I had fun watching Jennifer Aniston, which is absolutely unusual. So if you liked movies like The Wedding Singer and/or 50 First Dates I know you will enjoy this movie. Enjoy.

Red Ridding Hood – Perhaps I really like Catherine Hardwicke filmmaking style with spectacular outdoor compositions and takes but to my huge surprise, I enjoyed this movie for the visuals and well the unusual take on the classic fairy tale. Some female critics are saying that this movie target is female teenagers, hmm… maybe but even if I’m no teen I can tell you I enjoy watching great Julie Christie in the screen –she should act more often- and the twisted story that kept me wondering who the werewolf was. No, didn’t guessed right, so was absolutely unexpected, which is also unusual for me. This is no horror movie or thriller, is more like a suspense “who dunnit” kind of movie with spectacular visuals. Enjoy!!

Ilusiones Opticas (Optical Illusions) – When I finished watching this movie by Cristián Jiménez I said “is okay”. Not much time passed when I started to really think what I saw in the screen and then, story absolutely hit me hard, very hard. Movie is about “optical illusions” about what is crudely in front of you but you don’t chose to see it for whatever reason; so you create your fantasy to cover reality, to dream a dream of change, with a happier ending that never will be. Great story in a minimalist, narrative oriented film with some humor, some sadness, and some temporary happiness. If you decide to watch it you will not be disappointed. Enjoy!!!

Pa negre (Black Bread) - This Agustí Villaronga film tells about what lies can do to people, how one lie takes to another lie, how lies come from ignorance and from fear of what others could say if you admit truth, even when everybody else knows truth but chose to keep it silent or to forget about it, until truth comes out and everyone points fingers. Yes that’s what this entertaining movie is all about but using kids plus the harsh post-war years’ in Spain Catalan countryside makes what could have been a difficult-to-watch story into a more digestible story and an entertaining movie. Enjoy!!

Barney’s Version – Not sure what I was expecting from this movie, but surely wasn’t much as I don’t particularly like Paul Giamatti performances and much less, Scott Speedman; so when movie starts and goes to the past in Italy I almost stopped watching but decided to continue and I’m very glad as in the end, I liked this movie that tells the story of Barney Panofsky with his business successes, his female conquests –until he’s conquered by one woman- and his numerous failures. To me story and movie is a satire that pictures quite well the life of many men, a story that strongly resembles the life of many real life men that I know. An entertaining movie to escape reality while watching what could be reality to many. Enjoy!!

Ubiitsy (Killers) – This 1956 short film co directed by Andrei Tarkovsky when he was a student at VGIK absolutely is the best student film I have EVER seen. Is the last of Tarkovsky’s so reduced (11 titles) oeuvre that I had to see before I die or I decide to stop doing the blog. Now I can say that I have seen all his outstanding films and this short co directed with his student colleagues, with them acting, and with a scene with Tarkovsky acting is truly visual poetry even when is based on a short story by Hemingway about some killers that are in town to kill a man. If you love Tarkovsky’s work as much as I do, you have to watch this short film as well as the other 10 films he did. Truly Outstanding. BIG ENJOY!!!

El Sicario: Room 164 - A documentary that tells about the life (20 years) of a man as a highly trained Mexican narco hit man that will capture your attention not only because what he says but also for his multiple drawings while telling the most horrible stories of killings, kidnappings, torture and all the things he did while being trained, starting to work, becoming an expert and how he went into hiding, as now there is a contract on his life of US$250,000. You will not see a thing but you will hear everything, which I believe makes it more ice-cold terrific. Still, is mesmerizing until the very not-expected end that is totally anti-climatic and ruined the doc for me. Watch at your own risk. Enjoy!

El Infierno (Hell) – Actually watched this film before watching the above documentary and definitively was the reason why I decided to watch El Sicario as wanted to learn more about narco’s life as with this movie you get a satiric approach, which is very entertaining and definitively succeeds in getting you to think about this theme that you hardly think about it in your everyday life. As mentioned in other post, film is good as humor facilitates watching everything; but when you live or have lived in Mexico or any other country where chaos is real, film definitively is must be seen to realize that after all whatever is happening in Mexico -and many other similar countries- is consequence of many years, hundreds of years, where citizens indifference –and participation- have made everything possible as they did before, are doing today and unfortunately will continue to do tomorrow. According to what I read –and I agree- many films released for Mexico’s bicentennial celebration tell so many dark truths that makes many wonder if there is something to celebrate as “nothing has changed much” after 200 years. Enjoy!!!

Surely I’m forgetting some films, but this is it for today!

Cheers!

NOW SHOWING AT A BLOG NEAR YOU

While everyone else is gearing up for the big summer movie season, the big news around here is actually the announcement that every Thursday in June is Drive-In Double Features days on Turner Classic Movies. We’re talking movies like Tarantula, Attack Of The 50 Ft Woman, Queen of Outer Space, and many more, including a few choice Godzilla flicks. It’s just… (sniff) just… (sniff, sniff) I’m sorry, please forgive me. I promised I wouldn’t tear up when passing on this news. Just give me a moment…

Okay, I’m back. You know, as long as we’re mentioning summer blockbusters, we may as well point you to some reviews for the first one out of the gate, the big screen debut of Marvel Comic’s Thor. While the critics reactions have been mixed, the audiences have for the most part taken quite a liking to it. And the religious reaction to Thor has been pretty positive, as well. For a good sampling, take a gander at the reviews to be found at Spiritual Popcorn, The American Catholic, and Speculative Faith.

Thor is actually the only movie I’ve seen in theaters so far this year, and for me, the old school comic book approach to the story more than compensates for the movie’s flaws. The universe Thor inhabits is one where fathers are strong and wise, bad decisions have bad consequences, and women, though equal in brain and brawn to men, are treated like the ladies they are (unlike, say, the feminist approved ‘pervert whores’ taken to task by Sci-Fi author John C. Wright.). What a breath of fresh air. It might be a few years before my 8 year old is allowed to watch the latest Batman and Iron Man movies, but I’d pop in a DVD of Thor for him without thinking twice.

Which reminds me, over at the Catholic News Agency, professional musician Dan Lord has some suggestions of his own about choosing movies for your kids. Based on his criteria, I would guess taking the tykes to see the recent sex comedy Bridesmaids is out of the question. That being said, Allison from YIMCatholic still managed to find some thought provoking questions amidst all of the naughty hijinks and gross out moments one would expect from a movie made by the producers of Knocked Up. Alas, Tom Hoopes at CatholicVote.org finds no similar wisdom in actress Keira Knightley’s comments on adultery made during an interview for her latest film Last Night. But don’t worry, even if the latest round of chick flicks is letting you down, you can always revisit some old quality chick TV. Take Joe Wetterling, host of The Baptized Imagination, for instance, who recently pondered the wisdom of Buffy The Vampire Slayer’s rebound vamp Spike as he explains why the “Blood is life, lack brain.”

Now ladies, just because a lot of the links this time around were for you, don’t forget the men in your lives. With Father’s Day just around the corner, you might be looking for a special gift for that guy who has everything. Well, may we suggest a nice bottle of Crystal Lake Wine (probably not appropriate for use in mass) or perhaps some Han Solo Frozen In Carbonite Ice Cube Trays?

Well, why you’re making your mind up about that, I’ve got to get busy with more blog goofiness. So see you next time.

Wednesday, 25 May 2011

COMING ATTRACTIONS: BEYOND THE VALLEY OF THE DOLLS

In case there’s still some of you out there who weren’t aware, I take requests for reviews, many of which come in the form of challenges. Of course, that can result in something of a mixed bag. Requests have brought us everything from Santa Claus Conquers The Martians to Satisfaction to I Spit On Your Grave. That’s a pretty wide range of (questionable?) tastes. But even so, there’s still lots of different kinds of movies out there I’ve never touched on. So it was no surprise a few weeks back when an email arrived suggesting that perhaps I was playing it safe and avoiding some of the darker corners of the cult movie universe, that maybe it was time I dealt with… Russ Meyer.

Fair enough, but which one of his movies to review? Obviously, about 80% of Meyer’s oeuvre is automatically disqualified for being nothing more than soft porn. I got some standards, after all. So after going through the list, I narrowed it down to three. Now while Mudhoney contains every theme typically associated with Meyer, there’s really not much to it, so I passed. Trashmeister John Waters called Faster, Pussycat! Kill! Kill! the best movie ever made, and it is the very definition of a cult movie, but after watching it again, I actually found it pretty tame compared to the rest of the director’s output and I don’t think that’s what the requester was going for. So that pretty much left me with Beyond The Valley of the Dolls, the first collaboration between Russ and Roger Ebert.

It goes without saying this is one review that won’t be for the kiddies. Wish me luck.

Tuesday, 24 May 2011

53rd Ariel Awards

A while back the Mexican Academy had their award ceremony where the narco-themed satire El Infierno (Hell) swept the awards by winning nine top film prizes, including best picture and director. I have seen the movie -that was released under Mexico’s Bicentennial celebrations- and is a dark comedy that precisely because the humor is able to tell and show many crude “realities” about what’s happening in Mexico with the narco, the government, and perhaps most of all its citizens. It’s a film that many should watch, especially if you live in a country where citizens indifference facilitates chaos.

Here are nominations with winner in (*) BLUE for some categories.

Best Film
Abel, Diego Luna
Chicogrande, Felipe Cazals
(*) El Infierno (Hell), Luis Estrada

Best First Film
Alamar, Pedro Gonzalez Rubio
(*) Año Bisiesto (Leap Year), Michael Rowe
La Mitad del Mundo, Jaime Ruiz Ibáñez

Best Director
Diego Luna for Abel
Felipe Cazals for Chicogrande
(*) Luis Estrada for El Infierno

Best Actress
Karina Gidi in Abel, Diego Luna
(*) Mónica Del Carmen in Año Bisiesto (Leap Year), Michael Rowe
Maricel Alvares in Biutiful, Alejandro González Iñárritu
Ursula Pruneda in Las Buenas Hierbas (The Good Herbs), María Novaro

Best Actor
Javier Bardem in Biutiful, Alejandro González Iñárritu
(*) Damián Alcázar in El Infierno (Hell), Luis Estrada
Demián Bichir in Hidalgo, la Historia Jamás Contada, Antonio Serrano
Hansel Ramírez in La Mitad del Mundo, Jaime Ruiz Ibáñez

Best Iberoamerican Film
El Hombre de al Lado (The Man Next Door), Mariano Cohn and Gastón Duprat, Argentina
(* Tie) José Martí: el ojo del canario, Fernando Pérez, Cuba
(* Tie)También la lluvia (Even the Rain), Iciar Bollaín, Spain

To check nominations in all categories go here and for all winners go here.

Many were wondering why the movie that was submitted to 2011 Oscar was not even nominated in top categories, but some of us know that Mexico politics are not always clear not only in the Country but also in cinema circles. Anyway if you wish to understand better what’s going on in Mexico, then El Infierno should be must be seen for you.