#12.1 Céline Sciamma

Her second feature film, Tomboy, was screened at the 2011 Berlinale and went to win the most prestigious LGTB cinema award, the Teddy Award. Her third feature film, Bande de Filles (Girlhood) is the opening film of the 2014 Quinzaine des Réalisateurs.
Some are calling her latest film the "last in a trilogy" about childhood, teenagers as film is another youth exploration in France that also applies to many countries around the world, just like her two previous films were, and are predicting that she will probably move on to new themes (sigh). As she said in a March 2014 France Culture interview "we return to adolescence, the end of adolescence" so perhaps is true and this film is the last of her youth trilogy.
Her first feature film (there is a review here) blew my mind beyond whatever I have seen before in LGTB cinema, her second film was unexpected and disconcerted me a bit for style and substance (also has review here) so I am trying not to have expectations for her third film but I know will be controversial as a lesbian interest movie as the film theme has to be not easy to watch. But I also believe that she is one of the very few openly lesbian filmmakers that do lesbian interest cinema, that already crossed over into mainstream world audiences, actually she was never in the LGTB niche! That's how good she is as an outstanding filmmaker. I'm "dying" to see this film.
Basic Info for Bande de Filles (Girlhood)
Director: Céline Sciamma
Scripwriter: Céline Sciamma
Language: French
Runtime: 112 min
Production countries: France
Production companies: Hold Up Films, Arte France Cinéma
Plot Summary
Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of 3 free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.
The Trailer
#12.2 Lisandro Alonso

His debut film, La Libertad, was screened in Un Certain Regard at 2001 Cannes and he has been surprisingly absent until this year when his Jauja is screened also in the same section. So it's a very short history with the fest official selection but I strongly suggest you see his other films, Los Muertos, Fantasma and Liverpool that where screened at La Quinzaine des Réalisateurs to see how good he is.
Nevertheless his latest film, Jauja, has been called his "most accessible to-date" which means that will appeal to more audiences BUT after watching two short film scenes can deduce that it is not for mass-audiences as yes, found scenes absolutely beautiful, breathtaking and hypnotic! This is the first time that Alonso is working with actors as he usually works with non-actors and according to what I read seems that he was surprised on how "easy" could be to work with them.
After finally watching today the film scenes I can say that I'm "dying" to watch this film. Sigh.
Basic Info for Jauja
Director: Lisandro Alonso
Scripwriter: Lisandro Alonso, Fabian Casas
Language: Danish and Spanish
Runtime: 108 min
Production countries: Argentina, USA, Netherlands, France, Mexico, Denmark and Germany
Production companies: 4L, Perceval Pictures, Kamoli Films, Fortuna Films, Mantarraya, Wanka, The Match Factory, Les Films du Worso, Massive
Starring: Vigo Mortensen
Plot Summary
The Ancient Ones said that Jauja was a mythological land of abundance and happiness. Many expeditions tried to find the place to verify this. With time, the legend grew disproportionately. People were undoubtedly exaggerating, as they usually do. The only thing that is known for certain is that all who tried to find this earthly paradise got lost on the way.
Scenes at Cannes Official Site here.
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