Showing posts with label Ana Lily Amirpour. Show all posts
Showing posts with label Ana Lily Amirpour. Show all posts

Wednesday, 12 September 2018

The Bad Batch (2016)

I loved Ana Lily Amirpour's A Girl Walks Home Alone At Night so I could tell you I watched The Bad Batch because of it. I could also tell you that I had high expectations about it. But the truth is I watched it because of Jason Momoa, which is why I didn't have a lot of expectations from it (also, I read m.brown's review months ago and it didn't sound that good).

The film is set in a near future and follows a young woman named Arlen (Suki Waterhouse) after she is dumped into the Texas desert with other rejects of the American society known as the bad batch. Eventually, she is captured by a tribe of cannibals, led by Miami Man (Jason Momoa), who severe her right arm and leg. She manages to escape and makes her way to another tribe, led by a man known as The Dream (Keanu Reeves).

There is no need to delve more into the plot as nothing really happens in the film. Just a lot of tedious nonsense and characters doing the most idiotic and crazy shit, which is a bummer since the beginning was quite interesting and gripping.

In addition to a non-existent plot that moves at a snail-like pace, The Bad Batch also has plenty of uninteresting and weird characters --I mean, cannibal bodybuilders? I think I've seen it all now. They are pretty thin and underdeveloped, they barely speak and you won't probably give a damn about any of them.

Considering that, it doesn't come as a surprise that the cast does a terrible job. Suki Waterhouse (I had to google her because I had no idea who she was. Apparently she is a British model. Which explains a lot) is a terrible lead. She doesn't have the charm needed to make you like the character, and she has the same blank expression from start to finish. Not to mention the awful, Texan I suppose, accent she is doing here. Unfortunately, hers isn't even the worst accent. That would be Momoa's accent. The guy is really struggling to do a Cuban accent and the result is that a, it sounds weird, and b, it's almost impossible to understand what he's saying. Jim Carrey, who plays a sunburnt, mute Hermit, looks like he can't believe he is in the movie. Keanu Reeves, on the other hand, seems to be having a lot of fun as the Dream.

Neon
Thankfully, The Bad Batch has some redeeming qualities. The film has a really great dystopian atmosphere which is enhanced by the great soundtrack Amirpour picked, and the cinematography is terrific (and Jason Momoa is shirtless). These few aspects alone aren't enough to make the film bearable though.

Friday, 12 June 2015

A Girl Walks Home Alone at Night (2014)

Genre


Director


Country


Cast

Sheila Vand, Arash Marandi, Marshall Manesh, Dominic Rains, Mozhan MarnĂ², Rome Shadanloo

Storyline

In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire (Sheila Vand).

Opinion

The critics loving it, and VICE Films distributing it gave me the input to watch this film. After watching it, and taking some hours to think about it, I still can't come up with something to write that is good enough and appropriate for the film. 

I can say that A Girl Walks Home Alone at Night is the first Iranian film blending Spaghetti Westerns, graphic novels, and vampire flicks; it is unique, weird, yet beautiful, and brilliant. But, like with music, or art, or food, I can't give you an explanation for like it.

Iranian director and writer Ana Lily Amirpour is clearly influenced by Jim Jarmusch's aesthetic, but also by David Lynch's nonsensical narrative.

The plot not revealing too much is a good thing because many plot twists works better if you don't expect them. Of course, you can enjoy a second view as well. The film has some scary moments, and it keeps you guessing throughout the whole time. Subplots and secondary characters do not deviate from the original story, but they do are essential to it.

The characters are involving and interesting. You can't help but like the young man; you can't stand the pathetic, drug-addicted, old man; you hate the drug dealer; the girl is weird, but you like her: she is not some crazy vigilante, but she protects good people.

The stunning black and white photography by Lyle Vincent is definitely the first thing you notice, and the unusual, yet beautiful soundtrack fits perfectly into the story, as it was a Tarantino film.

Sheila Vand is great as The Girl, and I'm sure the director choose her for her hypnotic eyes. The others give decent performances.