First Man (2018)

As far as I can remember, I've never been a fan of biopics, specifically of those about American heroes portrayed like perfect human beings. Also, movies involving space travel didn't always appeal to me. In other words, Damien Chazelle, director of two masterpieces, Whiplash and La La Land —fight me—, is the only reason I watched First Man. 

Just in case you have never heard of this movie before, it is a biographical drama on the life of astronaut Neil Armstrong (Ryan Gosling). It is set between 1961 and 1969 and follows the journey that made Armstrong become the first man to walk on the moon.

The plot was my biggest concern prior to seeing the movie as I was afraid it'd be just a boring and obviously predictable sequence of the events that led to the moon landing. Thankfully, writer Josh Singer  —and James R. Hansen too I guess, since the film is based on the biography he wrote— decided to focus more on the personal life of Neil Armstrong, a life filled with loss, grief, sorrow and fragility.

It is clear right from the beginning that First Man is going to be a character study, and it is an excellent one. The film is a portrait of a quiet, introverted man who distanced, isolated himself from everything, specifically from his feelings and his family, after the loss of his daughter. The man history remembers as a stoic, unfriendly astronaut is actually a man haunted by death who sees in his mission, landing on the moon, his only chance at finding peace —as opposed to the USA whose goal was to beat the Soviets.

Ryan Gosling delivers an excellent performance as Armstrong, as he captures both the dedication and passion of the astronaut and the coldness and detachment of the man. We can see he’s suffering and in pain, and that he is hiding all that behind his stoic manner, and Gosling doesn’t even need to say a word to convey Armstrong’s feelings and vulnerabilities, his subtle facial movements are more than capable to do that.

The supporting characters, on the other hand, are pretty shallow. Armstrong’s wife, Janet, comes across as an icy woman who is always on the verge of exhaustion —Claire Foy does a great job though considering the little she’s given—, and Buzz Aldrin looks like a selfish and annoying jerk —it sure doesn’t help that Corey Stoll plays him as I find him very unsympathetic.

Universal Pictures

Visually, First Man is absolutely stunning. Most of the film is shot with a hand-held camera and it works beautifully as the film is told from Neil's perspective and this technique, which would be annoying as hell in most movies, really puts us in his seat and makes us feel his emotions. Also, cinematographer Linus Sandgren did a wonderful job in recreating an authentic 1960s look and vibe. 

The sound effects and the lack of them do a wonderful job at highlighting the tension and suspense, and the score, once again from Justin Hurwitz, carries the emotional intensity of the film —it fits incredibly well the melancholic tone— and conveys a wonderful sense of beauty, especially in the space scenes. 

Ultimately, First Man is one of those movies —a biopic, in this case— where you know what is going to happen and yet you still find yourself on the edge of the seat until the very satisfying climaxes are reached. An intense, powerful movie that often brought tears to my eyes.

Unsane (2018)

I take pictures and videos with my iPhone all the time --it's simply more practical than a camera as I have it with me all the time, and the quality is great. So when months ago I read about Steven Soderbergh's Unsane, the director's first horror film which was shot entirely on an iPhone, I knew I had to watch it.

The film follows Sawyer Valentini (Claire Foy), a young woman who, after admitting suicidal thoughts resulting from a stalking incident, is involuntarily committed to a mental institution. Things become even more frustrating for Sawyer when she sees her stalker, David Strine (Joshua Leonard), working as an orderly under the assumed name George Shaw.

The plot could have had so much potential, but unfortunately, the writers went the wrong direction, unfolding revealing too soon whether the stalker is actually working in the hospital or just the product of her delusion, and the plot goes from being interesting and gripping to clichéd and predictable real fast. Also, there are so many plot holes and factual errors that it's frustrating to the point that you pretty much lose any interest in watching the film.

The writers didn't only struggle with the plot, they had big issues with the characters as well. There are too many characters with no development whatsoever, most of which have no impact on the plot and those who have, have very little use in the plot. Not even the main character, Sawyer, is decently written. Furthermore, most of the things these people do and say feel quite unnatural.

Despite this, Claire Foy does a good job as Sawyer. Her performance is so raw and compelling that you really question whether she is sane or insane, even after it is revealed. Her character is quite unlikeable but there's something about her performance that makes you root for her. Also noteworthy is the performance from Joshua Leonard as the orderly/stalker. Juno Temple and Jay Pharoah provide a solid support respectively as Violet and Nate, two other patients.

Bleecker Street, Fingerprint Releasing, 20th Century Fox

Unfortunately, the acting is the only aspect that stands out in Unsane, a victim of lazy writing that doesn't work either as a thriller nor as a horror as there's no tension and nothing scary and frightening. Soderbergh's decision to film using his iPhone kind of pays off though as the cinematography is claustrophobic and the unique camera angles enhance the way the main character feels. Sure, technically-wise, this is not the best film of the year, but kudos to Soderbergh for showing that you don't need a lot of fancy equipment if you are young and inexperienced but interested in making movies.