Showing posts with label South Korea. Show all posts
Showing posts with label South Korea. Show all posts

Thursday, 24 May 2018

Train to Busan (2016)

TV shows, movies, comic books, video games, songs, they all have been infected by zombies which is great if you ask me since I love zombies. The problem is that cinema is saturated with these monsters and very often movies involving them are a let down which is why I avoid most of them. Train to Busan (Korean: 부산행 Busanhaeng) though has been on my watchlist for quite some time as I've heard great things about it --also, it's South Korean and they know a few things when it comes to making horror movies. 

Seok-woo (Gong Yoo), a divorced man who is always busy with work and has no time to spend with daughter Soo-an (Kim Su-an), offers to ride with her on the train (the daughter wanted to go by herself) to see her mother in Busan. But as soon as the train departs, a zombie outbreak happens and Sok-woo, with the help of another passenger, Sang-hwa (Ma Dong-seok), tries to isolate the safe front cars from the infected ones. 

Plot-wise, there isn't much new here. It's the typical and very simple zombie outbreak plot with people struggling and fighting for their survival --which is great as a more complex story could have been harder to follow because of the subtitles-- but it's engaging and compelling from start to finish. 

One of the reasons for that is the film's characters. Though they too are your typical zombie flick characters --there's the anti-hero, the brave guy, the coward, the young lovers, and so on-- they aren't one-dimensional as they usually are in these movies. It looks like they are at first but, as the plot moves forward and they start to interact with each other, we see their personalities and their growth, and it's impossible not to become emotionally invested and root for them. 

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The writer, Park Joo-suk, however, is not the only one who deserves the credits for that. Most of them go to the great cast. Gong Yoo is a very likeable and charismatic lead and effectively delivers the development of his character, a selfish, uncaring businessman who turns into the hero we all root for. Kim Su-an is very young --only 10-- but that doesn't prevent her from giving a great performance and being the emotional/dramatic core of the film. Ma Dong-seok too is charismatic as Sang-hwa, a devoted husband who is always on the front line to help the others. He also adds a little comedy to the film. Also worthy of a mention is Kim Eui-sung who plays a selfish man with no redeeming qualities whatsoever. 

Another aspect to love about Train to Busan is the action. It's executed very well, so well-choreographed and exciting. And let's not forget about the zombies. They aren't the slow, retarded kind, but very fast and very aggressive flesh-eater, like those from 28 Days Later. 

I had somewhat of a deja-vù feeling while watching Train to Busan though. At times, it feels like watching Snowpiercer. Not only both movies are set on a train, but both movies use cars to represent levels of the hierarchy of our society. Is that a bad thing? No, because both movies handle it well. 

Monday, 19 July 2010

Korea's Largest Theatre Chain CJ CGV Standardizes on MasterImage Digital 3D Cinema Systems

As of right now, MasterImage 3D projection systems are now in more than 70% of Korea's 3D theaters. Those are pretty impressive numbers for the company that continues to make great inroads into the marketplace.

Further, MasterImage 3D also recently entered the New Zealand exhibition market, with the sale of its first digital 3D cinema system to Palmerston North-based Downtown Cinemas, that nation's largest multiplex franchise.

Here is the Korean press release:
Burbank, California and Seoul, Korea (July 19, 2010) - 3D technology company MasterImage 3D, LLC announced today that CJ CGV, the largest theatre chain in Korea, recently converted 58 additional screens to 3D with MasterImage digital 3D cinema systems. In addition to supplying systems for all of CJ CGV's 160 3D theatres, MasterImage 3D has also installed four systems in Korea's Lotte Cinema in Suncheon.

These installations, combined with existing systems at Primus Cinema, Ya Woo Ri Cinemas and more theatres across Korea, bring MasterImage's total to 175 of the country's estimated 250 digital 3D screens -- more than 70% of Korea's total 3D exhibition market share.

CGV Manager Sung woo Kang said, "MasterImage 3D's system offers an outstanding value compared to other products on the market, and it is simple to install. Also, with the high resolution picture quality, audiences' responses to the presentation are great."

MasterImage 3D has experienced rapid growth in the demand for its digital 3D theatre systems, nearly doubling its worldwide installation in the past eighteen months. Today, the company has installed more than 1,800 systems in 40 countries worldwide (approximately 400 in the US, 770 in Europe and 700 in Asia and the rest of the world).

Younghoon Lee, founder, chairman and CEO of MasterImage 3D said, "From our US headquarters and offices in Asia and Europe we are aggressively converting theatre markets all over the world. Exhibitors are recognizing that our ownership-based model and passive-glasses approach offers them a different, and often more attractive business proposition than competitive systems and they're demonstrating that recognition by choosing MasterImage in increasing numbers."

About CJ CGV
CJ CGV (http://www.cgv.co.kr) is the largest multiplex theater franchise in Korea. Established as a joint venture consisting of CJ Group of Korea, Golden Harvest of Hong Kong and Village Roadshow of Australia, CJ CGV is independently managed by CJ Group at present. As of January 2010, CJ CGV owns 70 movie theaters nationwide. Recently, CJ CGV, as the first in Korea, opened a 3D screen in LA for advancing into the U.S. market.

About MasterImage 3D, LLC
MasterImage 3D, LLC is a stereoscopic 3D technology company that provides pioneering 3D solutions for theaters, television and handheld devices. With more than 1,800 theatre systems installed worldwide, MasterImage offers audiences the best 3D image experience, while providing exhibitors with a compelling ownership-based pricing model. The company's auto-stereoscopic (glasses-free), 3D LCD technology for mobile and electronic devices are the first commercial displays of their kind, and the company's 3D camera ASIC empowers dual camera-equipped devices that enable users to create and share 3D content. The company is gearing up to deploy millions of auto-stereoscopic units with multiple manufactures worldwide. Founded in 2004, MasterImage is privately held by Symphony 3D Holdings and is headquartered in Burbank, California with offices in Buckinghamshire, UK and Seoul, S. Korea.

MasterImage is a sponsor of MarketSaw