Tuesday, 2 February 2016

Mustang (2015)

Genre

Drama

Director

Deniz Gamze Ergüven

Country

France | Turkey | Germany

Cast

Güneş Şensoy, Doğa Doğuşlu, Elit İşcan, Tuğba Sunguroğlu, İlayda Akdoğan, Nihal Koldaş, Ayberk Pekcan, Erol Afşin Burak Yiğit

Storyline

In a village in northern Turkey, Lale (Güneş Şensoy) and her four sisters are walking home from school, playing innocently with some boys. The immorality of their play sets off a scandal that has unexpected consequences. The family home is progressively transformed into a prison; instruction in homemaking replaces school and marriages start being arranged.

Opinion

Nominated for Best Foreign Language Picture at the upcoming Academy Awards, "Mustang" is a spectacular debut film that keenly explores female adolescence but most importantly is a hymn to freedom.

Turkish-French director and screenwriter Deniz Gamze Ergüven demonstrates her ability as she brings intensity and freshness to a story that has a lot of similarities with another great debut, Sofia Coppola's "The Virgin Suicides".

The cleverness of the director lies in keeping a great balance as she describes the contradictions and problems of Turkish society. In fact, while certainly sympathizing with the girls - the narration of the youngest sister not only provides an indication of their feeling but also makes you root for their freedom -, Ergüven makes it clear that arranged marriage of a teenage girl is part of the village customs.

While addressing the issue of women in society - their secondary place mainly due to culture -, at the same time "Mustang" makes a statement about freedom. Unlike "The Virgin Suicides" where the fight for freedom tragically ends with the suicides of the sisters, this film leaves a slight glimmer of hope - and a chance for 'our' girls to realize themselves as women.

Bright and warm in the open spaces and claustrophobic in the house/prison, the photography is excellent. Same goes for Warren Ellis's musical score.

The performances from the lead actresses are phenomenal, very natural and believable, with Güneş Şensoy in the role of Lale, the youngest girl, standing out.

PODCAST 189: Groundhog Day [Deja Vu Edition]

This week the Horror Duo take on something totally new. They review the 1993 Bill Murray comedy Groundhog Day.
CONTINUE READING

Monday, 1 February 2016

Movie Trailers - Batman V Superman, Finding Dory, Suicide Squad, Deadpool, & More


Ward checks out the latest movie trailers and clips for:

The Bronze, Batman V Superman, Finding Dory, Suicide Squad, Warcraft, Trolls,Angry Birds, Fantastic Beasts and Where to Find Them, and Deadpool

Are the trailers good? Should you see the movies? Find out.

Also Watched - Selfless, Imaginarium of Doctor Parnassus



Also watched this week, Selfless, The Imaginarium of Doctor Parnassus.
Self/less (2015)
Written by:
David Pastor, Àlex Pastor (screenplay)

Directed by: Tarsem Singh
Starring: Ryan Reynolds, Natalie Martinez, Matthew Goode, Ben Kingsley
Rated: PG-13

A wealthy man with a terminal illness contacts a company that can insert his consciousness into a new body.

The Imaginarium of Doctor Parnassus (2009)
Written by: Terry Gilliam, Charles McKeown
Directed by: Terry Gilliam
Starring: Christopher Plummer, Lily Cole, Heath Ledger, Johnny Depp, Jude Law, Colin Farrell
Rated: PG-13

A traveling show discovers a man hanging from a bridge by his neck. Doctor Parnassus thinks the man may be the key to win his wager with the devil.

THE TWILIGHT BINGE #005: WALKING DISTANCE

The Twilight Zone - s01e05 - Walking Distance1
S01E05 - Walking Distance
“Advertising executive Martin Sloan (Gig Young), age thirty-six, is exhausted by the hectic pace of life in New York City. One day, while in an especially disgruntled mood, Martin goes for a drive in the country and winds up not far from his old home town. He stops, leaves his car at a gas station and sets off on foot to the town. Mysteriously, he arrives to find things exactly as they were when he was a child. Then reality sets in. His short walk has taken him a long, long way...much farther than he thought...all the way to The Twilight Zone.”
YOLO, short for "you only live once", was a pretty ubiquitous phrase on the Internet for a while there. At it’s best, the motto meant one should live their life to the fullest even if there were risks involved. At it’s worst, it was used as an excuse to justify whatever reckless behavior a person might wish to engage in. Or as one guy on the Urban Dictionary put it, YOLO was basically “carpe diem” for stupid people. 

But perhaps there’s another way of looking at the sentiment of “you only live once,” and it’s to be found in Walking Distance. This is one of the more beloved episodes of the whole series, named by CBS itself as one of the top ten ever produced. It’s the wistful story of one Martin Sloan, who walks into his old home town only to find that he’s traveled not just miles, but years as well. And once he realizes what is going on, he attempts to do that thing we’ve all dreamed of at one time or another, which is to find his younger self and warn him about all the mistakes he’s going to make as he grows older so that he can avoid them. 

The Twilight Zone - s01e05 - Walking Distance3

But, this being the Twilight Zone, things don’t quite go the way Martin hoped. Even though his younger self is within arm’s reach, Martin finds there’s simply no way to impart his knowledge of the future so that he can avoid how things turned out in his adult life. And maybe that’s for the best. As Martin’s father tells his mysteriously older son, “Maybe when you go back, Martin, you'll find that there are merry-go-rounds and band concerts where you are. Maybe you haven't been looking in the right place. You've been looking behind you, Martin. Try looking ahead.”

It would seem Martin’s father understands a few things about regret. You see, it’s okay to feel remorse for our past mistakes. As Father John Hardon wrote, “Sorrow for past mistakes answers to the gift of knowledge.” But we only live once, as the saying goes, so we shouldn’t simply dwell on those mistakes to the extent that our regret cripples our present, as Martin’s does in this episode. We should instead see those feelings as an opportunity to open ourselves up to the future as God would have us live it. We approach our regrets as a doorway to conversion, Hardon wrote, then consolation will surely follow.

Twilight Tidbits: Movie and television fans alike will surely recognize a four year old Ron Howard in one of his first-ever roles. Aparently he went on to do a few things later in life.





The X-Files Mini-series Episode 3 Recap

The premise of the third episode and the fact it's written by the acclaimed Darin Morgan indicates we're going to get some of the humor from the original run. This looks to be more parody and less clever, but Morgan only wrote four episodes from the original run and each one by all accounts is considered a classic.

The original description for this episode listed it as a loose Scooby Doo parody taking place in a mansion. At some point between the original press release and the premiere of this episode that description has been changed.

Check out my X-files mini-series recaps.

Kumail Nanjiani, David Duchovny, Gillian Anderson in The X-Files
Mulder and Scully are chasing a monster!
Recap: Episode 3 Mulder & Scully Meet the Were-monster
This one is more humorous but feels a lot like classic X-files. This episode asks us to reflect on the definition of a monster. Is it a lizard looking man? Is it the man who desires to have a job, but wants to quit said job once it's obtained?

The episode opens with two people huffing paint in the woods. They hear a commotion and see a monster attacking someone.
Were-monster in The X-files
It's the were-monster!
When the episode resumes Mulder is in his office lamenting that the X-files have been explained. He wonders if it's time to put away childish ideas like Sasquatch and other theories. Scully reveals they have a case concerning a monster.

Mulder and Scully travel to the scene of the crime and talk to the animal control officer who was attacked, though he can't provide a description. The paint huffers described it as a lizard man. Kumail Nanjiani plays the animal control officer. Nanjiani started a podcast The X-files Files where he reviews episodes. He has interviewed crew from the show as well, and he managed to get a part in this episode.
Kumail Nanjiani, Gillian Anderson in The X-Files
Animal Control is on the job.
 Mulder pulls up a photo app on his phone to capture a photo of the monster, but has a bit of trouble.
David Duchovny, Gillian Anderson in The X-files
Mulder is having trouble with his smart phone.
The monster attacks Mulder and the animal control officer, but the flash of the phone sends it running.
David Duchovny in The X-files
Mulder is down but not out.
Scully runs to Mulder after hearing the commotion, and they track the monster to a porta-potty or so they think, but there they find a man in the middle of business.
David Duchovny, Rhys Darby, Gillian Anderson in The X-files
It's monstrous, but not the monster they seek.
During the autopsy of a victim, Mulder posits theories, one involving a horned toad that shoots blood from its eyes. As Scully tells him, "The internet is not good for you."

Mulder and Scully return to the motel for the night. Mulder hears the crazy motel manager scream "monster" and stumbles upon a hidden room that the manager uses to peep on guests. The manager saw the man from the porta-potty transform into the lizard monster.


Mulder recovers pills from the man's room and talks to his psychologist. The alias on the pills was Guy Mann.

Scully finds Guy Mann working at a cell phone store, but he's gone by the time Mulder arrives.

Based on a suggestion from the psychologist Mulder goes to the cemetery where he has a strange exchange with Guy Mann. Guy Mann tempts Mulder to kill him, but Mulder refuses, asking him how he got like this.

Guy states that the animal control officer bit him and that turned him into a human. He was normally a lizard and first transformed just three days ago.
Rhys Darby, David Duchovny in The X-Files
Notice the Kim Manners headstone.
He has an insatiable desire to put on clothes and get a job. It's a were-man, not a were-monster. His curse is having all of the worries about a job, retirement, and money that a typical person does. It's a funny commentary on humanity and The X-files.

Guy Mann is dressed exactly like Carl Kolchak from Kolchak: The Night Stalker in a seersucker jacket and straw hat. That show served as inspiration for The X-Files.
The headstone that reads Kim Manners is a reference to long time director for The X-Files original run. He passed away in 2009.
Gillian Anderson in The X-files
Scully is flirting with Guy Mann... wait, what?
Guy lies about a run in with Scully, of which Mulder calls him on and Guy admits he has a compulsion to lie about his sex life.

Mulder has a difficult time believing Guy's story.

Scully is going to talk to the animal control officer again due to a discrepancy from a lab report. On the phone with Mulder, waiting for the officer, she mentions wanting a dog again like her dog in the original run, Queequeg. Queequeg has only been mentioned in the episodes Darin Morgan wrote.

Scully is attacked by the animal control officer while still on the phone. Mulder races to the office to find that Scully subdued the culprit. Mulder expresses concern about her safety, to which she replies she's immortal.
This is a callback to the episode Darin Morgan wrote, largely considered the best episode of X-Files history, Clyde Bruckman's Final Repose. Bruckman could predict how people would die. When Scully asked him how she would die, he replied that she doesn't, she's immortal. Fans have wondered if she is truly immortal or if Bruckman just telling her what she needed to hear, believing that no one should know how they die.
It turns out the animal control officer is the serial killer.

Mulder runs to the woods to find Guy Mann, wondering if just maybe his story is true. Mulder finds Mann in the woods, who informs Mulder he must hibernate for ten thousand years. Mulder finds such a concept incredulous, but Mann transforms before Mulder's very eyes and walks into the woods.

Mulder begins this episode wondering if he should stop believing in silly myths only to come full circle, presented with a real monster that he can't explain.
It's silly to think Mulder wouldn't believe in such things or should discard such ideas. He's seen enough in the original series to know there are things that can't be explain. In some ways this season feels like a soft reboot. There are too many things to list that Mulder can't explain. What about Scully's abduction? How can he discard that as silly myth? This new seasons has Mulder questioning what he believes and the ideas in this episode fit into that. This is a good episode, but I don't count it as a classic. It's trying to be a little too glib. Turning the premise on it's ear and having Mulder play disbeliever just doesn't work. Wouldn't he have stopped believing years ago? Why stop now that he has access to the X-files? Just look at the crazy conspiracies he and Tad O'Malley mentioned in the first episode.

Star Trek: The Motion Picture (1979)

Genre

Adventure | Mystery | Sci-Fi

Director

Robert Wise

Country

USA

Cast

William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols, George Takei, Persis Khambatta, Stephen Collins, Majel Barrett, Grace Lee Whitney, David Gautreaux, Mark Lenard

Storyline

When an alien spacecraft of enormous power is spotted approaching Earth, Admiral Kirk (William Shatner) resumes command of the Starship Enterprise in order to intercept, examine and hopefully stop the intruder.

Opinion

I've never been a Star Trek fan, I don't know, probably the lack of charm. But the new saga directed by J. J. Abrams, that was good, and it made me change my mind about this cinematic universe and I decided to give a try to the originals. I'm not sure that was a good idea.

Mostly like a motionless picture, "Star Trek: The Motion Picture" is a tedious and emotionless waste of time.

The basic and rather thin plot is dragged - almost literally because the pace is probably the slowest in Sci-Fi films history - for more than two hours, and nothing happens other than the Enterprise trying to stop V'ger from destroying the Earth. I kept watching because there was this voice inside my head saying, "Something exciting is gonna happen, trust me", but guess what, nothing happened.

The opening wasn't great: a black screen with some music playing for 1 minute and 45 second before anything happens was quite annoying. Unfortunately, that's not the only pointlessly long shot. There are long, very long shots of the Enterprise when Captain Kirk first goes on it, and other than that we see Kirk admiring the ship.

However, there's some great highlights, you know, like the scene where Kirk stares at the Enterprise, or that other one, even greater, where Scotty stars at the Enterprise. Oh, I almost forgot to mention that spectacular scene where Bones stares at the Enterprise. If those aren't memorable scenes, I don't know what they are.

Have I mentioned the breathtaking shot of the Enterprise moving out of the space dock? That scene is so beautiful, they decided to show it again later in the film, only this time is coming from the west.

Okay, now I'm not being sarcastic. The special effects really are impressive, and they still hold up quite well over the decades. But I'm afraid visual appeal can't make up for the lack of solid basis.

The acting is very poor: nothing but wooden performances are given and there's not even good chemistry between the members of the cast.