Thursday, 14 August 2014

The Good Samaritan

There was a period in the late 1990s when Robin Williams seemed to be making one bad, sappy movie after another. This was between his Oscar-winning turn in 1997's Good Will Hunting and his embrace of darker roles in 2002's Insomnia and One Hour Photo. As a longtime fan I was particularly disappointed to see him in such schmaltz as Patch Adams, Jakob the Liar, and Bicentennial Man. He seemed to be creatively out of gas and working, if not strictly for the paycheck, then from some karmic desire to bring good into the world via syrupy comedy-melodramas. My respect for him�as both actor and comedian�was precipitously low. And I know I wasn't alone.

But in early spring of 2000, while living on New York's Upper West Side, something unusual happened. Faced with two winter-deflated tires on my Raleigh M-20, I walked the bicycle to a shop on Columbus and 81st in search of air. But when I arrived, the store was closed, its final customer being escorted to the door. He was a stocky, muscular man with grayish hair, and as he exited I knew almost immediately�even under his bike helmet and sunglasses�that it was Robin Williams. And he knew that I knew.

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Tuesday, 12 August 2014

Big Picture: TURTLE POWER

Yes, a video essay about the original TEENAGE MUTANT NINJA TURTLES being better than the new, terrible one. Because I'm sure nobody else on The Internet will think to do that...

Monday, 11 August 2014

Robin Williams Dead at 63

Yeah. I'm going to get offline for awhile now.


More Expirations, Netflix Gets Sneaky

Not to keep sounding notes of expirational doom, but when a film as brilliant as Memento (2000, reviewed here) is poised to leave Instant in a few short days�even if it's not at the traditional end-of-month�I'm happy to be called a Netflix nag. It's not the only movie worth checking out that will be expiring on August 14 (11:59 P.M., to be exact). Also getting a premature burial are three history-centric titles, not to mention those that vanished mysteriously on August 1 (addressed after the jump).

Agora (2009)

Although taking place in Alexandria in the 4th century A.D., Agora's not really a sword-and-sandals flick (though there are plenty of both). It's more an intelligent study of religious intolerance and the passing of Classical Antiquity into the first flowering of Christianity, featuring an excellent Rachel Weiss as the enlightened pagan-philosopher Hypatia. Director Alejandro Amenabar (Open Your Eyes, The Hours) brings a jaundiced view to the Christian hordes sacking and stoning everything in sight, but it's refreshing to see a period film of this scale not caught up in empty-headed spectacle and obligatory CGI nonsense, and with such a strong female at its center. As usual in such an undertaking, the history tends to get fudged, but that doesn't detract from the overall message or the gist of what actually went down�and what continues to transpire even in our own, apparently enlightened, age.

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Saturday, 9 August 2014

The Weekly Movie Watch Volume 3

This week I watched Lone Survivor, A Night in Old Mexico, Darjeeling Limited, Five Easy Pieces.

I watch movies every week and then write down my thoughts. Read my previous reviews!
My rating is simple, Watch It, It Depends, Skip it.

Emile Hirsch, Mark Wahlberg, Ben Foster, Taylor Kitsch in Lone Survivor
Lone Survivor - A harrowing tale of brave men.

Lone Survivor (2013)
Watch Lone Survivor
Written by: Peter Berg, Marcus Luttrell and Patrick Robinson (book)
Directed by: Peter Berg
Starring: Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster
Rated: R

Plot:
Marcus Luttrell and his team are stranded without support while trying to capture a Taliban leader.

Review:
The movie is an intense, edge of your seat ride. It's a well done movie that makes real the trauma these men went through. It's grueling, harrowing, and amazing. It's also not for the feint of heart as wounds are shown in detail. It is truly painful to watch.
Taylor Kitsch in Lone Survivor
Lone Survivor - Taylor Kitsch
Though, it does succumb to my pet peeve of showing a really intense scene from the end of the movie at the beginning. It's always unnecessary as the beginning of the film should, and in this case can, stand on it's own. The entire movie is shot outdoors and really looks great.
Watch it.


Robert Duvall's car in A Night in Old Mexico
A Night in Old Mexico - Robert Duvall goes to Mexico.
A Night in Old Mexico (2013)
Watch A Night in Old Mexico
Written by: William D. Wittliff
Directed by: Emilio Aragón
Starring: Robert Duvall, Jeremy Irvine
Rated: --

Plot:
Robert Duvall is forced to sell his ranch and goes to Mexico for one last, wild night.

Review:

Robert Duvall is in his element, a rough edged rancher mourning the loss of his farm. Duvall is the one good thing among the problem. Characters are flat, and the movie lacks depth. It's reminiscent of No Country for Old Men, but no where near as enjoyable. A movie presented as more or less grounded suffers from scenes added seemingly just because they are flashy and exciting.
Skip it.


Jason Schwartman, Owen Wilson, Adrien Brody in Darjeeling Limited
The Darjeeling Limited - A fun ride with three brothers.

Darjeeling Limited (2007)
Watch Darjeeling Limited
Written by: Wes Anderson & Roman Coppola & Jason Schwartzman
Directed by: Wes Anderson
Starring: Owen Wilson, Adrien Brody, Jason Schwartzman
Rated: R

Plot:
Three brothers bond as they travel across India.

Review:

It's a Wes Anderson film, prepare for the usual troupe of actors and a quirky film, but that isn't a bad thing. Adrian Brody does a great job. It's probably one of my favorite Anderson films. He always creates great characters, and this is a good story that deals with grief. As usual, it's a great looking film.
It depends.


Jack Nicholson in Five Easy Pieces
Five Easy Pieces - A man stuck on the outside.
Five Easy Pieces (1970)
Watch Five Easy Pieces
Written by: Carole Eastman (screenplay), Bob Rafelson and Carole Eastman (story)
Directed by: Bob Rafelson
Starring: Jack Nicholson, Karen Black, Billy Green Bush
Rated: R

Plot:
A concert pianist from an upper class family quits to work on an oil rig.

Review:

Classic Nicholson. It depicts the frustration of the smartest man in the room. He detests everyone else, and even himself. This is an amazing character study. While it's a bit slow by most standards, I didn't mind that. Nicholson's character can't stand to be associated with his upper class family, but he doesn't fit anywhere else. He's stuck in the in between. The ending is understated, yet perfect.
Watch it.

2014 Cinema Biennale Check #7 - Directors Born Elsewhere

There are some directors in Venezia 71 competition that were born in one country but are working in another country with films that do not have any money from their country of birth. One is in my opinion a very accomplished documentary filmmaker that last year rose to international fame, the second is a well-known director and the third is better-known for his mainstream movies.

Joshua Oppenheimer

Born in September, 1974 in Austin, Texas. Studied filmmaking at Harvard and University of the Arts London. Oppenheimer was born in USA but he lives and works in Europe, mainly London and Denmark. He has done short and documentaries but was his multiple award winner first feature-length documentary The Act of Killing that introduced him to world audiences.

His second feature-length documentary, The Look of Silence is another take into the Indonesian genocide this time told by a family that survived and dare to confront the men who killed one of the family members. It is the only documentary in competition for the Golden Lion.

The Act of Killing was extremely hard to watch but you're so mesmerized that you're unable to stop watching;  Oppenheimer mentioned in some interviews that The Look of Silence has different style, but I believe that no matter the style film will be also hard to watch, will capture your undivided attention and wont release you until well after you finish watching.  Yes I will watch but know that have to be in a very good mood to withstand what I am going to see.

Basic info about The Look of Silence
Director: Joshua Oppenheimer
Language: Indonesian and Javanese
Length: 102 mins
Production countries: Denmark, Indonesia, Norway, Finland and UK
Production company: Final Cut for Real, Making Movies, Piraya Film, Spring Films, Anonymous

Synopsis
The film follows a young optometrist as he attempts to bring the past into focus. The family discovers how their son was murdered during the Indonesian genocide -- as well as the identity of the men who murdered him. The film documents the confrontation in the absence of any truth and reconciliation process, while the murderers remain in power.



Alejandro Gonzalez Iñárritu

Born in Mexico City on August 1963. After studying and working in many activities far away from filmmaking, is in the nineties that he created Zeta Films where he did TV advertising and pilots. In 1996 he meets Guillermo Arriaga and everything changes as in 2000 their first collaboration, Amores Perros, becomes a critical and commercial success. After his huge success he is propelled to Hollywood where he does films that try to travel the fine line of both commercial and non-mainstream-arty odd avenue as his films usually travel the festival circuit, do ok at the box office (US Lifetime Gross Total at BoxOffice Mojo: US$61 million; Worldwide US$241 million) but on a qualitative level seems impresses less and less audiences and critics.

He has been three times in Cannes and seems that is his third time in La Mostra, this time with Birdman that to my HUGE surprises is labeled as a Comedy! The only hope is film to have dark comedy and not regular American humor, sigh. From trailer some critics speculate calling situations "absurd", "surreal" which definitively are words not related to any of his previous films. I know that will see movie but definitively my expectations changed dramatically the minute I learned this movie is a comedy. Sigh.

Basic info about Birdman or The Unexpected Virtue of Ignorance
Director: Alejandro Gonzalez Iñárritu
Scriptwriter: Alejandro Gonzalez Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr. and Armando Bo
Language: English
Length: 119 min
Production countries: USA
Production company: Fox Searchlight Pictures, Regency Enterprises, Worldview Entertainment, New Regeny Pictures, M. Productions and Le Grisbi Productions
Starring: Michael Keaton, Emma Stone, Naomi Watts, Andrea Riseborough, Edward Norton, Zach Galifianakis,

Synopsis
Riggan Thompson (Michael Keaton) was Birdman, a crime-stopping superhero with a beak and a three-film franchise. Now, he's a washed up actor trying to get his career and life back together by opening his own play on Broadway. On the eve of it's opening, the play is close to falling apart and Riggan is forced to sign a younger, egotistical lead actor, whom he despises. What results over the next three days is strange, dark and downright hilarious, nearly costing Riggan his career, family and sanity in the process.



Andrew Niccol

Born on June 1964 in Paraparaumu, New Zealand. Began his career in London directing TV advertising but moved to Los Angeles where he started to write and his first script was for The Truman Show. He is a well known scriptwriter and director of films like Gattaca, S1m0ne, Lord of War, In Time and The Host.

It is the first time that one of his films premiers at a major film festival and can't deny that find it surprising but seems that Good Kill could be the first film that is not that much Sci-Fi which maybe makes film style a lot more interesting. I suppose film will be alright for entertainment purposes.

Basic info about Good Kill
Director: Andrew Niccol
Scriptwriter: Andrew Niccol
Language: English
Length: 104 min
Production countries: USA
Production company: Voltage Pictures, Dune Films, Sobini Films
Starring: Zoë Kravitz, Ethan Hawke, January Jones

Synopsis
A Las Vegas-based fighter pilot turned drone pilot fights the Taliban by remote control for 12 hours a day, then goes home to the suburbs and feuds with his wife and kids for the other 12. But the pilot is starting to question the mission. Is he creating more terrorists than he’s killing? Is he fighting a war without end? This story follows one soldier’s tale with epic implications.