Venezia71 has four French productions in the competition and a lot more co productions, making France the country with more films in the competition. These are the four French directors that are in competition.
Benoît Jacquot
Born in February 1947 Jacquot has a long career that began around the early 70's and spans from the small to the big screen. But perhaps his best known films are 2006 L'intouchable (The Untouchable) that was in competition at Venice and got the Marcello Mastroianni Award for Isild Le Besco and Les adieux à la reine (Farewell, My Queen) that won the Prix Louis Delluc and was in competition at 2012 Berlinale. But he has been in Cannes several times, not his first time in Venice nor in Berlin, so he is well-known in the festival circuit.
According to the fest archive, Jaquot has been 6 times in La Mostra and this year will be his seventh time. This time he is in competition with Trois Coeurs -aka 3 Coeurs- (Three Hearts) a drama with the most amazing female cast: Catherine Deneuve, Charlote Gainsbourg and Chiara Mastroianni.
I'm curious about this film as the cast suggests film could be fantastic for great performances even when yes, I consider the original cast superior, sigh. The original Gainsbourg role choice was Marion Cotillard and the original Mastroianni role choice was Léa Seydoux.
Basic info about Trois Coeurs
Director: Benoît Jacquot
Scriptwriter: Benoît Jacquot and Julien Boivent
Original Language: French
Length: 1 hr 46 min
Production country: France
Production companies: Rectangle Productions, Wild Bunch, Pandora Film Produktion, Scope Pictures, Arte France Cinéma, WDR/ARTE, Rhône-Alpes Cinéma
Starring: Catherine Deneuve, Charlote Gainsbourg, Chiara Mastroianni and Benoît Poelvoorde
Synopsis
One night in a French provincial city, Marc meets Sylvie after missing his train back to Paris. They wander through the streets until morning, talking about everything except themselves, in rare, almost choreographed, harmony. Marc takes the first train back, and sets a date with Sylvie in Paris, a few days later. They know nothing about each other, but this is much more than a game. It’s the way it has to be. Sylvie keeps the date. Misfortune befalls Marc, and he cannot. He searches for her and ends up finding someone else. Sophie. He does not know that she is Sylvie’s sister. Marc and Sylvie meet again. Their unparalleled harmony still exists… but it is too late…
Check trailer @MOC
Xavier Beauvois
Born in March 1967 he began his career as an actor with many interesting performances but soon enough he starts to direct and his first feature film Nord gets recognition for his performance and his debut. He has been in Cannes several times, worth mentioning the Jury Prize winner N'oublie pas que tu vas mourir and the Grand Prix winner Des hommes et des dieux.
Seems it is his third time at La Mostra as the first time was in 2000 with Selon Matthieu, followed by Le petit lieutenant in 2005 and with his sixth film, La rançon de la gloire in 2014.
I'm not a fan of French comedies but there are always exceptions and hope that this comedy is more a drama than a comedy or like I read somewhere, a black/dark "smart" comedy. Still I have to see everything that Nadine Labaki directs and acts plus who could resist a movie about Chaplin with some Chaplin family members in film? Not me. Sigh.
Basic info about La rançon de la gloire (The Price of Fame)
Director: Xavier Beauvois
Scriptwriter: Etienne Comar and Xavier Beauvois
Original Language: French
Length:
Production country: France, Belgium and Switzerland
Production companies: Why Not Productions, Rita Productions, Les Films du Fleuve
Starring: Benoît Poelvoorde, Nadine Labaki, Roschdy Zem, Peter Coyote, Chiara Mastroianni, and Dolores Chaplin.
Synopsis
On the shores of Lake Geneva lies the small Swiss town of Vevey. It's the end of the 70s. On his release from prison Eddy - a harddrinking 40-year-old Belgian - is greeted by his friend, Osman. They have made a deal: Osman will let Eddy stay in his shed and in exchange, Eddy will take care of his 7-year-old daughter Samira while her mother is in the hospital. It's the Christmas season, but their shared, grinding poverty has made Eddy quite bitter. Then Charlie Chaplin's death is announced on the television, as well as the true extent of his fabulous wealth. Eddy starts daydreaming... and comes up with a crazy idea: what if he stole the actor's corpse and demanded a ransom from the family?
Loosely based on true events, The Price of Fame spins a web around the audacious concept of a resuscitated Chaplin, a Chaplin whose soul gradually possesses the minds of these two misfits, until their journey becomes a tale worthy of the Little Tramp himself!
Film still, no trailer is available yet.
Alix Delaporte
The only female director in the competition comes for the second time to La Mostra with her second feature film, Le dernier coup de marteu as her debut film, Angèle et Tony opened in the 2010 Venice Critics Week. But she already has a Silver Lion as in 2006 she collected the award for her short film Comment on freine dans une descente.
She's a journalist by profession and worked in Canal + as a camera woman; but in 1998 goes to la FEMIS to study scriptwriting and she has several works as a writer for the small and big screen. It is in 2003 when she does her first short film Le piège. Her short career as a director has been very successful in the festival circuit and in Venice in particular.
Not really familiar with director and wonder if this film story will appeal to my taste but definitively will give film a try.
Basic info about Le dernier coup de marteau (The Last Hammer Blow)
Director: Alix Delaporte
Scriptwriter: Alix Delaporte and Alain Le Henry
Original Language: French
Length:
Production country: France
Production companies: Lionceau Films, France 2 Cinéma
Starring: Clotilde Hesme, Grégory Gadebois and Candela Peña
Synopsis
Victor, a 14 year old boy, lives with his mother on a beach in the South of France. He never knew his father and pretends that he doesn’t need him. But when he finds out his father, a symphony conductor, is nearby rehearsing with an orchestra, Victor is determined to meet him and create a relationship.
Film still, no trailer available yet.
David Oelhoffen
Born in 1968. After working in production in 1996 he writes and directs his first short film Le Mur and four short films follow, with Sous le Bleu premiering at 2004 Venice fest; is in 2006 when he does his first feature film, Nos retrouvailles which premieres at 2007 Cannes in the Critics' Week section. Her second feature film, Loins des Hommes premieres at 2014 Biennale but already is an award winner as in 2010 the screenplay won the Grand Prix for Best Screenplay at the most prestigious French Scriptwriting awards, Prix Sopadin.
Not familiar with director but believe that because of story, huge fan of Albert Camus, and because Viggo is in film , it has become must be seen for me.
Basic info about Loin des Hommes (Far From Men)
Director: David Oelhoffen
Scriptwriter: David Oelhoffen and Antoine Lacomblez. Inspired by the short story L'hôte from the compilation L'exil et le royaume by Albert Camus.
Original Language: French
Length: 1 hr 55 min
Production country: France
Production companies: One World Films, Agora Films, Kaleo Films, Pathé, Perceval Pictures, ouror Développement
Starring: Viggo Mortensen, Reda Kateb
Synopsis
1954. While the rebellion grows in the valley, two men, divided in everything, will have to flee through the Algerian mountains. In the midst of a glacial winter, Daru, an isolated teacher, has to escort Mohamed, a boy accused of murder, to the French authorities. Nailed by riders claiming blood revenge, and by vengeful settlers, both men will have to raise together and fight to win back their freedom.
Film stills, trailer not available yet.
Thursday 31 July 2014
Wednesday 30 July 2014
2014 Cinema Biennale Check #1 - The Poet
I know that lately I have been absent minded with too many things in my head but that is no excuse to complete scramble the movies and everything about the movies in La Mostra current edition! Yes, that happened a few days ago in a conversation with a friend. Sigh. So the best thing to do is to go in a bit depth check of what the 71st Venice Film Festival is screening.
Have to start by talking about whom has been called the Poet of Sadness and the Poet of the Everyday; the poet that perhaps is the most famous German of Turkish descent in Contemporary Cinema: Fatih Akin.
Fatih Akin
Akin was born in 1973 in Hamburg, studied visual communications at Hochschule für bildende Künste Hamburg and graduated in 2000. His short films and feature length films have won him several awards but is the 2007 Cannes award winner Auf der anderen Seite (The Edge of Heaven) that propels him to the stratosphere of great master filmmakers.
Is in 2004 with Berlinale Golden Bear winner Gegen die Wand (Head On) that he begins his trilogy on "Love, Death and the Devil" with absolutely awesome Auf der anderen Seite (The Edge of Heaven) being the second installment and the Venezia71 In Competition The Cut being the third and last installment. While Head On was about a young German-Turkish woman's strong desire to live and -supposedly- is about love, The Edge of Heaven told the stories of people in Germany and Turkey and -allegedly- is about death, The Cut -apparently- is about the devil as tells about a dark historic episode, the Ottoman government systematic extermination of its minority Armenian subjects.
Is the second time that Fatih Akin is in Venice film festival, the first was in 2009 with his film Soul Kitchen, a comedy that I did NOT enjoyed at all, which won the Special Jury Prize that year. I am truly dying to see his latest film that I know (hope) will return to his magnificent and particular cinematic style shown in his trilogy acclaimed first and second installments. Besides the film lead is none other than an actor that I have-to-watch all his films, Tahar Rahim.
IF you have not seen Fatih Akin's Head On and/or The Edge of Heaven I strongly suggest you do as definitively this is one director that anyone that loves great cinema should know and be familiar with his particular storytelling style.
Basic info about The Cut
Director: Fatih Akin
Scriptwriter: Fatih Akin and Mardik Martin
Cinematography: Rainer Klausmann
Original Language: English, Arabic, Turkish, Kurdish and Spanish.
Length: 138 min
Production countries: Germany, France, Italy, Russia, Poland, Canada and Turkey
Production companies: Bombero International, Pandora Filmproduktion, Corazón International, Pyramide Productions, Filmförderung HSH, Film- und Medienstiftung NRW, Nordmedia, Medienboard BB, FFA, BKM, DFFF, Eurimages, Dorje Film, Jordan Films, Mars Media Entertainment, International Traders
Starring: Tahar Rahim, Simon Abkarian, Arsinée Khanjian and more.
About the film story
The story takes place in the Turkish village of Mardin in 1915: one night, as the Turkish Gendarmerie is rounding up all the Armenian men, the young blacksmith Nazaret Manoogian (Tahar Rahim) is separated from his family. After he succeeds in surviving the horror of the genocide, years later he receives the news that his twin daughters are also alive. Obsessed by the thought of finding them, he follows the trail that he hopes will lead him to them. This takes him from the deserts of Mesopotamia, through Havana, to the desert prairies of North Dakota. During this odyssey he meets a whole range of different people, including very gracious characters but also the devil in human form.
The Cut is not only an epic drama, but also an adventure film and a western. Although the film takes place 100 years ago, it is also relevant to more modern times because it recounts tales of war and forced migration. “The Cut has become a very personal film,” stated Akin, “which grapples content-wise with my conscience and formally with my love of cinema.”
Official Synopsis
Mardin, 1915: one night, the Turkish police round up all the Armenian men in the city, including the young blacksmith, Nazaret Manoogian, who is separated from his family. Years later, after managing to survive the horrors of the genocide, he hears that his two daughters are also still alive. He becomes fixated on the idea of finding them and sets off to track them down. His search takes him from the Mesopotamian deserts and Havana to the barren and desolate prairies of North Dakota. On this odyssey, he encounters a range of very different people: angelic and kind-hearted characters, but also the devil incarnate.
Some stills from The Cut plus the trailer.
The Trailer (Original Languages with English subtitles)
Have to start by talking about whom has been called the Poet of Sadness and the Poet of the Everyday; the poet that perhaps is the most famous German of Turkish descent in Contemporary Cinema: Fatih Akin.
Fatih Akin
Akin was born in 1973 in Hamburg, studied visual communications at Hochschule für bildende Künste Hamburg and graduated in 2000. His short films and feature length films have won him several awards but is the 2007 Cannes award winner Auf der anderen Seite (The Edge of Heaven) that propels him to the stratosphere of great master filmmakers.
Is in 2004 with Berlinale Golden Bear winner Gegen die Wand (Head On) that he begins his trilogy on "Love, Death and the Devil" with absolutely awesome Auf der anderen Seite (The Edge of Heaven) being the second installment and the Venezia71 In Competition The Cut being the third and last installment. While Head On was about a young German-Turkish woman's strong desire to live and -supposedly- is about love, The Edge of Heaven told the stories of people in Germany and Turkey and -allegedly- is about death, The Cut -apparently- is about the devil as tells about a dark historic episode, the Ottoman government systematic extermination of its minority Armenian subjects.
Is the second time that Fatih Akin is in Venice film festival, the first was in 2009 with his film Soul Kitchen, a comedy that I did NOT enjoyed at all, which won the Special Jury Prize that year. I am truly dying to see his latest film that I know (hope) will return to his magnificent and particular cinematic style shown in his trilogy acclaimed first and second installments. Besides the film lead is none other than an actor that I have-to-watch all his films, Tahar Rahim.
IF you have not seen Fatih Akin's Head On and/or The Edge of Heaven I strongly suggest you do as definitively this is one director that anyone that loves great cinema should know and be familiar with his particular storytelling style.
Basic info about The Cut
Director: Fatih Akin
Scriptwriter: Fatih Akin and Mardik Martin
Cinematography: Rainer Klausmann
Original Language: English, Arabic, Turkish, Kurdish and Spanish.
Length: 138 min
Production countries: Germany, France, Italy, Russia, Poland, Canada and Turkey
Production companies: Bombero International, Pandora Filmproduktion, Corazón International, Pyramide Productions, Filmförderung HSH, Film- und Medienstiftung NRW, Nordmedia, Medienboard BB, FFA, BKM, DFFF, Eurimages, Dorje Film, Jordan Films, Mars Media Entertainment, International Traders
Starring: Tahar Rahim, Simon Abkarian, Arsinée Khanjian and more.
About the film story
The story takes place in the Turkish village of Mardin in 1915: one night, as the Turkish Gendarmerie is rounding up all the Armenian men, the young blacksmith Nazaret Manoogian (Tahar Rahim) is separated from his family. After he succeeds in surviving the horror of the genocide, years later he receives the news that his twin daughters are also alive. Obsessed by the thought of finding them, he follows the trail that he hopes will lead him to them. This takes him from the deserts of Mesopotamia, through Havana, to the desert prairies of North Dakota. During this odyssey he meets a whole range of different people, including very gracious characters but also the devil in human form.
The Cut is not only an epic drama, but also an adventure film and a western. Although the film takes place 100 years ago, it is also relevant to more modern times because it recounts tales of war and forced migration. “The Cut has become a very personal film,” stated Akin, “which grapples content-wise with my conscience and formally with my love of cinema.”
Official Synopsis
Mardin, 1915: one night, the Turkish police round up all the Armenian men in the city, including the young blacksmith, Nazaret Manoogian, who is separated from his family. Years later, after managing to survive the horrors of the genocide, he hears that his two daughters are also still alive. He becomes fixated on the idea of finding them and sets off to track them down. His search takes him from the Mesopotamian deserts and Havana to the barren and desolate prairies of North Dakota. On this odyssey, he encounters a range of very different people: angelic and kind-hearted characters, but also the devil incarnate.
Some stills from The Cut plus the trailer.
The Trailer (Original Languages with English subtitles)
Tuesday 29 July 2014
Australian TMNT Poster Features Exploding Skyscraper, Falling Bodies... and a 9/11 Release Date
OOPS!
Tweeted by the official Paramount Australia Twitter account (UPDATE: Tweet deleted, here's a screengrab)
Too bad, too - artwork wise it's among the better advertising this has had.
Oh, and regarding the (otherwise reasonable) point that this is an Australian poster not meant for U.S. audiences more likely to be sensitive about this particular juxtaposition: Ten Australian citizens died in the 9/11 attacks.
Tweeted by the official Paramount Australia Twitter account (UPDATE: Tweet deleted, here's a screengrab)
Too bad, too - artwork wise it's among the better advertising this has had.
Oh, and regarding the (otherwise reasonable) point that this is an Australian poster not meant for U.S. audiences more likely to be sensitive about this particular juxtaposition: Ten Australian citizens died in the 9/11 attacks.
Monday 28 July 2014
The Weekend's News: SDCC 2014 Edition
Long week/weekend, so you probably missed SOME news. Catch up with it now by clicking through these lovely links!
THE HOBBIT: THE BATTLE OF FIVE ARMIES trailer brings things full circle
Flashback: HARVEY BIRDMAN is Adult Swim's overlooked classic
MOCKINGJAY - PART I has a trailer
The Asylum assembles MERCENARIES, all-female takeoff on THE EXPENDABLES
MIKE TYSON MYSTERIES animated series coming to Adult Swim
First trailer for MAD MAX: FURY ROAD
Woman injured, handicapped family's car attacked during SDCC Zombie Walk
AGE OF ULTRON footage debuts at SDCC
GUARDIANS OF THE GALAXY sequel already announced for 2017
ANT-MAN characters and story revealed by Marvel
5 minutes of THE SIMPSONS vs FAMILY GUY crossover
WONDER WOMAN revealed
BOX-OFFICE: The Rock gets beat up by LUCY
Uncut Japanese POWER RANGERS to make U.S. debut
All three CAPTAIN AMERICA directors will work on AGENT CARTER
GAME OF THRONES Season 5 has a new cast
I interviewed the makers of hipster-Creationism dud I ORIGINS
Racial satire DEAR WHITE PEOPLE has a full trailer
Do you remember the 70s DOCTOR STRANGE movie?
MARVEL will have an unnamed third movie in 2018
Adult Swim's BLACK JESUS Draws Protests
WALKING DEAD gets a Season 5 Trailer
STAR WARS REBELS first trailer reveals new cast
THE HOBBIT: THE BATTLE OF FIVE ARMIES trailer brings things full circle
Flashback: HARVEY BIRDMAN is Adult Swim's overlooked classic
MOCKINGJAY - PART I has a trailer
The Asylum assembles MERCENARIES, all-female takeoff on THE EXPENDABLES
MIKE TYSON MYSTERIES animated series coming to Adult Swim
First trailer for MAD MAX: FURY ROAD
Woman injured, handicapped family's car attacked during SDCC Zombie Walk
AGE OF ULTRON footage debuts at SDCC
GUARDIANS OF THE GALAXY sequel already announced for 2017
ANT-MAN characters and story revealed by Marvel
5 minutes of THE SIMPSONS vs FAMILY GUY crossover
WONDER WOMAN revealed
BOX-OFFICE: The Rock gets beat up by LUCY
Uncut Japanese POWER RANGERS to make U.S. debut
All three CAPTAIN AMERICA directors will work on AGENT CARTER
GAME OF THRONES Season 5 has a new cast
I interviewed the makers of hipster-Creationism dud I ORIGINS
Racial satire DEAR WHITE PEOPLE has a full trailer
Do you remember the 70s DOCTOR STRANGE movie?
MARVEL will have an unnamed third movie in 2018
Adult Swim's BLACK JESUS Draws Protests
WALKING DEAD gets a Season 5 Trailer
STAR WARS REBELS first trailer reveals new cast
Escape to the Movies: LUCY
Heh. Long SDCC-monitoring weekend, should've posted this on Friday.
ALSO: I interviewed the I ORIGINS guys. It went... interestingly.
ALSO: I interviewed the I ORIGINS guys. It went... interestingly.
Expiration Watch: THE FINAL COUNTDOWN
The Final Countdown was completely off my radar when it cruised into theaters back in 1980. That may have had something to do with a little film called The Empire Strikes Back, which all the kids were scrambling to see. It also may have been due to Countdown's stars�Kirk Douglas, Martin Sheen, and Katharine Ross�not being the sort to lure my younger self into theaters. Add in the lack of wham!-pow! special effects or the interstellar scenery Hollywood was already making all the kiddies crave, and my lack of awareness is even more understandable.
But the fact that I didn't discover this smart, ambitious science fiction film until now I lay squarely at the feet of that awful 1986 song of the same name (whose shrill, hair-band chorus makes me shudder in embarrassment for the entire decade). Because as it turns out, The Final Countdown is an admirable attempt at the kind of time-travel scenario found in an early Twilight Zone or Star Trek episode (such as "The Last Flight" or "Tomorrow Is Yesterday," for those in the know).
The movie's central premise is simple: What if a modern-day aircraft carrier slipped through time and found itself in the waters near Pearl Harbor, on December 6, 1941�the day before the Japanese attack?
Read more �
But the fact that I didn't discover this smart, ambitious science fiction film until now I lay squarely at the feet of that awful 1986 song of the same name (whose shrill, hair-band chorus makes me shudder in embarrassment for the entire decade). Because as it turns out, The Final Countdown is an admirable attempt at the kind of time-travel scenario found in an early Twilight Zone or Star Trek episode (such as "The Last Flight" or "Tomorrow Is Yesterday," for those in the know).
The movie's central premise is simple: What if a modern-day aircraft carrier slipped through time and found itself in the waters near Pearl Harbor, on December 6, 1941�the day before the Japanese attack?
Read more �
Saturday 26 July 2014
The Weekly Movie Watch Volume 1
This week I watched Internal Affairs, Seeking a Friend for the End of the World, Winter's Tale, Blood Ties.
I watch movies every week and then write down my thoughts. Read my previous reviews!
My rating is simple, Watch It, It Depends, Skip it.
Internal Affairs (1990)
Watch Internal Affairs
Written by:Henry Bean
Directed by: Mike Figgis
Starring: Richard Gere, Andy Garcia
Rated: R
Plot:
Devious, manipulative detective Dennis Peck is under investigation by the Internal Affairs department.
Review:
Cops and drama, what's not to like? Andy Garcia is the rookie on the IAD squad. Richard Gere is a unscrupulous lifelong beat cop. Gere is a true villain. Why he didn't keep doing films like this, I don't know. He should have. The writing is solid, it builds the plot and characters in a way that forces you to think about what you've seen instead of spoon feeding you. How deplorable is the villain and how far will the protagonist fall in his pursuit? It has a very '80s feel to it, the music the style and even the pacing, but it isn't detrimental.
Watch it.
Seeking a Friend for the End of the World (2012)
Watch Seeking a Friend for the End of the World
Written by: Lorene Scafaria
Directed by: Lorene Scafaria
Starring: Steve Carell, Keira Knightley
Rated: R
Plot:
With an asteroid approaching Earth, a man and his neighbor trek across the country to see his high school girlfriend.
Review:
Steve Carell and Keira Knightly deal with the impending apocalypse. It's a great concept, wonderfully executed. It feels a bit more realistic than the everyman trying to save the world. What happens when we deal with the impending apocalypse? Self medication in many forms occurs.
If you think Steve Carrell can't act, he will prove you wrong with this film. though The Way Way Back is a better showcase. This movie is a lot of fun, with some nice cameos. The ending was perfect, which is saying something for a movie like this. It's all too easy to ruin the end.
It depends.
Winter's Tale (2014)
Watch Winter's Tale
Written by: Akiva Goldsman (screenplay), Mark Helprin (novel)
Directed by: Akiva Goldsman
Starring: Colin Farrell, Jessica Brown Findlay, Russell Crowe
Rated: PG-13
Plot:
A burglar falls for an heiress with a terminal illness, but he can't die.
Review:
Colin Farrell plays a thief that falls in love while robbing a house. It's a simple story mired by a myriad of confusing plot points. The movie is nothing like the trailer. The trailer depicted a great movie. I kept thinking, they can still save this, until forty-five minutes in, when I realized that wasn't going to happen. I was left asking what? A series of disjointed ideas weren't as compelling as the eight minutes, when we return to present day, that make the bulk of the trailer. I have to hope the source material, a book, is better, and that the movie suffers from trying to cram all the book ideas into two hours. The movie didn't spend enough time on the romance to make it believable, which left the crux of the plot thin. That should have been the focus, leaving the supernatural elements completely out or much more subdued. In the first few minutes the movie establishes supernatural elements that were completely vacant in the trailer. I knew then, this movie might be in trouble. This movie should have been more of Meet Joe Black. I wanted to like this movie. But I, like this movie, ended up lost.
Skip it.
Blood Ties (2013)
Watch Blood Ties
Written by: Guillaume Canet & James Gray (screenplay), Jacques Maillot and Pierre Chosson and Eric Veniard (film "Les liens du sang"), Bruno Papet and Michel Papet (novel "Deux freres, un flic, un truand")
Directed by: Guillaume Canet
Starring: Clive Owen, Marion Cotillard, Billy Crudup, Mila Kunis, Zoe Saldana, Matthias Schoenaerts, James Caan
Rated: R
Plot:
Two brothers on opposite sides of the law face off in the '70s Brooklyn.
Review:
Clive Owen and Billy Crudup are brothers on opposite sides of the law. The movie is set in the seventies, and the production values are great. The attention to detail is amazing, adding to the overall look of the film. The heist is reminiscent of Heat in style and precision. There are a number of intense sequences in the movie and the ending is perfect. The perfect acting, and inspiring direction make for a great film.
Watch it.
I watch movies every week and then write down my thoughts. Read my previous reviews!
My rating is simple, Watch It, It Depends, Skip it.
Internal Affairs - Richard Gere prepares for a friendly chat. |
Internal Affairs (1990)
Watch Internal Affairs
Written by:Henry Bean
Directed by: Mike Figgis
Starring: Richard Gere, Andy Garcia
Rated: R
Plot:
Devious, manipulative detective Dennis Peck is under investigation by the Internal Affairs department.
Review:
Cops and drama, what's not to like? Andy Garcia is the rookie on the IAD squad. Richard Gere is a unscrupulous lifelong beat cop. Gere is a true villain. Why he didn't keep doing films like this, I don't know. He should have. The writing is solid, it builds the plot and characters in a way that forces you to think about what you've seen instead of spoon feeding you. How deplorable is the villain and how far will the protagonist fall in his pursuit? It has a very '80s feel to it, the music the style and even the pacing, but it isn't detrimental.
Watch it.
Seeking a Friend for the End of the World - Steve Carell coping with the end times. |
Seeking a Friend for the End of the World (2012)
Watch Seeking a Friend for the End of the World
Written by: Lorene Scafaria
Directed by: Lorene Scafaria
Starring: Steve Carell, Keira Knightley
Rated: R
Plot:
With an asteroid approaching Earth, a man and his neighbor trek across the country to see his high school girlfriend.
Review:
Steve Carell and Keira Knightly deal with the impending apocalypse. It's a great concept, wonderfully executed. It feels a bit more realistic than the everyman trying to save the world. What happens when we deal with the impending apocalypse? Self medication in many forms occurs.
If you think Steve Carrell can't act, he will prove you wrong with this film. though The Way Way Back is a better showcase. This movie is a lot of fun, with some nice cameos. The ending was perfect, which is saying something for a movie like this. It's all too easy to ruin the end.
It depends.
Winter's Tale - Colin Farrell echoing the confusion I felt throughout the movie. |
Watch Winter's Tale
Written by: Akiva Goldsman (screenplay), Mark Helprin (novel)
Directed by: Akiva Goldsman
Starring: Colin Farrell, Jessica Brown Findlay, Russell Crowe
Rated: PG-13
Plot:
A burglar falls for an heiress with a terminal illness, but he can't die.
Review:
Colin Farrell plays a thief that falls in love while robbing a house. It's a simple story mired by a myriad of confusing plot points. The movie is nothing like the trailer. The trailer depicted a great movie. I kept thinking, they can still save this, until forty-five minutes in, when I realized that wasn't going to happen. I was left asking what? A series of disjointed ideas weren't as compelling as the eight minutes, when we return to present day, that make the bulk of the trailer. I have to hope the source material, a book, is better, and that the movie suffers from trying to cram all the book ideas into two hours. The movie didn't spend enough time on the romance to make it believable, which left the crux of the plot thin. That should have been the focus, leaving the supernatural elements completely out or much more subdued. In the first few minutes the movie establishes supernatural elements that were completely vacant in the trailer. I knew then, this movie might be in trouble. This movie should have been more of Meet Joe Black. I wanted to like this movie. But I, like this movie, ended up lost.
Skip it.
Blood Ties - Serious talks when one brother is a cop and the other a convict. |
Watch Blood Ties
Written by: Guillaume Canet & James Gray (screenplay), Jacques Maillot and Pierre Chosson and Eric Veniard (film "Les liens du sang"), Bruno Papet and Michel Papet (novel "Deux freres, un flic, un truand")
Directed by: Guillaume Canet
Starring: Clive Owen, Marion Cotillard, Billy Crudup, Mila Kunis, Zoe Saldana, Matthias Schoenaerts, James Caan
Rated: R
Plot:
Two brothers on opposite sides of the law face off in the '70s Brooklyn.
Review:
Clive Owen and Billy Crudup are brothers on opposite sides of the law. The movie is set in the seventies, and the production values are great. The attention to detail is amazing, adding to the overall look of the film. The heist is reminiscent of Heat in style and precision. There are a number of intense sequences in the movie and the ending is perfect. The perfect acting, and inspiring direction make for a great film.
Watch it.
Blood Ties - Buckle up for a great heist scene. |
Friday 25 July 2014
July Expiration Watch: Fun While They Lasted
Still haven't watched the 1950s suburban zombie flick, Fido? What about Peter Bogdanovich's classic 1973 comedy, Paper Moon (reviewed here)? Or the darkly imaginative The City of Lost Children, from the duo who created the brilliant Delicatessen? If not, you better get to it, because those and other recently added titles are about to expire, including one of the better entries in the Star Trek series, Star Trek VI: The Undiscovered Country (which arrived only this month, in case you're feeling a sense of deja vu).
You may also want to get cracking on a number of other new-ish titles already earmarked for the big sleep, such as the two ZAZ* comedies, Airplane! and Top Secret!, which redefined big-screen zaniness in the 1980s; Mel Gibson's Braveheart, which helped redefine movie violence in the 1990s; and 1969's Easy Rider, which redefined youth culture, the movie industry, and Jack Nicholson's career, all in one smoke-filled swoop.
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The City of Lost Children |
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Thursday 24 July 2014
71st Venice Film Festival Lineup
Organizers announced this morning the 20 films that will compete for the Golden Lion in the current edition of La Mostra, a selection that included several films that we were expecting in Cannes and now we find them here. Great. So Venezia71 competition has films by well-known directors like Benoît Jacquot, Fatih Akin, Xavier Beauvois, Abel Ferrara and Andrei Konchalovsky.
Can't complain about the main competition as there are films from several countries but it's appalling that there is not even one film from Latin America and when we check films in the Official Selection plus Autonomous Sections, the Latin American absence becomes disconcerting. Also disconcerting is the strong presence of American films (3 in competition plus too many to count in Orizzonti and other sections) so here I am wondering what is happening with world cinema when there is very little presence of Latin America and such a strong presence by USA. Not good news for me, sigh.
In a positive note the Official Selection has 55 films of which 54 are World premieres and 1 is an International premiere. Venezia71 Competition has 20 films, 19 World premieres and 1 International premiere. Organizers received and viewed 3,377 films of which 1,600 were feature films and 1,777 were short films.
Official Selection
Venezia71 Competition
Opening film: Birdman or The Unexpected Virtue of Ignorance, Alejandro Gonzalez Iñárritu, USA and France
3 Coeurs, Benoît Jacquot, France
99 Homes, Ramin Bahrani, USA
Anime Nere (Black Souls), Francesco Munzi, Italy and France
Белые ночи почтальона Алексея Тряпицын Belye nochi pochtalona Alekseya Tryapitsyna (The Postman's White Nights), Andrei Konchalovsky, Russia
闯入者 Chuangru Zhe (Red Amnesia), Xiaoshuai Wang, China
En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence), Roy Andersson, Sweden, Germany, Norway and France
قصه ها Ghesseha (Tales), Rakhshan Bani E'temād, Iran
Good Kill, Andrew Miccol, USA
Hungry Hearts, Saverio Costanzo, Italy
Il Giovane Favoloso, Mario Martone, Italy
La rançon de la gloire (The Price of Fame), Xavier Beauvois, France, Belgium and Switzerland
Le dernier coup de marteau (The Last Hammer Blow), Alix Delaporte, France
Loin des Hommes (Far From Men), David Oelhoffen, France
Manglehorn, David Gordon Green, USA
野火 Nobi (Fires on the Plain), Shinya Tsukamoto, Japan
Pasolini, Abel Ferrara, France, Belgium and Italy
(*) Sivas, Kaan Müjdeci, Turkey
The Cut, Fatih Akin, Germany, France, Italy, Russia, Canada, Poland and Turkey
The Look of Silence, Joshua Oppenheimer, Denmark, Finland, Indonesia, Norway and UK (documentary)
Jury
President: Alexandre Desplat, film composer, France
Elia Suleiman, director, Palestine
Philip Gröning, director, Germany
Carlo Verdone, actor and director, Italy
Joan Chen, actress, USA and China
Jessica Hausner, scriptwriter and director, Austria
Jhumpa Lahiri, scriptwriter, UK
Sandy Powel, costume designer, UK
Tim Roth, actor, UK
Out of Competition
Closing Film: 黄金时代 Huang jin shi dai (The Golden Era), Ann Hui, China and Hong Kong
Burrying The Ex, Joe Dante, USA
Hwajang, Kwontaek Im, South Korea
Im Keller (In The Basement), Ulrich Seidl, Austria (documentary)
La Trattativa, Sabina Guzzanti, Italy
La Zuppa del Demonio, Davide Ferrario, Italy
Nymphomaniac Volume II (Long Version) Director's Cut, Lars Von Trier, Denmark, Germany, France and Belgium
Olive Kittertidge, Lisa Cholodenko, USA (TV mini series)
O Velho do Restelo (The Old Man of Belem), Manoel de Oliveira, Portugal and France, (short film 19')
Perez, Edoardo de Angelis, Italy
Qin' Ai De (Dearest), Peter Ho-Sun Chan, Hong Kong and China
She's Funny That Way, Peter Bogdanovich, USA
The Boxtrolls, Anthony Stacchi and Annable Graham, UK (animation)
The Humbling, Barry Levinson, USA
The Sound and the Fury, James Franco, USA
Tsili, Amos Gitai, Israel, Russia, Italy and France
Un Giorno da Italini (Italy in a Day), Gabriele Salvatores, Italy and UK (documentary
Words With Gods, 9 directors, Mexico and USA
Orizzonti Competition
Feature Films
Opening Film: The President, Mohsen Makhmalbaf, Georgia, France, UK and Germany
Belluscone, Una Storia Siciliana, Franco Maresco, Italy
Bypass, Duane Hopkins, UK
(*) Court, Chaitanya Tamhane, India
Cymbeline, Michael Almereyda, USA
Heaven Knows What, Josh Safdie and Ben Safdie, USA and France
(*) Ich Seh, Ich Seh (Goodnight Mommy), Veronika Franz and Severin Fiala, Austria
자유의 언덕 Jayuui Eondeok (Hill of Freedom), Sangsoo Hong, South Korea
(*) Kreditis Limiti (Line of Credit), Salome Alexi, Georgia, Germany and France
La Vita Oscena, Renato de Maria, Italy
Nabat, Elchin Musaogly, Azerbaijan
Near Death Experience, Benoît Delépine and Gustave de Kervern, France
Réalité (Reality), Quentin Dupieux, France and Belgium
(*) Senza Nessuna Pietà, Michele Alhaique, Italy
Tavka Su Pravila (These are the Rules), Ognjen Sviličić, Croatia, France, Serbia and Macedonia
(*) Theeb, Naji Abu Nowar, Jordan, UAE, Qatar, UK
Your Right Mind, Ami Canaan Mann, USA
Short Films
Cams, Carl-Johan Westregård, Sweden
Castillo y el Armado, Pedro Harres, Brazil, 13'
Da Shu (Great Heat), Tao Chen, China, 13'
Era Apocrypha, Brendan Sweny, USA, 21'
Ferdinand Knapp, Andrea Baldini, France, 15'
Fi Al Waqt al Dae'A (In Overtime), Rami Yasin, Jordan and Palestine, 13'
La Bambina (Bache), Ali Asgari, Italy and Iran, 15'
Lehem (Daily Bread), Idan Hubel, Israel, 18'
Mademoiselle, Guillaume Gouix, France, 17'
Out of Competition
Feature Films
3/105, Avelina Prat and Diego Opazo, Spain, 6'
Io Sto Con La Sposa, Antonio Auguliaro, Gabriele del Grande, Khaled Soliman Al Nassiry, Iran and Palestine (documentary)
Short Films
Arta, Adrian Sitaru, Romania, 19'
L'Atessa del Maggio, Simone Massi, Italy, 8' (animated film)
Lift You Up, Ramin Bahrani, USA, 8'
Maryam, Sidi Saleh, Indonesia, 17'
Jury
President: Ann Hui, director, Hong Kong
Pernila August, actress and director, Sweden
Moran Atias, actress, Israel
David Chase, scriptwriter, producer, director, USA
Mahamat-Salet Haroun, director, Chad
Roberto Minervini, scriptwriter, director, Italy
Alin Tasçiyan, film critic, Turkey
To check all films in Venice Classics section please go here.
Check some Official Selection trailers @MOC.
Check some Orizzonti trailers @MOC
Autonomous Sections
Giornate degli Autori - Venice Days
Official Selection
(*) Asha Jaoar Majhe (Labor of Love), Adityavikram Sengupta, India
(*) Before I Disappear, Shawn Christensen, USA and UK
El 5 de Talleres (The Midfielder), Adrián Biniez, Argentina
He Ovat Paenneet (They Have Escaped), Jukka Pekka Valkeapää, Finland and Netherlands
I Nostri Ragazzi (The Dinner), Ivano De Matteo, Italy
Métamorphoses , Christophe Honoré, France
Mita Tova (The Farewell Party), Sharon Maymon and Tal Granit, Israel
(*) Les Nuits d'été (Summer Nights), Mario Fanfani, France (gt interest)
Patria, Felice Farina, Italy
Retour à Ithaque, Laurent Cantet, France and Belgium
(*) The Goob, Guy Myhill, UK
The Smell of Us, Larry Clark, France
(*) Tussen 10 en 12 (Between 10 and 12), Peter Hoogendoorn, Belgium, France and Netherlands
Out of Competition
Opening film: Il-dae-il (One on One), Kim Ki-duk, South Korea
Closing film: Messi, Alex De la Iglesia, Spain
Special Events
9x10 Novanta, (9 short films by 10 directors), 10 directors, Italy (documentary)
The Show MAS Go On, Rä di Martino, Italy
The Lack, Masbedo, Italy
Five Star, Keith Miller, USA
Women's Tales
Spark and Light, So Yong Kim
Somebody, Miranda July
To read about each of the films in Venice Days; go here. The selection includes one film that I since I learned about it have become must be seen for me, Christophe Honoré's Metamorphoses but there are films by Laurent Cantet and Kim Ki-duk that I know will be interesting to see. The Special Events film include one short film by Alice Rohrwacher and have to say that shorts concept seems very interesting as all use old footace from the Luce Archives. Also The Show MAS Go On is no misspelling as MAS was a high-end fashion emporium last century that went downscale to become a cult location, absolutely fascinating place.
Check some Venice Days trailers @MOC.
Settimana Internazionale della Critica - Venice International Film Critics Week
As every year the 2014 selection includes seven (7) first time director's full-length films from all over the world, plus two special events. The seven films are eligible for the Lion of the Future - Luigi De Laurentiis Award for a Debut film as well as for the RaroVideo Audience Award.
Official Selection
(*) 殯棺 Binguan (The Coffin in the Mountain), Xin Yukun, China
(*) Dancing with Maria, Ivan Gergolet, Italy, Argentina and Slovenia (documentary)
(*) Đập cánh giữa không trung (Flapping in the Middle of Nowhere), Nguyễn Hoàng Điệp, Vietnam, France, Norway and Germany
(*) Ničije dete (No One's Child), Vuk Ršumović, Serbia and Croatia
(*) Terre Battue (40-Love), Stéphane Demoustier, France and Belgium
(*) Villa Touma, Suha Arraf, Palestine
(*) Zerrumpelt Herz (The Council of Birds), Timm Kröger, Germany
Out of Competition
Opening film: Melbourne, Nima Javidi, Iran
Closing film: Arance e Martello (The Market), Diego Bianchi, Italy
To read about each film in the Critics Week go here.
(*) First Feature film, competes for Luigi De Laurentiis award for a Debut Film. There are eighteen (18) films in competition for this award.
Debut Film Jury
President: Alice Rohrwacher, writer and director, Italy
Lisandro Alonso, director, Argentina
Ron Mann, producer and director, Canada
Vivian Qu, producer and director, China
Razvan Radulescu, writer and director, Romania
To read about each film in the Settimana go here. Seems there are some interesting films in this year selection but one absolutely calls my attention, Villa Touma, as is directed by Suha Araf, who's the scriptwriter of Eran Rikli's fantastic movies: Syrian Bride and Lemon Tree; on top, Cherien Dabis plays one of the lead roles.
Check some Settimana trailers @MOC
Can't complain about the main competition as there are films from several countries but it's appalling that there is not even one film from Latin America and when we check films in the Official Selection plus Autonomous Sections, the Latin American absence becomes disconcerting. Also disconcerting is the strong presence of American films (3 in competition plus too many to count in Orizzonti and other sections) so here I am wondering what is happening with world cinema when there is very little presence of Latin America and such a strong presence by USA. Not good news for me, sigh.
In a positive note the Official Selection has 55 films of which 54 are World premieres and 1 is an International premiere. Venezia71 Competition has 20 films, 19 World premieres and 1 International premiere. Organizers received and viewed 3,377 films of which 1,600 were feature films and 1,777 were short films.
Official Selection
Venezia71 Competition
Opening film: Birdman or The Unexpected Virtue of Ignorance, Alejandro Gonzalez Iñárritu, USA and France
3 Coeurs, Benoît Jacquot, France
99 Homes, Ramin Bahrani, USA
Anime Nere (Black Souls), Francesco Munzi, Italy and France
Белые ночи почтальона Алексея Тряпицын Belye nochi pochtalona Alekseya Tryapitsyna (The Postman's White Nights), Andrei Konchalovsky, Russia
闯入者 Chuangru Zhe (Red Amnesia), Xiaoshuai Wang, China
En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence), Roy Andersson, Sweden, Germany, Norway and France
قصه ها Ghesseha (Tales), Rakhshan Bani E'temād, Iran
Good Kill, Andrew Miccol, USA
Hungry Hearts, Saverio Costanzo, Italy
Il Giovane Favoloso, Mario Martone, Italy
La rançon de la gloire (The Price of Fame), Xavier Beauvois, France, Belgium and Switzerland
Le dernier coup de marteau (The Last Hammer Blow), Alix Delaporte, France
Loin des Hommes (Far From Men), David Oelhoffen, France
Manglehorn, David Gordon Green, USA
野火 Nobi (Fires on the Plain), Shinya Tsukamoto, Japan
Pasolini, Abel Ferrara, France, Belgium and Italy
(*) Sivas, Kaan Müjdeci, Turkey
The Cut, Fatih Akin, Germany, France, Italy, Russia, Canada, Poland and Turkey
The Look of Silence, Joshua Oppenheimer, Denmark, Finland, Indonesia, Norway and UK (documentary)
Jury
President: Alexandre Desplat, film composer, France
Elia Suleiman, director, Palestine
Philip Gröning, director, Germany
Carlo Verdone, actor and director, Italy
Joan Chen, actress, USA and China
Jessica Hausner, scriptwriter and director, Austria
Jhumpa Lahiri, scriptwriter, UK
Sandy Powel, costume designer, UK
Tim Roth, actor, UK
Out of Competition
Closing Film: 黄金时代 Huang jin shi dai (The Golden Era), Ann Hui, China and Hong Kong
Burrying The Ex, Joe Dante, USA
Hwajang, Kwontaek Im, South Korea
Im Keller (In The Basement), Ulrich Seidl, Austria (documentary)
La Trattativa, Sabina Guzzanti, Italy
La Zuppa del Demonio, Davide Ferrario, Italy
Nymphomaniac Volume II (Long Version) Director's Cut, Lars Von Trier, Denmark, Germany, France and Belgium
Olive Kittertidge, Lisa Cholodenko, USA (TV mini series)
O Velho do Restelo (The Old Man of Belem), Manoel de Oliveira, Portugal and France, (short film 19')
Perez, Edoardo de Angelis, Italy
Qin' Ai De (Dearest), Peter Ho-Sun Chan, Hong Kong and China
She's Funny That Way, Peter Bogdanovich, USA
The Boxtrolls, Anthony Stacchi and Annable Graham, UK (animation)
The Humbling, Barry Levinson, USA
The Sound and the Fury, James Franco, USA
Tsili, Amos Gitai, Israel, Russia, Italy and France
Un Giorno da Italini (Italy in a Day), Gabriele Salvatores, Italy and UK (documentary
Words With Gods, 9 directors, Mexico and USA
Orizzonti Competition
Feature Films
Opening Film: The President, Mohsen Makhmalbaf, Georgia, France, UK and Germany
Belluscone, Una Storia Siciliana, Franco Maresco, Italy
Bypass, Duane Hopkins, UK
(*) Court, Chaitanya Tamhane, India
Cymbeline, Michael Almereyda, USA
Heaven Knows What, Josh Safdie and Ben Safdie, USA and France
(*) Ich Seh, Ich Seh (Goodnight Mommy), Veronika Franz and Severin Fiala, Austria
자유의 언덕 Jayuui Eondeok (Hill of Freedom), Sangsoo Hong, South Korea
(*) Kreditis Limiti (Line of Credit), Salome Alexi, Georgia, Germany and France
La Vita Oscena, Renato de Maria, Italy
Nabat, Elchin Musaogly, Azerbaijan
Near Death Experience, Benoît Delépine and Gustave de Kervern, France
Réalité (Reality), Quentin Dupieux, France and Belgium
(*) Senza Nessuna Pietà, Michele Alhaique, Italy
Tavka Su Pravila (These are the Rules), Ognjen Sviličić, Croatia, France, Serbia and Macedonia
(*) Theeb, Naji Abu Nowar, Jordan, UAE, Qatar, UK
Your Right Mind, Ami Canaan Mann, USA
Short Films
Cams, Carl-Johan Westregård, Sweden
Castillo y el Armado, Pedro Harres, Brazil, 13'
Da Shu (Great Heat), Tao Chen, China, 13'
Era Apocrypha, Brendan Sweny, USA, 21'
Ferdinand Knapp, Andrea Baldini, France, 15'
Fi Al Waqt al Dae'A (In Overtime), Rami Yasin, Jordan and Palestine, 13'
La Bambina (Bache), Ali Asgari, Italy and Iran, 15'
Lehem (Daily Bread), Idan Hubel, Israel, 18'
Mademoiselle, Guillaume Gouix, France, 17'
Out of Competition
Feature Films
3/105, Avelina Prat and Diego Opazo, Spain, 6'
Io Sto Con La Sposa, Antonio Auguliaro, Gabriele del Grande, Khaled Soliman Al Nassiry, Iran and Palestine (documentary)
Short Films
Arta, Adrian Sitaru, Romania, 19'
L'Atessa del Maggio, Simone Massi, Italy, 8' (animated film)
Lift You Up, Ramin Bahrani, USA, 8'
Maryam, Sidi Saleh, Indonesia, 17'
Jury
President: Ann Hui, director, Hong Kong
Pernila August, actress and director, Sweden
Moran Atias, actress, Israel
David Chase, scriptwriter, producer, director, USA
Mahamat-Salet Haroun, director, Chad
Roberto Minervini, scriptwriter, director, Italy
Alin Tasçiyan, film critic, Turkey
To check all films in Venice Classics section please go here.
Check some Official Selection trailers @MOC.
Check some Orizzonti trailers @MOC
Autonomous Sections
Giornate degli Autori - Venice Days
Official Selection
(*) Asha Jaoar Majhe (Labor of Love), Adityavikram Sengupta, India
(*) Before I Disappear, Shawn Christensen, USA and UK
El 5 de Talleres (The Midfielder), Adrián Biniez, Argentina
He Ovat Paenneet (They Have Escaped), Jukka Pekka Valkeapää, Finland and Netherlands
I Nostri Ragazzi (The Dinner), Ivano De Matteo, Italy
Métamorphoses , Christophe Honoré, France
Mita Tova (The Farewell Party), Sharon Maymon and Tal Granit, Israel
(*) Les Nuits d'été (Summer Nights), Mario Fanfani, France (gt interest)
Patria, Felice Farina, Italy
Retour à Ithaque, Laurent Cantet, France and Belgium
(*) The Goob, Guy Myhill, UK
The Smell of Us, Larry Clark, France
(*) Tussen 10 en 12 (Between 10 and 12), Peter Hoogendoorn, Belgium, France and Netherlands
Out of Competition
Opening film: Il-dae-il (One on One), Kim Ki-duk, South Korea
Closing film: Messi, Alex De la Iglesia, Spain
Special Events
9x10 Novanta, (9 short films by 10 directors), 10 directors, Italy (documentary)
The Show MAS Go On, Rä di Martino, Italy
The Lack, Masbedo, Italy
Five Star, Keith Miller, USA
Women's Tales
Spark and Light, So Yong Kim
Somebody, Miranda July
To read about each of the films in Venice Days; go here. The selection includes one film that I since I learned about it have become must be seen for me, Christophe Honoré's Metamorphoses but there are films by Laurent Cantet and Kim Ki-duk that I know will be interesting to see. The Special Events film include one short film by Alice Rohrwacher and have to say that shorts concept seems very interesting as all use old footace from the Luce Archives. Also The Show MAS Go On is no misspelling as MAS was a high-end fashion emporium last century that went downscale to become a cult location, absolutely fascinating place.
Check some Venice Days trailers @MOC.
Settimana Internazionale della Critica - Venice International Film Critics Week
As every year the 2014 selection includes seven (7) first time director's full-length films from all over the world, plus two special events. The seven films are eligible for the Lion of the Future - Luigi De Laurentiis Award for a Debut film as well as for the RaroVideo Audience Award.
Official Selection
(*) 殯棺 Binguan (The Coffin in the Mountain), Xin Yukun, China
(*) Dancing with Maria, Ivan Gergolet, Italy, Argentina and Slovenia (documentary)
(*) Đập cánh giữa không trung (Flapping in the Middle of Nowhere), Nguyễn Hoàng Điệp, Vietnam, France, Norway and Germany
(*) Ničije dete (No One's Child), Vuk Ršumović, Serbia and Croatia
(*) Terre Battue (40-Love), Stéphane Demoustier, France and Belgium
(*) Villa Touma, Suha Arraf, Palestine
(*) Zerrumpelt Herz (The Council of Birds), Timm Kröger, Germany
Out of Competition
Opening film: Melbourne, Nima Javidi, Iran
Closing film: Arance e Martello (The Market), Diego Bianchi, Italy
To read about each film in the Critics Week go here.
(*) First Feature film, competes for Luigi De Laurentiis award for a Debut Film. There are eighteen (18) films in competition for this award.
Debut Film Jury
President: Alice Rohrwacher, writer and director, Italy
Lisandro Alonso, director, Argentina
Ron Mann, producer and director, Canada
Vivian Qu, producer and director, China
Razvan Radulescu, writer and director, Romania
To read about each film in the Settimana go here. Seems there are some interesting films in this year selection but one absolutely calls my attention, Villa Touma, as is directed by Suha Araf, who's the scriptwriter of Eran Rikli's fantastic movies: Syrian Bride and Lemon Tree; on top, Cherien Dabis plays one of the lead roles.
Check some Settimana trailers @MOC
Wednesday 23 July 2014
Tuesday 22 July 2014
The Day's News 7/21/14
A new NINJA RAP for a new era
GUARDIANS post-credits scene won't be shown until opening night
Will THE ROCK play SHAZAM?
THE STRAIN kind of sucks
ALSO: I predicted a bunch of stuff that might come true soon, some of it this weekend at SDCC. Might as well read it now, so you'll know what I'm never gonna shut up about if I'm right.
GUARDIANS post-credits scene won't be shown until opening night
Will THE ROCK play SHAZAM?
THE STRAIN kind of sucks
ALSO: I predicted a bunch of stuff that might come true soon, some of it this weekend at SDCC. Might as well read it now, so you'll know what I'm never gonna shut up about if I'm right.
The Joy of Conversation: STUCK BETWEEN STATIONS
There are a lot of obscure indies lurking in the recesses of Netflix Instant, many of which, sadly, are forgettable exercises in predictability (how many tragic tales of junkie strippers do we really need?). So it's a real treat to find one as accomplished and entertaining as 2011's Stuck Between Stations.
Taking place over a single night in downtown Minneapolis, the film follows two former high-school acquaintances (Sam Rosen and Zoe Lister-Jones) getting to know each other as each confronts a personal crisis.
Casper, a U.S. soldier on leave from Afghanistan, is home for a few days to deal with his father's death. Meanwhile, graduate student Rebecca faces the messy blowback of an affair with her comparative-lit professor (played by Michael Imperioli). It's been ten years since these two last saw each other, and a mix of curiosity and attraction finds them wandering from one nocturnal gathering place to the next�a bar, a party, an indoor circus, a convenience store, an empty playground. Between encounters with a handful of other characters, they catch each other up on where their lives have taken them and what kind of adults they've become.
Read more �
Taking place over a single night in downtown Minneapolis, the film follows two former high-school acquaintances (Sam Rosen and Zoe Lister-Jones) getting to know each other as each confronts a personal crisis.
Casper, a U.S. soldier on leave from Afghanistan, is home for a few days to deal with his father's death. Meanwhile, graduate student Rebecca faces the messy blowback of an affair with her comparative-lit professor (played by Michael Imperioli). It's been ten years since these two last saw each other, and a mix of curiosity and attraction finds them wandering from one nocturnal gathering place to the next�a bar, a party, an indoor circus, a convenience store, an empty playground. Between encounters with a handful of other characters, they catch each other up on where their lives have taken them and what kind of adults they've become.
Read more �
Saturday 19 July 2014
Thursday 17 July 2014
Tuesday 15 July 2014
MOVIEBOB'S OFFICIAL CONBRAVO SCHEDULE
Hey there!
I'll be making my first ever appearance on the Canadian convention circuit at ConBravo this weekend! If you're going, here's the places and times you can find me in terms of panels and events.
I'll also be out and about and will likely find at least a few hours to set up for autographs and selling copies of SMB3: Brick By Brick; but even if you just see me walking the floor by all means feel free to say hi (I might have books with me then, too.)
Here's how things look...
FRIDAY 7/18 8PM: Game OverThinker Panel
Location: Room 314
FYI: This is happening right after Linkara & Mike Dodd's Marvel Cinematic Universe panel in the same room. Like previous OverThinker panels at SGC and MAGFest, this is going to be Q&A/audience-interaction time - however, depending on some things that are still up in the air please, it's highly possible that people attending this panel will be the first members of the public to hear some big news concerning the future of this series.
FRIDAY 7/18 10PM: World's Most Frustrating Game Show
Location: Webster ABC
I'll be honest: I have very little idea what this actually is or entails, but there's a great crew of folks lined up and I'm looking forward to doing something fun and wacky.
SUNDAY 7/20 10AM: Exploring The Platformer
Location: Chedoke A
Gaijin Goomba and I will talk the history and appeal of the platformer genre. Should be interesting.
In addition, it tends to happen at these things that I run into colleagues and friends who're looking for extra deckhands and I usually say yes (wound up on a reviewer panel with a huge chunk of Channel Awesome last MAGFest - that was a treat!) so keep tuned to my Twitter @The_MovieBob for updates as to where I am and where I plan to be.
Looking forward to seeing everybody there!
I'll be making my first ever appearance on the Canadian convention circuit at ConBravo this weekend! If you're going, here's the places and times you can find me in terms of panels and events.
I'll also be out and about and will likely find at least a few hours to set up for autographs and selling copies of SMB3: Brick By Brick; but even if you just see me walking the floor by all means feel free to say hi (I might have books with me then, too.)
Here's how things look...
FRIDAY 7/18 8PM: Game OverThinker Panel
Location: Room 314
FYI: This is happening right after Linkara & Mike Dodd's Marvel Cinematic Universe panel in the same room. Like previous OverThinker panels at SGC and MAGFest, this is going to be Q&A/audience-interaction time - however, depending on some things that are still up in the air please, it's highly possible that people attending this panel will be the first members of the public to hear some big news concerning the future of this series.
FRIDAY 7/18 10PM: World's Most Frustrating Game Show
Location: Webster ABC
I'll be honest: I have very little idea what this actually is or entails, but there's a great crew of folks lined up and I'm looking forward to doing something fun and wacky.
SUNDAY 7/20 10AM: Exploring The Platformer
Location: Chedoke A
Gaijin Goomba and I will talk the history and appeal of the platformer genre. Should be interesting.
In addition, it tends to happen at these things that I run into colleagues and friends who're looking for extra deckhands and I usually say yes (wound up on a reviewer panel with a huge chunk of Channel Awesome last MAGFest - that was a treat!) so keep tuned to my Twitter @The_MovieBob for updates as to where I am and where I plan to be.
Looking forward to seeing everybody there!
Monday 14 July 2014
The Weekend's News 7/14/14
ALSO: Did you know there were PLANET OF THE APES TV shows?
GHOSTBUSTERS comes back to theaters
Andy Serkis and CGI animators are arguing, again
MTV greenlights Terry Brooks' SHANNARA to series
Tracy Morgan will sue WAL-MART for crash that nearly killed him
APES rule weekend box-office
Tumblr Convention DASHCON collapses into near-anarchy
MARVEL to make "thundering title" announcement on THE VIEW
GHOSTBUSTERS comes back to theaters
Andy Serkis and CGI animators are arguing, again
MTV greenlights Terry Brooks' SHANNARA to series
Tracy Morgan will sue WAL-MART for crash that nearly killed him
APES rule weekend box-office
Tumblr Convention DASHCON collapses into near-anarchy
MARVEL to make "thundering title" announcement on THE VIEW
July Highlights: Slow on the Update
No two ways about it: there were some pretty good additions to the streaming catalog this month (even if it's taken me longer than usual to note them). I've been finding it tricky to do much more than update the new and expiring lists this summer, but in place of a GONE FISHIN' sign, how about we break down the best of the new titles into more manageable chunks? We'll start with the prestige pics, which include numerous multi-Oscar winners, and work our way through the classics, the so-bad-they're-good, the rewatchables, and the returned. And just to mix things up, we'll put each list in chronological�as opposed to the usual alpha�order.
On Golden Pond (1981) - Jane and Henry Fonda team up with Katherine Hepburn; a bit mawkish but well-acted and beautifully filmed
Sophie's Choice (1982) - Meryl Streep in the first of her many world-changing performances
Gandhi (1982) - Richard Attenborough directs Ben Kingsley in this epic Oscar-winning tale
Eight Men Out (1988) - John Sayles guides a stellar ensemble cast (John Cusack, David Strathairn, Charlie Sheen, Christopher Lloyd) in this understated, intriguing account of the infamous "Black Sox" Scandal
Philadelphia (1993) - Tom Hanks shows he's serious, nabbing his first Oscar for Best Actor in Jonathan Demme's AIDS drama, which also stars Denzel Washington
Dead Man Walking (1995) - Sean Penn, Susan Sarandon, more Oscars
City Of God (2002) - Searing, must-see drama set in the slums of Rio de Janeiro, filled with incredible filmmaking and unforgettable performances by a non-professional cast
Venus (2006) - Peter O'Toole in a late-career performance as an aging actor who finds himself falling for a young model. But will she fall for him back?
The Master (2012) - Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams all got nominated for Oscars in this latest exercise in intensity from Paul Thomas Anderson (Boogie Nights, Punch-Drunk Love)
Read more �
PRESTIGE PICS
Patton (1970) - George C. Scott kills it as the erstwhile general, in an Oscar-winning script by Francis Ford CoppolaOn Golden Pond (1981) - Jane and Henry Fonda team up with Katherine Hepburn; a bit mawkish but well-acted and beautifully filmed
Sophie's Choice (1982) - Meryl Streep in the first of her many world-changing performances
Gandhi (1982) - Richard Attenborough directs Ben Kingsley in this epic Oscar-winning tale
Eight Men Out (1988) - John Sayles guides a stellar ensemble cast (John Cusack, David Strathairn, Charlie Sheen, Christopher Lloyd) in this understated, intriguing account of the infamous "Black Sox" Scandal
Philadelphia (1993) - Tom Hanks shows he's serious, nabbing his first Oscar for Best Actor in Jonathan Demme's AIDS drama, which also stars Denzel Washington
Dead Man Walking (1995) - Sean Penn, Susan Sarandon, more Oscars
City Of God (2002) - Searing, must-see drama set in the slums of Rio de Janeiro, filled with incredible filmmaking and unforgettable performances by a non-professional cast
Venus (2006) - Peter O'Toole in a late-career performance as an aging actor who finds himself falling for a young model. But will she fall for him back?
The Master (2012) - Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams all got nominated for Oscars in this latest exercise in intensity from Paul Thomas Anderson (Boogie Nights, Punch-Drunk Love)
Read more �
Friday 11 July 2014
Escape to The Movies: DAWN OF THE PLANET OF THE APES
Wednesday 9 July 2014
The Day's News 7/9/14
So. You've probably noticed that the blog has been a bit sparse of late, owing to me doing more news-item posts for The Escapist than for here.
Starting today, I'm going to try and change that by doing (when possible) daily summary-posts of news I've reported there - please, feel free to comment and chat about them. Note: there will be some "older" stories on this once, since it's the first:
First Promo Image of Superman From DAWN OF JUSTICE
Opie & Anthony's Anthony Cumia Fired For Racist Rant
Brandon Routh Will Play The Atom on ARROW
TRANSFORMERS Writer to Script Disney's Live-Action DUMBO
Christian Bale is Moses in Ridley Scott's EXODUS: GODS & KINGS
Greenpeace Viral Vid Spoofs THE LEGO MOVIE Over Shell Oil Partnership
Starting today, I'm going to try and change that by doing (when possible) daily summary-posts of news I've reported there - please, feel free to comment and chat about them. Note: there will be some "older" stories on this once, since it's the first:
First Promo Image of Superman From DAWN OF JUSTICE
Opie & Anthony's Anthony Cumia Fired For Racist Rant
Brandon Routh Will Play The Atom on ARROW
TRANSFORMERS Writer to Script Disney's Live-Action DUMBO
Christian Bale is Moses in Ridley Scott's EXODUS: GODS & KINGS
Greenpeace Viral Vid Spoofs THE LEGO MOVIE Over Shell Oil Partnership
Tuesday 8 July 2014
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