Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Tuesday, 20 September 2016

First Trailer For Sci-Fi PASSENGERS Looks Like An Awesome Ride!

Director Morten Tyldum's PASSENGERS looks VERY promising. First of all the casting is intriguing with Chris Pratt and Jennifer Lawrence headlining (Michael Sheen and Laurence Fishburne are no slouches either). But what I find most interesting is the mystery behind being woken up too soon on an epic space journey. Let's hope what has been done before is not repeated here - perhaps something original. I don't think that's too much to ask from screenplay writer Jon Spaihts.

Here's the movie's storyline:
Jennifer Lawrence and Chris Pratt are two passengers onboard a spaceship transporting them to a new life on another planet. The trip takes a deadly turn when their hibernation pods mysteriously wake them 90 years before they reach their destination. As Jim and Aurora try to unravel the mystery behind the malfunction, they begin to fall for each other, unable to deny their intense attraction... only to be threatened by the imminent collapse of the ship and the discovery of the truth behind why they woke up.

Should look amazing in 3D. Can't wait to see this!

PASSENGERS opens on December 21.


Wednesday, 8 June 2016

Ten Movies on an Island: Horror/Ghost/Sci-fi


I am not a Horror movie fan. I'm not a Sci-Fi movie fan either. Which is why I had to make this a Horror/Ghost/Sci-fi list.
1. The Ghost Breakers (1940) - Bob Hope & Paulette Goddard
2. *Cat People (1942) - Simone Simon & Kent Smith
3. *The Univited (1944) - Ray Milland & Gail Russell, Ruth Hussey, Donald Crisp
4. The Picture of Dorian Gray (1945) - Hurd Hatfield, George Sanders, Donna Reed
5. Lured (1947) - Lucille Ball, George Sanders
6. The Time Machine (1960) - Rod Taylor, Alan Young
7. Psycho (1960) - Anthony Perkins, Janet Leigh
8. Mysterious Island (1961) - Michael Craig, Joan Greenwood, Michael Callan
9. What Ever Happened to Baby Jane? (1962) - Bette Davis & Joan Crawford
10. The Birds (1963) - Tippi Hedren & Rod Taylor, Suzanne Pleshette

Horror films I want to see: The Unseen (1945) - a sequel of sorts to The Univited starring Gail Russell & Joel McCrea (which I just found HERE!!!!); Val Lewton's The Leopard Man (1943), and The Innocents (1961) starring Deborah Kerr, though it looks a little too creepy for me. Also The Most Dangerous Game (1932), The Mummy (1932), and Mystery of the Wax Museum (1933).

On my Netflix list: The Day the Earth Stood Still (1951) and Voyage to the Bottom of the Sea (1961).

Tomorrow Friday my Top Ten Noir Films!

Monday, 15 June 2015

Fantastic Four: Rise of the Silver Surfer (2007)

Genre


Director


Country

USA | Germany | UK

Cast

Ioan Gruffudd, Jessica Alba, Chris Evans, Michael Chiklis, Doug Jones, Laurence Fishburne, Julian McMahon, Kerry Washington, Beau Garrett, Vanessa Minnillo, Andre Braugher, Stan Lee, Brian Posehn, Debbie Timuss, Moneca Delain, Kevin McNulty, Crystal Lowe

Storyline

As the Silver Surfer (Doug Jones, voiced by Laurence Fishburne) races around the globe wreaking havoc, Reed (Ioan Gruffudd), Sue (Jessica Alba), Johnny (Chris Evans) and Ben (Michael Chiklis) must unravel the mystery of the Silver Surfer and confront the surprising return of their mortal enemy, Dr. Doom (Julian McMahon), before all hope is lost.

Opinion

I did have really low expectations for this one, and it didn't disappoint me. While a little improvement on its predecessor, Fantastic Four: Rise of the Silver Surfer still is mediocre, dull, and a shame to the fantastic comic books.

As if letting Mark Frost write the script for the first film was a good idea, they called him back, and along with director Tim Story and screenwriter Don Payne, he did a bad job.
Although I like films to be faithful to the comic books, I tolerate some little differences or omissions. Unfortunately, in here, it is a huge problem. There is no backstory of Galactus - he is not even a character - and his servant, the Silver Surfer, has the power to destroy him. How ridiculous is that? Also, the Silver Surfer goes around resurrecting people. There is no explanation to the power swapping, the Torch can just swap powers with the others by touching them, and how the Torch manages to absorb everyone's powers, leaving them powerless, is a mystery.
And the villain for god's sake! Couldn't they come up with some other bad guy? Why did they have to bring Julian McMahon's awful Dr. Doom back?

Nothing exciting happens aside from the chase scene involving the Human Torch and the Silver Surfer. The visual effects suck. Mr. Fantastic looks fake most of the time.

The acting is bad as the rest. Ioan Gruffudd looks like some guy from a soap opera, and his accent still is bad. Jessica Alba is painful to watch. She is nothing more than a pretty face. And the chemistry between the two of them is inexistent. Chris Evans steals the show as Johnny Storm having the fortune to play the only character that evolves during the film. Michael Chiklis did a better job the first time. Julian McMahon is ok. Doug Jones and Laurence Fishburne do a good job as Silver Surfer's body and voice.


Monday, 1 June 2015

The Amazing Spider-Man 2 (2014)

Genre


Director


Country


Cast

Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Colm Feore, Felicity Jones, Paul Giamatti, Sally Field, Campbell Scott, Embeth Davidtz, Marton Csokas, Chris Cooper, B.K. Novak, Denis Leary, Michael Massee, Aidy Bryant, Stan Lee

Storyline

As Peter Parker (Andrew Garfield) finally managed to balance life as both Spider-Man and Peter, a new villain treats the city: socially awkward Oscorp worker Max Dillon (Jamie Foxx), who is obsessed with Spider-Man, ends up becoming the hero's new foe.

Opinion

*** This review may contain spoilers ***
If J.K. Simmons was still playing J. Jonah Jameson he'd say, "Damnit! This thing is dragging on and on!".

The Amazing Spider-Man 2 is just not that amazing, and focuses more on the emotional element, developing the relationship with Gwen - it almost feels like watching Twilight -, and leaving thrills and action behind.

However, the main problem of the film is the same that occurred with Spider-Man 3: the writing. There are way too many awful things going on, and two and a half hours - which feels like eternity - are just not enough to stand the whole thing.
Let's start with Electro. He is not the same guy from the comic books. This Max Dillon is naive, shy, has low self-esteem, is ignored by everybody, and people barely remember his name, in other words, he is a loser. And he works for Oscorp. Turning into Electro after falling into a tub of electric eels, he heads to Time Square, where he sees his face all over the screens, and he suddenly become a badass because the whole city is watching him. He doesn't really have any motivation to do what he does. Not to mention his costume, that looks like it has been stolen from the Fantastic Four's trash.
Harry Osborn and Rhino are two wasted, cheesy characters. Also, the 3-minute grainy video in which Peter's dad basically tells us "Oscorp is evil" is pointless, because at that point you are already aware of that, and if you don't, well, you probably think Spider-Man is the villain.

While flying sequences are great, the fights are not epic, totally forgettable, and some of them even boring - the one with the Russian for instance -, and the fight between Spider-Man and Electro is just bad. It's not all of course. Why did Electro and Harry Osborn/Goblin attack Spider-Man separately? Why didn't the police show up near the power plant? Why didn't Gwen bleed when she hit the floor? Why did Harry kill Gwen? Wasn't Norman supposed to? And more important, is Harry normal or still "infected"?

At least the acting is still good. Andrew Garfield and Emma Stone are good as Peter Parker/Spider-Man and Gwen Stacy, and their chemistry is amazing. Though his character development is bad, Dane DeHaan delivers a good performance as Harry Osborn, and same does Jamie Foxx as Electro.


Quotes

Gwen Stacy: It's easy to feel hopeful on a beautiful day like today, but there will be dark days ahead of us too. There will be days where you feel all alone, and that's when hope is needed most. No matter how buried it gets, or how lost you feel, you must promise me that you will hold on to hope. Keep it alive. We have to be greater than what we suffer. My wish for you is to become hope; people need that. And even if we fail, what better way is there to live? As we look around here today, at all of the people who helped make us who we are, I know it feels like we're saying goodbye, but we will carry a piece of each other into everything that we do next, to remind us of who we are, and of who we're meant to be.

Tuesday, 26 May 2015

May 2015: What's New / What's Leaving

Before I get into what's expiring this month, I want to take a moment to acknowledge all the great titles that showed up on Netflix in May. For various reasons I wasn't able to comment on them earlier, so I want to at least call out the most notable.

The Newly Welcome

The marquee titles you probably already know (and/or have an opinion) about: The Blues Brothers (1980), David Lynch's Blue Velvet (1986), The Exorcist (1973), Quentin Tarantino's Inglourious Basterds (2009), John Woo's The Killer (1989), Legally Blonde (2001), Leon: The Professional (1994), and The Sixth Sense (1999). Oh, and the zombie-beaver movie the world's been waiting for: 2014's Zombeavers. These represent an excellent mix of new and old, violent and funny, and�in the cases of Lynch and Tarantino�a mix of all four.

But there's also the underrated Assassins (1995), a surprisingly entertaining Sylvester Stallone/Antonio Banderas action flick (based on a script by the Wachowskis); Bus Stop (1956), showcasing one of Marilyn Monroe's best performances (and the first new MM title since the March purge); Tom DiCillo's playful, satirical look at the movie business, The Real Blonde (1998); an obscure 1970s western called Santee (1973), starring Glenn Ford; the uniformly excellent indie drama, In the Bedroom (2001), which received a boatload of Oscar nominations; and a couple of acclaimed documentaries, Werner Herzog's Grizzly Man (2005) and Martin Scorsese's The Last Waltz (1978). The latter disappeared for a few days due to technical difficulties, but seems to be back up now and makes a surprising but welcome addition to the Instant catalog.

Equally welcome are the returning titles, which include such stalwarts as Big Trouble in Little China (1986), Internal Affairs (1990), and Saturday Night Fever (1977), but also less well-known pics like Peter Bogdanovich's amusing tale of 1920s Hollywood, The Cat's Meow (2001), and Jay and Mark Duplass's first feature, The Puffy Chair (2005). And then there are a couple of scruffy 1970s films: Hal Ashby's Harold and Maude (1971) and the brutal Nick Nolte football comedy, North Dallas Forty (1979), both of which were reviewed the last time they showed up. It's nice to see these join The Exorcist, Bus Stop, and The Last Waltz as proof that Netflix hasn't entirely given up on pre-1982 films.

Read more �

Monday, 25 May 2015

The Amazing Spider-Man (2012)

Genre


Director


Country


Cast

Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, Sally Field, Irrfan Khan, Chris Zylka, Campbell Scott, Embeth Davidtz, Leif Gantvoort, Hannah Marks, Kelsey Chow, C. Thomas Howell, Stan Lee, Michael Massee, Michael Papajohn, Max Charles, Jake Keiffer

Storyline

Like most teenagers, Peter Parker (Andrew Garfield) is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance, leading him directly to Oscorp and the lab of Dr. Curt Connors (Rhys Ifans), his father's former partner. As Spider-Man is set on a collision course with Connors' alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

Opinion

The Sam Raimi's trilogy, though the awful ending chapter, will always stand out among the superhero films, and definitely did not need to be rebooted. Still Marc Webb succeeded in making a quite amazing interpretation of Spider-Man's origins - and a more loyal film towards the comic books.

The Amazing Spider-Man is surprisingly engaging, plenty of action, thrill, and genuine emotions, with a more effective drama than ever.

Marc Webb faithfully manages to bring to the screen Peter Parker's humanity, creating a more credible superhero, that must defeat a villain, and on the other hand take care of his worried aunt.
In this new film, Parker isn't accidentally bitten by the spider but he is kinda looking forward to, and there's a new way his powers work. He now needs a device to shoot a web perfectly, and still causing lot of damage, he looks more credible. Some parts - like when Peter is working on his costume - are way too rushed though. The villain is good, but Connors becoming evil because he became Lizard is a little forced.

Andrew Garfield is indeed the best choice to play Peter Parker, giving him that humour - and better look - Maguire's didn't have. Emma Stone is amazing as Gwen Stacy, way better than Dunst, and her character as well is better than MJ, being more than just a love interest. The chemistry between Garfield and Stone is amazing.


Quotes

Ben Parker: Peter? I know things have been difficult lately and I'm sorry about that. I think I know what you're feeling. Ever since you were a little boy, you've been living with so many unresolved things. Well, take it from an old man. Those things send us down a road... they make us who we are. And if anyone's destined for greatness, it's you, son. You owe the world your gifts. You just have to figure out how to use them and know that wherever they take you, we'll always be here. So, come on home, Peter. You're my hero... and I love you!

Wednesday, 22 April 2015

Expiration Watch: Stan and George

Given all the breathless headlines these days about superhero franchises and upcoming Star Wars sequels, it's ironic that Netflix is letting go of a couple of very appealing documentaries focused on two of the founding fathers of modern geekdom: Stan Lee and George Lucas.

With Great Power: The Stan Lee Story (2010)

It's impossible to imagine what pop culture�or today's Hollywood�would be like without Stan Lee. As the co-creator of Marvel Comics' most recognizable superheroes, from the Fantastic Four to the Hulk to Spider-Man, the Avengers, the X-Men, Daredevil, and even Ant-Man, Lee helped shape the path comic books�and now movies�have taken for over 50 years. And he's still going strong, as this thorough and (justifiably) worshipful documentary shows. At 92, the man (or, in this case, "The Man") continues to work rooms, comic conventions, the Internet, and movie studios as the most tireless, charming, and durable advocate of his art imaginable. In his mid-80s at the time of filming, Lee is irrepressibly fit and spry and still very much in love with life (along with his adoring wife of 60-plus years). He comes off as not only a wonderful spokesman for the comics industry, but as a peerless example of the human spirit. You can't help but admire his humor, his energy, and his ability to keep up with the times. And at film's end, you'll feel grateful�and mildly amazed�that he's managed to sustain this level of creativity (and salesmanship) for so long, while quietly dreading the grayer world we'll be left with when he's no longer a part of it. (Update: the doc is gone, but Stan Lee continues to impress in this latest short video, on the art of...cameo acting!]

Read more �

Monday, 20 April 2015

Netflix Monthly Movie: The Flight That Disappeared (1961)

 

The Flight That Disappeared (1961) is clearly a low-budget picture and has a very small scope. There's the interior of the plane (cockpit, cabin, and lounge), some shots of a plane flying - stock footage, and the interior of the control center/airport office (whatever they're called). It has three main characters played by actors that I have never heard of. It was directed by Reginald Le Borg and has a running time of 71 minutes.

The movie begins with passengers boarding Flight 60 on a small commercial plane en route to Washington DC. Three of the passengers are scientists, who have been summoned to DC to attend a classified meeting concerning a new bomb design. I enjoyed seeing the depiction of what early commercial flight was like. I don't know how accurate it was. The stewardesses seemed to be taking their time passing out the lunch trays.

The movie suddenly turns into a long episode of The Twilight Zone. The plane gains altitude in order to fly over a storm and continues to rise instead of leveling off. Then all of the engines stop running but still the plane keeps rising. No one can figure out what the problem is. The plane loses radio contact with their base and after a long time of there being no word from the plane, it is thought to have crashed. A search for the missing plane begins on the ground.

Meanwhile, in the air, the plane is still flying upwards. They are unaware of the search going on for them below. Some of the passengers start to need oxygen and the stewardesses slowly pass them out as the people begin getting light-headed or fainting one by one. They do this without supplying oxygen for themselves first, causing them to faint as well. Soon, everyone on the plane is sleeping/passed out, including the pilots in the cockpit. The only three people on the plane awake are Dr. Carl Morris - a scientist who has invented a beta-bomb, his assistant Marcia Paxton - a mathematician, and another scientist - Tom Endicott - who has invented a rocket launcher. They are played by Dayton Lummis, Paula Raymond, and Craig Hill respectively. The stewardesses are played by Nancy Hale and Bernadette Hale; I don't think they are related.

They discover that their watches have stopped and the plane does not appear to be moving. They also notice that their hearts are not beating, causing them to wonder if they are dead. While they are discussing this strange experience (in the lounge), they hear a voice from outside the plane. They exit and find themselves in a cloud and rock formation land. There they meet the people who will populate Earth in the future. These future people have summoned the scientists because they have created a bomb that could wipe out the Earth and therefore the future. They take a vote and decide to sentence them to remain in this limbo for eternity in order to give the future people a chance to live. The scientist run back to the plane which suddenly disappears.
 

The "future" people
Suddenly, everyone is back on the plane and awake. Tom discovers he hit his head and blacked out. The stewardess tells him he must have been dreaming. Dr. Morris has the other two come back to the lounge and they discover that they all had the same "dream."
When the plane finally lands, it is discovered that Flight 60 is 24 hours late! Then it wasn't a dream after all!
What do the scientists decide to do? Do they go ahead with the bomb? Or do they destroy the deadly knowledge they hold?


Dr. Carl Morris, Marcia Paxton, and Tom Endicott
The movie was a bit slow but I don't regret watching it. If you have an hour it's not a bad movie to watch, especially if you like The Twilight Zone (one of the less weird episodes). All of the main characters remind me of other, more famous actors. If this would have been a bigger budget film, it would have had Monty Wooley in the role of Dr. Morris, Barbara Hale (or Yvonne De Carlo) as Marcia Paxton, and Robert Cummings as Tom Endicott.

Here's a funny review of the movie (where I got the pictures - Netflix doesn't allow screenshots).


Plane interior


Cockpit


Lounge
 
NEXT MONTH:
Which looks nothing like this one by the way...
 

Wednesday, 11 February 2015

New in February: Taking It Slow

This has definitely been one of the slower months I've seen in terms of new releases. More than a third of the new titles were returning ones, while, with the exception of Houseboat (1958), there were no classics added in February, not even with 1980 as a cutoff. For comparison, this time last year Netflix added 10 classic titles, including an excellent group of 1970s films. Given all the recent deletions of older catalog titles�both feature films and BBC shows�that's not a good sign, and seems to further cement Instant's continuing emphasis on original content and new TV shows.

But let's look at the good news: among those TV shows are the second season of Bates Motel (2014), the full 2010-2013 run of the sexy/violent Spartacus, and the first five�some would say best�seasons of all-time classic M*A*S*H (comprising the years 1972 to 1978). The latter is a pretty nice coup, I must say, since it's been a long, long time since a lot of us have had the chance to revisit that landmark show. For those who have never seen it, I'm happy to report it still holds up in most ways�as long as you can get past some of the first season's casual sexism (a holdover from the original movie) and learn to ignore the superfluous laugh track CBS forced on the show's creators (to make sure audiences knew it was, you know, a comedy). No telling if Netflix will add the remaining six seasons, the last three of which are a bit spotty, but for now these episodes from the Frank Burns era should keep fans of the 4077th giggling through their surgical masks.

Read more �

Monday, 19 January 2015

The Incredible Hulk (2008)

Genre


Director


Country


Cast

Edward Norton, Liv Tyler, Tim Roth, William Hurt, Tim Blake Nelson, Ty Burrell, Christina Cabot, Peter Mensah, Lou Ferrigno, Robert Downey Jr., Stan Lee

Plot

After the gamma radiation, scientist Bruce Banner (Edward Norton) seeks a cure to his unique condition, which causes him to turn into a giant green monster, the Hulk, under emotional stress.
Whilst on the run from military which seeks his capture, Banner comes close to a cure. But all is lost when a new creature emerges: The Abomination (Tim Roth).

Opinion

In Hulk, Ang Lee abused of visual effects, portraying a cartoon look alike Hulk, too fake and therefore ridiculous. The Incredible Hulk, its reboot, gave people a more realistic Hulk - as far as realistic a superhero can be - and provided the action to please comic book fans.
The cast also is better than the previous. Edward Norton is great as Bruce Banner/Hulk, giving him inner strength and being able to express his feelings with his eyes only. Liv Tyler is good as Betty Ross, and Tim Roth is a beast - literally - and an amazing villain as Blonsky.


Quotes

Bruce Banner: Don't make me hungry. You wouldn't like me when I'm hungry.

Emil Blonsky: I've had missions go wrong, and seen good people go down, all because someone didn't tell them what they were walking into. I moved on because that's the job, and that's what we do. But this... this is a whole new level of weird, and I don't think I want to step away from it. Sir, if you're going to take another crack at him, I want in. And with respect, sir, you'll need a team that's prepared and ready to fight, because if that thing shows up again... you're going to have a lot of professional tough guys pissing in their pants, sir.

Rating

7.5/10

Wednesday, 17 December 2014

Nineteen Eighty-Four (1984)


Cast

John Hurt, Richard Burton, Suzanna Hamilton, Cyril Cusack, Gregor Fisher, James Walker, Andrew Wilde, Corina Seddon, Rupert Baderman, John Boswall, Phyllis Logan, Bob Flag

Plot

After The Atomic War the world is divided into three states: Oceania, Eurasia and Eastasia. London is a city in Oceania, ruled by a party who has total control over all its citizen. Winston Smith (John Hurt) is a bureaucrats rewriting history in one of the department. After Winston commits the crime of falling in love with Julia (Suzanna Hamilton), they try to escape Big Brother. 

Opinion

Based on George Orwell's novel 1984, Michael Radford's Nineteen Eighty-Four is a beautiful, though not an easy film to watch. There are many differences between this film and the book, though they are not particularly relevant to the story.
Richard Burton, in his last role, is fine as O'Brien, and Suzanna Hamilton seems perfect as Julia. John Hurt's Winston Smith, which never seems tragic, is impressive. Roger Deakins's photography is stunning.



Quotes


Winston Smith: Freedom is the freedom to say two plus two equals four.

O'Brien: Who controls the past controls the future. Who controls the present controls the past.

Rating

7.5/10

Tuesday, 9 December 2014

Her (2013)

Genre

Director

Country

Cast
Joaquin Phoenix, Scarlett Johansson, Amy Adams, Rooney Mara, Olivia Wilde, Chris Pratt, Portia Doubleday, Luka Jones, Matt Letscher, Laura Kai Chen, Gracie Prewitt

Plot
Theodore (Joaquin Phoenix) works for a company which write personal letters through the Internet on behalf of other people, a job he does amazingly and sometimes passionately.
After his wife (Rooney Mara) left him, instead of starting a new life, he refuses to sign the divorce papers. 
When a new generation of OS, with an AI surprisingly human, reaches the market, Theodore will start a relationship beyond imagination with it, named Samantha (Scarlett Johansson's voice).

Opinion
Her is being considered by many to be one of the greatest films of 2013 and one of the best love stories in recent years. I really wish I could agree, but it isn't different from the other love stories with a bad ending. I struggled to watch the whole film, it was just terrible. The "sex scene" was creepy and pathetic. The OS, which is supposed to be super intelligent, falls in love with a depressed man with mental issues? That's beyond science-fiction! I highly do NOT recommend it at all.


Quotes
The past is just a story we tell ourselves.

Rating
5.5/10

Tuesday, 25 November 2014

November Expiration Watch: Give and Take (but Mostly Take)

Quite the list of casualties this month. Perhaps making up for its largesse at the beginning of November, Netflix is taking away a big chunk of its recent gains, especially titles that arrived in June and September. Notable June entries now expiring include Five Easy Pieces (1970), Funny Lady (1975), and Coffee and Cigarettes (2003), as well as those infamous big-budget flops, 1941 (1979) and Ishtar (1987), which are more entertaining than their reputations might suggest (see my reviews here.)

For some reason, the sci-fi and horror titles from June and September are getting especially hard hit, with toe tags now written up for Event Horizon (1997), Invaders from Mars (1986), Young Sherlock Holmes (1985), Audrey Rose (1977), The Believers (1987), Monkey Shines (1988), Johnny Mnemonic (1995), and Mission Impossible III (2006). RoboCop 2 (1990), which only arrived this month, is also getting the bounce. And then there's 1984's The Philadelphia Experiment, which has been around for a while but otherwise deserves mention in the sci-fi category (and expires a day earlier than the others, on the 29th). Granted, most of this group doesn't rate more than 3 or so stars�and they're all fairly well-worn�but still, could it hurt to let them stick around for fans of these genres?

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Friday, 14 November 2014

Pacific Rim (2013)

Cast
Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Ron Perlman, Heather Doerksen, Ellen McLain, Robert Maillet, Robert Kazinsky, Max Martini, Clifton Collins Jr., Burn Gorman, Diego Klattenhoff, Mana Ashida

Plot
In 2013, human cities come under attack by the Kaijus (colossal beasts of Japanese cinema) through a portal on the Pacific Ocean.
To combat them the Pacific Rim nations build the Jaegers (colossal robotic war machines). Each Jaeger is piloted by two people drifting to share mental load of operating the machine. The Jaegers are initially effective, but many are destroyed, the Kaijus are stronger and their attacks more frequent. In 2025, after the governments deem the Jaeger program ineffective and discontinue, Jaeger commander Stacker Pentecost (Idris Elba) devises a plan to end the threat permanently by destroying the portal with a nuclear bomb.

Opinion
Well-made though Optimus Prime (Transformers) would consider it a bit pornographic (I mean, humans inside robots). Just kidding.
Guillermo del Toro made a great job though the story isn't brilliant: if the pilots are drifting, aka their brain are linked, why do they need to talk? Their memories are shared but not their thoughts? This doesn't make any sense.


Quote
Fortune favors the brave, dude.

Rating
6.7/10

Sunday, 9 November 2014

The Butterfly Effect (2004)


Cast

Ashton Kutcher, Amy Smart, John Patrick Amedori, Logan Lerman, Irene Gorovaia, Sarah Widdows, Elden Henson, Kevin g. Schmidt, Jake Kaese, William Lee Scott, Jesse James, Cameron Bright, Melora Walters, Eric Stoltz, Ethan Suplee, Kevin Durand, Callum Keith Rennie, Lorena Gale, Nathaniel DeVeaux, Tara Wilson, Jesse Hutch, Jacqueline Stewart


Plot


Evan Treborn (Ashton Kutcher) is about to graduate, and  it seems he has overcome amnesia he had as child: he does not have memory of all the traumatic moments of his life if not in his diaries. When Evan reads the diaries he is thrown back into the past, and he realises he's able to influence it. 
There's a problem though: changing even the smallest detail changes his past, and upon awakening the fate of Evan and his friends are completely changed. 

Opinion

Can we please go back in time and make not this film? The Butterfly Effect is pure junk. The concept of beating wings is very interesting but used improperly. In my opinion, there is way too much drama to be a Sci-Fi/Thriller film.
The acting was awful: can somebody please tell Ashton Kutcher he can't act? He is one of the less expressive actors ever.



Quotes


It has been said that something as small as the flutter of a butterfly's wing can ultimately cause a typhoon halfway around the world. - Chaos Theory

Rating

2.0/10

Friday, 7 November 2014

New in November: Tough to Choose


A lot of good stuff this month. A lot. Which is why it's taken me longer than usual to sort through it all and decide which titles to write about. Let's start with something easy:

TV

It's hard not to be happy at new seasons of Portlandia, It's Always Sunny in Philadelphia, and (hooray) Miss Fisher's Murder Mysteries (a series I reviewed earlier this year). Also The Bletchley Circle, which I hear good things about but haven't seen. Making its Netflix debut (on the 10th) is the first season of the sci-fi thriller Helix, which was executive produced by Battlestar Galactica's Ronald D. Moore and should be worth a look or two. If you're more in the mood for science than science fiction, there's the debut of the three-part Your Inner Fish (2014), an entertaining and�to some�provocative look into what we were before we became the sophisticated movie-watching bipeds of today.

Classics

A fairly idiosyncratic mix of pre-1980 movies are on hand, starting with 1962's Hell Is for Heroes, an acclaimed WWII actioner directed by scrappy Don Siegel and starring Steve McQueen and James Coburn. If those two stars aren't steely-eyed enough for you, check out Charles Bronson in Breakheart Pass (1975), a rough-and-tumble western that also features tough guys Ben Johnson and Richard Crenna.

O'Toole, Hepburn
Distinctly less action-heavy is Cleopatra (1963), which, if never exactly considered a good movie, its notoriety makes it a genuine curiosity for a) Dick and Liz fans, b) Joe Mankiewicz fans (he did All About Eve and A Letter to Three Wives), c) fans of historical epics, and d) those who are physically capable of sitting in front of their screens for 4 hours.

But no need to torture yourself�not when you can treat yourself to something bubbly like 1966's How to Steal a Million, a romantic heist comedy directed by William Wyler (Roman Holiday) that features Peter O'Toole and Audrey Hepburn alternately wooing and outwitting each other. Or maybe you're still feeling Halloweeny, in which case you might try laughing yourself scared with The Crimson Cult, a 1968 B-horror movie by way of Brit stalwarts Boris Karloff, Christopher Lee, and Barbara Steele in green (or is it blue?) body paint. And then there's something that tries just a bit harder...

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Saturday, 1 November 2014

Eternal Sunshine of the Spotless Mind (2004)


Cast

Jim Carrey, Kate Winslet, Kirsten Dunst, Mark Ruffalo, Elijah Wood, Tom Wilkinson, Jane Adams, David Cross, Deirdre O'Connell, Thomas Jay Ryan, Debbon Ayer


Plot


Joel (Jim Carrey) and Clementine (Kate Winslet) meet for the first time on the beach in Montauk, New York, and fall in love in a short time. After a 2 years turbulent relationship they break up.
Clementine hire a firm to erase all her memories of their relationship. Upon discovering this, Joel is devastated and decide to undergo the procedure himself.
During the procedure, that takes place while he sleeps, he regrets his decision to erase his memories, and...

Opinion

In Italian the title is pretty stupid - Se mi lasci ti cancello, meaning If you leave me I'll erase you -, and it made me believe this film was one of those typical romantic comedies everybody loves, but it wasn't. Eternal Sunshine of the Spotless Mind is a delightful film. This is one of those films to be watched carefully and as you progress you'll understand how it works. Ellen Kuras, director of photography, did a great job.


Quotes

Joel: Sand is overrated. It's just tiny, little rocks.

Joel: What a loss to spend that much time with someone, only to find out that she's a stranger.

Thursday, 23 October 2014

October Expiration Watch: Hacking Away at the '80s

Bad news this month if you're a fan of 1980s movies; also if you're a Clint Eastwood, Francis Ford Coppola, or Firefly fan (no, Firefly isn't leaving, thankfully, but Serenity�the feature-length sequel to that short-lived cult series�sadly is). Some other good stuff will also be taking a break from streaming (we hope it's only a break), including a handful of classics, a helping of sci-fi, a bit of horror, and a few curiosities that are worth a look if you're craving something unusual.

'80s FAVES

American Psycho (2000) - not technically an '80s movie, but it's based on a Brett Easton Ellis novel that's of and about the '80s�in all their greedy, serial killer excess
The Big Chill (1983) - Lawrence Kasdan's tribute to baby boomer nostalgia (capsule review here)
Brighton Beach Memoirs (1986) - this one's a double period piece�a semi-autobiographical 1980s comedy set in Neil Simon's Depression-era youth; watch it back to back with Woody Allen's Radio Days and don't be surprised if you start talking like an old-school Brooklyn Jew
Broadcast News (1987) - great cast, sharp and funny James L. Brooks script; see it if you haven't
Caveman (1981) - Ringo Starr, Barbara Bach, and Shelley Long as wacky cavemen with '80s hair�but the star of the show is still the drunken dinosaur
Footloose (1984) - if someone were to send an '80s time capsule into space, a DVD of this movie might very well be in it
He Said, She Said (1991) - also not technically made in the 1980s, but with those hairstyles, those shoulder pads�and Kevin Bacon�it's not fooling anybody: so '80s!
La Bamba (1987) - Ba-la-la-la-la bamba! Hmm...'80s movies about other eras: a recurring theme
Say Anything (1989) - how dare they take away Lloyd, Diane, and the giant boombox! (cue Peter Gabriel's..."Red Rain"); an '80s movie so hip it feels like a '90s movie (only not Singles)
St. Elmo's Fire (1985) - remember what I just said about Footloose? I take it back.
Steel Magnolias (1989) - no, I'm not crying, I'm just chopping onions...on the couch in front of the TV

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Wednesday, 10 September 2014

Expiration Watch: BATTLESTAR GALACTICA


Tick, tick, tick...

Somehow, one of the greatest science fiction shows of all time is expiring from Netflix at the end of the month. How can that be? By the gods, Netflix, have you no heart?

Of course, all of you have watched it by now. Right? Um, you haven't? Then it's time to get on it! Think you've got what it takes to binge your way through 75 episodes in just three weeks? That's only...let's see...a tad over 3-1/2 episodes per day, including a couple of weekends for extra-large portions. You don't really need all that food and air, do you?

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Friday, 8 August 2014

Expiration Watch: SAFETY NOT GUARANTEED

There have been movies based on books, plays, TV shows, news articles and even songs. But Safety Not Guaranteed (2012) must be the first to have been spawned from a classified ad. Granted, as classified ads go, this one was a doozy:


Published in the pages of a ruralist magazine back in 1997, the notice went on to gain notoriety on the Internet as well as on Jay Leno's The Tonight Show. Even before its authorship and veracity were finally accounted for in 2010, its core idea piqued the interest of screenwriter Derek Connolly and director Colin Trevorrow, who decided to create their own backstory for the ad's mysterious author and spin from it a gently romantic tale. The result was a scruffy, high-concept indie comedy, one sadly scheduled to leave Netflix on August 12 (at 11:59 P.M., for those watching the clock).

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