Showing posts with label clint eastwood. Show all posts
Showing posts with label clint eastwood. Show all posts

Wednesday, 16 May 2018

The 15:17 to Paris (2018)

Though I didn't love J. Edgar and I definitely need to rewatch American Sniper (I rated it 9/10 in the good old days), I usually like Clint Eastwood's movies. The 15:17 Train to Paris is a different story. The trailer didn't look that appealing to me and now that I've seen the movie I know why. 

The 15:17 Train to Paris follows the course of the lives of three friends, Spencer Stone, Alek Skarlatos and Anthony Sadler, from the struggles of childhood through finding their footing in life, to the trip through Europe where they managed to stop a terrorist attack on a train from Amsterdam to Paris on August 21, 2015.

Just in case you didn't realise it, the film is based on a true story. Of course it is, Clint Eastwood made it. And, as you probably guessed, the film doesn't really focus on the attack itself but on the lives of the three young men. That I liked. The problem is that there is not enough material to fill a whole movie --which explains the short running time of the film, an hour and thirty minutes. 

It's boring seeing the three friends grow up mainly because there's nothing special about it. Other than their friendship lasting and the fact that two of them joined the military, there's absolutely nothing here. Eastwood doesn't develop any theme and therefore this part is as shallow as it gets. It's not like their reunion and their trip through Europe is any less boring than what came before. It's just as bland as everything else. As for the attack itself, we don't learn anything from this film that we didn't already learn on the news at the time of the attack. So yeah, this film utterly pointless. 

The characters are just another flaw. They don't any a lot of depth and there are just too many of them. I mean, there are supporting characters coming out of nowhere all the time, and after a second or two, they are gone. What's the point in that? Also, at some point, the film completely forgets about Skarlatos and Sadler and only focuses on Stone.

Warner Bros. Pictures
Then there's Clint Eastwood's brilliant idea of using the real heroes to play themselves in the movie. While it was an interesting idea and I'm sure it has never been done before, with such a weak script, casting non-actors for leading roles is not a good idea. Not wonders Stone, Skarlatos and Sadler's performances are bland and stale (by the way, I just realised all of their last names begins with 's'). I'm not saying I'd do better than them, but at least I'm not starring in a freaking movie. Among the actors, there are Jenna Fischer (Pam from The Office) and Judy Geer playing Skarlatos and Stone's mothers respectively and they share what's easily one of the most awkward scenes of the year. 

As if all that wasn't enough, Clint Eastwood thought it was a good idea to make the film very slow paced. After all, there's no other way to fill an hour and a half with so little. Also, he fails completely to deliver a tense, suspenseful scene on the train. That one is easily one of the most tedious action sequences I've seen. 

Ultimately, The 15:17 Train to Paris is a movie that tries too hard to be inspirational and fails. The only good thing in this movie for me was seeing Skarlatos wearing Müller's jersey. I'm sure I wouldn't have felt the way if I wasn't a die-hard Bayern fan. 

Sunday, 25 January 2015

American Sniper (2014)

Genre


Director


Country


Cast

Bradley Cooper, Sienna Miller, Max Charles, Luke Grimes, Kyle Gallner, Sam Jaeger, Jake McDorman, Cory Hardrict, Navid Negahban, Eric Close, Eric Ladin, Joel Lambert, Rey Gallegos, Kevin Lacz, Brian Hallisay, Jonathan Groff, Ben Reed, Billy Miller, Elise Robertson, Keir O'Donnell, Marnette Patterson, Jason Hall, Leonard Roberts, Sammy Sheik

Plot

Growing up in Texas, Chris Kyle's father (Ben Reed) teaches him how to hunt deer and shoot a rifle. Years later, Chris Kyle (Bradley Cooper) is nothing more than a rodeo cowboy, when he sees news coverage of the 1998 U.S. embassy bombings and enlists in the U.S. Navy, where he is eventually accepted for SEAL training, becoming a U.S. Navy SEAL sniper.
After marrying, Kyle and the other members of the team are called for their first tour of Iraq. Kyle's struggle isn't with his missions, but about his relationship with the reality of the war and, once returned at home, how he manages to handle it with his urban life, his wife and kids.

Opinion

American Sniper is a story about war, death, violence, fear, hope and love; and it well describes the moral dilemma that undergoes a sniper in war, and how it does affect a man spending 3 years of his life so. 
While Clint Eastwood, once again, proved to be a major director - the reason why he wasn't nominated as best director is a mystery -, the real story of Chris Kyle is far more complex than shown in the film; because Chris Kyle didn't solve all his problems in a session with a psychiatrist; and he wasn't only scared of sudden noises: while sleeping one night, Kyle almost broke his wife's arm; not to mention his alcohol problems and his several arrests - full story at The New Yorker.
Kyle killing Mustafa is the best scene, photography talking: I loved the way the scene was edited.
Multiple Academy Award nominee Bradley Cooper wonderfully portraits Chris Kyle. 


Quotes

Taya: You're my husband, you're the father of my children. Even when you're here, you're not here. I see you, I feel you, but you're not here.

Taya: I need you... to be human again. I need you here.

Rating

9.0/10

Friday, 7 November 2014

Jersey Boys (2014)

Genre


Director


Country


Cast

John Lloyd Young, Erich Bergen, Michael Lomenda, Vincent Piazza, Christopher Walken, Renée Marino, Kathrine Narducci, Lou Volpe, Freya Tingley, Elizabeth Hunter, Grace Kelley, Mike Doyle, Rob Marnell, Johnny Cannizzaro, Donnie Kehr, Jeremy Luke, Joey Russo, James Madio, Erica Piccinini, Steve Schirripa, Barry Livingston, Miles Aubrey, Kim Gatewood, Jackie Seiden, Kyli Rae, Troy Grant, Heather Ferguson, John Griffin, Chaz Langley, Billy Gardell, Francesca Eastwood, Sean Whalen

Plot

1951, Tommy DeVito (Vincent Piazza), narrating the story, introduces the audience to himself, his brother Nicky (Johnny Cannizzaro), their friend Nick Massi (Michael Lomenda) and Frankie (John Lloyd Young).
One night the group attempts a robbery and the police arrest them. When Tommy is released from prison, he reunites his group and asks Frankie to join them.
After Nicky leaves, the group, now called "The Four Lovers", is in need of a songwriter, and thank to Joe Pesci (Joey Russo) they meet Bob Gaudio (Erich Bergen). That's the beginning of The Four Seasons.

Opinion

Clint Eastwood's choice to bring to the screen a theatrical play turned into a success. While I was expecting something better from him, Jersey Boys is still good film.
Eastwood manages to give music the right importance, avoiding the musical effect, which would have overshadowed the story. 


Quotes

Frankie Valli: Four guys under a street lamp, when it was all still ahead of us, the first time we made that sound - our sound.

Rating

7.0/10

Thursday, 23 October 2014

October Expiration Watch: Hacking Away at the '80s

Bad news this month if you're a fan of 1980s movies; also if you're a Clint Eastwood, Francis Ford Coppola, or Firefly fan (no, Firefly isn't leaving, thankfully, but Serenity�the feature-length sequel to that short-lived cult series�sadly is). Some other good stuff will also be taking a break from streaming (we hope it's only a break), including a handful of classics, a helping of sci-fi, a bit of horror, and a few curiosities that are worth a look if you're craving something unusual.

'80s FAVES

American Psycho (2000) - not technically an '80s movie, but it's based on a Brett Easton Ellis novel that's of and about the '80s�in all their greedy, serial killer excess
The Big Chill (1983) - Lawrence Kasdan's tribute to baby boomer nostalgia (capsule review here)
Brighton Beach Memoirs (1986) - this one's a double period piece�a semi-autobiographical 1980s comedy set in Neil Simon's Depression-era youth; watch it back to back with Woody Allen's Radio Days and don't be surprised if you start talking like an old-school Brooklyn Jew
Broadcast News (1987) - great cast, sharp and funny James L. Brooks script; see it if you haven't
Caveman (1981) - Ringo Starr, Barbara Bach, and Shelley Long as wacky cavemen with '80s hair�but the star of the show is still the drunken dinosaur
Footloose (1984) - if someone were to send an '80s time capsule into space, a DVD of this movie might very well be in it
He Said, She Said (1991) - also not technically made in the 1980s, but with those hairstyles, those shoulder pads�and Kevin Bacon�it's not fooling anybody: so '80s!
La Bamba (1987) - Ba-la-la-la-la bamba! Hmm...'80s movies about other eras: a recurring theme
Say Anything (1989) - how dare they take away Lloyd, Diane, and the giant boombox! (cue Peter Gabriel's..."Red Rain"); an '80s movie so hip it feels like a '90s movie (only not Singles)
St. Elmo's Fire (1985) - remember what I just said about Footloose? I take it back.
Steel Magnolias (1989) - no, I'm not crying, I'm just chopping onions...on the couch in front of the TV

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