Showing posts with label War. Show all posts
Showing posts with label War. Show all posts

Tuesday, 17 September 2019

War BUDGET | 2019 | Hrithik Tiger Vaani

In this article , we will tell you about the BUDGET of the 2019 movie WAR featuring Hrithik Roshan , Tiger Shroff and Vaani Kapoor in the lead roles . 


  • War starring Hrithik , Tiger and Vaani has been made on a humongous budget.
  • Before the release of the film , makers have made a healthy recovery of their investment (The Budget) by selling the Satellite Rights , Digital rights 
  • Hrithik's last film "Super 30" despite of not being a commercial film , did phenomenal business of more than 145 crore + and emerged as a super-hit at the box office.
  • Tigers's last , "Student of the Year 2" did a decent business of around 70 crores.
  • Now , when both Hrithik Roshan and Tiger Shroff are coming together with a action entertainer that too on a national holiday (Gandhi Jayanti) 02 October 2019, fireworks are expected at the box-office.



  • BUDGET is generally not declared by the producers , who actually know it the best .
  • The below mentioned figure is an estimated figure , considering all factors .
  • In case the producers come forward to announce the actual BUDGET , same will be updated here as well .

BUDGET




War has been made on a total BUDGET of 225 crore (estimated) , including both the cost of production and promotion 
  • Production cost - 200 crores
  • Promotion Cost - 25 crores

Hit or Flop




  • Blockbuster - 350 crore + (collections at the Box Office)
  • Super-HIT - 300 crore + (collections at the Box Office)
  • HIT - 250 crore + (collections at the Box Office)
  • Average - 140-250 crore (collections at the Box Office)
  • Flop - Below 140 crore (collections at the Box Office)

To view the compiled list of movie budget , CLICK HERE

OUR PREDICTION




  • A Super Hit is almost certain as people are very eager to see HrithikVsTiger on screen for the first time. The only question is whether the hype will translate into box office numbers or not.
  • Action movies are front loaded and WAR too, will do bulk of its business in Week 1. The first 5 days the film will be critic proof and it should at-least do 50-60% Of its lifetime collection depending on the Word of mouth of the film.
  • The word of mouth would start seeping in during the weekdays and that’s the time it has to hold well in order to become a BLOCKBUSTER




  • Opening Day Collection - 50 crore
  • Positive Reviews
    • 1st weekend (05 Days) - 180 crore
    • Lifetime Collections - 350 crore
  • Mixed Reviews
    • 1st weekend - 145 crore
    • Lifetime Collections - 260 crore
    • Negative Reviews
      • 1st weekend - 120 crore
      • Lifetime Collections - 180 crore
      • Expected Final Verdict - BLOCKBUSTER

      WAR is an Indian Hindi-language action thriller film directed by Siddharth Anand (Bang Bang). It is produced by Aditya Chopra under his banner Yash Raj Films (YRF), and stars Hrithik Roshan, Tiger Shroff and Vaani Kapoor. The film is about an Indian soldier (Tiger) who is assigned to eliminate his former mentor (Hrithik), who had gone rogue.

      Release Date - 02 October 2019

      Thank you Rohan Sachdev for your help !!

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      Saturday, 16 February 2019

      A Private War (2018)

      I completely forgot about A Private War but then an old lady I know said it was worth seeing and since we apparently have similar tastes —I suggested her Cold War and she loved it— I checked it out. 

      The story follows Marie Colvin (Rosamunde Pike), an American journalist who worked as a foreign affairs correspondent for the British newspaper The Sunday Times from 1985 to 2012, the year of her death. Alternating between brief moments of Colvin in war zones to cover a story and equally brief moments of Colvin celebrating her journalistic accomplishments with her bosses, the film shows how Colvin was personally affected by the horrors of war.

      The main issue with A Private War is the utter mess the film has instead of a plot. While narrating the life story of Colvin, the film tries to capture the psychological and emotional trauma of being a war journalist, seeing horrible things so that someone else doesn't have to —as Colvin says at some point— but the filmmaker's approach to the story —it keeps jumping back and forth between past and present— is quite confusing and the story is never as compelling as it should have been.

      The same goes for the main character, that of Marie Colvin, as she is a bit underdeveloped because of the continuous, rather confusing storyline jumps. It's difficult to care about her or to truly understand, or feel what Marie Colvin is going through. There's another character, freelance photographer Paul Conroy, that isn't nearly as developed as he should have been. The other characters aren't even worth mentioning as they are quite flat.

      The acting, on the other hand, is quite outstanding, specifically from Rosamunde Pike who gives a stunning performance as Marie Colvin. She delves deep into the psyche of the journalist, she captures Colvin's fearless and rebellious spirit as well as her voice and conveys her emotional damage. It's not Gone Girl good, but it comes pretty close to it. As for the supporting cast, Tom Hollander provides good support in the role of Sean Ryan, The Sunday Times' editor, and Jamie Dornan is not terrible in the role of the photographer.

      Aviron Pictures
      As for the direction, Matthew Heineman probably wasn't right for the job. In his feature debut —he has only directed documentaries before—, Heineman's direction is uneven and kind of boring, unable to build up momentum for the most powerful scenes in the film which end up being flat. Ultimately, A Private War isn't a complete disaster of a movie but, given Heineman's background as a documentarian, I was expecting it to have a much bigger emotional impact on me.

      Friday, 27 July 2018

      12 Strong (2018)

      I'm not the biggest fan of war movies and I usually avoid them, especially when I haven't heard much about them, whether it's good or bad things. 12 Strong stars Chris Hemsworth though and there's also Michael Shannon in it so I gave it a chance. 

      The film tells the true story of a US Special Forces team, led by Captain Mitch Nelson (Chris Hemsworth), who, weeks after 9/11, was sent into Afghanistan to retaliate. There they form an alliance with an Afgan warlord, Gen. Abdul Rashid Dostum (Navid Negahban), in order to fight a common enemy, the Taliban, and secure the strategic city of Mazar-i-Sharif. And they have to face off tanks and rockets on horseback.

      And that's basically the reason 12 Strong was made, to bring to the screen a heroic and inspiring true story which to me, someone who is not American, looks like yet another propaganda against the Middle East and Islam in general that highlights how Americans saved another country and civilians from terrorists. 

      If I were to leave that out, 12 Strong still wouldn't be nothing but a barely average war movie. The story isn't consistently engaging. It's interesting at first but it eventually becomes quite boring, and if it wasn't for Hemsworth's charisma, I would have probably stopped watching. Also, the story isn't even that moving. 

      The characters are pretty basic and by that I mean that we learn pretty much nothing about them, with the three main characters being three strangers to us. We learn that they all have a family, period. They have no depth whatsoever and it's kind of hard to care about for them.

      In spite of the lacklustre screenplay, the actors do a pretty good job overall. As I mentioned above, Hemsworth is charismatic and makes for a pretty good lead; Michael Shannon is a bit underused but he's great as always and Michael Peña brings some comic relief. 

      Warner Bros. Pictures, Lionsgate

      The action, on the other hand, is pretty good. If you are expecting 2 hours of pure action, you'll be disappointed. If you are expecting some intense and realistic action sequences, you won't be disappointed. It's a little confusing to watch at times because of the shaky camera you can't always tell who is who, but the sequences are pretty good.

      Overall, 12 Strong isn't a terrible movie but it's definitely too long and quite boring. If you want to see something more compelling, watch Michael Bay's 13 Hours: The Secret Soldiers of Benghazi.

       

      Thursday, 11 August 2016

      Whiskey Tango Foxtrot (2016)

      Genre

      Biography | Comedy | Drama | War

      Directors

      Glenn Ficarra | John Requa

      Country

      USA

      Cast

      Tina Fey, Margot Robbie, Martin Freeman, Christopher Abbott, Billy Bob Thornton, Alfred Molina, Sheila Vand, Nicholas Braun, Steve Peacocke, Evan Jonigkeit, Scott Takeda, Josh Charles, Cherry Jones, Sterling K. Brown, Thomas Kretschmann

      Storyline

      News copywriter Kim Baker (Tina Fey) decides to leave the comfort of a New York desk job to accept the assignment to work as on-camera war reporter in Afghanistan. 

      Opinion

      I am not a huge fan of war films but since this one is was supposed to be more of a comedy rather than a drama and it's directed by Glenn Ficarra and John Requa, the two guys who directed "Crazy, Stupid, Love." some years ago, I decided to give it a try. Was it worth it? It's complicated.

      As for the black comedy part, "Whiskey Tango Foxtrot" is a decent and overall watchable film, as for the issue addreses, it is a pretty well done picture.

      I don't know the real story so I am not able to make comparisons and I won't even look it up on the internet and pretend like I did know it. Instead I'm going to say that the story of this brave woman is quite interesting and that the storytelling flows quite well.

      At some point though it got me worried because it felt like a drama pretending to be a comedy that was also asking us to sympathize with the main character who wasn't sympathetic at all. Just like happened in the dreadful "Eat Pray Love". But eventually the film showed off its well written character and mostly important, it addressed a serious issue that many don't even think about: that non-return point when a reporter gets used to the danger and that life on the razor's edge that ends up considering it normality, and that would do anything for an exclusive, even endanger their and the others lives. The filmmakers really did a good job at portraying the kind of addiction war can be for a reporter.

      On the other hand there is the comedy. The film doesn't really work as such, but the good thing is that the drama is there and does work. And Tiny Fey gives a pretty solid performance in her dramatic role.

      1941 (1979)

      Genre

      Action | Comedy | War

      Director

      Steven Spielberg

      Country

      USA

      Cast

      Dan Aykroyd, Ned Beatty, John Belushi, Lorraine Gary, Murray Hamilton, Christopher Lee, Tim Matheson, Toshiro Mifune, Warren Oates, Robert Stack, Treat Williams, Nancy Allen, Eddie Deezen, Bobby Di Cicco, Dianne Kay, Slim Pickens, Michael McKean

      Storyline

      It's been six days since the attack on Pearl Harbor and hysterical Californians prepare for a Japanese invasion.

      Opinion

      I can't imagine how anyone, especially Steven Spielberg, can make something like this and call it 'spectacular'. He oughta be sarcastic, because "1941" is not spectacular and for the matter is not even a comedy.

      For the first time I'm here saying that a storyline of a Spielberg movie is utterly stupid and ridiculous. And boring, let's not forget that, because it really is soporific and so not engaging. And it's wrong to call it 'storyline' because there is no actual story. It's just a series of random events of different groups of people that have only one thing in common: they all are living in 1941.

      Now one could say that there is nothing wrong with a film made of a series of vignettes. There are some pretty good (or decent) films that don't have a real storyline, like Woody Allen's "Everything You Always Wanted to Know About Sex * But Were Afraid to Ask". What's the difference between that and this one? Something called humour. There is only immature humour that isn't even funny so basically there is no humour. At every single "joke" there was only one thing on my mind and it was "You have to be kidding me. This has to be a parody, it can't be a Spielberg movie."

      And just to stay on theme with the shitty writing, the characters are terrible too. There is no character development whatsoever and there are too many of them you can't even have the luxury to fall asleep for 30 seconds - I'm sorry but that's the effect of the film - because you already aren't able to keep track of them all.

      However, the most shocking aspect about "1941" is the cast. First, I cannot believe that all these fine actors agreed to make this film; second, how did they manage to do such an awful job? 

      I am speechless.

      Saturday, 2 April 2016

      Macbeth (2015)

      Genre

      Drama | War

      Director

      Justin Kurzel

      Country

      UK | France | USA

      Cast

      Michael Fassbender, Marion Cotillard, Paddy Considine, Sean Harris, Jack Reynor, Elizabeth Debicki, David Thewlis, David Hayman, Maurice Roëves, Ross Anderson, James Harkness, Seylan Baxter, Lochlann Harris, Hilton McRae, Scott Dymond, Rebecca Benson, Gerard Miller, Roy Sampson

      Storyline

      Macbeth (Michael Fassbender), the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

      Opinion

      Of all the tragedies William Shakespeare has written Macbeth is not my favourite. By far. And I would have avoided this adaptation if it wasn't for Michael Fassbender. And I would have probably made the right decision.

      In fact, Justin Kurzel's "Macbeth" is a watchable interpretation elevated by a spectacular Michael Fassbender and a magnetic Marion Cotillard.

      One of the characteristics of Shakespeare's tragedies is their actuality, and Kurzel took advantage of it to tell the story of the valiant Macbeth who falls victim to an unbridled thirst for power. The themes of greed and success to be achieved at any cost are relevant today more than ever, as well as is the matter of soldiers hunted by war.

      The decision to stick to the play is one of the film's strengths, as it's its fidelity to the Shakespearean drama, especially from the point of view of language, that allows the film to portray the drama so well. But at the same time it is a weakness because the purely Shakespearean dialogue is quite difficult to follow - especially for non-native English speakers -, and it shows complete lack of originality.

      From the aesthetic point of view, the slow motion in the battle sequences, the desaturation of colours, and the slowness of movements recalls Zack Snyder's "300", and while they highlight the bloody path of Macbeth, they don't leave much room for feelings.

      However, the cast makes it worth it. Michael Fassbender portrays the deterioration of Macbeth beautifully, communicating the evolution of his character with his intense expressivity. Marion Cotillard is sublime as Lady Macbeth and she is not overshadowed by Fassbender.

      Sunday, 10 May 2015

      300: Rise of an Empire (2014)

      Genre


      Director


      Country


      Cast

      Sullivan Stapleton, Eva Green, Lena Headey, Rodrigo Santoro, Jack O'Connell, Hans Matheson, Callan Mulvey, David Wenham, Andrew Tiernan, Yigal Naor, Andrew Pleavin, Ben Turner, Ashraf Barhom, Peter Mensah, Gerard Butler, Michael Fassbender, Caitlin Carmichael, Jade Chynoweth

      Plot

      Greek general Themistocles (Sullivan Stapleton) leads the charge against invading Persian forces led by mortal-turned-god Xerxes (Rodrigo Santoro) and vengeful commander of the Persian navy Artemisia (Eva Green).


      Opinion

      After eight years, they thought it was appropriate to release a sequel/prequel/simultaneously-story to 300. Unfortunately, they didn't do a good job.

      300: Rise of an Empire is numbingly dull, and a huge waste of money - both mine and the producers' - and time. However, somebody may seen it as a great Act II of Men's Health Magazine's theatrical transposition.

      Passing over the historical errors, which are fewer in number compared to the first film's, scenes are not extra filled with over-colour-correction. Instead, there is light coming from everywhere.

      The film only seems to exist to glorify the CGI blood industry: I've never seen such copious - and a bit unrealistic - a spilling of blood before. I have the suspicion director Noam Murro has a fetishism for blood since the camera doesn't miss a chance to capture the 'essence' of it.

      In the first film warriors looked like a group of bodybuilders; in this one, not only warriors but also farmers, poets, and sculptors look like a bunch of oiled guys showing off their sculpted abs. The female character has a more important role, however, the pointless sex scene couldn't be missing. And the hunchback, who previously made all the Spartans die, kinda helps the Greeks winning. 

      The acting is so bad makes you cringe. 


      Quotes

      Themistocles: I would rather die free than live as a slave. 

      Sunday, 3 May 2015

      300 (2006)

      Genre


      Director


      Country


      Cast

      Gerard Butler, Lena Headey, Giovani Cimmino, Dominic West, David Wenham, Vincent Regan, Tom Wisdom, Andrew Pleavin, Andrew Tiernan, Rodrigo Santoro, Stephen McHattie, Michael Fassbender, Peter Mensah, Kelly Craig, Tyler Neitzel, Robert Maillet, Patrick Sabongui, Leon Laderach, Tyrone Benskin

      Plot

      When the ambitious King Xerxes of Persia (Rodrigo Santoro) invades Greece with his army to extend his vast slave empire, the brave King Leonidas of Sparta (Gerard Butler) brings a force of 300 warriors to defend the passage of Thermopylae, the only way by land to reach Greece.

      Opinion

      300 is a boring and stupid action film, that more than anything looks like a big screen adaptation of Men's Health Magazine. 

      The number of historical inaccuracies is so high, labeling the film as fantasy it's the least they could do. The dialogue is a pure joke, and the jokes are awful. Every single scene is filled with over-colour-correction and it feels like sitting in front of a video game demo for two hours.

      Now it comes my favorite part: the characters. The warriors look like a group of bodybuilders armed with shields and spears, trying to contend the title of Physique of the Year. The only use for the female character - god-awful played by Lena Headey - in the film is a pointless and ridiculous sex scene. And last, but not least, the emotionally wounded hunchback that sells out the Spartans and makes them all die - as if they had any chances.

      Actors are the most useless thing in the film. They could have casted some guys at the gym and still have the same result since pectoral muscles have a way bigger screen time than facial expression, and all the actors do is yelling.


      Quotes

      King Leonidas: Give them nothing! But take from them everything!

      Wednesday, 29 April 2015

      The Deer Hunter (1978)

      Genre


      Director


      Country


      Cast

      Robert De Niro, Christopher Walken, John Savage, John Cazale, Meryl Streep, George Dzundza, Shirley Stoler, Chuck Aspegren, Rutanya Alda, Amy Wright, Joe Grifasi

      Plot

      Michael (Robert De Niro), Steven (John Savage) and Nick (Christopher Walken) are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. After some time and many horrors, the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again.

      Opinion

      Ranked by many, actually almost every single person who saw it, as a masterpiece, The Deer Hunter is one of the most overrated films ever, and one of the worst Academy Award Best Picture winners ever.

      The film is boring, senseless and historically inaccurate. To begin with, it's too long - 3 hours seemed like an eternity. The wedding sequence at the beginning goes on and on - 30 minutes or so - but doesn't tell you more about the characters than a 10 minutes sequence could have. Then the action goes straight to Vietnamese jungle: the three friends don't need any kind of training, they just go, and they serve in the same squad too. The Vietnameses are portrayed as monsters or victims, there are no shadings. When Michael and Steven are back home, Nick is still in Vietnam and plays the Russian roulette for god only knows how many years - if it was a sport he would have been the World Champion. 

      The acting is good. Robert De Niro is spectacular and should have gotten the Oscar instead of Christopher Walken - I am not saying Walken sucks in the film, he delivers a good performance, but, in my opinion, De Niro's better. Meryl Streep and John Savage are a great supporting cast.

      Do you want to see a film about Vietnam War? Watch Apocalypse Now or/and Full Metal Jacket, they are definitely worth the time.


      Quotes

      Michael: A deer has to be taken with one shot. I try to tell people that but they don't listen.

      Saturday, 25 April 2015

      Twice Born (2012)

      Original Title

      Venuto al mondo

      Genre


      Director


      Country


      Cast

      Penélope Cruz, Emile Hirsch, Adnan Haskovic, Saadet Aksoy, Pietro Castellitto, Luca De Filippo, Mira Furlan, Jane Birkin, Sergio Castellitto, Branko Djuric, Isabelle Adriani, Jovan Divjak, Sanja Vejnovic, Emina Muftic

      Plot

      Oft-married Gemma (Penélope Cruz) brings her teenage son Pietro (Pietro Castellitto) to Sarajevo, where his father (Emile Hirsch) died in the Bosnian conflict years ago.

      Opinion

      I haven't read the novel by Margaret Mazzantini, but the person who recommended me this film did, and enjoyed both, so I gave the film a try.

      Twice Born is an ambitious and complex film that deals with love, motherhood at any cost, and horrors of war.

      The film is certainly well built, and the direction from Sergio Castellitto - the novelist's husband - is great and manages to show love and war in the same moment, often leaving room for glances and music. Moving forward and backwards in time is certainly not new, but it always fascinates me. 

      Penélope Cruz gives a magnificent and intense performance as Gemma. Needless to say is that Emile Hirsch's performance as Diego is wonderful. Adnan Haskovic as Gojco and Saadet Aksoy as Aska are outstanding. 

      Having said that, I can't see how it is even possible for this film to have a 17% rating at Rotten Tomatoes, because if those people have actually seen this film, there is no way they could have give all those negative reviews.

      Just a little note for whoever translated the title in English: why 'Twice Born'? It doesn't really make sense, it should have been 'Came to the world' or something like that.


      Quotes

      Diego: The weirdest love stories are always the best.

      Gojco: Love only comes once. It moves like the sea. But it's always the same.

      Sunday, 29 March 2015

      Inglourious Basterds (2009)

      Genre


      Director


      Country


      Cast

      Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, Diane Kruger, Daniel Brühl, Til Schweiger, Mélanie Laurent, August Diehl, Julie Dreyfus, Sylvester Groth, Jacky Ido, Denis Ménochet, Mike Myers, Rod Taylor, Martin Wuttke, Gedeon Burkhard, B.J. Novak, Omar Doom, Léa Seydoux, Richard Sammel, Alexander Fehling, Christian Berkel, Söhke Möhring, Samm Levine, Paul Rust, Michael Bacall, Rainer Bock, Bo Svenson, Enzo G. Castellari, Samuel L. Jackson, Harvey Keitel

      Plot

      In Nazi-occupied France, young Jewish refugee Shosanna Dreyfus (Mélanie Laurent) witnesses the slaughter of her family by Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own.

      Opinion

      The tagline says it all: you haven't seen war until you've seen it through the eyes of Quentin Tarantino. Inglourious Basterds is a brilliant, brave, exuberant, comic, dark, violent and glorious film.
      Quentin Tarantino's pleasure to tell stories leads him to rewrite history, by telling the - fictional - assassination of Adolf Hitler, set in the only possible venue: a cinema.
      The dialogue, the continuous tension, and the use of several languages - English, German, French and German -, on which irony is mostly based, make of this film a jewel of cinema. Also, the film is smooth and there is no heaviness resulting from its long running time.
      The Spaghetti-Western score is magnificent, and the opening scene's song, The Verdict (Dopo la condanna), written by Ennio Morricone, is absolutely stunning.
      The acting is pretty much great. Christoph Waltz is spectacular: he built a deep, detailed and realistic character, the kind of Nazi everyone would be afraid of. Brad Pitt's performance is not very good, and his Italian is pretty painful to be heard. August Diehl well plays the other sadistic German, very important in the final plot twist. Michael Fassbender is great as Lieutenant Archie Hicox, he has the chance to show off his almost perfect German, and he gets extra points for delivering the line, "There's a special rung in hell for people who waste good Scotch". 


      Quotes

      Lt. Aldo Raine: You probably heard we ain't in the prisoner-takin' business; we in the killin' Nazi business. And cousin, business is a-boomin'.

      Bridget von Hammersmark: I know this is a silly question before I ask it, but can you Americans speak any other language besides English?

      Rating

      9.0/10

      Sunday, 1 March 2015

      Pan's Labyrinth (2006)

      Original Title

      El laberinto del fauno

      Genre


      Director


      Country


      Cast

      Ivana Baquero, Sergi López, Maribel Verdú, Doug Jones, Ariadna Gil, Álex Angulo, Manolo Solo, César Vea, Roger Casamajor, Federico Luppi, Pablo Adán

      Plot

      In the falangist Spain of 1944, armed with only her imagination, young Ofelia (Ivana Baquero) discovers a mysterious labyrinth and meets a faun who sets her on a path to saving herself and her ailing mother.

      Opinion

      Pan's Labyrinth is an undefined film, a dark fairy tale for grown ups, halfway between the fantasy and the real world, which, in this case, is war. By looking around, I figured this is the main reason why many did not like the film. Having said this, I really liked it.
      Guillermo del Toro, which deals with brutality and innocence, has created something different, something special. The continuous alternation between reality and fantasy, lived through a little girl's eyes, has an addictive rhythm.
      Sergi López is excellent as the brutal and sadistic falangist Captain Vidal. Ivana Baquero, 11-year-old at that time, delivers a great performance.

      Buy on Amazon.com | Buy/Rent on Amazon Instant Video

      Quotes

      Ofelia: Many, many years ago in a sad, faraway land, there was an enormous mountain made of rough, black stone. At sunset, on top of that mountain, a magic rose blossomed every night that made whoever plucked it immortal. But no one dared go near it because its thorns were full of poison. Men talked amongst themselves about their fear of death, and pain, but never about the promise of eternal life. And every day, the rose wilted, unable to bequeath its gift to anyone... forgotten and lost at the top of that cold, dark mountain, forever alone, until the end of time.

      Rating

      8.5/10

      Wednesday, 18 February 2015

      Tigerland (2000)

      Genre


      Director


      Country


      Cast

      Colin Farrell, Matthew Davis, Clifton Collins Jr., Shea Whigham, Cole Hauser, Tom Guiry, Neil Brown, Tory Kittles, Nick Searcy, Afemo Omilami, Matt Gerald, Michael Shannon

      Plot

      In 1971, Roland Bozz (Colin Farrell) is a draftee who has been sent to the Advanced Infantry Training Facility in Fort Polk, LA, where with hundreds of other new soldiers he's to be taught a final course in combat skills before being shipped out to Vietnam. 

      Opinion

      Tigerland is not exactly a war film, it is more like the first half of Full Metal Jacket, but more dramatic and intense than any other anti-war film. The hand-held camera, the grainy film stock and the mostly natural lighting give the look and feel of a documentary.
      Using a minuscule budget, director Joel Schumacher managed to make a great film, which is, in my opinion, one of the best Vietnam films along with Apocalypse Now and Full Metal Jacket.
      The acting is good; unknown at the time, Colin Farrell is terrific as Bozz, the rebellious and anti-war soldier. 

      Buy on Amazon.com | Buy/Rent on Amazon Instant Video

      Quotes

      Staff Sgt. Thomas: Any questions?
      Bozz: I got a question, Sergeant. If I'm dead, how come I can ask you a question?

      Bozz: Courage is when you're the only guy who knows how shit-scared you really are.

      Rating

      8.5/10

      Tuesday, 17 February 2015

      The Hurt Locker (2008)

      Genre


      Director


      Country


      Cast

      Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Christian Camargo, David Morse, Ralph Fiennes, Evangeline Lilly, Christopher Sayegh

      Plot

      During the Iraq War, Sergeant First Class William James (Jeremy Renner), recently assigned an army bomb squad, is put at odds with his squad mates Sanborn (Anthony Mackie) and Eldridge (Brian Geraghty) due to his maverick way of handling his work.

      Opinion

      At first I thought this was just another war film Americans love, but I was wrong. The Hurt Locker is about war, addiction, courage and alienation.
      Beautifully directed by Kathryn Bigelow, the film is full of suspense and action. The cinematography by Barry Ackroyd is outstanding, and truly captures the Iraq War, but also war in general, in its rawness and brutality.
      Jeremy Renner delivers an excellent performance as Sergeant Will James, a man addicted to danger and adrenaline. Anthony Mackie and Brian Geraghty, as Sanborn and Eldridge, James's partners, are impressive in their roles, and they do act like real soldiers.

      Buy on Amazon.com | Buy/Rent on Amazon Instant Video

      Quotes

      Sergeant William James: [Speaking to his son] You love playing with that. You love playing with all your stuffed animals. You love your Mommy, your Daddy. You love your pajamas. You love everything, don't ya? Yeah. But you know what, buddy? As you get older... some of the things you love might not seem so special anymore. Like your Jack-in-a-Box. Maybe you'll realize it's just a piece of tin and a stuffed animal. And the older you get, the fewer things you really love. And by the time you get to my age, maybe it's only one or two things. With me, I think it's one.

      Rating

      9.0/10

      Tuesday, 10 February 2015

      Unbroken (2014)

      Genre


      Director


      Country


      Cast

      Jack O'Connell, Domhnall Gleeson, Garrett Hedlund, Miyavi, Finn Wittrock, Jai Courtney, Luke Treadaway, Travis Jeffery, Jordan Patrick Smith, John Magaro, Alex Russell, John D'Leo, Vincenzo Amato, Ross Anderson, Maddalena Ischiale, Morgan Griffin, Savannah Lamble, Sophie Dalah

      Plot

      Louis Zamperini (Jack O'Connell), an Olympic athlete, joins the armed forces during World War II.
      Captured by the Japanese navy after a plane crash in the Pacific, and sent to a prisoner-of-war camp, Zamperini must continue his fight by surviving through the war.

      Opinion

      This film got so much hate and I sincerely don't understand the reason. Based on Laura Hillenbrand's "Unbroken: A World War II Story of Survival, Resilience, and Redemption" Unbroken is a brilliant film about friendship, inner strength and love.
      A great and bright cinematography is provided by Roger Deakins. Coldplay's "Miracles" - ending credits - perfectly fits in the story and I couldn't imagine of a better song.
      Jack O'Connell - I recently mentioned him in Eden Lake's review - is the real deal, and puts his efforts to portray such a man. Miyavi as The Bird does a great job.

      Buy on Amazon.com | Buy on Amazon Instant Video

      Quotes

      Pete: A moment of pain, is worth a lifetime of glory.

      Rating

      8.5/10

      Sunday, 8 February 2015

      Apocalypse Now (1979)

      Genre


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      Cast

      Martin Sheen, Marlon Brando, Robert Duvall, Frederic Forrest, Albert Hall, Sam Bottoms, Laurence Fishburne, Dennis Hopper, G.D. Spradlin, Jerry Ziesmer, Harrison Ford, Scott Glenn, Bill Graham, Cynthia Wood, Linda Carpenter, Colleen Camp, R. Lee Ermey, Francis Ford Coppola, Charlie Sheen

      Plot

      During the Vietnam war, U.S. Army Captain Willard (Martin Sheen) is sent by Colonel Lucas (Harrison Ford) and Lt. General Corman (G.D. Spradlin) to carry out a dangerous mission that, officially, 'does not exist - nor will it ever exist': he has to kill the renegade and presumed insane U.S. Army Special Forces Colonel Walter E. Kurtz (Marlon Brando).

      Opinion

      Apocalypse Now, besides being a film about the Vietnam war, is a film about Vietnam itself. Francis Ford Coppola's film is complex, ambitious and philosophical, and reaches the human psyche. 
      Marlon Brando's Colonel Kurtz is a man who has reached his breaking point, and has retired in the jungle to live like a demigod, venerated by thousands of indigenous.
      The closing scene of the ritual slaughter of a sacrificial bull is the most powerful of symbols.
      Martin Sheen is outstanding - this is the first time I have seen him -, Robert Duvall, "I love the smell of napalm in the morning!", is great and fun to be watched as Colonel Kilgore, and Marlon Brando does a spectacular job as Kurtz. 

      Buy/Rent on Amazon Instant Video: Original Version - Redux Version

      Quotes

      Colonel Walter E. Kurtz: I've seen horrors... horrors that you've seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that... but you have no right to judge me. It's impossible for words to describe what is necessary to those who do not know what horror means. Horror... Horror has a face... and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared. They are truly enemies! I remember when I was with Special Forces... seems a thousand centuries ago. We went into a camp to inoculate some children. We left the camp after we had inoculated the children for polio, and this old man came running after us and he was crying. He couldn't see. We went back there, and they had come and hacked off every inoculated arm. There they were in a pile. A pile of little arms. And I remember... I... I... I cried, I wept like some grandmother. I wanted to tear my teeth out; I didn't know what I wanted to do! And I want to remember it. I never want to forget it... I never want to forget. And then I realized... like I was shot... like I was shot with a diamond... a diamond bullet right through my forehead. And I thought, my God... the genius of that! The genius! The will to do that! Perfect, genuine, complete, crystalline, pure. And then I realized they were stronger than we, because they could stand that these were not monsters, these were men... trained cadres. These men who fought with their hearts, who had families, who had children, who were filled with love... but they had the strength... the strength... to do that. If I had ten divisions of those men, our troubles here would be over very quickly. You have to have men who are moral... and at the same time who are able to utilize their primordial instincts to kill without feeling... without passion... without judgment... without judgment! Because it's judgment that defeats us.

      Rating

      9.0/10

      Sunday, 25 January 2015

      American Sniper (2014)

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      Cast

      Bradley Cooper, Sienna Miller, Max Charles, Luke Grimes, Kyle Gallner, Sam Jaeger, Jake McDorman, Cory Hardrict, Navid Negahban, Eric Close, Eric Ladin, Joel Lambert, Rey Gallegos, Kevin Lacz, Brian Hallisay, Jonathan Groff, Ben Reed, Billy Miller, Elise Robertson, Keir O'Donnell, Marnette Patterson, Jason Hall, Leonard Roberts, Sammy Sheik

      Plot

      Growing up in Texas, Chris Kyle's father (Ben Reed) teaches him how to hunt deer and shoot a rifle. Years later, Chris Kyle (Bradley Cooper) is nothing more than a rodeo cowboy, when he sees news coverage of the 1998 U.S. embassy bombings and enlists in the U.S. Navy, where he is eventually accepted for SEAL training, becoming a U.S. Navy SEAL sniper.
      After marrying, Kyle and the other members of the team are called for their first tour of Iraq. Kyle's struggle isn't with his missions, but about his relationship with the reality of the war and, once returned at home, how he manages to handle it with his urban life, his wife and kids.

      Opinion

      American Sniper is a story about war, death, violence, fear, hope and love; and it well describes the moral dilemma that undergoes a sniper in war, and how it does affect a man spending 3 years of his life so. 
      While Clint Eastwood, once again, proved to be a major director - the reason why he wasn't nominated as best director is a mystery -, the real story of Chris Kyle is far more complex than shown in the film; because Chris Kyle didn't solve all his problems in a session with a psychiatrist; and he wasn't only scared of sudden noises: while sleeping one night, Kyle almost broke his wife's arm; not to mention his alcohol problems and his several arrests - full story at The New Yorker.
      Kyle killing Mustafa is the best scene, photography talking: I loved the way the scene was edited.
      Multiple Academy Award nominee Bradley Cooper wonderfully portraits Chris Kyle. 


      Quotes

      Taya: You're my husband, you're the father of my children. Even when you're here, you're not here. I see you, I feel you, but you're not here.

      Taya: I need you... to be human again. I need you here.

      Rating

      9.0/10