Thursday, 31 March 2016

Octopussy (1983)

Genre

Action | Thriller

Director

John Glen

Country

UK | USA

Cast

Roger Moore, Maud Adams, Louis Jourdan, Kristina Wayborn, Kabir Bedi, Steven Berkoff, David Meyer, Desmond Llewelyn, Robert Brown, Lois Maxwell, Michaela Clavell, Walter Gotell, Vijay Amritraj

Storyline

A fake Fabergé egg and a fellow agent's death lead James Bond (Roger Moore) to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy (Maud Adams), being used to disguise a nuclear attack on N.A.T.O. forces.

Opinion

In his 13th time around, James Bond finds himself in an Indiana Jones-type of adventure and makes me wonder what's up with him and Harrison Ford, and makes me think 13 is not his lucky number since "Octopussy" is easily one of the weaker entries in the franchise.

The story is slower than others, it is not the easiest to follow, you also might get lost a lot of times in the boring process to get to the end, but... wait, there is no but. The Russian/nuclear storyline is overdone - and overused -, the main Bond girl - the one of the title - does not appear until an hour into the film, and serves little purpose in the story.

I was disappointed about Maud Adams's early death in "The Man with the Golden Gun", and I was excited to have her back in here, but it just proves the filmmakers' inability to come up with new twists, including casting different people.

I know what you're thinking, nobody watches a Bond film for a solid story, all they want is action, action and, guess what? Action! Well, the jet escape at the beginning is amazing, but it's so unrealistic - like all the other action sequences - that seems coming straight out of a comic book.

Sure the photography on location in India and Eastern Europe is wonderful, the women are beautiful, and Kamaal Khan is some villain, but I'm not sure this is enough to make a good film.

Roger Moore is starting to show his age, but he does a quite good job as James Bond, still charming and capable to seduce women. Maud Adams once again is pretty much wasted, which is a real shame since she is the title character. Louis Jourdan is great as Kamaal Khan and brings class and charm to the role, but he is not very convincing as an Afghan prince, maybe because he is French and nothing like Afghan. I love Kabir Bedi and I'm glad to say his Gobinda, the henchman, is quite memorable.

Thursday Movie Picks: Heist Movies


Hello there, and welcome to Thursday Movie Picks, a weekly series hosted by Wandering Through the Shelves where you share three movies to fit the theme of the week each Thursday.

This week’s topic is heist, and I’m happy because I love, absolutely love heist films, especially when the sting is pulled off beautifully, and the story is full of twists, which is exactly what happens in my three picks for this week. 

The Sting (1972)

Seeking revenge for his murdered partner, a young con man teams up with a master of the big con to win a fortune from a mob boss. The story unfolds with several twists and ends wonderfully; the film is funny, engaging, features some great acting from Paul Newman and Robert Redford, and is one of the greatest heist films of all the times. 

Jackie Brown (1997)

44 year old stewardess Jackie Brown gets caught with a gun dealer’s money, she is proposed a deal by the ATF to help them arrest the dealer in exchange of her freedom. She fears for her life, and teams up with bond businessperson Max Cherry to steal half a million dollar from said gun dealer. I am quite ashamed of myself because I’ve seen this film only last Saturday, but it’s a hell of a movie from Tarantino. Interesting dialogue and characters, brilliant storytelling, and weirdly it's not a graphic crime story. And there are Pam Grier and Samuel L. Jackson.

Ocean’s Eleven (2001)

Daniel Ocean combines an eleven-member team to rob three Las Vegas casinos, all owned by arrogant and ruthless Terry Benedict, Ocean’s arch nemesis. First of an average trilogy, this film is exciting, fast-paced and highly entertaining comedy heist. We got ironic dialogue, some great characters and all-star cast that does not disappoint.

Wednesday, 30 March 2016

PODCAST 197: The Cabinet of Dr. Caligari & Alraune [Silent Film Edition]


This week the Horror Duo start the show with a special surprise as they take a look at a pair of films from the era a silent pictures. Forest takes a look inside The Cabinet of Dr. Caligari, and Cory learns the ancient legend of the Mandrake root in Alraune.
CONTINUE READING

The Gambler (1974)

Genre

Drama

Director

Karel Reisz

Country

USA

Cast

James Caan, Paul Sorvino Lauren Hutton, Morris Carnovsky, Jacqueline Brookes, Burt Young, Carmine Caridi, Vic Tayback, Steven Keats, London Lee, M. Emmet Walsh, James Woods, Beatrice Winde, Antonio Fargas

Storyline

Axel Freed (James Caan) is a literature professor. He has the gambling vice. When he has lost all his money, he borrows from his girlfriend (Lauren Hutton), then his mother (Jacqueline Brookes) and finally some bad guys that chase him. Despite all of this he cannot stop gambling.

Opinion

The criticism that has been expressed over the new remake starring Mark Wahlberg, which I haven't seen, gave me the motivation I needed to watch the original, and I fail to see why on Earth this film needed a remake in the first place.

"The Gambler" is an engrossing, intense thriller masquerading as a drama about gambling addiction as well as a great character study.

The title pretty much sums up the story, with the main character, Axel Freed, being a compulsive gambler. From the very beginning the film starts building the suspense very gradually until the edge of climax, and it keeps you wondering what Axel will do next as the film goes along.

More than anything else the film is a character study. A brilliant, even though quite depressing character study of a personality type than unfortunately is too prevalent in our society. Axel Freed is by no means a likable character; like most addicts all he cares about is his next hit. Though the most surprisingly aspect about this man is that despite his intelligence - he is a college professor -, and despite the pleading of the (rich) loved ones, he keeps on gambling because he is so addicted to risk he couldn't do otherwise.

Like Dostoyevsky's "Underground Man", to whom the film pays homage, "The Gambler" embraces the irrational will where two plus two equal five, where poets, athletes, and addicts know, feel that something against the odds is going to happen. It's very unlikely to happen, yet they bet against the odds because they feel it.

I read that James Caan was a cocaine addict at the time the film was made, and it does explain his intense acting. But his performance as Axel Freed is brilliant. The supporting cast also does a good job, and Victor J. Kemper's cinematography is excellent. 


Mention-Worthy Quotes

Axel Freed: I'm not going to lose it. I'm going to gamble it.

Tuesday, 29 March 2016

PULP CATHOLICISM #166

Pulp Catholicism 166

Revenge of the Nerds (1984)

Genre

Comedy

Director

Jeff Kanew

Country

USA

Cast

Robert Carradine, Anthony Edwards, Timothy Busfield, Andrew Cassese, Curtis Armstrong, Brian Tochi, Larry B. Scott, Michelle Meyrink, Ted McGinley, Donald Gibb, Matt Salinger, Julia Montgomery, Lisa Welch, John Goodman, David Wohl, Bernie Casey, James Cromwell, Alice Hirson

Storyline

When lovable nerds Gilbert (Anthony Edwards) and Lewis (Robert Carradine) embark on their freshman year at Adams College, little do they realize the perils that await them. They're beset by taunting from the jocks of Alpha Beta fraternity, which only worsens when the jocks accidentally burn down their house and toss the freshmen out of the freshmen dorm. To make matters more problematic Lewis develops a crush on pretty Betty Childs (Julia Montgomery), popular sorority sister and quarterback's girlfriend.

Opinion

Here I am again, watching and reviewing big hits of the '80s and failing to see why they were huge hits back then.

One of the many American college/sex comedies, "Revenge of the Nerds" is a lighthearted film that manages to be funny occasionally.

As you can guess from the title, the film is about nerds, who are either ignored or discriminated against by the popular 'kids'. Now, being a nerd myself, even though I'm a woman, I know the feeling of being not respected by others, and finally seeing them get even was amazing.

Despite being completely predictable, the story shows everybody that nerds are people too, and, most important, it teaches us an important lesson: be proud of who you are.

Another good thing about the film is that the nerds are a diverse group of people. While some are still stereotyped, as a whole they are very well portrayed.

All of this being said, I was still let down by the film because of the comedy. The juvenile humor did not bother me because it was exactly what I was expecting to find here, but somehow the films fails to be hilarious. There are a few good laughs, but nothing more.

However, the all-star cast is very likable, they all play their parts with a lot of enthusiasm and energy, and they make the film quite enjoyable.

Monday, 28 March 2016

The Characters Season 1 TV Review



The Characters Season 1 (2016-)
Starring:
Lauren Lapkus, John Early, Henry Zebrowski, Kate Berlant, Natasha Rothwell, Paul W. Downs, Tim Robinson, Dr. Brown

This Netflix original series gives eight comedians half an hour to make us laugh in this sketch comedy show where each actor plays multiple characters.
 

Pee-Wee's Big Holiday Movie Review



Pee-Wee's Big Holiday (2016)
Written by:
Paul Reubens and Paul Rust (screenplay)
Directed by: John Lee
Starring:  Paul Reubens, Jordan Black, Doug Cox 
Rated: PG

In this Netflix produced movie, Pee-Wee travels to New York after meeting actor Joe Manganiello.

Daredevil Season 2 TV Review



Daredevil Season 2 (2015-)
Created by: Drew Goddard
Starring:
  Charlie Cox, Vincent D'Onofrio, Deborah Ann Woll

In the second season of this Netflix and Marvel super hero tale, Daredevil takes on newcomers Elektra, The Punisher, and the Yakuza.

Dope Movie Review



Dope (2015)
Written by:
Rick Famuyiwa

Directed by: Rick Famuyiwa
Starring:  Shameik Moore, Tony Revolori, Kiersey Clemons 
Rated: R

High school senior Malcolm, a self professed '90s geek living in a rough neighborhood, navigates drug dealers, girls, and college interviews with his best friends.

Also Watched - The Big Short, The Killing Fields



Also Watched this Week - The Big Short, The Killing Fields


The Big Short (2015)

Written by: Charles Randolph and Adam McKay (screenplay), Michael Lewis (book)
Directed by: Adam McKay
Starring:   Christian Bale, Steve Carell, Ryan Gosling 
Rated: R

Four high-finance business men predict the housing market crash and take on the big banks.

The Killing Fields (1984)
Written by: Bruce Robinson
Directed by: Roland Joffé
Starring: Sam Waterston, Haing S. Ngor, John Malkovich, Craig T. Nelson
Rated: R


Based on a true story, reporter Sydney Schanberg (Sam Waterston) reports on the atrocities in Cambodia during the reign of Pol Pot, guided by local reporter Dith Pran.

The Homes of Jean Harlow

Movie stars, due to the nature of their work, tend to move around a lot. The same is true of Jean Harlow, our Star of the Month of March.


Harlow was born in turn-of-the century Kansas City, Missouri. Jean's first residence was the second floor of a modest, gray stone house, located on 3344 Olive Street (torn down in the late 1930s). Her father's dentist office took up the ground floor.

When Jean was four, the family moved to 4409 Gillham Road, which had a park nearby. Her father's offices were located in the "Waldheim Building in downtown Kansas City, where he maintained his practice for the next thirty-six years" (Golden, 16). It was here that Jean began "collecting" pets, including ducks, lambs, pigs, and the usual dogs and cats. She spent her summers at her maternal grandparents 25-room country retreat, Red Gables, which overlooked the Kaw River and was located near Bonner Springs.

              
 
The family moved again when Jean was eight, this time to an 18-room red brick house at 1312 East 79th Street. The estate was located on five acres of land, perfect for Jean's growing menagerie.

This is what came up on Google maps. I have no idea if it is the same house, but it's the right color!

In 1921, Jean's parents divorced. Jean and her mother moved to Los Angeles, where her mother once again tried to fulfill her lifelong dream of becoming an actress. During their stay there they lived first in a rented room in a Sunset Blvd. mansion and later at 1302 North La Brea Ave., which was right down the road from the American Academy of Dramatic Arts. Her mother then remarried and since her dreams of becoming a actress were not coming true, they moved back to Missouri.

In 1927, a teenage Jean eloped with wealthy orphan Chuck McGrew. After a honeymoon cruise with his grandparents, the newly-weds headed back to California. They rented a Beverly Hills bungalow  at 618 North Linden Drive, just two doors away from 'It' girl, Clara Bow ( No. 512). Barely giving them time to settle in, Jean's mother and her husband followed, moving in with the young couple.


It didn't take long for Jean to get noticed by Hollywood, and she was soon in the movies that her mother had longed for. This, along with the arrival of Mama Jean, was too much for Chuck, and the two divorced not long after.

Jean and her mother then rented a bungalow at 300 North Maple Drive, Beverly Hills. It was during this time that Jean met MGM exec. Paul Bern.


Jean lived briefly in an apartment at 152 Peck Dr. in 1931.


After Jean began to make it big in the movies, her and Mama Jean moved again, this time at 1353 Club View Drive in West Los Angeles. Mysterious occurrences have happened here.


After Bern and Harlow married in 1932 (in the living room of her Westwood home), they lived in Bern's Bavarian-style house, located at 9820 Easton Drive in Benedict Canyon, Los Angeles. Two months later, Bern committed suicide, causing a huge scandal, as Harlow was suspected of murder. The house is also supposedly haunted. More on that along with lots of photos of the house here.

       

With all the money Harlow was making, Mama Jean began building herself a mansion at 214 South Beverly Glen Blvd. in Holmby Hills. The house was two stories and had four bedrooms. It had a Gregorian façade, French interior, and outdoor pool with two dressing rooms. She spent $25,000 furnishing it with such things as a walk-in fridge, polar bear rug, a portrait of herself, ermine covered toilet seats, and for her Baby, an ermine covered headboard for her bed.

 
In 1933, Jean married another MGM man, Hal Rosson. The two were friends, but it was really a studio marriage to help Jean avoid a scandal. After they were married, they moved to adjoining third-floor suites at the Chateau Marmont hotel on Sunset Blvd. Seven months later, they divorced. Shortly after, she met fellow actor William Powell. She switched between "her" home on Beverly Glen Blvd. and Powell's Beverly Hills home at 809 North Hillcrest Road, which he joked was a "combination of Regency, Beverly Hills Gothic, and early Chester A. Arthur." Jean helped decorate the newly remodeled home, which contained a lot of gadgets. This post goes into more detail.


Powell's pool

Harlow's last residence was 512 North Palm Drive, located between Sunset Blvd. and Wilshire. She leased it for $300 a month. The house was 4,400 sq. feet and has 5 bedrooms and 5 baths. Two doors down, at No. 508, is the 1950s residence of Marilyn Monroe, where she lived with Joe DiMaggio.

The house as it looked in 1937, the year Jean Harlow died. Source.

 

Sources:
Golden, Eve. Platinum Girl: The Life and Legends of Jean Harlow. 1991.
Stenn, David. Bombshell: The Life and Death of Jean Harlow. 1993.
Artunian, Judy & Mike Oldham. Movie Star Homes: The Famous to the Forgotten. 2004.

Online Sources:
The Platinum Blog - "Today" photos of Club View home
Paradise Leased - An Afternoon in Harlow Heaven - lots of 'then' and 'now' photos
Haunted Houses - Harlow's Westwood Home
House Crazy - Benedict Canyon home
And...scene! - William Powell's Beverly Hills Home
Dear Mr. Gable - final home
LA Bartender - The Original Platinum Blonde - final home
Seeing Stars - final home
Classic Movie Favorites - Jean Harlow's Homes (of course I didn't come across this one till I was nearly done with my post)

                 

Star Trek: Insurrection (1998)

Genre

Action | Sci-Fi

Director

Jonathan Frakes

Country

USA

Cast

Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, F. Murray Abraham, Donna Murphy, Anthony Zerbe, Gregg Henry, Stephanie Niznik, Peggy Miley, John Hostetter, Daniel Hugh Kelly, Michael Welch, Mark Deakins, Majel Barrett

Storyline

When the crew of the Enterprise learn of a Federation conspiracy against the inhabitants of a unique planet, Captain Picard (Patrick Stewart) begins an open rebellion.

Opinion

Captain Log's 9. I'm starting to think they used the odd number thing as an excuse to make shitty films. That's right, "Star Trek: Insurrection" is a pretty bad, and boring episode stretched to cover a feature length.

If you have read the plot, it's like you have seen the movie already. It describes exactly what happens in the whole film. Just add Mr. Worf going through puberty again, LaForge with the ability to see, and a psychological insight on Data and you're done. Oops, I almost forgot Beverly and her storyline involving her boobs firming up, and Data's saying dumb things because he's a robot. Also the amount of screen time Data has and his constant obsession with becoming more human is getting very annoying. 

Furthermore, the story is all over the place and it feels like it's being made up as it goes along. From the opening scene things are quite confused, and I really didn't understand why I should have cared at all about what was going on, or the characters.

Despite its boringness and therefore the difficulty to follow the story, I manages to notice plot holes. There are so many plot hole in this film, the Enterprise could fly through.

However, there is some good. Captain Picard falls in love with Anij, a Ba'ku woman. While it's becoming a little clichĂ©d to have the captain having a romance with the first good-looking supporting character that comes along *coughs* Kirk in San Francisco *coughs*, and even though it could have been better explored and developed, the relationship seems quite genuine - George Lucas should have taken notes. 

The special effects are good, but nothing special, the makeup is splendid, especially F. Murray Abraham's alien face, and the soundtrack is okay, but all that karaoke is a big no. The acting is nothing special as always: F. Murray does the best he could do with such a script, and Patrick Stewart finally puts some depth in his portrayal of Captain Picard.

Sunday, 27 March 2016

Pee-Wee's Big Holiday Netflix Movie Review

Pee-Wee's Big Holiday (2016)

Pee-Wee's Big Holiday - This scene, like the movie is odd and unnecessary.

Watch Pee-Wee's Big Holiday on Netflix
Written by:
Paul Reubens and Paul Rust (screenplay)
Directed by: John Lee
Starring:  Paul Reubens, Jordan Black, Doug Cox 
Rated: PG

Plot:
In this Netflix produced movie, Pee-Wee travels to New York after meeting actor Joe Manganiello.

Verdict:
When an actor inhabits a role that made him famous thirty years ago, I assume it's because they've done nothing of note since then. That would be the case here I can only assume.
Throughout the movie, the word pointless kept coming to mind. It's been a while since I've seen anything Pee-Wee Herman, but I found the character incredibly annoying. This is made all the more disturbing know that Reubens is in his sixties playing a man-child.
Manganiello was actually funny. For whatever reason he likes Pee-wee.
I can't think of a reason anyone should watch this. If this made the Netflix cut, I'm really curious to see what didn't make the Netflix cut. Some franchises are better left alone, and this is one of them.  
Skip it. 

Review:
Paul Reubens adapts to Pee-Wee rather well despite the mileage.
Pee-wee is incredibly annoying, and his giggle is maddening. I wondered if he could even form a coherent sentence. He can. I don't know if that's better or worse.
I need to revisit Pee-Wee's Big Adventure because either this movie is bad or I just don't get it. I understand he's a man child, but this barely qualifies as entertaining.
Pee-Wee and Joe Manganiello are soul brothers. Despite being physically opposites, they are mentally identical. Joe plays himself which is smart. He invites Pee-Wee across the country to his birthday party.
Is this in the same world as Big Adventure? He took a road trip in that to Texas, so how can Pee-Wee say he's never left his city of Fairville? This movie is a half-hearted remake attempt.
I'm trying to think of a reason as to why someone should watch this, but I just cant fathom a reason. I would like to see a movie Netflix rejected, if such a movie exists.
The balloon squeaking scene with the Amish is the perfect indicator of whether you will like this movie. Pee-Wee blows up a balloon and then releases air producing the typical obnoxious, high-pitched squeak. I didn't time it, but it felt like this scene lasted fifteen minutes. It was an affront to my intelligence, my patience, and my good taste. If this sounds like something you want to see. this is the movie for you. Otherwise, run far away, quickly.
Pointless is the word that keeps coming to my mind. What did i expect? It's reviving a thirty years dead Pee-Wee Herman. This movie makes me want to watch Big Adventure to see if it's better than this. It has to be, but I'm hesitant in case it's not.
Somebody proposed this movie idea. Somebody else said yes lets make it. More people agreed and two people wrote a script. Ostensibly whoever paid for this looked at the script and declared, "Yes. This is it. It's time to make this movie." That chain of events is baffling. Did this slip through the cracks and a production company agreed to make a batch of movies with this hidden between other scripts? Was blackmail involved?
Joe whining about Pee-Wee not showing up to the party is actually funny because it's absurdity, and because it's unfathomable that someone wants Pee-Wee around.
Also, why are all the cars on the main street of Fairville from the 50s and 60s?
The plot of this movie is thin. It's a point A to point B travel film with virtually no inspiration. The writers decided to take a straight line. Big Adventure has to be better than this right?

Vinyl Season 1 Episode 7 Recap

Vinyl (2016-)

Created by:  Mick Jagger, Terence Winter, Rich Cohen, Martin Scorsese
Starring:   Bobby Cannavale, Olivia Wilde, Ray Romano, Juno Temple, James Jagger


HBO's '70s music scene series still hasn't lived up to its potential. The second episode, more than the first is reluctant to start the story proper. The latest episode gave us unnecessary flashbacks in an attempt to build backstory, when the show needs to progress the plot. The first and second episodes should have been combined into one hour long episode. Check out my Vinyl season 1 recaps.

Plot: 
Richie Finestra (Bobby Cannavale) is a New York record executive in 1973, endeavoring to sign the biggest and best talent.

Review: Episode 7 The King and I
This isn't a bad episode, thought not without faults that multiply as the episode goes forward, but unfortunately it comes in too late.

Richie and Zak are desperately trying to sign new acts while whittling down the payroll. The splicing of pseudo music videos works in this episode. It balance music, story, and feels like forward progress when many of the preceding episodes have been stagnant. As Jamie tells Scott, it's about the hustle. That's what this show should have been about. Now it's finally getting there, or so I thought. The first half of the episode is pretty good at least.

Richie is sober. I assume it's related to his wife leaving. The show is either giving us credit or doesn't care. I know I don't. Less focus on Richie's wife is a good thing.

Andrea is a good addition to the show.  She brings levity to ACR, and she's a character so far that isn't morose.


 American Century can't make pay roll so they're selling the company jet. Zak and Richie travel to Los Angeles to unload it. They fight, make up, and arrive. 

 After the sale, they plan to sign some L.A. talent. They get a lead on Elvis Presley, but Zak isn't impressed with what he sees. Richie wants to pursue it. Elvis's manager shuts that down.

Zak does some gratuitous wish fulfillment and loses all the money from the sale of the plane. I suppose that ends Zak's high and mighty attitude with Richie.

What are they setting up with Richie's number eighteen obsession? Zak didn't lose the money, Richie gambled it all away betting on eighteen. So much for his "know when to quit" gambling sentiments earlier. He's going to let Zak take the blame? It's unnecessary drama and this show doesn't know when to quit.

Coming Soon

Jackie Brown (1997)

Genre

Crime | Drama | Thriller

Director

Quentin Tarantino

Country

USA

Cast

Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton, Robert De Niro, Chris Tucker, Michael Bowen, Lisa Gay Hamilton, Tommy "Tiny" Lister Jr., Hattie Winston, Sid Haig, Aimee Graham, Diana Uribe, T'Keyah Crystal Keymah, Denise Crosby, Quentin Tarantino

Storyline

When 44 year old stewardess Jackie Brown (Pam Grier) gets caught with gun dealer Ordell Robbie's (Samuel L. Jackson) money by agents Ray Nicolette (Michael Keaton) and Mark Dargus (Michael Bowen), she is proposed a deal to help them arrest Ordell in exchange of her freedom. Meanwhile Ordell asks the fifty-six year-old Max Cherry (Robert Forster), who runs a bail bond business, to release Jackie Brown with the intention of eliminating her. Jackie suspects of Ordell's intention and plots to steal half a million dollar from Ordell.

Opinion

I'm a huge fan of Tarantino and I should probably be ashamed of myself because I have seen "Jackie Brown" yesterday for the first time. Since many were disappointed with it, I wasn't sure what to expect. Though a guy I know told me, since I loved "The Hateful Eight" I would have loved it because of all the talking. He couldn't be more right.

Definitely more "normal", unlike other Tarantino films, and unfairly underrated, "Jackie Brown" is a solid, mature, less showy and never boring heist film.

Tarantino has already proven multiple times what an excellent storyteller he is, and he does it again here. Based on Elmore Leonard's novel "Rum Punch", the plot is a solid crime thriller, well-structured, made even more enjoyable by an unusual linearity from Tarantino. The film still features several plot twists, intersecting story lines very reminiscent of "Pulp Fiction", and has room for a little love story. And the generous running time is filled pretty well, and time flies by.

A little flaw? The title suggests that Jackie will come out on top from the story, and from a genius like Tarantino I would have never expected such an obvious ending.

However, Tarantino makes amend for that with interesting, clever, witty dialogue and great character development of the main characters, yet there is not a dragged scene in the whole film.

One of the reasons I love Tarantino is the always spot-on and superb soundtrack that features each of his film, and he couldn't do otherwise in this film, could he? Indeed it is excellent, and introduces us to may Afroamerican musicians.

Last but not least, the performances. Pam Grier is phenomenal as Jackie Brown, combining human warmth and coolness, and lot of charm, and you just can't help but have sympathy for her, even though you're doubting her honesty. Samuel L. Jackson kills it as superficial but not dumb gangster Ordell Robbie, but it is Robert Forster who gives the standout performance here, and he got an Oscar nomination for it, a well-deserved nomination. Robert De Niro and Michael Keaton both have some moments but are wasted as Jackson's partner the first, and ATF agent Ray Nicolette the latter.

In conclusion, unlike other Tarantino films, "Jackie Brown" is not a graphic crime story, nor a revenge story, but it's definitely worth the time.

Saturday, 26 March 2016

The Weekly Movie Watch Volume 88

This week I watched Scarface, Over the Top.

I watch movies every week and then write down my thoughts. Read my previous reviews!
My rating is simple, Watch It, It Depends, Skip it.

Scarface -Before Pacino there was Muni.

Scarface (1932)

Watch Scarface
Written by: Armitage Trail (novel), Ben Hecht (screen story), Seton I. Miller & John Lee Mahin & W.R. Burnett (continuity), Seton I. Miller & John Lee Mahin & W.R. Burnett (dialogue), Howard Hawks (uncredited), Fred Pasley (adaptation uncredited)
Directed by:  Howard Hawks, Richard Rosson
Starring:  Paul Muni, Ann Dvorak, Karen Morley
Rated: --


Plot:
Tony Camonte climbs the ladder of the criminal underworld.

Verdict:
New York accented, bootlegging gangsters. It's hard not to watch this and see how much it informed the superior 1983 Scarface (read my review). This movie is too much of a pulp novel with the stereotypical gangsters.
It depends.

Review:
This is a case where the remake is superior, but this film is very good considering it's from '32. If you've seen the '83 remake, then you'll realize it copies this movie beat for beat., expanding certain portions.
Tony Camonte works for Johnny Lovo, strong arming speakeasies to buy from Lovo. When Camonte starts taking over more places and from other gangs, Lovo gets upset that he's working outside of orders. Tony is also interested in Johnny's girl.
Politicians try to stop Camonte by making gun laws tougher, but it doesn't help.
The characterization isn't as strong. I can't help but feel I'm watching a movie version of pulp novel gangsters.
Camonte is ambitious and almost reckless. His one weakness is his sister, and he's highly overprotective.


Over the Top - He's a sub-par truck driver, but a world class arm wrestler.
Over the Top (1987)
Watch Over the Top
Written by:
Gary Conway and David Engelbach (story), Stirling Silliphant and Sylvester Stallone (screenplay)

Directed by: Menahem Golan
Starring:  Sylvester Stallone, Robert Loggia, Susan Blakely
Rated: PG

Plot:
Trucker Lincoln Hawk (Sylvester Stallone) must win an arm wrestling tournament to reunite with his estranged son.

Verdict:
I can't call this a good movie, but everyone should watch it once. It's pure '80s with montages and ridiculous dialog as it tries to weave a heartfelt story of a father and son reuniting with a plot about truck driving and arm wrestling. It's not a bad movie, but it has enough ridiculousness that you need the Over the Top experience in your life.
It depends. Watch it.

Review:
This movie endeavors to make truck driving the epitome of cool. I wondered if Stallone did all of his own big rig driving, but I don't think he did. There is a cutaway from a long shot of the truck parking to Stallone jumping out. The big rig is just too much for Stallone.
What is up with suspenders in this movie? Did suspender sponsor it? Stallone's character Lincoln Hawk wears them when visiting his son's fancy school, and even while washing his truck. I don't know why.
Of course people talk about him and it's not because he's a truck driver, but it's because he drove a truck as a daily driver to the school. Or maybe it's because his truck doesn't even have a sleeper cab. It's either that or his denim shirt and suspender combination.
He's never been a part of his son's life, but not that his wife (Are they still married? How does this work? Who knows!) is sick, he's making up for lost time. It seems his marriage was a rebellion, his wife defying her parents, but that's just a guess.
Further illustrating that Stallone didn't actually drive the truck, in one scene from a stop he shifts into second gear. Maybe the gearbox is different on big rigs or this movie is just that special.
Lincoln Hawk's son is an expert of pointless facts and not only still wearing his military uniform but providing lot's of "Yes sir!"
While Lincoln Hawk's truck doesn't have a sleeper cab, it does have a weight machine mounted inside the cab so that he can practice his arm wrestling while driving. Lincoln Hawk really is that cool. His kids goes on a rant about reading books, but look, you can't read while driving. You can flex the arm wrestling appendage all the way down the highway.
The kid's grandfather sends guys to kidnap him. Obviously that's the logical conclusion. Lincoln Hawk saves the kid, but I was disappointed there wasn't a forearm victory bash.
Maybe you're thinking Lincoln Hawk is content to just drive a truck, but he's not. His ultimate plan is to buy a company. That's it. That's the grand plan. He has no specific direction whatsoever. It's exactly like this movie.
This movie is a checklist. This happens and then this, add kidnapper,s have the wife die, throw it all in so that the only course of action Lincoln Hawk can take is that he must sell his beloved truck to enter the biggest arm wrestling tournament the world has ever seen. The grand prize? A truck with a sleeper cab. Are all arm wrestlers truck drivers? This movie seems to think so.
What does Lincoln Hawk do? He bets all of his money on himself.
Have I mentioned the soundtrack to this movie? It feels out of place, but I love it all the same.
Completing a full circle, the kid uses the skills of driving a big rig that dear old dad taught him to steal a Toyota from his grandfather so he can see the big match.
Lincoln Hawk makes it to the finals but loses. Since this is double elimination, he's not out of the running yet. He sees his son, talks to the kids grandfather and is then truly motivated to win.

I got the impression that Lincoln Hawk's hat was a lucky hat before we got this gem of amazing '80s dialog in the mock interviews the movie does at the tournament. This is an all time classic comedy scene.

"What I do is, I take my hat and I turn it around. And it's like a switch that goes on. 
When the switch goes on I feel like another person." 

Not to spoil the movie, but he finally got that sleeper cab truck. That company he wants to buy, maybe it can be a trucking company. How have you not made a mad dash to see this movie yet? The hat is a switch!