Friday, 30 September 2016

Café Society (2016)

Genre

Comedy | Drama | Romance

Director


Country

USA

Cast

Jesse Eisenberg, Kristen Stewart, Steve Carell, Blake Lively, Parker Posey, Corey Stoll, Jeannie Berlin, Ken Scott, Anna Camp, Paul Schneider, Sheryl Lee, Tony Sirico, Stephen Kunken, Sari Lennick, Max Adler, Don Stark, Gregg Binkley, Woody Allen

Storyline

In the 1930s, a young Bronx native (Jesse Eisenberg) moves to Hollywood, where he falls in love with the secretary (Kristen Stewart) of his powerful uncle (Steve Carell), an agent to the stars. After returning to New York, he is swept up in the vibrant world of high society nightclub life.

Opinion

Just like almost every single year, Woody Allen once again assembled a very fine cast and made this film I was super excited to watch for months basically because he directed it and also because it was Cannes Film Festival's opening film this year. I'm happy to say that all the wait has paid off.

Arguably one of the most Allen pictures of recent years, "Café Society" is a very fun, bittersweet romantic comedy-drama.

If you like Allen then you're probably going to enjoy this film as well, because the plot to this film is basically a mix of various parts of old and successful films of his, It is the typical love triangle story, set in the 30s. But there's more to that. It eventually takes some unexpected (criminal) twists, and also it wonderfully portrays how people betray their own ideals only because they get older and afraid not to achieve anything in life.

Other than the engaging and intelligent plot, the film also features great, well developed characters that are worth of our attention. Despite being played by Jesse Eisenberg aka Mark Zuckerberg in "The Social Network", the protagonist, Bobby, a naive young man that tries to make his way into Hollywood, is very likable. And the supporting characters are very interesting as well, especially Bobby's brother Ben, the one that makes the film something more than just a romance.

Also, Allen's choice to be a non-screen narrator really adds to the film a gentle feeling of nostalgia, and if you are familiar with his voice, the film will feel incredibly warm and familiar. And finally the scripts features both Allen's light hearted humor and his witty, quirky dialogue.

At last but not least, the very fine cast that actually does a very fine job. First off Jesse Eisenberg who fits very well into his role, and for once he manages to not be annoying as hell. Kristen Stewart really does a good job as the lover, and her chemistry with Eisenberg is amazing. Probably because they've already played love interests twice before in "Adventureland" and "American Ultra". Steve Carell also does a good job, but the biggest surprise to me was Corey Stoll, who provides the film with a comedy I didn't even know he had in him.

A Nightmare on Elm Street (1984)

Genre

Horror

Director

Wes Craven

Country

USA

Cast

Heather Langenkamp, Robert Englund, Johnny Depp, John Saxon, Ronee Blakley, Leslie Hoffman, Amanda Wyss, Nick Corri, Joe Unger, Charles Fleischer, Joseph Whipp, Lin Shaye

Storyline
Nancy (Heather Langenkamp) and her friends are hunted by Freddy Krueger (Robert Englund), a cruel serial killer who kills his victims in their dreams.

Opinion

After last year's disappointment with "Friday the 13th" - both the original film and the entire franchise -, I've finally found a horror classic that not only lives up to its reputation but that is still effective. In fact, "A Nightmare on Elm Street" is far from being a dumb slasher flick like the one I've mentioned above, rather it is a creepy, scary and amusing horror.

Why is it so good? Well, first of all the story. It is very original (and such a brilliant idea) - Wes Craven said he was inspired by true events -, interesting and features a lot of suspense and a terrific atmosphere. It sure isn't the most intelligent story you'll ever see, and there are definitely some parts of the plot that don't make a lot of sense, but still it is way better than other films of the same genre. 

Then of course there is the iconic villain, Freddy Krueger, which is arguably one of the terrifying and menacing villains of all time. He also does have a believable backstory - that would be frightening in real life as well - and as soon as his past is revealed, he gets ever more terrifying.

And then there are the characters. They are not the brightest characters ever, to be honest they are the typical slasher, one-dimensional characters characterized by the lack of any good performances, but at least you'll care for them. And finally there's a main character who fights back. And she's good too.

The acting is also slasher-standards. Heather Langenkamp does a decent job as Nancy, the girl kicking Freddy's ass, but doesn't really stand out. A young Johnny Depp shows his potential in his very first role, but the script isn't strong enough to make him shine. On the other hand there's Robert Englund, who is flawless in the role of Freddy Krueger.

Thursday, 29 September 2016

New on Netflix for October

Netflix has a lot of new content for October, listed first is what I plan on checking out.
The full list follows.


Toby Kebbell in Black Mirror
Black Mirror - Dark, twisted, gripping.
Black Mirror Season 3 (October 21, 2016) 
The first two seasons are some of my favorite seasons of TV period. Read my review. Netflix picked up the third season, and with Charlie Brooker still involved, though not writing each episode, I hope this maintains the amazing quality. Even if it's only half as good it would still be better than everything else on television. Even if you've seen the first two seasons, watch them again!


American Horror Story: Hotel Season 5 (October 4, 2016) 
This is such a fun anthology show. Each year picks a different setting, with Lady Gaga now in the cast. Expect a frightening experience! It's a horror series that's as indulgent as it should be.


Mascots (October 13, 2016) 
This Netflix original film from Christopher Guest, who did the hilarious This is Spinal Tap and Best in Show, focuses on the fictional mascot championship.

Glitch Season 1 (October 15, 2016) 
This Netflix distributed series features a sheriff investigating people that have seemingly returned back to life. It looks similar to The Returned.


The Siege of Jadotville (October 7, 2016) 
This Netflix distributed movie is a historical drama during the Congo Crisis in 1961, starring Jamie Dornan and Mark Strong.


Dazed and Confused (October 1, 2016) 
One of Richard Linklater's early films about a teen's last day of high school. This captures his style perfectly and is required viewing. Even if you've never seen it, you've heard quotes from Matthew McConaughey's Wooderson.


Unforgiven (October 1, 2016) 
This best picture winner stars and is directed by Clint Eastwood. A former outlaw gets back in the saddle one more time for revenge.


Snow Day (October 1, 2016) 
This is one of those movies that captures a stylized view of what it's like to be a kid on a snow day.It's been a while since I've seen it, but I remember really liking it. It captures childhood.


Once Upon a Time in the West (October 1, 2016) 
A classic spaghetti western featuring a corrupt railroad baron, a man in black, and a damsel in distress.


The Ranch Season 1 Part 2 (October 7, 2016) 
This is a Netflix original. Part one was... part one. What does part two hold in store for Ashton Kutcher, Sam Elliot, and Danny Masterson? Part 1 ended on a big cliff hanger. Check out my season 1 review.

I am the Pretty Thing That Lives in the House (October 28, 2016)
Ruth Wilson from Luther stars in this horror movie. Something for Halloween!

October 1
  • A Cinderella Story
  • Barbershop 2: Back in Business
  • Blue Streak
  • Breakfast at Tiffany’s
  • Dazed and Confused
  • Dr. Dolittle: Tail to the Chief
  • Fairy Tale: A True Story
  • Ferris Bueller’s Day Off
  • Gentleman’s Agreement
  • Ghost Town
  • Grizzly Man
  • How to Lose a Guy in 10 Days
  • Millennium
  • Murder Maps: Season 2
  • My Little Pony Equestria Girls: Legend of Everfree
  • Once Upon a Time in the West
  • Oriented
  • Patton
  • Picture This!
  • Pooh’s Grand Adventure: The Search for Christopher Robin
  • The Queen of the Damned
  • Quiz Show
  • Robotech
  • RV
  • Saving Mr. Wu
  • Snake Eyes
  • Snow Day
  • Sphere
  • Three Kings
  • Titanic
  • Unforgiven
  • The Univited
  • Unsealed: Alien Files (Season 4)
  • Without a Paddle
October 3
  • Dheepan 
October 4
  • American Horror Story: Hotel (Season 5)
  • Chevalier
  • Dartmoor Killing
  • The Flash (Season 2)
  • The Grinder (Season 1)
October 5
  •  Arrow (Season 4)
October 6
  •  iZombie (Season 2)
October 7
  • 13TH
  • Dinotrux (Season 3)
  • The Ranch (Season 1, Part 2)
  • Russell Peters: Almost Famous
  • The Siege of Jadotville
  • Supernatural (Season 11)
October 8
  • The Originals (Season 3)
  • Vampire Diaries (Season 7)
October 10
  • Koromukuro (Season 2)
  • Love Between the Covers
October 12
  •  Justin Timberlake + The Tennessee Kids
October 13
  • DC’s Legends of Tomorrow (Season 1)
  • Mascots
October 14
  • Haters Back Off! (Season 1)
  • Project MC2 (Season 3)
  • Sky Ladder: The Art of Cai Guo-Qiang
October 15
  • Being George Clooney
  • Chapo: el escape del siglo
  • Glitch (Season 1)
  • Power Rangers Dino Super Charge (Season 1, Part 1)
October 16
  •  Dark Matter (Season 2)
October 21
  • Black Mirror (Season 3, Part 1)
  • Containment (Season 1)
  • Joe Rogan: Triggered
  • Midnight Diner: Tokyo Stories
  • The Mr. Peabody and Sherman Show (Season 3)
  • Word Party (Season 2)
October 24
  •  Doctor Foster (Season 1)
October 25
  • Big Eyes
October 26
  • Jesus Camp
  • Kung Fu Panda 3
October 28
  • 7 años
  • I Am the Pretty Thing That Lives in the House
  • Into the Inferno
  • Skylanders Academy (Season 1)
  • Trailer Park Boys — Out of the Park: Europe
October 29
  •  The Fall (Season 3)
October 31
  •  Chewing Gum (Season 1)

Audrie & Daisy Movie Review

Audrie & Daisy (2016)
Audrie & Daisy - Chilling

Watch Audrie & Daisy on Netflix
Written by: Michael Goodier
Directed by: Bonni Cohen, Jon Shenk
Starring: Audrie Pott (posthumous), Daisy Coleman, Melinda Coleman
Rated: --/R

Plot:
This Netflix original documentary follows two cases of rape through court documents, cyber-bullying, and police investigations. 

Verdict:
This is a really good documentary, but it shows just how disgusting and despicable people can be. The subject matter is tough. Three girls are primarily portrayed. They were assaulted and then bullied for it. The assailants were released with few if any ramifications. This will both make you feel terrible and enrage you. It's crucial to see, to realize that poor decisions can careen out of control and to see just a brief glimpse into the life of a victim. They're human beings and that should mean something.
Watch it.

Review:
At first I thought this might tackle both sides of an assault as it opens with two boys accused of assault. That doesn't happen. It doesn't need to. The focus of this documentary soon becomes clear.

This is paced really well, where it sets up these middle school boys that have a directory to store pictures of their classmates and then it just gets worse. Some girls willingly send nude images of themselves, but Audrie was an unwilling participant.

That situation shows you how silly decisions like drawing on someone with marker can turn bad, especially when judgement is impaired and peer pressure is involved. It goes from drawing on her to sexual assault. They stripped her and these kids took pictures of the assault. There is no excuse for these acts regardless of circumstance.

The focus shifts from Audrie to Daisy with a segue from another girl that attempted suicide after a similar incident. She states that the assault wasn't that bad compared to the bullying that happened afterwards. It's a sad world when things like this occur, with multiple witness who watch it happen, do nothing to prevent it.

Daisy was raped by her brother's best friends. In an interview he asks why one of them couldn't text him and say his sister needed help. They did nothing.
The charges were dropped in Daisy's case. While the sheriff being interviewed had said some questionable things, I wrote it off until he said that rape didn't occur that night. It's a fact that Daisy's blood alcohol level was dangerously high, and that those boys dropped her off on her lawn half clothed in winter after they were done with her.

The film maker asks the sheriff if sex with somebody who is unconscious is rape and the sheriff of the county states that is for the court to decide.

The content of this documentary is sickening and sad, but I was flabbergasted that a law enforcement officer would say that. There is nothing to decide. Without consent, it's rape. The Nodaway sheriff sounds incredibly biased when he later states the boys want to move on and make something with their lives and that the girls need to take responsibility. Even though the case was dropped, a crime occurred. Even if the court can't prove it beyond a shadow of a doubt, how can you blame the victim? The court dropping the case doesn't mean the crime didn't happen, just that it can't be proven to the degree the law demands.

With Daisy's interviews, it's worth noting as it took me a while to figure out that her interviews appeared to have occurred at two distinct times. She looks noticeably different where she's blond in one interview and has dark hair in the other. Initially I thought it was two different people.

The aftermath of both cases is almost more appalling. Daisy endured online hate and bullying. Her house was burned down. With Audrie, the boys were convicted of multiple felonies and got thirty non-consecutive days in jail, which means only on the weekend so that it didn't interfere with their daily lives. It's a slap on the wrist for assaulting someone.

How many people don't want to say anything when they are assaulted for fear of repercussion, afraid that as a victim they'll be ostracized? That fear is very real as evidenced by this documentary. People's desires trump human decency and compassion. No one stops a crime in progress. People will aggressively attack the victims of a crime online, calling them liars.

A crass comparison is a stolen car. No one would claim it's the owner's fault for driving a nice car or even leaving the keys in it. In the case of an actual person, putting yourself in a questionable position makes it your fault as opposed to the perpetrator. It's ridiculous.

Leopardi (2014)

Original Title

Il giovane favoloso

Genre

Biography | Drama | History

Director

Mario Martone

Country

Italy

Cast

Elio Germano, Isabella Ragonese, Anna Mouglalis, Michele Riondino, Massimo Popolizio, Valerio Binasco, Paolo Graziosi, Iaia Forte, Sandro Lombardi, Raffaella Giordano, Edoardo Natoli, Federica De Cola

Storyline

The film tells the short but fruitful life of the great Italian poet and philosopher Giacomo Leopardi (Elio Germano).

Opinion

I won't waste time saying how much I love Giacomo Leopardi's work. Just shame on me for catching "Leopardi" up only now because it truly is a stunning, emotional film that wonderfully portrays the life of one of the greatest Italian poets ever lived.

The problem with biopics is that they tend to be quite tedious if not handled properly, especially if you already are familiar with the biography of the portrayed figure, but this film is quite the opposite to that. Rather it is a surprisingly smooth film, without a single dull moment, that tells the tormented life of a man. And I'd like to point out that the writers - Mario Martone and Ippolita Di Majo - decided to tell the story of Leopardi's life chronologically.

In addition, staying true to the poet - or at least it was for me -, director Mario Martone didn't make use of the melancholy of the poet, and the way he saw the world, but he decided to focus on the poetry, and let it speak by itself. And it is through those beautiful poems that we see the real Leopardi: a restless mind, a tormented man, a wandering child.

The screenplay and the direction are not the only great things about the film. In fact, the scenery plays a very important role, as it manages to capture the essence of Leopardi. The costumes are also beautiful, so are the cinematography and the musical score.

At last but not least, the acting, or should I say the leading actor, Elio Germano. He was given a character that is definitely not easy to work with, but he nailed it. Basically he became Leopardi and his portrayal was so astonishing it almost felt like he was Leopardi. Easily one of the best performances of recent years.

The New Classics

So. As of earlier this morning, the playlists on the main YouTube channel for IN BOB WE TRUST and GAME OVERTHINKER have been updated to include remastered versions of the content produced for ScrewAttack back in 2015. You can view the full playlists via the links here, but the full roster of individual episodes will be posted below the jump.


It's possible, depending on when you started following me and/or my work, that you've already seen all of these episodes; but it's equally possible that you missed or forgot one here or there. Either way, along with the convenience of having this all in one place now, every view that these versions now get will go directly to the main MovieBob Channel traffic-count - so if you're a fan and you've got a few minutes to spare here and there, giving some of your favorite episodes from this period a re-watch and/or sharing them with friends would be doing me and my operation here a big help.

As always, thanks for watching :)

IN BOB WE TRUST (CLASSIC) EPISODES:
Widow's Peak
Blurry Road
Dissed-Topia
Who is Marvel's Worst Hero?
Captain N: Totally Underrated
Does Batman Need a New Origin?
Fantastic Four Sucks - Now What?
Nazi Stuff in Dragon Ball Z?
Will Superhero Movies Die?
Schlocktober: When Dinosaurs Ruled The Earth
Schlocktober: Infra-Man
Schlocktober: Ninja Gaiden - The Anime
Schlocktober: The Manitou
Will Warcraft Be Any Good?
Who's The Best Marvel Movie Villain?
Batman V Superman V ???
Top Ten Movies of 2015 - Part I
Top Ten Movies of 2015 - Part II

GAME OVERTHINKER (REMASTERED) EPISODES:
Nintendo WTF?
IgaMania
Gamers Are Not Dead
Violence Is (Still) Golden
In Defense of Video Games
Jackie Chan Should Be In Smash Bros
Lost Girls
Is Piracy Ever Justified?
Can The Nintendo NX Save The World?
Make More Makers!
An Angry Birds Movie!?
When Did Gamers Become Wimps?
The Big Lie
Dumber Alive
The Smashing Seven
Amiibo: Most Wanted
Never Forget


These remastered re-uploads are possible in part thanks to generous contributions to The MovieBob Patreon.

Thursday Movie Picks: Cults/Secret Societies


Welcome to Thursday Movie Picks, a weekly series hosted by Wandering Through the Shelves where each Thursday you have to pick three films to match the week's topic.

This week's picks have to involve cults or secret societies. Cool, isn't it? Cults are a bit dark, bad thing happening, and great films I've already picked, so I decided to focus on secret societies. And it didn't even have me thinking a lot because these 3 films popped into my mind immediately.

The Grand Budapest Hotel (2014)

The owner of the Grand Budapest Hotel tells a writer the tale of how he took ownership of the hotel and why he doesn't want to close it. Even though it doesn't scream "secret society" there's one involved, and it's the Society of Golden Keys and pretty much the reason the hotel works so well. Oh, and the movie is a colorful masterpiece starring a brilliant Ralph Fiennes that was robbed of an Oscar nomination.

Fight Club (1999)

An insomniac office worker crosses paths with a man that is exactly who he wants to be and with his new friend he creates a fight club. I should have never picked this film because I'm breaking the first and second rule, do not talk about fight club, but this film is too good to not be picked. This movie is simply perfect.

Men in Black (1997)

Agent K and Agent J, two members of an organization that keeps track of extraterrestrial aliens on Earth, investigate a newcomer who isn't bringing good news. This is probably the coolest secret society ever. They deal with aliens and are armed with spectacular technology, impossible to top that. Sure, it's not a serious film, but it's fun. 

Wednesday, 28 September 2016

New in Theaters for October

Not many movies premiering in October, but there are a few that interest me. This is why they might be worth watching... or avoiding.

WATCHING
The Girl on the Train (October 7, 2016) 
Emily Blunt was awesome in Edge of Tomorrow. This has the potential to be a solid thriller.
 The Birth of a Nation (October 7, 2016) Nate Parker's film about a slave uprising. It shares the same name with the 1915 racist propaganda film. Parker hopes this film replaces it, and I hope so too.

Desierto (October 14, 2016) 
A group of immigrants against a vigilante that's taken up border patrol is intriguing. With Jeffrey Dean Morgan starring and Jonás Cuarón directing, who worked on Gravity with his dad Alphonso, this has promise.
 
AVOIDING
Underworld: Blood Wars (October 14, 2016) 
Is this series still making money? How can they make another? Who is going to see these films? Really, who?

Jack Reacher: Never Go Back (October 21, 2016) 
The movie tells us not to go back, yet the movie is bringing Tom Cruise back in another Reacher film. Without Christopher McQuarrie who directed the first one, I have to pass.

Inferno (October 28, 2016) 
Dan Brown keeps writing the books and Ron Howard and Tom Hanks keep making the movies. Will this be the movie that is the Robert Langdon film we've been hoping for? It all depends on Tom Hanks's hair.

PODCAST 223: Blair Witch & The Gore Gore Girls


Leading up to October, Forest reviews one more new horror film - the questionable soft re-boot that is Blair Witch. Cory rounds-out the month of Herschell Gordon Lewis with The Gore Gore Girls.
CONTINUE READING

Tuesday, 27 September 2016

Olympus Has Fallen (2013)

Genre

Action | Thriller

Director

Antoine Fuqua

Country

USA

Cast

Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Rick Yune, Dylan McDermott, Finley Jacobsen, Melissa Leo, Robert Forster, Ashley Judd, Cole Hauser, Radha Mitchell, Sean O'Bryan, Lance Broadway, Tory Kittles, Keong Sim, Phil Austin, James Ingersoll, Freddy Bosche, Kevin Moon, Malana Lea, Sam Medina

Storyline

When the White House is captured by a terrorist mastermind (Rick Yune) and the President (Aaron Eckhart) is kidnapped, former Presidential Secret Agent Mike Banning (Gerard Butler) finds himself trapped inside the building, and using his inside knowledge, he will try to rescue the President.

Opinion

Like I said time ago, 2013 was the year of films about terrorist attacks at the White House. The weird thing is that two films came out that year with the same plot, this being the first of the two. But only because it was the first one, it doesn't necessarily means it's better. If anything "Olympus Has Fallen" is even worse than "White House Down", which definitely wasn't a great film.

In fact, this film is pretty much nothing but a poor imitation of Die Hard. Even though the beginning was somehow promising, it is not exciting, and it is definitely not fun to watch.

Just like in "White House Down", the plot completely lacks in originality, it is quite unbelievable and filled with the usual clichés, not to mention the gigantic plot holes. There's so much nonsense going on, you'll get dumber by watching the film - like why on earth would the villain ask for the Cerberus code only after the hero has killed half of his men? It doesn't make any sense. The icing on the cake? The villain and his motivations are not that convincing.

So are the screenwriters to be blamed? Yes, they are, but only in part, because director Antoine Fuqua certainly didn't do anything to fix the script. He didn't even try. The film in fact is flat as a board, accomplices also are the action sequences that lack both imagination and tension, and that seem taken out straight from a video game.

And now the cast. Gerald Butler is not a likable hero, Aaron Eckhart is just whimpering the whole time - and certainly does not have Jamie Foxx's charm -, Morgan Freeman is so poor he recalls Jason Statham, and Rick Yune is not a very threatening villain. Then there is Ashley Judd that's only in the movie because they needed a pretty face, and Angela Bassett that is completely wasted in this film.

Ballers Season 2 Review

Ballers (2015)
Season 2 - 10 episodes (2016-)

Created by: Stephen Levinson
Starring:   Dwayne Johnson, Rob Corddry, John David Washington, Omar Miller

Plot:
This HBO series follows former linebacker Spencer Strasmore (Dwayne "The Rock" Johnson) as he recruits NFL clients as a financial consultant.

Verdict:
The first season was carried by The Rock. He's so charismatic, it's hard not to like him. As Spencer, he doesn't always succeed and his temper doesn't help. We get an inside look at the NFL and the lavish lifestyle players lead. It's little more than average, but I keep watching because of The Rock. Unfortunately this season delves deeper into Spencer's life instead of giving us a glimpse inside the league through the players he consults. I want to see the antics and crazy parties.
This season adds drama about whether Spencer will have a job and contention with a rival agent, when it should focus on clients.
It depends.

Review:
I didn't like the introduction of rival agent Andy Garcia, and it never got any better. Garcia plays an uninteresting bad guy just to add drama. Spencer has more than a few demons rearing their heads. The big financial loss that's teased throughout the season is finally revealed, and it's a key part in the second half drama. It's part of a big question mark as to what happens next.
An interesting though ignored story is Spencer's drug use. He definitely has a problem, but the final episode hinted that it might be swept under the rug. I hope not. If the show is going to tease a problem, finish the plot line or don't tease it. Ballers often feels like it's trying too hard, thinking that viewers won't be content with just an inside look at the NFL.
This season did a better job of providing a unique look at the NFL, with Spencer recruiting a prospect, Charles landing a front office job, and Ricky fielding offers in free agency.
This isn't a bad show. It feels like it's trying to be Entourage for football. Spencer, Ricky, and Charles are great characters, though some of their plots are muddled. Joe became less interesting this year, and the focus isn't where it should be. The character's side plots should feed into the main arc which is growing a business and getting more clients. Where is the revolving door of athletes?

In the first episode, Spencer's client is opening a restaurant. For a financial advisor, this is a risky move. Restaurants take a while to break even and many crumble in the first year. Is this a clue that Spencer isn't that good?
A TV interview is good press. Later fighting with a guest isn't.

Spencer can't dodge his past when an old rival joins him on a television interview and he loses his cool, attacking T-Sizzle. It makes him and the company look bad.
The threats from his boss always ring hollow, because no one can resist The Rock. Even if he was fired, the show wouldn't change, he would just go independent and succeed because he's The Rock.

Ricky Gerret's dad is now in the picture and filling his son's head with a bunch of crap and inflating his ego. It's odd as his dad has never been in the picture. It fueled Ricky with rage, and now he lets his dad hang out and listens to him? It seems like his dad is just riding his coat tails. How does Ricky forget decades of frustration and pain like that? The simple answer is, it's going to turn into a plot point, but it's poorly telegraphed. We get Robert Wisdom which is good, but the logic is thin.

Spencer's old agent Andre, played by Andy Garcia, is poised to be his main rival this season. Spencer's plan to steal Andre's clients seems like a great idea. What could go wrong with that?

In episode two, Spencer is trying to poach T-Sizzle from rival financial advisor Andre.

This one gets into Spencer's potential drug addiction. I thought the doctor would refuse his charms, but she writes him a prescription anyway. His behavior screams addiction. I suppose the show wants to string this out further and dangle the plot line, but it's misdirection. Part of the intrigue was the players, and this season so far has only added one other player who's on the disabled list.

Andre (Andy Garcia) puts Spencer in his place and warns him not to steal T-Sizzle. Spencer responds simply, "You're fired."
Ricky feels the love in New Orleans.
In episode three, Spencer and Joe are fighting Andre who has contacted all of their clients in retaliation. Vernon tears his Achilles paint balling and needs lie to keep his contract intact.

Ricky's wooed by New Orleans and feels the love.

With episode four, Spencer is still dealing with Andre.  Spencer's boss Mr. Anderson isn't happy about Spencer's client poaching attempt from such a huge firm.

Sports agent Jason is looking to sign a high draft pick hopeful who lives in the swampland. That story line is as cliche as you'd expect.

Ricky goes on a trip with his dad and ends up disappointed. Who didn't see that happening? Did Ricky just forget a few decades of heart ache?

Vernon's team covers for him and takes care of him. In a subtle move that you may have missed, Spencer swipes drugs from Vernon. That story line is going to blow up at some point, probably for the finale.
This focuses too hard on Spencer, I want an inside look at athletes off the field through their agents and managers. This is becoming another white collar drama. We should have at least a couple more players in the mix at this point. Charles Greene is a separate story line that doesn't even seem to fit. Has he had any scenes with the main cast this season?

In episode five, Spencer is dealing with the need for a hip replacement. This story keeps getting deeper as he uses a fake name  to get more drugs instead of dealing with the problem directly.

Joe and Reggie get Vernon an Alpaca to cheer him up, though I can't fathom why either of them thought it was a good idea.

Spencer schools Travis Mack, an imposter trying to hide his shortcoming from the NFL.

Spencer and Joe's road to getting NFLPA approved to manage players' money isn't going to be as easy as they thought.

Charles lands a front office job.

In episode six Spencer and Jason are trying to raise Travis Mack's stock, and that's no easy task.

Charles is acclimating to the front office, but having trouble cutting a player. Charles is becoming an unsung hero. He has some great moments, and an inside look at a team's front office could  be a great branching story line... if pursued. Charles of often overshadowed by the flash of the rest of the cast.

Ricky's dad is creating complications. This was easy to see from the first episode. The dad is a contrived plot line just to create drama for Ricky. Couldn't they have found a better spot for Robert Wisdom? Ricky goes from hating his dad for decades to including his dad in his crew. This is after a road trip that ended badly last episode.

This is a show I expected to have a revolving door of athletes as Spencer and Joe court clients. I also hoped we would get cameos from real athletes, but we've gotten neither. The show is happy to stay with just the four main characters and add an unnecessary arch villain in the form of Andy Garcia. Spencer doesn't need to compete with anyone, trying to court clients is enough.

It's episode seven and Andre is still creating problems. Joe is doubting Spencer, and Mr. Anderson is doubting both of them.

The NFLPA registration doesn't come through due to Spencer's loss of six million dollars a number of year ago. Spencer and Joe have zero value to Anderson now.

Charles has a knack for the front office and has a deal to keep Ricky in Miami, but will Ricky be Ricky?

Episode eight has Spencer trying to reinvent his profession.  He's balancing that by trying to boost potential draft pick Travis Mack's stock.

Ricky and Charles are fighting. Charles wants Ricky to sign with Miami, but Ricky wants the money offered by the Rams.

It's episode nine and Spencer wants to buy the company from Mr. Anderson. Andre offers him everything he wants, including Anderson's company, but Spencer refuses out of pride.

Spencer's bid to buy the company in episode ten ends gift wrapped with a bow in just a few minutes. Anderson will give him a stake in the company.
Eddie George is in this episode and he doesn't like Spencer.

Spencer gets a chance to address the NFL rookies and lays his mistakes bare. The episode ends with Spencer opting for a hip replacement, though it doesn't address his drug addiction. I wouldn't be surprised if that story line is dropped.