Showing posts with label Allison Janney. Show all posts
Showing posts with label Allison Janney. Show all posts

Monday, 20 May 2019

Tallulah (2016)


"Yet another Netflix original with a great cast to lure you into watching it" was my first thought we Tallulah's popped up on my homepage. I do love Ellen Page and Allison Janney too much though so I couldn't just ignore it. And I'm glad I didn't because this is one of those small gems more people need to watch.

A real-life experience of director Sian Heder herself — she was once asked to look after a toddler with a trainwreck of a parent while working as a hotel babysitter and she was tempted to rescue the child but eventually turned it into a short film, Mother, which then became a feature film, Tallulah —, the story follows Tallulah (Ellen Page), a homeless young woman. When her boyfriend, Nico (Evan Jonigkeit) leaves her and takes all their money, she seeks help from Nico's mother, Margo (Allison Janney). But when Margo doesn't want anything to do with her, she goes to a hotel for food and money and gets hired by a rich, partying, neglectful mother, Carolyn (Tammy Blanchard), to look after her toddler. Reluctant at first, Tallulah accepts the job but, when Carolyn returns home wasted, she decides to take the baby and return to Margo for help. 

The story isn't anything new and it's not particularly interesting at the beginning — it's rather boring, actually, and I almost stopped watching because of it — but as soon as it gets going, when Tallulah kidnaps the baby, the story turns out to be quite compelling and involving. 

Tallulah, however, wouldn't work as good as it does if it wasn't for its characters. Although each one of them is something we have seen before, the three central characters — Tallulah, Margo, and Carolyn — are complex and developed. But most of all, we are given a protagonist who isn't particularly likeable nor sympathetic and yet we cannot help but care about her as she, Tallulah, is a complicated, lost young woman who, as we find out later on, has been abandoned for her entire life which resulted in her not trusting others, and sees in her action the only way to give that baby a better life than she had, even if that means hiding and running. Tallulah has been through so much we sure cannot blame her for the irresponsible way she acts. Margo is a sad, angry, bitter woman who can't let go of her past relationship — which ended with her husband cheating on her with another man — and is horrible to most people in her life, specifically to her soon-to-be ex-husband (John Benjamin Hickey). Carolyn is an unworthy, neglectful mother as well as a tremendously flawed woman and yet, she grows so much throughout the film and shows so much heart we cannot help but sympathize towards her. 

The performances are top-notch. Ellen Page is terrific as the titular role as she gives an intense, emotional performance. Allison Janney gives yet another powerful performance, and the chemistry she shares with Page is so natural it gives the film a genuine touch. Tammy Blanchard too gives a great performance as the unfit mother. And Uzo Aduba, Orange Is the New Black's Crazy Eyes, steals the show every time she is on screen.

Ultimately, just like its characters, Tallulah is a flawed and yet compelling film that will make you both laugh and cry, and that deals with themes of maternity, personal responsibility and family is a sensible and touching way.

Tuesday, 25 December 2018

Miracle on 34th Street (1994)

I tried to watch this version of Miracle on 34th Street when I was a kid but it was so boring I stopped watching after 10 minutes. I did enjoy the 1947 version though so this year I decided to give this one another chance.

The film takes place between Thanksgiving and Christmas, and follows the story of the original film in which a department store executive, Dorey Walker (Elizabeth Perkins) and her young daughter, Susan (Mara Wilson), do not believe in Christmas and Santa Claus. When the Santa (Jack McGee) she hired turns out to be a drunk, Dorey hires Kriss Kringle (Richard Attenborough), an old man who claims to be the real Santa. Kriss quickly becomes popular and a new source of incomings for the department store, so a rival store tries to put them out of business by having Kriss arrested and declared insane. It's up to Dorey's neighbour, lawyer Bryan Bedford (Dylan McDermott), to save Santa.

Just like the original's, the story is very simple and predictable, but, while it has some dull moments, it still manages to be enjoyable enough to keep watching. The issue here is the rival store subplot. Not only it takes the attention away from the main storyline, but it weighs down the film as well. I suppose this subplot was the filmmakers' attempt at making the story more modern and give more prominence to the story's message, but it's quite ridiculous and just doesn't work.

The characters aren't as charming as they are in the original either and the reason for that is the cast. While Richard Attenborough is wonderful as Santa and brings into the film the Christmas spirit it needs, the others are barely decent, Mara Wilson easily being the worst of them all: she is cringy and unwatchable as Susan, and makes the character very unlikeable —it doesn't surprise me that she almost quit acting.

20th Century Fox
The comedy doesn't work that well either. While the original is often humorous and has a nice balance of comedy and drama, this one tries so hard to be funny, it ends up in the land of ridiculousness. The courtroom scene is the most striking example of that.

Ultimately, this version isn't terrible as the story is still engaging and Santa is very charming, but everything else is just off, not to mention that the filmmakers basically say that believing in Santa Claus is like believing in God.