Showing posts with label Guy Pearce. Show all posts
Showing posts with label Guy Pearce. Show all posts

Monday, 18 March 2019

Mary Queen of Scots (2018)

Historical movies aren't really my thing —despite the fact that I loved my teacher, history was one of my least favourite subjects in high school— but I checked out Mary Queen of Scots anyway because one does not simply pass a movie starring Saoirse Ronan and Margot Robbie. And of course eye-candy in the form of Jack Lowden is always welcome. 

The film tells the story of Catholic Mary Stuart (Saoirse Ronan). Queen of France at 16 and widowed at 18, she returns to Scotland to reclaim her rightful throne. But Scotland and England are both ruled by her cousin Elizabeth (Margot Robbie), the Protestant Queen of England, and her claim to the English throne puts her on a collision course with Queen Elizabeth I.

A more or less compelling political battle of wits is what I was expecting, but what I got instead was a beyond tedious and "not so easy to follow because of all the double-crossing" plot filled with historical inaccuracies —this part of history was unknown to me but there were things so far fetched I checked for facts on Wikipedia—, Mary refusing to do what people advised her and Elizabeth crying. There are political intrigue and backstabbing, lots of both, but the story is not interesting, it's not engaging and I just didn't care because of the dull, inconsistent storytelling.

The characters are also pretty bland and uninteresting as they are poorly characterized, poorly developed and, for the exception of Mary, they don't even have clear motivations. They are just cartoonish characters that deserve absolutely no sympathy, especially Elizabeth who is presented as a weak, constantly whining woman. Not to mention the openly gay friend of Mary, or her gay husband.

At least there's the cast, part of it, that makes Mary Queen of Scots more bearable. Both Saoirse Ronan and Margot Robbie do a good job in the roles as they manage to make their characters slightly more interesting, and both doing a great job at hiding their accents, Irish the first, Australian the latter —I'm not sure though why Mary has a Scottish accent since she grew up in France. The rest though is quite a mess. It's not entirely the actors' fault as the script is quite poor but most of them give wooden performances or over-act like David Tennant and when they are actually decent, they are criminally underused like Guy Pearce.

Focus Features, Universal Pictures

The strong performances from Ronan and Robbie aren't the only good things about Mary Queen of Scots. The cinematography is quite breathtaking with plenty of beautiful scenery and locations rich in colour; the costumes are gorgeous; the makeup is very good.

Unfortunately, the writing is terrible, the direction is dull, and the casting of people of colour to play 16th century Great Britain aristocrats just doesn't feel right. If they wanted to make a politically correct movie, they should have gone with fictional characters. But I guess it fits the film very well if you consider all the inaccuracies.

 

Friday, 11 January 2019

Hateship Loveship (2013)

Hateship Loveship is yet another of those movies that has been on my watchlist for such a long time I forgot everything about it, even the reason I was interested in seeing it —it was Guy Pierce, as it turned out.

Based on a short story from Nobel winning author Alice Munro, the film follows Johanna Parry (Kristen Wiig), a middle-aged repressed caregiver after she is hired by an elderly man, Mr. McCauley (Nick Nolte), who needs help in the house and to watch over his teenage granddaughter, Sabitha (Hailee Steinfeld), who lives there since her mother was killed in a car accident blamed on her irresponsible father, Ken (Guy Pearce), who lives in a motel in Chicago. During one of his visits, Ken meets Johanna and leaves her a friendly note. She writes a reply, Sabitha and her best friend Edith (Sami Gayle) pen fake love letter from Ken and Johanna is led to believe Ken has feelings for her.

Hateship Loveship’s is a very simple story about real people whose realism makes it difficult to watch at times. It’s a weird one too as it manages to be compelling and dull at the same time; it unfolds at a dramatically slow pace —which is why it feels dragged at times— and yet there are parts of the story that feel rushed, specifically the romance which I never really bought as it feels more like a wish-fulfilment kind of story rather than an actual love story. As for the subplots, they kind of ends abruptly.

The characters are a bit odd too as they are quite unlikeable and difficult to relate to but eventually, they become interesting enough for you to keep watching. Johanna is an awkward woman with no social skills whatsoever; she is the kind of person who finds happiness in helping others; she understands that she has very limited skills but she tries to be as helpful as she can be with the little she can do. She is a very vulnerable woman and yet she displays so little emotions and has a constant blank expression that make her appear like a robot. On top of that, Wiig’s performance isn’t the most compelling as she doesn’t really capture the nuances of the character but rather plays the character she always plays only with a straight, serious face.

IFC Entertainment
At least the supporting cast gives compelling performances. Guy Pearce gives such a sensible and believable performance as Ken, the struggling recovering addict, and manages to be incredibly charming and off-putting at the same time. Nick Nolte also gives a strong performance as Mr. McCauley, the wounded grandfather, and Hailee Steinfeld does well as the rebellious teenage girl.

Ultimately, I’m not sure how I feel about Hateship Loveship as I didn’t hate it, but didn’t love it either –I guess I’m on the neutralship. I did, however, like Liza Johnson’s approach to the characters’ emotions: teenage angst being the exception, they all are handles with softened, without making a big deal of everything, which is how a normal person would face the same situations in real life. 

Tuesday, 24 November 2015

Animal Kingdom (2010)

Genre


Director


Country



Australia

Cast

James Frecheville, Ben Mendelsohn, Guy Pearce, Jacki Weaver, Joel Edgerton, Sullivan Stapleton, Luke Ford, Dan Wyllie, Anthony Hayes, Laura Wheelwright, Mirrah Foulkes, Justin Rosniak, Susan Prior, Clayton Jacobson, Anna Lise Phillips

Storyline

After his mother dies, seventeen year-old J Cody (James Frecheville) has no choice but to contact his maternal grandmother, Janine "Smurf" Cody (Jacki Weaver), who rules her criminal family with a borderline incestuos love over her three sons. Among blood brothers and blood, manipulated trial sand revenge served cold, J will soon lose his innocence.

Opinion

The extremely impressive debut from Australian director David Michôd, Animal Kingdom is a tense, gloomy, innovative and mesmerizing crime family drama.

In this bitter and dramatic film, Michôd tells the gangster life as if it was an animal kingdom, where the strongest, the one that eats the weakest wins, and also makes a criticism to those men - and women - who are neither men nor animals. He shows all this with a cynical eye, with no compassion, and wonderfully manages to convey violence without aestheticizing it. 

However, the moral condemnation aforementioned soon stops to make room for a world where no one is really good or bad. In fact, whether criminals or cops there is no difference: they all use others for their own ends. Only detective Leckie makes exception. 

Also, don't expect long shooting scenes, or robberies or car chases because there are none in Animal Kingdom, as the action is reduced to a minimum.

The films makes use of the minimalist synthesiser music from Antony Partos to create an air of dread and tension.

The cast is uniformly excellent. In his debut James Frecheville is basically a piece of wood as J (in a good way), he is in a constant catatonic state, seemingly frail and confused, Ben Mendelsohn delivers a convincing performance as terrifying psychopath Pope, Guy Pearce gives a wonderful and intense performance as detective Leckie, and Jacki Weaver gives a strong performance as Smurf, the matriarch of the family with the psychotic smiles. 

Saturday, 13 June 2015

The Rover (2014)

Genre


Director


Country

Australia

Cast

Guy Pearce, Robert Pattinson Scoot McNairy, Gillian Jones, David Field, Tawanda Manyimo, Anthony Hayes, Susan Prior, Nash Edgerton, Jamie Fallon, Samuel F. Lee

Storyline

10 years after a global economic collapse, a cold-blooded drifter (Guy Pearce) pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother (Robert Pattinson), and the duo form an uneasy bond during the dangerous journey.

Opinion

After the success of Animal Kingdom, David Michôd strikes again with this thrilling film. The Rover is a violent, raw film of few words, that despite its extreme slowness manages to capture the audience's attention 'till the end.

Written by Michôd himself, the harsh story is set in a post-apocalyptic desolate Australia, where the only 'rule' in force is to kill before getting killed, as indeed happens in other films/tv shows of the same genre.

For the whole time I kept wondering why Pearce's character wanted his car back so bad. It's finally shown in the final scene, which is one of the most beautiful final scenes ever as it shows that despite the lawless world the man lives in, principles are still meaningful.

The hypnotic soundtrack, the cinematography, which creates a beautiful scenery for the sense of desolation, and the way the story is told, contribute in creating a spectacular film, but not suitable for everyone.

Although it would have been nice having some background of the characters, to understand why the act the way they do, they still are very interesting, and, most of all, they are played to perfection by the two leads.
Barely changing his facial expression, Guy Pearce is very believable as the lonely determined man, who does not have feelings other than anger.
Robert Pattinson is an excellent co-star. As I used to see him in other kind of roles - wizard in Harry Potter, vampire in Twilight, and lover in other films - he has been a huge surprise. He doesn't only renounce his sex-symbol status by appearing uglier, slovenly, and with a crooked walk, but he has also done some excellent work vocally speaking.


You should never stop thinking about a life you've taken. That's the price you pay for taking it. - Eric

Not everything has to be about something. - Rey

Wednesday, 30 May 2012

IRON MAN 3 Update: Ben Kingsley Is The Mandarin? Guy Pierce Is Aldrich Killian? *AND* First Set Photos!!

IRON MAN 3 Set Location At Wilmington International Airport
Update on Shane Black's IRON MAN 3 now shooting in Wilmington, NC! Our friends over at LatinoReview got the goods on a potential casting scoop that sees Ben Kingsley suiting up as The Mandarin but not as originally suspected. He won't be the main antagonist but merely a distraction and partner to the real villain that Tony Stark must overcome, Guy Pierce's Aldrich Killian. Killian is a scientist who uncovers something called the Extremis Virus (potentially nanobot technology) which he then uses to create an "Extremis army" of superpowered evildoers.

Robert Downey Jr. On IRON MAN 3 Set
That being said, there is another movie site claiming that The Mandarin is the main villain. For a movie that only cameos The Mandarin there is a lot of action going on surrounding his character apparently. What sort of action? Well this came from CBM: "Those that did get a glimpse inside [the Cape Fear Club] reported seeing extras dressed in military uniforms and suits. The extras in suits were described as looking like Secret Service men." The site also claims that a source "involved with the production" reassured them that The Mandarin is "definitely" the villain. He said Mandarin had a set of twins that did most of his dirty work for him. Another source who had visited EUE/Screen Gems Studios told us that the sets they were building included Chinese storefronts."

And it's known that the next location for the IRON MAN production is China. 

So I think it's safe to say that The Mandarin is definitely in IRON MAN 3 but to what extent has not been brought to light. With two different versions of what is going on with the movie I can only go by past performance with regard to sources and that means LatinoReview gets the nod. A limited exposure to The Mandarin, perhaps setting him up for another Marvel universe movie - though I can't see that happening with THE AVENGERS 2 as Thanos is set to reign.

IRON MAN 3 Set, Wilmington, NC
The closest thing we have to a storyline thus far came from producer Kevin Feige when he disclosed:
"So Iron Man 3 has been structured specifically to be the antidote to The Avengers... Circumstances in the story separate Tony from having access to anything. We wanted to take Tony back to, metaphorically speaking, the cave from Iron Man, the first half of Iron Man, when he's cut off from the world and needs just focus on his intellects to get himself out of his situation. So he's not calling Thor, he's not calling Captain America, he can't press a special button to have the helicarrier come rescue him, so I think that'll be a nice complement to the team up of Avengers." 

I've selected a few shots from the Wilmington, NC sets for you to look at, but feel free to browse all of them right here.

Click here for all of our IRON MAN 3 coverage! IM3 opens on May 3, 2013. Still no official word on whether IM3 will be the first of the franchise and the fourth Marvel movie to be converted to 3D, but it's a safe wager at this point.