Showing posts with label Marcello Mastroianni. Show all posts
Showing posts with label Marcello Mastroianni. Show all posts

Thursday, 6 September 2018

Big Deal on Madonna Street (1958)

When it comes to old Italian movies, I kinda suck as the titles are often all I know about those movies. It was the same with Big Deal on Madonna Street (Italian: I soliti ignoti) which ended up on my watch-list many years ago, but only because I've heard people mention it many times over the years and I thought I should eventually check it out.

The film starts with small-time thief Cosimo (Memmo Carotenuto) being arrested for trying to steal a car. After he is convicted, he asks his girlfriend (Rossana Rory) and lawyer to find someone who, for 100,000 lire, will take his place in prison so that he can pull off a heist at a pawnshop. A washed-up boxer, Peppe (Vittorio Gassman), agrees to switch places, but the judge doesn't believe them and they both end up in jail. When Peppe learns about the plan, he tricks Cosimo into explaining him every single detail of it, and when he gets out, months before Cosimo does, he recruits Cosimo's band of petty criminals to pull off the heist. 

Although the pace is quite slow and it feels kinda dragged at some places, it's very interesting to watch these small-time criminals as they plan the heist. As predicted, since this is a Commedia all'italiana, nothing goes right --the apartment next to the pawnshop was supposed to be vacant but all of a sudden, two old ladies move there and they barely leave the house; then, they rearrange the furniture which shrews up their plans even more. 

It's from all these unforeseen situations and resulting actions that comes most of the comedy and it works beautifully, especially to someone who is not fluent in Italian as the English subtitles (I rewatched some scenes with subtitles to see how the jokes were translated) are not able to convey the humorousness of the dialogue very well. The gags, the silly situations, they all are hilarious regardless of your knowledge of the Italian language. 

Lux Film
What I liked about Big Deal on Madonna Street is that the heist is only a part of the story (and I say this as someone who loves heist movies). The film is filled with numerous subplots, all connected to the main plot and therefore not pointless as it often happens, that make the film more entertaining and allows us to get to know the characters a bit better. They still are pretty thin, but we get to know them enough to feel sorry about them when their heist goes bad. There's a romantic subplot that could have been left out though as it adds nothing to the main plot, but it's pretty enjoyable and the source of more laughs. 

The cast is too is great. Vittorio Gassman shines as Peppe, the improvised leader of the gang, and his attitude is simply on point. Amongst the others, a young Marcello Mastroianni stands out as Tiberio, an out-of-work photographer whose wife is in jail and has to take care of his (crying) baby. Also worthy of a mention are Renato Salvatori as Mario, a perennially unemployed orphan, the youngest member of the gang, who wins the heart of Claudia Cardinale's Carmelina, and Tiberio Murgia as Michele, a Sicilian hothead who happens to be Carmelina's brother. Murgia deserves special praise for nailing the Sicilian accent.

Wednesday, 8 April 2015

8½ (1963)

Original Title

Otto e mezzo

Genre


Director


Country


Cast

Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, Nadine Sanders, Mino Doro, Madeleine LeBeau, Jean Rougeul, Caterina Boratto, Annibale Ninchi, Giuditta Rissone, Eddra Gale, Mario Conocchia, Cesare Miceli Picardi, Maria Antonietta Beluzzi, Tito Masini, Mario Pisu, Simonetta Simeni, Guido Alberti, Bruno Agostini, Eugene Walter, Ian Dallas, Edy Vessel

Plot

Guido Anselmi (Marcello Mastroianni), a famous Italian film director, is suffering from "director's block". Stalled on his new science fiction film that includes veiled autobiographical references, he has lost interest amid artistic and marital difficulties. 

Opinion

8½ is an extraordinary and visionary masterpiece, that digs into a man's consciousness. It is, at the same time, man and woman, religious and profane, everything and nothing.

The film, which does not simply tell the crisis of Guido (Mastroianni) as a director, but also as a man, breaks down physical barriers and brings us into the head of a man, hovering between reality and dream-like quality.

Every single component of the film is nothing but perfect. The writing is divine; each scene is perfectly balanced, providing both meaning and sense of lostness; the photography is outstanding; the costumes are perfect.

Marcello Mastroianni is superb, and offers maybe his greatest performance, and he is well supported by the incredible cast that includes Claudia Cardinale and Anouk Aimée, and among which stands out Sandra Milo.


Quotes

Guido: My darlings, happiness consists in being able to speak the truth without ever making anybody suffer.

Carini: If we can't have everything, true perfection is nothingness. 

Guido: What is this flash of joy that's giving me new life? Please forgive me sweet creatures; I didn't realize, I didn't know. How right it is to accept you, to love, you... and how simple! Luisa, I feel I've been set free. Everything looks good to me, it has a sense, it's true. How I wish I could explain, but I can't... everything's going back to what it was. Everything's confused again, but that confusion is me; how I am, not how I'd like to be. And I'm not afraid to tell the truth now, what I don't know, what I'm seeking. Only like that do I feel alive and I can look into your loyal eyes without shame. Life is a party, let's live it together. I can't say anything else, to you or others. Take me as I am, if you can... it's the only way we can try to find each other.

Rating

10/10

Sunday, 1 February 2015

La dolce vita (1960)

Genre


Director


Country


Cast

Marcello Mastroianni, Anita Ekberg, Anouk Aimée, Alain Cuny, Yvonne Furneaux, Walter Santesso, Enzo Cerusico, Giulio Paradisi, Carlo Di Maggio, Lex Barker, Giò Stajano, Alain Dijon, Renée Longarini, Valeria Ciangottini, Annibale Ninchi, Magali Noël, Christa Päffgen, Ida Galli, Riccardo Garrone, Nadia Gray, Audrey McDonald, Gloria Jones, Adriano Celentano

Plot

Marcello Rubini (Marcello Mastroianni) is a journalist in Rome during the late 1950s who covers tabloid news of movie stars, religious visions and the aristocracy while searching for his place in the world.

Opinion

La dolce vita is the alienation of the individual from reality, for a brief joys and passionless, exactly like the protagonists behave. Hopes and dreams are gone, and facing this sad reality we can only fit in it, as Marcello (Mastroianni) does , or die, as Steiner (Alain Cuny) does. Fellini also shows us the poor, ignorant and superstitious Italy.
The performance from Marcello Mastroianni is superlative.

Buy on Amazon.com

Quotes

Steiner: Don't be like me. Salvation doesn't lie within four walls. I'm too serious to be a dilettante and too much a dabbler to be a professional. Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected.

Rating

8.5/10