Showing posts with label Vittorio Gassman. Show all posts
Showing posts with label Vittorio Gassman. Show all posts

Thursday, 6 September 2018

Big Deal on Madonna Street (1958)

When it comes to old Italian movies, I kinda suck as the titles are often all I know about those movies. It was the same with Big Deal on Madonna Street (Italian: I soliti ignoti) which ended up on my watch-list many years ago, but only because I've heard people mention it many times over the years and I thought I should eventually check it out.

The film starts with small-time thief Cosimo (Memmo Carotenuto) being arrested for trying to steal a car. After he is convicted, he asks his girlfriend (Rossana Rory) and lawyer to find someone who, for 100,000 lire, will take his place in prison so that he can pull off a heist at a pawnshop. A washed-up boxer, Peppe (Vittorio Gassman), agrees to switch places, but the judge doesn't believe them and they both end up in jail. When Peppe learns about the plan, he tricks Cosimo into explaining him every single detail of it, and when he gets out, months before Cosimo does, he recruits Cosimo's band of petty criminals to pull off the heist. 

Although the pace is quite slow and it feels kinda dragged at some places, it's very interesting to watch these small-time criminals as they plan the heist. As predicted, since this is a Commedia all'italiana, nothing goes right --the apartment next to the pawnshop was supposed to be vacant but all of a sudden, two old ladies move there and they barely leave the house; then, they rearrange the furniture which shrews up their plans even more. 

It's from all these unforeseen situations and resulting actions that comes most of the comedy and it works beautifully, especially to someone who is not fluent in Italian as the English subtitles (I rewatched some scenes with subtitles to see how the jokes were translated) are not able to convey the humorousness of the dialogue very well. The gags, the silly situations, they all are hilarious regardless of your knowledge of the Italian language. 

Lux Film
What I liked about Big Deal on Madonna Street is that the heist is only a part of the story (and I say this as someone who loves heist movies). The film is filled with numerous subplots, all connected to the main plot and therefore not pointless as it often happens, that make the film more entertaining and allows us to get to know the characters a bit better. They still are pretty thin, but we get to know them enough to feel sorry about them when their heist goes bad. There's a romantic subplot that could have been left out though as it adds nothing to the main plot, but it's pretty enjoyable and the source of more laughs. 

The cast is too is great. Vittorio Gassman shines as Peppe, the improvised leader of the gang, and his attitude is simply on point. Amongst the others, a young Marcello Mastroianni stands out as Tiberio, an out-of-work photographer whose wife is in jail and has to take care of his (crying) baby. Also worthy of a mention are Renato Salvatori as Mario, a perennially unemployed orphan, the youngest member of the gang, who wins the heart of Claudia Cardinale's Carmelina, and Tiberio Murgia as Michele, a Sicilian hothead who happens to be Carmelina's brother. Murgia deserves special praise for nailing the Sicilian accent.

Wednesday, 16 December 2015

Il Sorpasso (1962)

Genre

Comedy, Drama

Director

Dino Risi

Country

Italy

Cast

Vittorio Gassman, Catherine Spaak, Jean-Louis Trintignant, Luciana Angiolillo, Claudio Gora, Luigi Zerbinati, Franca Polesello, Linda Sini, John Francis Lane, Annette Stroyberg, Nando Angelini, Mila Stanic, Bruna Simionato, Edda Ferronao, Jacques Stany

Storyline

Forty-year-old exuberant, impulsive and capricious Bruno Cortona (Vittorio Gassman) takes shy law student Roberto Mariani (Jean-Louis Trintignant) for a two-day ride though the Roman and Tuscany countries.

Opinion

Today I want to bring you on a journey in the 60s Italy, when Italians were still able to make comedies without falling into the vernacular, as unfortunately happens nowadays.

Il Sorpasso is not just a road movie, but a masterpiece able to make entire generations dream, and to cause the envy of the contemporary audience for a cinema that barely exists today.

On board of the legendary Lancia Aurelia Sport, between an overtake and another, it's not only told a story of a road trip but the story of two people - two Italian stereotypical men in this case - with opposite temper, bold one, shy the other. 

The film finds its strength in the differences between the two men, which complement each other. Bruno is an easy going, forty-year-old man full of life, with a captivating personality, able to get constantly noticed, that perfectly hides his failures and loneliness. Roberto is a young, shy man with his head on his shoulders, and is obedient of his family's wishes about his future. In the two-day course, with Bruno's help, Roberto will meet life, and not only.

Masterfully described by the great Dino Risi, this absolute diversity of character hits you immediately, and you will certainly not remain indifferent: it'll make you laugh, it'll make you sad, and it'll make you think.

Written by Dino Risi, Ettore Scola and Ruggero Maccari, the witty screenplay is filled with great dialogue, and occasionally uses narration - via Robert's thoughts - to inform the audience of the young man's insecurities. 

The black and white cinematography by Alfio Contini is wonderfully evocative, and the music really adds to the film – the scenes portraying sixties iconic dance the twist are memorable.

Another reason for the film's success is the cast, especially the two protagonists, Vittorio Gassman and Jean-Louis Trintignant. Gassman gives a spectacular performance - probably the best of his career - and perfectly fits in the role of Bruno, and Trintignant does a great job as insecure Roberto. Standing out from the supporting cast is a 17-year-old Catherine Spaak who knows how to get noticed.