Showing posts with label Romola Garai. Show all posts
Showing posts with label Romola Garai. Show all posts

Thursday, 25 April 2019

Atonement (2007)

I was wandering through the library shelves when I picked up Ian McEwan's Atonement. I didn't know what it was about, but I remember it was adapted into a movie with Keira Knightly and Saoirse Ronan that I had meant to watch for quite some time, so I read it. And I loved it which is why I was no longer sure I wanted to see Joe Wright's Atonement.

The story opens in 1935 when a 13-year-old aspiring writer and playwright, Briony (Saoirse Ronan), witnesses an act she doesn't fully understand, the long-time family servant, Robbie Turner (James McAvoy), making love with her older sister, Cecilia (Keira Knightley). Later on, she becomes the witness of a crime she doesn't understand but she thinks she does and falsely accuses Robbie because of what she had seen earlier. This accusation of hers tears apart the two lovers, maybe forever as Robbie is sent to serve the army in WWII. Five years later, a grown-up Briony (Romola Garai), aware of the damage she has caused, tries to make amends for it.

Adapting McEwan's novel was not easy, but screenwriter Christopher Hampton did a very good job, leaving out all the subplots that couldn't have been included in a two-hour film, focusing only on the important aspects of the story. Unfortunately, the storytelling is not as good as it could have been. While the first act is wonderful as it draws you in and keeps you on the edge of the seat to see what would happen — impressive considering I had just read the novel — the second and third act are unfortunately not as compelling. I did like how the ending was changed, not the ending of the story, but the way it is delivered to us with Briony giving an interview rather than speaking to the reader/viewer. 

Just like in the novel, none of the characters is particularly sympathetic as they all are pretty self-centered and melodramatic, and yet it's fascinating to watch them because they are complex and developed characters, even though their thoughts aren't as well-rounded and intimate as they are in the book. 

Relativity Media
Arguably Atonement's greatest strength is the acting. Keira Knightley is delightful in the role of Cecilia as she conveys her character's feeling within a single glance, James McAvoy is terrific in the role of Robbie as he delivers a strong performance filled with emotions and wonderfully conveys the innocence of young love as well as the brutalities of war. Also, Knightley and McAvoy have such great chemistry, not only it's obvious they would way for each other and that we want them to be together, but it feels like visual poetry. It's not often that two actors are able to make you feel such strong emotions only with a glance. Saoirse Ronan is quite extraordinary and steals her scene she is in as she conveys the naivety, frustrations and anger of 13-year-old Briony to perfection. Also notable is Vanessa Redgrave's performance in the role of old Briony as she effortlessly conveys many emotions through her expressions.

Also worthy of a mention are Seamus McGarvey's breathtaking cinematography, the superb set design, the costumes, and a terrific musical score by Dario Marianelli that infuses the film with beauty and sadness.

It's such a shame the second and third act are not very compelling and feel dragged because this had the potential to be a masterpiece.

Tuesday, 26 March 2019

One Day (2011)

Nine years ago I bought David Nicholls's One Day only to stop reading it after a hundred pages because I didn't like it. Years later, when I learnt that it had been adapted into a movie starring Anne Hathaway, I decided to watch the movie instead to know how the story ended. And I did not like it. Earlier this month I gave the book another chance and I liked it enough to consider giving the film another shot. Unfortunately, unlike the book, the second time was not a charm. 

The story follows the lives of Emma Morley (Anne Hathaway) and Dexter Mayhew (Jim Sturgess), starting with an almost one-night stand on their graduation night, on July 15, 1988. They decide to stay in touch but, over the course of eighteen years, they grow apart as they choose different paths and we are shown what they are up to on the same day, July 15, every year. 

Despite the fact that it's relatively faithful to the source material —there are so many pointless changes though, like Emma and Dexter not having sex on graduation night, and Dexter teaching in Paris instead of Rome—, Lone Scherfig's One Day is a lacklustre adaptation as the plot is never compelling; on the contrary, it's rather dull and often feels dragged, and the year-skipping is handled so terribly, it feels as if a drunk, maybe Dexter himself, made the film.

No matter how uninteresting and unengaging the story ended up being on screen, the worst aspect of the screenplay easily is the characters.  The persona of Emma Morley has been simplified so much that she comes off as some annoying, bitchy damsel (in distress) waiting for Prince Charming instead of the smart, independent, successful woman she is in the novel, and her witty sense of humour is nowhere to be found. As for Dexter, he is just a wasted, selfish alcoholic with no depth whatsoever. Where's the dreamy, charming man from the book? The one Emma falls in love with? The one the reader/the audience falls in love with? In addition, the thoughts of the characters are completely left out. I get that it was not that easy to translate them on screen, but how are we supposed to care about them and be emotionally invested if we don't know anything about them? I'm not a fan of voice-overs but in this case, it could have helped. The supporting characters are so flat, shallow and bland, they are not even worth mentioning. 

Focus Features
With such a poor script and probably even poorer direction, there's nothing the actors can do to elevate the film. The problem is that they don't even try. Anne Hathaway gives yet another boring performance and her Yorkshire accent is atrocious, Jim Sturgess gives such a cheesy performance, and the chemistry between them is just off. As for the supporting cast, One Day does a wonderful job at wasting such a talented actress as Patricia Clarkson. 

Despite all the flaw, One Day isn't a complete waste of time. While it certainly isn't the most absorbing and involving stories on screen, some parts of the story are quite interesting, the cinematography is quite beautiful, the scenery is gorgeous and the soundtrack, although some song choices are beyond cheesy, is pretty good.