Confessions of a Dangerous Mind (2002)

I'm still on the insane quest to watch every single movie Sam Rockwell has made and, among all those I haven't seen yet (I'm planning on watching some I've already seen, The Green Mile to made one, that I haven't reviewed), I picked Confessions of a Dangerous Mind because this is George Clooney's directorial debut and Charlie Kaufman wrote it. Most important though, I liked the title.

Confessions of a Dangerous Mind depicts the life of popular game show host and producer Chuck Barris (Sam Rockwell) who, at the height of his career, was recruited by the CIA as a contract killer. Well, at least that's what he said.

Anyhow, I had never heard of Chuck Barris nor his story before and I found the story interesting, engaging and entertaining. Only at first though. A little after the CIA subplot makes its entrance, the plot loses its grip and focus, and it feels incredibly dragged. It still takes some interesting turns and twists, but it's quite tedious and barely watchable.

The characters aren't that better. While the flawed and quirky characters of Chuck Barris and Jim Bryd, the CIA agent who recruited Barris, are well developed --that's what Kaufman does best, after all--, the others have no substance, and it kinda feels like Kaufman didn't even want them in the movie. Also, it's hard to care about these people. I just can't believe the man behind Being John Malkovich and Adaptation. wrote this.

Miramax

That said, there's something about Confessions of a Dangerous Mind that makes it worth watching. It's the acting. Sam Rockwell gives another of his underrated performances as Chuck Barris. He brings so much energy, charisma and humour to the role and captures the paranoia and fulfilment of the character very well. Also good is George Clooney's performance as mysterious CIA agent Jim Bryd. He doesn't have a lot of screen time but definitely gets the best out of it. Drew Barrymore and Julia Roberts, on the other hand, are just watchable. It's not their fault though, not completely. They were just given poorly written and underused characters, that's all.

Another solid-ish aspect of Confessions of a Dangerous Mind is Clooney's direction. The film is kinda stylish and has a surrealist and comedic tone that works well with Barris's supposedly true story. 

Expiration Watch: What's New Is Old

Netflix giveth, and Netflix taketh away. Passing into Instant exile�if not downright oblivion�are a number of significant titles, including a couple of Oscar winners and a handful of movies previously spotlighted here. Taking the hit are such stalwart directors as Howard Hawks, John Carpenter, Barry Levinson and Mike Figgis, as well as stars Kevin Costner, Kurt Russell, Dustin Hoffman, Ashley Judd, Burt Reynolds and Nicolas Cage. Not to mention James Caan and those pesky Bond films...

Speaking of Caan, it seems the original Rollerball�reviewed here as a new title only last week�was simply on a one-month streaming loan. As of August 31 at midnight, it will once again be skating off into the distance. Thanks for the tease, Netflix.

Also on loan were those eternally recurring James Bond films, which arrived on 8/1 and will be departing on 9/2. At this rate I suppose we can hope for another return in the near future? I've only been tracking these titles since April, so I'm not sure how regularly such shenanigans occur.

Other titles previously recommended are the dark, fictionalized(?) biopic of game show producer/assassin Chuck Barris, Confessions of a Dangerous Mind (review)�written by Charlie Kaufman and directed by George Clooney�and the wonderful coming-of-age comedy, Slums of Beverly Hills (review), with Natasha Lyonne as a brashly curious teen growing up with her nomadic family in 1970s Los Angeles. (10/1 Update: Confessions is now back!)

That brings us to this month's new expiring entries, starting with a couple of notable Oscar winners.

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New July Titles (2013)

This month brings a clutch of classic star-driven comedies and thrillers to Netflix Streaming, including a pair of Warren Beatty flicks, two movies with Julie Christie, and a couple of body-swapping romances. All that, and an overlooked oddity that teams writer Charlie Kaufman with Sam Rockwell and George Clooney (and is both comedy and thriller).

Don't Look Now (1973)

One of the prime examples of director Nicolas Roeg's amazing run of early greatness (including Walkabout, The Man Who Fell to Earth and Bad Timing), this Daphne de Maurier-based supernatural thriller is as well-known for its creeping aura of dread as its infamous sex scene--a scene that even today provokes leering discussions of "Did they or didn't they?" (FYI, they didn't.) But along with those tender, erotically charged moments, the film stands out for its disorienting, slow-building sense of menace, haunting Venice locations, and the utterly human heart of the bereaved married couple at its center. Donald Sutherland and Julie Christie are riveting in that quiet 1970s way--casual, messy, unforced, their realistic intimacy almost unnerving compared to the more heightened, on-the-nose theatrics of today's Hollywood. It's refreshing and rare to see such unguarded (emotionally and physically) moments between major stars. You can't help caring for these wounded souls, worrying for their safety as a series of strange events and mysterious premonitions lead them (and us) to believe something terrible lurks within the city's twisty streets. Are dark forces at work? Fate? Or is it only coincidence?

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