The Thing (1982)

John Carpenter is considered by many the master of horror movies so, although I was not a fan of Christine, his adaptation of Stephen King's novel, I decided to check out The Thing, one of the most popular horror movies out there. 

The film follows a group of scientists and workers of a small research American base in Antarctica. After a group of seemingly mad Norwegians dies in the process of chasing and shooting a dog from a helicopter, the American team finds the Norwegian base only to discover that everyone is dead or missing. They also find the remains of a burned creature and decide to take it to their base and, too late, they realise the Thing is alive and dangerous as it can take over and assimilate into other life forms, including humans.

This story which is based on a 1938 science fiction novella by John W. Campbell Jr. isn't anything out of the ordinary and as such, it takes a predictable path as it essentially focuses on paranoia, which is beautifully constructed by the way, but it's not enough to fix the thin plotting and the slow pacing and because of those, it never really engaged me. At least, there isn't any pointless romantic subplot. 

The characters also are pretty bland, dull and uninteresting as they lack depth, emotions and development and therefore it's really hard to see them as human beings. They are not particularly likeable or believable, nor even Kurt Russell's, so you will never care for any of them, nor have a favourite, the one you hope will make it out alive. Also, there isn't much of a sense of tension between them and that's a bummer considering the story is supposed to rely on it to be effective. The performances, however, aren't as terrible as they usually are in these movies; actually, the actors do a pretty good job and make the characters feel a little bit more human. 

Universal Pictures

Visually though, it's a whole different story. The special effects are absolutely amazing --the gore looks incredibly real and it does not feel like watching a movie from the 1980s-- and they contribute to make the film scary. It's not the effects alone that get the job done. The haunting, at times unbearable atmosphere, the tension and suspense Carpenter delivers pretty evenly throughout the film, and the score by Ennio Morricone, they all play a huge role in scaring the audience. 

Nevertheless, The Thing is a pretty boring movie and Ridley Scott's Alien is much better. 

PODCAST 331: Halloween [Re-quil Edition]

This week the Horror Duo bring their classic Vs remake series to an end with the finale that is a perfect one for the Halloween holiday. The pair made a trip to the local cinema to take in the new Halloween sequel, titled Halloween... And for some reason the it has the same name as the original...? But it's okay - Cory has a theory about that.

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New in May: Getting Adventurous (2014)

Minya, can you hear me?

If you like action and adventure, then this is your month. Perhaps in an effort to compete with Hollywood's big spring releases, Netflix is bulking up on its escapist fare. From the high cheese of Fantastic Voyage and all things Godzilla (including Rodan!) to the thrills of the Romancing the Stone flicks and the artful splatter of Quentin Tarantino's Kill Bill Vol. 1 and Vol. 2, there are any number of ways to get your streaming action groove on. Oh, and did I mention the latest return of Bond, James Bond? Yep, 007 is back again (some of him, anyway), although if recent history is any guide, he won't be around for long�so take advantage of that license to kill before it inevitably gets revoked. (Click here for an earlier rundown of select Bond titles.)

Raquel, I'm over here!

There's a little something for every taste, from every decade since the 1950s. Want to gawk at a miniaturized Raquel Welch, shrunk down and wetsuited to enter a dying man's bloodstream? Apparently, a lot of people did in 1966, which is where the aforementioned Fantastic Voyage comes in. Feeling the urge to bone up on the many moods and manifestations of Godzilla before the latest remake hits the big screen? Then plan to spend a lot of time sitting in front of the little screen, because over half a dozen Godzilla films have reemerged from the earth's core after being buried in January. Most of these are pretty crappy (including what's arguably the worst of all, Godzilla's Revenge), but if you take your monsters seriously�and prefer to avoid a talking baby Godzilla�then stick with the first installment, Godzilla, King of the Monsters (1956) or 1964's Godzilla vs. Mothra. Or, go ahead, queue up Godzilla's Revenge. As long as you're prepared to uncork a bottle of Awwws (and guff-awws) to randomly hurl at your screen. Talking baby monsters, indeed...

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January's Lost & Found (2014)

Following last month's mass movie-title massacre, it would be easy to join the chorus of Netflix naysayers and cancel the streaming service in a noisy, indignant huff (see also: Netflix Huff). But a funny thing happened on January 1: a lot of great new and returning titles appeared, going a long way toward filling the gap left only hours earlier. Sure, it's going to be tough to make up for losing the Charlie Kaufman films or the incomparable Miller's Crossing, but this month's additions arguably go toe to toe with last month's departures.

Classic sci-fi fans may have cried foul at the loss of Robert Wise's The Andromeda Strain, but in its place we got not only the director's even more classic The Day The Earth Stood Still (1951), but the first of the Star Trek films, Star Trek: The Motion Picture (1979). Sure, it's not the franchise's best, but it's far from the worst, and it has the distinction of being much closer in spirit to the exploratory/philosophical nature of the original series than the flat-out action-oriented installments to come. And to those of us who saw this on its first release and thought: "Wow, look how old those guys are!" it's refreshing (and a bit painful) to now think: "Wow, look how young those guys were."

Robert Wise fans (and I know you're out there) may also get some satisfaction from the availability of West Side Story (1961), a multi-Oscar-winning musical about star-crossed lovers from the opposite side of the tracks. This should ease the loss of not only Franco Zefirelli's Romeo and Juliet, but another award-winning epic about equally mismatched lovers, Titanic. Richard Beymer is no Leo, of course, but then Billy Zane's no Rita Moreno, either (thank goodness).
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Expiration Watch: What's New Is Old

Netflix giveth, and Netflix taketh away. Passing into Instant exile�if not downright oblivion�are a number of significant titles, including a couple of Oscar winners and a handful of movies previously spotlighted here. Taking the hit are such stalwart directors as Howard Hawks, John Carpenter, Barry Levinson and Mike Figgis, as well as stars Kevin Costner, Kurt Russell, Dustin Hoffman, Ashley Judd, Burt Reynolds and Nicolas Cage. Not to mention James Caan and those pesky Bond films...

Speaking of Caan, it seems the original Rollerball�reviewed here as a new title only last week�was simply on a one-month streaming loan. As of August 31 at midnight, it will once again be skating off into the distance. Thanks for the tease, Netflix.

Also on loan were those eternally recurring James Bond films, which arrived on 8/1 and will be departing on 9/2. At this rate I suppose we can hope for another return in the near future? I've only been tracking these titles since April, so I'm not sure how regularly such shenanigans occur.

Other titles previously recommended are the dark, fictionalized(?) biopic of game show producer/assassin Chuck Barris, Confessions of a Dangerous Mind (review)�written by Charlie Kaufman and directed by George Clooney�and the wonderful coming-of-age comedy, Slums of Beverly Hills (review), with Natasha Lyonne as a brashly curious teen growing up with her nomadic family in 1970s Los Angeles. (10/1 Update: Confessions is now back!)

That brings us to this month's new expiring entries, starting with a couple of notable Oscar winners.

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