Thursday 28 December 2017

First They Killed My Father (2017)

I knew very little about Cambodia's history. Actually, I knew nothing at all so I took advantage of Angelina Jolie's latest movie, First They Killed My Father, to learn something about it, specifically about the brutal Khmer Rouge regime.

Set indeed in Cambodia in the 70s, as the Khmer Rouge invades the country, 7-year-old Loung Ung (Sareun Srey Moch) and her family are forced to leave their home and live in a horrific work camp. As you probably guess from the title, her father (Phoeung Komphaek) is killed and her family is forced to split in order to survive.

Like I said, I didn't know this part of history so I don't know whether the film is accurate or not, but I couldn't help but notice that the film doesn't dwell deep enough into the historical aspects of the story and to me, someone who didn't know the "backstory", was a little confusing. There isn't much of a plot either, to be honest. Nothing really happens other than the main characters going from place to place.

That being said, the story Angelina Jolie told, Loung Ung's true story (the film is based on her novel "First They Killed My Father") is compelling, moving and very powerful. It's told through the eyes of a child, and that's what made it work for me. That allowed me to feel her pain, her struggles, her doubts and her loneliness.

There's very little character development in this but at least the characters feel real and they are quite deep too, especially Loung. She's a young girl who finds herself in the middle of chaos without really understanding what's going on. She feels lost, and the young Sareun Srey Moch was able to convey all that bewilderment so well to make me feel it.

Netflix
As for the direction, it's a little uneven and it seems as if Jolie wasn't sure whether to make a documentary or a film. At times First They Killed My Father feels extremely realistic so much so it's haunting (the minefield scene to name one), while in others it's very emotional. There are several documentary-like aerial shots that show the work camps that feel very detached, and then there are others that are way more intense and impactful on the audience such as the close-ups of Loung. The cinematography by Anthony Dod Mantle is gorgeous though and the score is very atmospheric and fits the film.

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