Monday, 3 September 2018

Hotel Chevalier (2007)

Months ago, I watched Wes Anderson's The Darjeeling Limited for the first time and, as I was expecting, I loved it. Thanks to Steven from Surrender to the Void I learnt about Hotel Chevalier, a short film prologue to The Darjeeling Limited

In this short, Jack (Jason Schwartzman), one of the Whitman brothers, is lying on a bed, wearing a robe and ordering from room service. His peace is disrupted when he gets a call from his ex-girlfriend (Natalie Portman) who informs him she'll be there in 30 minutes. He tides the room, draws a bath, changes his clothes and puts on Peter Sarstedt's Where Do You Go to My Lovely.

She arrives, looks around, brushes her teeth and exchanges some awkward words with Jack. Someone knocks on the door; it's the waiter with room service. As soon as he leaves, passion takes over. Or does it?

Hotel Chevalier certainly is an important backstory for The Darjeeling Limited, as we get to know more about the relationship between Jack and his ex-girlfriend --we don't learn much but enough to develop a bit further Jack's character and know something about the ex-girlfriend who is only mentioned in the feature-- and there are several elements in here that also appear in the feature film that you won't catch if you haven't seen the short already.

Does it work as a stand-alone film? I'm not sure about that as it is a little confusing at first even though you have seen the film, and you will feel Natalie Portman's character when she asks, what the fuck is going on. Without The Darjeeling Limited, both past and future are left to interpretation/imagination. Also, because the story Anderson tells here is very limited, the drama comes off a little cold. It's that coldness, that lack of emotion that really stuck with me about Hotel Chevalier though.

Fox Searchlight Pictures
That, and the stunning visuals. There's a combination of yellow and dark colours that fits the story and characters to perfection as they portray how they feel around each other, comfortable and yet a little awkward. The background music is a little too loud and, at times, it makes it kinda hard to understand what the characters are saying, but is really beautiful.

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