MUST WATCH: First Trailer For James Cameron's ALITA: BATTLE ANGEL

While it's true James Cameron is sadly not directing ALITA: BATTLE ANGEL due to the AVATAR sequel commitments, he DID write the screenplay along with Laeta Kalogridis and Robert Rodriguez, the latter of which is also directing. Of course the whole thing is based on the graphic novel manga series GUNNM by Yukito Kishiro.

And this project has been percolating in Cameron's head for some time now as he did intend to direct this at one point. Only good things come from that. Hopefully, much of what he had dreamed up for the movie has been adopted by Rodriguez.

They have got an interesting take in the trailer, because you want to create lifelike beings, but at the same time reflect their artificial nature. I think they've succeeded. So far. Got. To. See. More.

The cast includes: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley and Keean Johnson. I think Salazar looks great in this - so far so good with casting, though it's a very small sample size.

If you're interesting in staying on top of movie developments as we wait for release, here are their coordinates:
Official Site: http://AlitaBattleAngel.com
FACEBOOK: http://facebook.com/AlitaMovie
TWITTER: http://twitter.com/AlitaMovie
INSTAGRAM: http://instagram.com/AlitaMovie

ALITA: BATTLE ANGEL opens on July 20.

Enjoy the first trailer!

Need A Reason To See TRANSFORMERS: THE LAST KNIGHT? It's Shot In Native 3D

Glorious native 3D. I can't wait to see TRANSFORMERS: THE LAST KNIGHT. To see this cutting edge technology in play once again. Yes, 3D conversion has come a VERY long way and I'm impressed with today's efforts from companies like Stereo D, Legend and Prime Focus to name a few, but native 3D holds a very dear place in my heart and mind.

Says Bay: "If I'm going to do 3D, I'm going to do it the right way. Believe it or not, I think we are the only 3D movie being shot native this year. All the rig people who own the rigs, they're like, 'Our business is done.'"

I hear the same thing, though to me native 3D is just absolutely breathtaking if done correctly. James Cameron knows it. Ang Lee knows it. Martin Scorsese knows it. Michael Bay knows it.

If you will recall, I called on Michael on whether he was going to shoot Transformers 3 in 3D back in the day - before he was involved with the format. I like to think I pushed him a bit toward ultimately becoming one of native 3D's strongest voices... ahhh, but clearly he makes his own mind up :-)

I smile to hear him say, "It's like a curve, it gets more intense, then it comes back down. A little higher, a little lower, where your brain gets a rest. But all that's got to be sculpted. It's about intensity and energy and intimacy and then composition and movement."

I smile because that is so bang-on. That he obviously gets it. That he's come a long way to be at the point he is now.

So yes, TRANSFORMERS: THE LAST KNIGHT is shot in native 3D, mixing Arri Alexa 65's and Red Dragon's with anamorphic and Hawk lenses. Still, up to 20% of the movie may be post-converted to 3D due to the intimate nature of the shots. We all know what the TRANSFORMERS franchise is all about - epic, visual grandeur. It always has been. And I for one, can't wait to see this native 3D epic in all its glory.

The sad reality seems to be that theatrical native 3D has had its glory days. But, it's now moving more into virtual reality. So too will MarketSaw evolve into the VR space, with some very cool announcements coming up. I'm working on a very special project that is in stealth right now, but I'll have more soon for you. The good news is, stereoscopic 3D is still very much alive and evolving into cool new technologies.

Quotes Source: FilmJournal

First AVATAR Sequel Not Happening In 2018 - No Firm Date Set

Want the good news or the bad news? Bad news? Ok. The first sequel to the record-breaking James Cameron opus AVATAR will not be released in 2018.

James Cameron: "Well, 2018 is not happening. We haven’t announced a firm release date. What people have to understand is that this is a cadence of releases. So we’re not making Avatar 2. We’re making Avatar 2, 3, 4 and 5. It’s an epic undertaking. It’s not unlike building the Three Gorges dam. (Laughs) So I know where I’m going to be for the next eight years of my life. It’s not an unreasonable time frame if you think about it. It took us four-and-a-half years to make one movie and now we’re making four. We’re full tilt boogie right now. This is my day job and pretty soon we’ll be 24-7. We’re pretty well designed on all our creatures and sets. It’s pretty exciting stuff. I wish I could share with the world. But we have to preserve a certain amount of showmanship and we’re going to draw that curtain when the time is right."

The good news is Cameron and his team are going full bore now. It takes a tremendous amount of work to get even one movie of this scope made, let alone four of them concurrently. Cameron is now keyed in. Once they hit 24-7 as he says, we'll see some amazing progress.

The delay doesn't surprise me, but now that the wheels are in motion and barring any technological problems we should see their next date stick. Sure it's disappointing to hear of further delays but we all want amazing movies. I'm sure we'll get that. Stay tuned.

Source: Toronto Star

Fantastic Week At The Advanced Imaging Society and VR Society Lumiere Awards!

Dignitaries on the red carpet, including Jim Chabin, Ed Bedley Jr., Ivan Reitman, Jon Favreau and Roy Taylor

The Advanced Imaging Society and VR Society held their 8th annual Lumiere awards last week and year after year they always seem to one up the previous! This year was no exception at the completely filled venue at the Stephen J. Ross Theater on the Warner Bros. Studios' backlot.

I was blown away by the VR (virtual reality) demonstrations that were set up for attendees to try. Simply amazing content and we've only just begun in the space! Trust me, if you haven't seen some of these cinematic VR experiences - do it. And the Google Tilt Brush was the icing on the cake. Again - you have to experience VR to appreciate it. No amount of hype or traditional media will probably prepare you for it. You just have to try it!

Native 3D Wizards Ben Gervais and Demetri Portelli

On the Advanced Imaging Side of things, I have to make special mention of Ang Lee's BILLY LYNN'S LONG HALFTIME WALK. The native 3D team of Demetri Portelli and Ben Gervais continues to lead the world by example with their superlative work in native 3D (shot optically - not converted in post). It is a technological first for cinema with its first ever use of combined 3D, 4K, 120fps framerate, but more importantly - it works. Another masterpiece for Ang Lee. A Lumiere well earned for Demetri and Ben!

Further, I'd be remiss if I didn't mention the stellar 3D conversion and visual effects in Marvel's DOCTOR STRANGE. You know what I mean don't you? That astral plane projection scene - or the folding city scenes? Jaw dropping! Congratulations to Marvel Studios on your Lumiere.

I'm proud to be a recipient of Lumiere for last year's 40 BELOW AND FALLING (with an amazing crew and team) and honored to vote for this year's group of hopefuls. Let's take a look at the category nominees and winners:

3D Feature – Live Action
Assassin’s Creed – 20th Century Fox
Batman v Superman: Dawn of Justice – Warner Bros.
WINNER: Billy Lynn’s Long Halftime Walk – Sony Pictures Entertainment
Captain America: Civil War – Marvel Studios
Doctor Strange – Marvel Studios
Fantastic Beasts and Where to Find Them – Warner Bros.
Miss Peregrine’s Home for Peculiar Children – 20th Century Fox
Rogue One – Walt Disney Studios
Star Trek Beyond – Paramount Pictures
Suicide Squad – Warner Bros.
Teenage Mutant Ninja Turtles: Out of the Shadows – Paramount Pictures
The BFG – Walt Disney Studios
The Legend of Tarzan – Warner Bros.

Stereography – Live Action
Assassin’s Creed – 20th Century Fox
Batman v Superman: Dawn of Justice – Warner Bros.
Billy Lynn’s Long Halftime Walk – Sony Pictures Entertainment
Captain America: Civil War – Marvel Studios
WINNER: Doctor Strange – Marvel Studios
Fantastic Beasts and Where to Find Them – Warner Bros.
Miss Peregrine’s Home for Peculiar Children – 20th Century Fox
Rogue One – Walt Disney Studios
Star Trek Beyond – Paramount Pictures
Suicide Squad – Warner Bros.
Teenage Mutant Ninja Turtles: Out of the Shadows – Paramount Pictures
The BFG – Walt Disney Studios
The Legend of Tarzan – Warner Bros.

Packed house at the 2017 Lumieres - Jon Favreau seated at left; Ed Begley Jr. seated at right (Photo credit unknown)

3D Feature – Animated
Finding Dory – Pixar
Ice Age: Collision Course – 20th Century Fox
Kubo and the Two Strings – Focus Features
Kung Fu Panda 3 – DreamWorks Animation
Moana – Walt Disney Studios
Resident Evil: The Final Chapter – Sony Pictures
Sing – Universal Pictures
Storks – Warner Bros.
Teenage Mutant Ninja Turtles: Out of the Shadows – Paramount
The Angry Birds Movie – Sony Pictures
The Great Wall – Universal Pictures
The Legend of Tarzan – Warner Bros.
The Secret Life of Pets – Universal Pictures
Trolls – DreamWorks Animation
WINNER: Zootopia – Walt Disney Studios

Stereography – Animated
Finding Dory – Pixar
Ice Age: Collision Course – 20th Century Fox
WINNER: Kubo and the Two Strings – Focus Features
Kung Fu Panda 3 – DreamWorks Animation
Moana – Walt Disney Studios
Resident Evil: The Final Chapter – Sony Pictures
Sing – Universal Pictures
Storks – Warner Bros.
Teenage Mutant Ninja Turtles: Out of the Shadows – Paramount Pictures
The Angry Birds Movie – Sony Pictures
The Great Wall – Universal Pictures
The Legend of Tarzan – Warner Bros.
The Secret Life of Pets – Universal Pictures
Trolls – DreamWorks Animation
Zootopia – Walt Disney Studios

Outstanding Use of 2D to 3D Conversion
Assassin’s Creed – 20th Century Fox
Batman v Superman: Dawn of Justice – Warner Bros.
Captain America: Civil War – Marvel Studios
Doctor Strange – Marvel Studios
Fantastic Beasts and Where to Find Them – Warner Bros.
Miss Peregrine’s Home for Peculiar Children – 20th Century Fox
WINNER: Rogue One – Walt Disney Studios
Star Trek Beyond – Paramount Pictures
Suicide Squad – Warner Bros.
Teenage Mutant Ninja Turtles: Out of the Shadows – Paramount Pictures
The BFG – Walt Disney Studios
The Legend of Tarzan – Warner Bros.

3D Short
Panda Paws – DreamWorks Animation
Piper – Pixar
The Early Hatchling Gets the Worm – Rovio Entertainment
WINNER: Inner Workings – Walt Disney Animation Studios

High Dynamic Range – Live Action
10 Cloverfield Lane – Paramount Pictures
13 Hours – The Secret Soldiers of Benghazi – Paramount Pictures
Alice in Wonderland: Through the Looking Glass – Walt Disney Pictures
Batman V Superman: Dawn of Justice – Warner Bros.
Billy Lynn’s Long Halftime Walk – Sony Pictures Entertainment
Captain America: Civil War – Marvel Studios & Walt Disney Studios Motion Pictures
Deadpool – 20th Century Fox
Deepwater Horizon – Lionsgate
Doctor Strange – Walt Disney Studios
Fantastic Beasts and Where to Find Them – Warner Bros.
For A Few Bullets – Wanda Pictures
Force 2 – Viacom 18
Hardcore Henry – STX
Independence Day: Resurgence – 20th Century Fox
Inferno – Sony Pictures Entertainment
Jack Reacher: Never Go Back – Paramount
L.O.R.D (Legend of Ravaging Dynasties) – LeVision
La La Land – Lionsgate
WINNER: Live By Night – Warner Bros.
Miss Peregrine’s Home for Peculiar Children – 20th Century Fox
Now You see Me 2 – Lionsgate
Pete’s Dragon – Walt Disney Studios
Star Trek 3: Beyond – Paramount
Suicide Squad – Warner Bros.
The BFG – Walt Disney Studios
The Divergent Series: Allegiant PT.1 – Lionsgate
The Jungle Book – Walt Disney Pictures
The Legend of Tarzan – Warner Bros.
Warcraft – Legendary Pictures & Universal Pictures
X-Men Apocalypse – 20th Century Fox

High Dynamic Range – Animated
WINNER: Finding Dory – Walt Disney Studios
Ice Age Collision Course – 20th Century Fox
Kubo and the Two Strings – Universal Studios
Moana – Walt Disney Studios
Teenage Mutant Ninja Turtles: Out of The Shadows – Paramount
Zootopia – Walt Disney Studios

Virtual Reality Categories

VR – Gaming
A Chair in the Room: Greenwater – Wolf & Wood
Accounting – Squanchtendo with Crows Crows Crows
Batman: Arkham VR – Warner Bros. Interactive Entertainment
Battlezone – Rebellion Developments
Chronos – Gunfire Games
Eve: Valkyrie – CCP Games
WINNER: Job Simulator – Owlchemy Labs
Raw Data – Survios
Space Pirate Trainer – I-Illusions
Star Wars Battlefront Rogue One X-Wing VR Mission – DICE & Criterion Games
The Gallery – Episode 1 Call of the Starseed – Cloudhead Games
The Lab – Valve Corporation

VR – Film Experience
Fantastic Beasts – Warner Bros., Google, Framestore VR Studio
WINNER: Ghostbusters VR Experience – Sony Pictures Entertainment, The Void
Star Wars: Trial on Tatooine – ILMxLAB
Suicide Squad: Special Ops VR – Warner Bros., Mob Scene & Atlas Entertainment, MPC VR & Legend 3D
The Jungle Book – Through Mowgli’s Eyes Part 1: Trust in Me – Walt Disney Studios & Tangerine Apps
The Martian VR Experience – 20th Century Fox, Fox Innovation Lab, RSA Films, The Virtual Reality Company

VR – Animation & CGI
Allumette – Penrose Studios
Apollo 11 VR Experience – Immersive VR Education
WINNER: Dear Angelica – Oculus Story Studio
Gnomes and Goblins – Jon Favreau, Wevr, Reality One
Grace – MacInnes Scott
Home: A VR Spacewalk – BBC & REWIND
Pearl – Google Spotlight Series
The Night Cafe: A VR Tribute to Vincent Van Gogh – Borrowed Light Studios
The Starry Night – Shanghai Media Group
theBlu – Wevr
Volt: Chain City – Vive Studios
Wide Awake President Trump VR Experience – MacInnes Scott

VR – Live Action
A Challenge – Brigantine Films
Cirque du Soleil, KÀ – Felix & Paul Studios
Knives – Adam Cosco
My Brother’s Keeper – PBS Digital Studios
WINNER: Nomads: Sea Gypsies – Felix & Paul Studios
Perspective Ch. 2: The Misdemeanor – Specular Theory & Rose Troche
The Harvest – Chapman University & AMD
The Mule – Dark Corner Studios
Through the Ages: President Obama Celebrates Americas National Parks – Felix & Paul Studios
VR Noir: A Day Before the Night – StartVR

VR – Episodic Content
Gone – Wevr & Skybound
Halcyon – Syfy (produced by Secret Location)
WINNER: Invisible – Doug Liman, 30 Ninjas, Condé Nast Entertainment (CNÉ), Jaunt VR, Samsung

Winner, VR - Documentary: THE CLICK EFFECT

VR – Documentary
A History of Cuban Dance – Lucy Walker
David Attenborough’s Great Barrier Reef – Atlantic Productions & Alchemy VR
Defying the Nazis VR – LIFE VR
Rhinos on the Move – Discovery VR
WINNER: The Click Effect – Annapurna Pictures & Here Be Dragons
The Edge of Space – KonceptVR

VR – Journalism
Calais: The Jungle – Sky News
Chernobyl 30 Years Later – ABC News VR
Defying the Beast – World Vision & Koncept VR
Great Performers: L.A. Noir – New York Times VR
Out of Exile: Daniel’s Story – Nonny de la Peńa & Emblematic Group
Remembering Pearl Harbor – LIFE VR
Struggle for Survival in the Devastated City of Aleppo – CNN
WINNER: Take Flight – New York Times 
“Toxic Tour” 360 – Oil Exploitation in the Ecuadorian Amazon – Huffington Post RYOT
Valen’s Reef – Vice

VR – Sports
360 Rio 2016 Olympics VR – BBC Sport
Closer (featuring David Beckham) – Sky VR & Sky Sports
Experience the Rio Olympics in Virtual Reality – NBC Olympics & Samsung
WINNER: Follow My Lead: The Story of the 2016 NBA Finals – Oculus & m ss ng p eces
NFL Immersed – Episode 1: Eagles Defensive Line – NFL Immersed & Two Bit Circus
NFL Immersed – Episode 4: Melvin Gordon & the Chargers Game Day Prep – NFL Immersed & Two Bit Circus

VR – Music
WINNER: Joshua Bell VR Experience – Sony PlayStation
Kygo: “Carry Me – The VR Experience” – Sony Music
OneRepublic: “Kids” – MPC Creative
Pentatonix: “Up on the Housetop” – Sony Music
TheWave – TheWaveVR
Waves – Wevr (with Reggie Watts)

VR – Branded
WINNER: 360 VR Tour of the Shinola Factory with Luke Wilson – Reel FX
Absolut Deadmau5 – Absolut
Audi’s VR Car Showroom Experience – Zero Light
Formula E “Leap of Faith” – REWIND
Jack Daniel’s 360 VR Distillery Experience – Jack Daniel’s & The Mill
Jaguar: I-PACE – REWIND (for Imagination & Jaguar Land Rover)
Reimagine, VR Film by Etihad Airways with Nicole Kidman – The Barbarian Group
Stan Lee’s Cosmic Crusaders – The Hollywood Reporter, GBI, POW, Legend VR
The Field Trip to Mars – McCann (for Lockheed Martin) & Framestore
The Nature Conservancy: This is Our Future – MPC Creative

Yours Truly and the amazing Jon Favreau

The 2017 recipient of the annual Harold Lloyd Award for Filmmaking goes to Jon Favreau! And deservedly so. His artful storytelling married to eye opening filmmaking technology has thrilled audiences time and time again. My favorite Favreau film (FavFavFilm?) is definitely CHEF although the original IRON MAN comes very, very close. It was wonderful chatting with him for the first time at the Lumieres!

I want to deeply thank Jim Chabin and his AIS team for their tireless work in pulling off these shows every year. It is an absolute pleasure to attend and cover them! Thank you Jim!!

Looking forward to what 2017 has in store for us in Advanced Imaging and VR! Stay tuned. As MarketSaw enters our 11th year of life, we're going to be making some awesome changes!

I'll leave you now with some poster shots of the cinematic VR content we were able to experience!

Are You Experienced? BILLY LYNN'S LONG HALFTIME WALK Premiere's October 14th

Yes, I say "experienced" because Ang Lee's BILLY LYNN'S LONG HALFTIME WALK will be something you've never seen before and sets the stage for "the new platinum standard" of modern stereoscopic 3D. This is a game changer and a world's first.

It's not just 3D anymore guys. It's 4K 3D shot at 120 frames per second! From everything I've heard, this is THE way to experience the format. I've seen 3D shot/shown at 48 and 60 frames per second created by James Cameron, but never 120. Apparently, all aspects of the alleged "soap opera" effect disappear at 120 - something I have yet to see.

But the real trick is going to be for the masses to see it in 4K3D @ 120. Most cinemas can go to a maximum of 60 fps, not 120. There will have to be major capital investment by theater owners (new projectors!) in the future to be able to screen movies like BILLY LYNN in the premium format, and I certainly appeal to them to do so earlier rather than later, but it's a foregone conclusion that it won't be anytime soon.

If you will be in New York after the premiere, apparently the theater that is being used for the New York Film Festival premiere of the movie (AMC  Lincoln Square) will keep the dual laser projectors in place for the theatrical run. So there's that.

From FSLC (Film Society Lincoln Center): Lee’s stunning adaptation of Ben Fountain’s novel is the story of an Iraq war hero (newcomer Joe Alwyn) who comes home with his fellow members of Bravo Company for a victory tour. This culminates in a halftime show at a Thanksgiving Day football game—a high-intensity media extravaganza summoning memories of the trauma of losing his beloved sergeant in a firefight. Lee’s brave, heartbreaking film goes right to the heart of a great division that haunts this country: between the ideal image of things as they should be and the ongoing reality of things as they are. With a brilliant supporting cast, including Kristen Stewart, Chris Tucker, Garrett Hedlund with Vin Diesel and Steve Martin.

I know most of the 3D team behind this movie personally and trust me - these guys are at the top of the game, starting with the Stereographer / Stereo Supervisor, Demetri Portelli and Production Systems Supervisor (2D, 3D, All Digital Workflow), Ben Gervais along with 3D Systems Technicians, Brian Cassar and Sandra Lombardi. The team also set up a 3D digital lab and entire DI lab in Ang's office which housed Nathan Shields (Toronto), Daniel George (Toronto), Michael Buck (LA) and Derek Schweickart (LA) who also did LIFE OF PI with Ang.

Production Systems Supervisor Ben Gervais was quoted (Variety) talking about the audiences thus far: "Test subjects that have seen some footage have commented that 40 minutes after seeing battle footage, they're still shaking." Really underscores their accomplishment!

Stereographer Demetri Portelli used Stereotec lightweight rigs with F65 cameras and of course Master Prime lenses (same as he did on LIFE OF PI, 47 RONIN, TS SPIVET). He and Gervais manufactured their own mirrors specifically for this project and they modified the fiber cable on set workflow, to suit the needs of production. They used Panavision Woodland Hills for prep and accessories. The key element was building a complete 4K stereo DI in Ang's office watching 120 FPS which was only made possible by Baselight (a Filmlight color grading system which they also used on HUGO).

Says Portelli: "It is also the first film graded at 120/4K/3D on Christie projectors with the digital master being projected at 28 foot lamberts! As (audiences) will see during the 12 minutes at IBC, and then the whole experience at New York Film Festival - our huge thanks to Christie projectors for their support in getting these images on the screen."

I've talked to Ang Lee as well specifically about 3D and future plans - as usual he's humble, yet obviously an extremely gifted filmmaker. Lee will also receive the IBC International Honor For Excellence (International Broadcasting Convention) next month in Amsterdam.

We are in good hands here. I can't wait to be wowed. My anticipation is through the roof for this movie and I've got to find some way of seeing it in 4K3D @ 120 fps.

NYC road trip anyone? :-)

Four AVATAR Sequels Confirmed By James Cameron - Releases Start in 2018

Ok I feel much more confident about these estimates. I was never good with the seemingly rushed schedules that were announced with finished scripts in hand, but now things are progressing as I had originally envisaged.

James Cameron has announced at Cinemacon that the AVATAR universe will have four sequels, not 3 and that the releases are slated for 2018, 2020, 2022 and 2023. 

Says Cameron: "We have decided to embark on a truly massive cinematic project, making four epic films, each of which stands alone but together forms a complete saga."

Further Cameron states: "I’ve been working with the top four screenwriters and designers in the world to design the world of Avatar going forward. The environments, new cultures - whatever it takes to bring it to life. From what I’m seeing of the art on the wall, in pure imagination, is just beyond the first film. I’m speechless."

Man I miss Cinemacon! I've got to get back next year. To personally miss announcements like this hurt me on a physical level!

Happy to hear there are 4 sequels now. It explains a lot about why things got delayed and the mindset of the creatives and the studio. Can't wait to start hearing more about the projects. Remember, Cameron already had a massive budget in place for 3 sequels already - add on a fourth and wow! That's a sizable commitment from 20th Century Fox.And commitment from Cameron - he will be one busy man for the next 7-8 years.

Check The Latest Poster And TV Spot For Favreau's THE JUNGLE BOOK

I am so looking forward to seeing director Jon Favreau's THE JUNGLE BOOK! It's natively shot in 3D and with High Dynamic Range HDR imagery. The visuals are looking so darn good. And as I said it's a Favreau movie which I've been salivating for recently. I loved CHEF.

Favreau hits all the right notes with his comments relating to the massive audience for the movie: "You are serving many masters... you are trying to honor the memory, preconceived memory of people who grew up with it, but you are also trying to make a movie that appeals to the full audience -- that is ethically what we set out to do. We are trying to pay tribute, and we can also see that with the visual effects, we are pushing the technology. We are mixing the old story with cutting edge technology".

Here is the movie's storyline:
Directed by Jon Favreau (Iron Man), based on Rudyard Kipling’s timeless stories and inspired by Disney’s classic animated film, THE JUNGLE BOOK is an all-new live-action epic adventure about Mowgli (newcomer Neel Sethi), a man-cub who’s been raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (voice of Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat. Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera (voice of Ben Kingsley), and the free-spirited bear Baloo (voice of Bill Murray). Along the way, Mowgli encounters jungle creatures who don’t exactly have his best interests at heart, including Kaa (voice of Scarlett Johansson), a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie (voice of Christopher Walken), who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire. The all-star cast also includes Lupita Nyong'o as the voice of the fiercely protective mother wolf Raksha, and Giancarlo Esposito as the voice of wolf pack’s alpha male Akela. THE JUNGLE BOOK seamlessly blends live-action with photorealistic CGI animals and environments, using up-to-the-minute technology and storytelling techniques to immerse audiences in an enchanting and lush world.

Disney's THE JUNGLE BOOK opens on April 15. Here's the official website.

THE MARTIAN Set To Overtake GLADIATOR As Ridley Scott's Top Box Office Draw

Ridley Scott has to be smiling broadly right now as his 3D space adventure THE MARTIAN continues to hold on to first place at the box office. In fact the Matt Damon starrer will overtake GLADIATOR as the top box office draw in all of Scott's releases sometime this week. THE MARTIAN currently stands at $182m and GLADIATOR did $188m worth of business back in 2000.

THE MARTIAN only dropped 27% this past weekend for an estimated take of $11.4m. Couple that with the bombs of SCOUT'S GUIDE, OUR BRAND IS CRISIS and BURNT (which I thought was very good) and voila - Martian Victory. Trouble is definitely on the horizon though as SPECTRE looms large this Friday. The latest James Bond installment just set records over in the UK during it's opening there. It'll open to huge business here as well and will hold it until THE HUNGER GAMES closes up shop with part 2 of MOCKINGJAY.

So congratulations to Ridley Scott for his achievement and continued success with 3D. An amazing accomplishment! Looking forward to ALIEN: PARADISE LOST and more native 3D from Scott and 3ality!!

James Cameron Selects Robert Rodriguez To Helm BATTLE ANGEL!

I'm actually happy about this move. Don't get me wrong, there is no one I'd rather see direct BATTLE ANGEL than Cameron, but the Rodriguez choice is a little out of left field and edgy. I LIKE IT. Rodriguez has proven he can work with cutting edge tech and 3D (SIN CITY) and besides that, I just really like his approach to filmmaking. EL MARIACHI and DESPERADO were inspired works of art to me.

Rodriguez will have significant help though without a doubt through Cameron and Jon Landau who will both produce. BATTLE ANGEL is a Lightstorm Entertainment property and Laeta Kalogridis contributed to it's adaptation from the manga graphic novels.

I remember one of the discussions I had with Cameron on BATTLE ANGEL right here. He wasn't sure back in 2009 that he'd do it either.

Today's quotes though finally put an end to the long road for the production:

Says Cameron: "Robert and I have been looking for a film to do together for years, so I was pumped when he said he wanted to do Battle Angel. He's very collaborative and we're already like two kids building a go-kart, just having fun riffing creatively and technically. This project is near and dear to me, and there's nobody I trust more than Robert, with his technical virtuosity and rebel style, to take over the directing reins. We're looking forward to learning a lot from each other while we make a kick-ass epic."

Rodriguez follows: "Battle Angel is an incredibly rich and vibrant epic in the tradition of Jim Cameron's spectacular, character-driven films. Getting to work from Jim’s terrific and visionary script while learning the cutting edge techniques he’s pioneered is a master class in filmmaking. It's an honor to explore the world of Alita along with Jim and Jon, whose films have impacted me for decades."

I can't imagine this project being shot in any other way than native and digital 3D, so I'm am doubly thrilled to finally see some action take place here. As you may know we've been following BATTLE ANGEL developments for years. Looking forward to more news from the Lightstorm camp on this!

Source: THR

3D Movie Review: THE MARTIAN: 9.3 Stars - Scott's Triumphant Vision Soars!

Spoiler-free, in case you haven't seen it yet and want an opinion.

I don't think there are enough superlatives to describe director Ridley Scott's spectacular take on a magnificent novel (one that you should seek out and read). The movie is not perfect, but masterfully crafted. Cinematographer Dariusz Wolski will again drop your jaw and interestingly enough, he is going head to head against himself this week as he is also the DP on Zemeckis' THE WALK - another 3D movie that just opened!

As you can see, I haven't rated anything to do with this movie below a 9/10. I think that's a first for me. Usually there is some glaring flaw somewhere in a production that I must comment on, but sincerely the only thing I can say that may not be taken as a compliment is that the movie veered from the novel. But of course it will - it's a slightly more than 2 hour movie and will indeed have its own version. However, even this point is not all that negative to me at all. In what is a rare occurrence for me, I found myself thinking "Oh wow - I truly don't know where he is going with this" adding a level of suspense I didn't think possible after reading a movie's novel before seeing the film, rather than think that the movie is ruining the original story. Far from it. Both are standalone and wonderful. So even if you have read the best selling book - go see this movie!

The character development and story are breathtaking. Of course it centers on Watney (Matt Damon) and within you see a carefully crafted evolution of the man. Realization, self-deprecation, humor, despair, hope, joy, fear, achievement. The journey is long, yet concise. A perfect balance; something you definitely need when the story itself takes YEARS to tell and yet still flows much better than I ever thought possible.

It's a rousing couple of hours that will keep you entertained, thrill you and challenge you to think.

The movie's 3D was exceptional and solid. Most of the movie was shot in native 3D (as per the Ridley Scott norm) by stereographer Gareth Daley using our friends at 3ality's 3D rigs and expertise, and it shows. Gareth nailed it! I've got to watch it again just to see what I've missed because at times there is much to take in. See it on the largest 3D screen possible in your area and with the best sound. The experience will blow you away.

Damon delivered a solid Watney. Personally I would have cast someone else, probably someone younger perhaps Aaron Paul - but let me reassure you that Damon is believable and enjoyable in this role. At no time did I think "I don't believe this" or that the character doesn't work. Exact opposite in fact. Most audiences will still have in their mind GOOD WILL HUNTING and how brilliantly Damon played a genius. Same applies here. I just felt the role would be better served by a younger actor. That is it.

So I won't go into more details and ruin any element of the movie for you, but again, I seldom give 9's and above across the board. Check it out - it's worth your hard earned money and DEFINITELY see it in 3D.

Here's the storyline for the movie:
During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible, rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney’s safe return. Based on a best-selling novel.


THE MARTIAN is now playing.

Watch: First Clip From Ridley Scott's THE MARTIAN

Check out the first clip from Ridley Scott's THE MARTIAN from 20th Century Fox. The movie stars Matt Damon as astronaut Mark Watney based on the best selling novel from Andy Weir (an excellent read by the way).

The clip is reserved in that it doesn't give much away in regards to plot or characters, but definitely sets up a story based in real science and an expectation that it's believable. The crew has a great dynamic too. Ridley Scott is known for these traits and so my excitement for the movie is off the charts.

Here's the storyline for the movie:
During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible, rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney’s safe return. Based on a best-selling novel.

THE MARTIAN launches wide on October 2 and premieres at the Toronto International Film Festival.

MUST WATCH: It's Here!! Our Trailers For 40 BELOW AND FALLING In 2D And 3D!

Most of you probably know that I'm producing 40 BELOW AND FALLING, and today is a rather large day for us as we're releasing our 2D and 3D trailers for the movie AND we're premiering the movie in 2D on Super Channel tonight (8pm)!

The 3D is standard side-by-side (SBS) format in YouTube. You'll need a 3D compatible monitor/TV and glasses to view. I use my Samsung TA950 27" monitor which will accept SBS.

A lot of awesome work from the team has gone into the production and I'd like to thank Dylan Pearce who directed the movie, Darren Arsenault who is executive producer and Andrew Scholotiuk who produced. An amazing team that also includes executive producers Brad Ferguson, Pierre-Andre Rochat, Roma Roth and a diverse Canadian cast and crew. Wes Miron was our cinematographer and Dylan Reade our stereographer - an awesome tandem. You can read more about the team on our movie's website. Oh and our grizzly bear - Whopper!

Here's the storyline for our movie:
After teaching in a northern, remote fly-in community, Kate Carter (Jewel Staite - FIREFLY, SERENITY, THE KILLING) is happy to be returning to civilization and her impending wedding. When a storm moves in, cancelling all flights and road travel, Kate is trapped in the middle of nowhere. She is forced to convince Redford (Shawn Roberts - RESIDENT EVIL, X-MEN), a surly stranger, to make the trip with her via snowmobile. Getting along like oil and water, Kate and Redford fight their way across country, facing terrible winter conditions, grizzled mountain men, wild animals and each other. As the journey culminates, Kate learns that there is more to Redford than just his rough exterior and when she finally makes it to her wedding, she’s no longer certain that she’s choosing the right man.

I hope you all really enjoy it and in turn see the movie! I think it's firing on all cylinders and is absolutely entertaining - love the characters! I'll have more news coming up soon.

2D Version:


3D Version:


Facebook: 40 Below and Falling 3D | Twitter/Instagram: 40Below3D | www.40belowandfalling.com

Watch: New Trailer For Ridley Scott's THE MARTIAN

Oh man - can't wait for this movie to touchdown. Matt Damon stars in director Ridley Scott's native 3D return to space and it looks like all systems go for a great movie here. The story should be amazing as I've read the book and hopefully they don't stray too far from the original material. It seems they aren't - Damon's character even uses the same terminology that's found in the book: "Here's the rub...".

I think Ridley is going to knock this one out of the park. Hopefully there's ample momentum here for his PROMETHEUS 2 afterward! 3ality Technica is behind the rigs for the production so you know the 3D in this movie will be jawdropping.

Here's the storyline for the movie:
During a manned mission to Mars, Astronaut Mark Watney (Matt Damon) is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney’s safe return.

Cast: Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Peña, Kate Mara, Sean Bean, Sebastian Stan, Aksel Hennie, Donald Glover, Mackenzie Davis, and Chiwetel Ejiofor

THE MARTIAN takes off October 2 in Real D 3D. Enjoy the trailer!

Release Date!! Very Proud To Announce 40 BELOW AND FALLING Is Set To Premiere This Month!

I am so very proud to announce that the movie I'm producing, 40 BELOW AND FALLING, is premiering on Super Channel on August 27 at 8pm ET on SC4! I love working with this talented group of people - simply a huge amount of excitement about this release and I have to say Jewel Staite and Shawn Roberts really nailed their roles. Our director, Dylan Pearce put his heart and soul into this and it SHOWS! It's a ton of fun - I can't wait for you all to see it.

The Super Channel premiere will be in 2D and I'll have more details about further distribution in the coming weeks.

Also - look for more media from the production coming very soon!

Here's the official press release:
12pt Media’s Romantic Adventure/Comedy 40 Below and Falling PREMIERES on Super Channel on August 27th at 8 pm ET on SC4.

Directed by Dylan Pearce (Baby Blues, I Think I Do), the film stars actors Jewel Staite (Firefly, The Killing) and Shawn Roberts (Resident Evil, X-Men) along with a superb Canadian support cast that includes Cindy Busby (Heartland, Cedar Cove), Shaun Johnston (Heartland), Mark Meer (Mass Effect 3) and Hollywood trained grizzly bear Whopper from Innisfail, Alberta.

40 Below and Falling tells the story of Kate Carter (Jewel Staite), a small town school teacher who is moving back to the big city for her wedding. When a blizzard strikes, her flight gets cancelled and the roads are shut down, leaving Kate no choice but to hop on the back of a surly stranger named Redford’s (Shawn Roberts) snowmobile. As they battle the winter elements together and their adventures unfold, Kate slowly starts to question the choice she has made about the man she is set to marry.

The film was made in Edmonton and across Alberta by Producer Andrew Scholotiuk (Baby Blues, I Think I Do), Executive Producers Darren Arsenault (Baby Blues, I Think I Do), Brad Ferguson, Pierre-Andre Rochat, Roma Roth, Associate Producer Jim Dorey and a diverse Canadian cast and crew. Produced in association with EFF Media Investments and with the assistance of the Government of Alberta Media Fund, the Canadian Film or Video Tax Credit Program, and DARO Films. 40 Below and Falling is one of the first romantic adventure/comedies to be shot in both 3D and 2D.

About 12pt Media:
12pt Media develops and produces innovative productions for cinema, television, web and VR with an emphasis on new 3D technologies.

Facebook: 40 Below and Falling 3D | Twitter/Instagram: 40Below3D | www.40belowandfalling.com

Both EVEREST and THE WALK Will Open Early In IMAX 3D

**UPDATE: 28 June - Just heard from 3ality that they in fact did NOT do native 3D on this production - so it's a conversion too. A battle between conversion houses it is then. Too bad.


Yes! Love when IMAX does this: They've announced that both EVEREST and THE WALK will open on September 18th and the 30th respectfully - ahead of their wide release dates.

EVEREST is a true story about a team's ascent to the highest peak in the world while THE WALK is the true story of Philippe Petit's attempt to cross the distance between the top of the World Trade Centers in NYC.

Correction: Both of these two IMAX 3D releases are 3D conversions. I can't wait to compare them because of their close release dates and both showing in the large format. I will also include comment on how the RealD projection is for comparison - I do have a RealD PLF (premium large format) screen here in town. I will definitely give these two a competitive review, head to head.

Here's the storyline for EVEREST:
This is the story of the 1996 Everest Film Expedition, a MacGillivray Freeman production in association with Arcturus Motion Pictures. Filmed in IMAX photography, EVEREST is the dramatic true story of a team of climbers who found hope, strength and triumph in the wake of tragedy. Their successful ascent of Mount Everest, just days after fellow mountaineers and friends died there, is a compelling story about the human spirit and a mountain they love, respect and sometimes fear.

Here's the storyline for THE WALK:
Twelve people have walked on the moon, but only one man Philippe Petit (Joseph Gordon-Levitt) has ever, or will ever, walk in the immense void between the World Trade Center towers. Guided by his real-life mentor, Papa Rudy (Ben Kingsley), and aided by an unlikely band of international recruits, Petit and his gang overcome long odds, betrayals, dissension and countless close calls to conceive and execute their mad plan. Robert Zemeckis, the director of such marvels as Forrest Gump, Cast Away, Back to the Future, Polar Express and Flight, again uses cutting edge technology in the service of an emotional, character-driven story. With innovative photorealistic techniques and IMAX 3D wizardry, The Walk is true big-screen cinema, a chance for moviegoers to viscerally experience the feeling of reaching the clouds. The film, a PG-rated, all-audience entertainment for moviegoers 8 to 80, unlike anything audiences have seen before, is a love letter to Paris and New York City in the 1970s, but most of all, to the Towers of the World Trade Center.

EVEREST opens on September 18 and THE WALK opens on September 30 - BOTH in IMAX 3D!

Garrett Hedlund And Olivia Wilde Are Both ReTRONing!

After news that TRON 3 is greenlit and will be shot in Vancouver by director Joseph Kosinski, we now have word that both Garrett Hedlund (Sam Flynn) and Olivia Wilde (Quorra) will be returning to the fantasy world. TRON: LEGACY made $400 million worldwide so it's little wonder why Disney is revisiting again.

It would make sense that if Quorra (an ISO - a computer program) can leave the grid as she did at the end of LEGACY, then perhaps others may follow her out into our "world". That premise makes for a very fascinating storyline and it's rumored that the movie will be exploring it and perhaps will be entitled TRON: ASCENSION.

More information when I get it! TRON 3 starts shooting in October.

TRON 3 Stepping Up To Shoot This Fall In Vancouver !

Vancouver's VanCity Buzz (reliable news source) is saying that the sequel to Disney's 2010 TRON: LEGACY will begin lensing in the city October 5.

From VanCity: A majority of Tron: Legacy was shot at Canadian Motion Picture Park in Burnaby while some ‘real world’ scenes were filmed at the Shangri-La Vancouver Hotel (ENCOM headquarters), the Lions Gate Bridge (final escape scene) and neighbourhoods in East Vancouver.

It appears that lead Garrett Hedlund and director Joseph Kosinski WILL return according to rumors.

I've lived in Vancouver and LOVE it. I'll update you on locations for TRON 3 as soon as I have them. No word on whether TRON 3 will continue in the fine tradition of TRON: LEGACY's native 3D, which in my mind absolutely demands it.




Source: VanCity

We Are Wrapped!! 40 BELOW AND FALLING Enters Post Production!

We're wrapped! Into post we go. What a journey so far and I'm thrilled to be a part of such an awesome movie. I'll be sure to keep you all up to speed on happenings in post production as well and we have some surprises in store for you!

Here's our official press release: 

EDMONTON - That’s a wrap! Filming in Edmonton is officially complete on 12pt Media’s 3D Romantic Adventure/Comedy 40 Below and Falling. The film stars actors Jewel Staite (Firefly, The Killing) and Shawn Roberts (Resident Evil) along with a superb Canadian support cast that includes Cindy Busby, Shaun Johnston, Mark Meer and Hollywood trained grizzly bear Whopper from Innisfail, Alberta.

40 Below and Falling tells the story of Kate Carter (Jewel Staite), a small town school teacher who is moving back to the big city for her wedding. When a blizzard strikes, her flight gets cancelled and the roads are shut down, leaving Kate no choice but to hop on the back of a surly stranger named Redford’s (Shawn Roberts) snowmobile. As they battle the winter elements together and their adventures unfold, Kate slowly starts to question the choice she has made about the man she is set to marry.

The movie was filmed in Edmonton and various locations across Alberta with a custom manufactured beam-splitting rig. This cutting-edge technology allowed the team to effectively shoot in freezing Canadian temperatures with reduced setup times for all of the film's remote locations. The feature is now entering into post-production, utilizing Davinci Resolve, AVID, NUKE and After Effects to meet its quick delivery date at the end of May. The complicated workflow involves over 150TB of data and is being managed in house by 12pt Media.

Executive Producers Darren Arsenault, Corinne Ferguson, Pierre-Andre Rochat, Producer Andrew Scholotiuk, Associate Producer Jim Dorey, along with the crew, are hard at work behind the scenes getting the film ready for its expected release in the fall of 2015. 40 Below and Falling is currently scheduled to be broadcast in Canada in 2D on Super Channel, with an international release being handled by distributor DARO Films out of Monaco.

Produced in association with the Edmonton Film Fund and with the assistance of the Government of Alberta Media Fund and the Canadian Film or Video Tax Credit Program.

Stay up to date on the film’s adventures and get in on some of the behind the scenes action by following 40 Below and Falling on Facebook, Twitter and Instagram.

Facebook: 40 Below and Falling 3D
Twitter/Instagram: 40Below3D
www.40belowandfalling.com 

Stay tuned for more!
 

New Behind The Scenes Shots From 40 BELOW AND FALLING!

Here's a couple more shots from the set of 40 BELOW AND FALLING that I'm producing along with Andrew Scholotiuk, Darren Arsenault, Corinne Ferguson, Pierre-Andre Rochat. The Director is Dylan Pearce who I leave alone now as much as I can as he is obviously focused on delivering his vision in 3D of course and 4K! 

That snowmobile you see in the first shot plays a very key role in the movie and it's cool to see it in the flesh rather than read about it in the script! You can see Shawn Roberts (Redford) behind it with the boom mic extended - a chilly day but rewarding for all.

The second shot is of Jewel Staite (Kate) outfitted in a formal gown. Being shot in Edmonton and it's Northern Alberta region, it's definitely brisk in winter; but as we know and many, many other productions, that country is simply gorgeous. And the story demands it! Can't wait for you to see it.

It's extremely interesting to be a part of the mechanism behind making a movie and this crew is absolutely top notch. And day to day planning is of utmost concern especially with an outdoors winter production. For those of you not in the know, we get daily Call Sheets outlining everything you can imagine from call times to set requirements to locations all methodically laid out and in order. It's wonderful to see it all come together so elegantly.

Here's the storyline for the movie:
Starring high in demand Canadian actress Jewel Staite (series regular on Joss Whedon’s hit TV show Firefly and his feature film Serenity, and star of the AMC/Netflix drama series The Killing) and Canadian actor Shawn Roberts (star in the hit movie franchise Resident Evil, co-star in Edge of Darkness, and X-Men) – 40 Below and Falling tells the story of Kate Carter, a teacher from a small, Northern Canadian town, who is moving back to the big city for her wedding. After quitting her job and packing up her life, Kate feels certain that this is the future she has always wanted – that is until her flight gets cancelled by a blizzard and she meets a surly stranger named Redford. With all road travel being suspended, Kate is forced to hop on the back of Redford’s snowmobile and embark on an adventure that will leave her questioning the decision she has made about the man she is set to marry.

For the full boilerplate for the movie, be sure to check it out here. More cool stuff when I can get it for you - stay tuned!

Ang Lee To Tackle BILLY LYNN'S LONG HALFTIME WALK In Native 3D 4K HFR!

(Photo) Jim Dorey. 2013.

When Ang Lee tackles a project he gives it his all and in this case the project is Ben Fountain's novel BILLY LYNN'S LONG HALFTIME WALK and he is going to shoot it in native 3D 4K and ultra high frame rate.

When I spoke to Ang awhile back he told me that he's excited to work with 3D and having it available to him for projects - and now that we know what his next 3D project will be, my eyes lit up. 

As Lee did with LIFE OF PI, he will be leaping over new technological and creative barriers. To help him do so he's hired one of the best in Demetri Portelli (HUGO, 47 RONIN, THE YOUNG AND PRODIGIOUS T.S. SPIVET) and his team to handle the stereoscopic 3D. They'll be using Sony F65 cameras and the word is Lee's vision is breathtaking. As if you are really there. Think the D-Day scenes in SAVING PRIVATE RYAN but add in perfect immersive 3D shot in 4K and ultra high frame rate. Of course I'm sure Lee has many more surprises for us! Can't wait for this. 

Here's the storyline courtesy of Variety:
Bravo Company and 19-year-old private Billy Lynn survive a harrowing Iraq battle that is captured by news cameras. They are brought home by the U.S. administration for a promotional tour, culminating at the spectacular halftime show of a Thanksgiving Day football game, all while facing an imminent return to the war. Almost the entire movie takes place during the day of the game, with flashes back to the underlying events and Billy’s heroism. 

This is a filmmaker driven project that is original and you simply know that care will be taken to present it in new and spectacular ways. More info when we get it! 

Source: Variety