Showing posts with label Rachel Weisz. Show all posts
Showing posts with label Rachel Weisz. Show all posts

Monday, 29 July 2019

About a Boy (2002)


Hugh Grant often plays such unlikeable characters — Bridget Jones's Diary, Two Weeks Notice, and Paddington, to name a few —, he has over the year become an actor I particularly dislike. His charm is undeniable though and since he's also quite a good actor, I figured I should check out more of his work. About a Boy was my first pick — Netflix has been shoving it on my face for the whole month — and I'm glad I gave it a shot because it is a funny, sweet and heartwarming feel-good film.

Based on Nick Hornby's novel of the same name, the story follows Will Freeman (Hugh Grant), a 38-year-old self-centred slacker who has liver comfortable off the royalties of a song written many years before by his now-deceased father and has never worked a day in his life. 

The idea that he might be what single moms need comes across his mind, so he shows up at a Single Parents Alone Together meeting, and pretends to be a single father. As a result of a date with one of the single mothers, Suzie (Victoria Smurfit), Will meets Marcus (Nicholas Hoult), a 12-year-old vegetarian who lives with his depressed and hippie mother, Fiona (Toni Collette) and is constantly made fun of at school because he's different. When Fiona attempts suicide, Marcus realises that two people are not enough and sets out to pull Will into the equation. 

It's a fairly simple story whose outcome is clichéd and predictable as it's the personal epiphany kind of story that we have seen many times before. Thankfully, the bullet was dodged as the intelligent screenplay is filled with intriguing and well-developed characters. 

Will is a lazy, shallow, manipulative, self-absorbed man with a fear of commitment who invents a son to hit on single mothers as he believes them to be more desperate than he is. He is a very unresponsible and unlikeable character and yet we warm to him because, unlike it happens most of the time, there's no sudden change of heart toward the end in Will; it's rather a process, a slow growth. We witness his coming-of-age as his relationship with Marcus develops. 

Marcus is a shy, nerdy, socially awkward kid who is constantly bulliled because of the hippie lifestyle his mother has forced on him and his quirk of singing out loud without even realizing it. On top of that, he has to deal with and take care of his depressed mother, which is definitely too much to ask for to a 12-year-old. He's a real kid with real problems, reason why we care for him.

Fiona, although she has very limited screentime, makes for a compelling character too. She doesn't have a lot of characterization but her development makes her so interesting. As expected, she does change at the end of the film; however, she doesn't go straight from point A to point B but takes many detours along the way — whenever she is about to recover, she always goes back to the starting point.

The only character I found a bit underwhelming was Rachel Weisz's Rachel. Although Will's relationship with her is different from his past, meaningless, shallow ones and it's because of this romance that we realise Will is growing up, it felt as if both the character and the romantic subplot was underdone — and I would have probably forgotten about it if it wasn't for Weisz in the role. 

About a Boy isn't just well written, it's also filled with great performances from its cast. Hugh Grant give arguably his best performance ever as he brings to the character of Will a depth, a complexity I haven't seen before. He is charismatic as usual but he doesn't come off as pretentious or obnoxious; instead, he's rather likeable and we soon find ourselves sympathizing with him as he slowly takes off Will's mask of superficiality and insecurity. His very expressive face does wonder when it comes to conveying Will's emotions — whether it's anger, selfishness, or hurt — but it's the way he handles the comedy, making you laugh throughout either with a witty line or a weird facial expression, that will win you over. 

The rest of the cast provides Grant more than solid support. Although he struggles a bit as he has too much weight to carry, a young Nicholas Hoult is believable as Marcus, the sky, awkward kid who befriends Will and manages the emotional side egregiously. In addition, the chemistry he has with Grant is outstanding which makes their interactions a real pleasure to watch. Toni Collette is good as Marcus's mother, Fiona, although her performance could/would have been great if she was given some of the film's comedy. Rachel Weisz really makes the best of her small, underused role with yet another brilliant performance of hers.

About a Boy also has a great balance between comedy and drama. As a result, the film manages to make you laugh with its witty and clever humour and touch your heart. The score by Badly Drawn Boy is very fitting and enhances even more the emotions conveyed by the actors.

Also noteworthy is the film's narrative style, the often hated because impersonal, cold voice-over. It's not your typical voice-over though, it's a double voice-over which is very nice as it's often the source of humour and gives us an insight on Will and Marcus's thoughts.

Wednesday, 20 February 2019

The Favourite (2018)

Though I haven't seen all of his non-English language films, I really liked all of Yorgos Lanthimos movies I've seen so far, especially The Lobster, one of the most striking films I've seen —it's been more than two years since I watched it and I still find myself thinking about it quite often. The Favourite stars one of my favourite actresses, Emma Stone, and an actress I really like, Rachel Weisz, so saying that I was excited about it is a bit of an understatement. 

Set in early 18th century England, the story follows Queen Anne (Olivia Colman), who occupies the throne, and her close friend, Lady Sarah (Rachel Weisz), who actually rules the country through her influence on the Queen. Soon Sarah's younger cousin, Abigail Hill (Emma Stone), starts working as a servant and quickly makes her way into the Queen's favour as she sees a chance to return to her aristocratic roots. 

I don't know whether Lanthimos's film is historically accurate or not as I know nothing about Queen Anne —nor about most of England's history— but overall the story is quite interesting and captivating. There are moments though when the story feels dragged as the act goes on too long —the story is divided into eight acts— and the title chapters, while building anticipation for what's coming next, they also kind of ruin the surprise. Hence, I was not able to fully appreciate, enjoy the story, and I really felt the running time. 

Thankfully, The Favourite relies quite a lot on its characters and that's easily its greatest strength. Queen Anne is the most fascinating one as she is intimidating and insecure at the same time. Unpredictable, childish, needy, stubborn, manipulative but also lustful, loving, and witty. She's also physically impaired and often played with, but I never found her pathetic; on the contrary, she is very sympathetic. Most of the credits for it arguably go to Olivia Colman who gives a stunning performance. She switches expressions during close-ups in such a subtle way, she handles the humour very well and she truly conveys the Queen's sadness and melancholy. 

The two supporting characters, Sarah and Abigail, aren't as interesting but Weisz and Stone give such great performances, these two women also end up being compelling —Weisz's dialogue delivery is impeccable, and Stone portrays Abigail's wide range of emotions very well and is believable both as the sweet, and naive and the brutal girl. Also, they have a beautiful chemistry. 

Fox Searchlight Pictures
Robbie Ryan's cinematography is truly outstanding, with its gorgeous shots and camera angles aiming to increase the film's comic side. The unique score is quite effective. Costumes and set designs look beautiful. 

Ultimately, The Favourite is Lanthimos's most accessible film as he still makes a social commentary —regarding gender roles and sexuality— but its tones are definitely lighter than his previous works, which I guess is the reason it didn't fully work for me as I found the humour to be often ineffective, and while the performances were great, the film wasn't always compelling —I was quite bored, to be honest. 

Saturday, 16 February 2013

Must Watch: First Clip From Raimi's OZ THE GREAT AND POWERFUL!

Hmmm. This looks GOOD. Perhaps it's because Franco is not in the scene but this clip looks very, VERY good. Great acting and significant conflict was built up in what, 30 seconds?

This is a Sam Raimi movie after all - we should all know that it's going to be a great time at the cinema. *AND* it's shot in native 3D using 3ality Technica rigs, so the visuals should also be top notch.

Here is the official storyline:
Disney’s fantastical adventure “Oz The Great and Powerful,” directed by Sam Raimi, imagines the origins of L. Frank Baum’s beloved character, the Wizard of Oz. When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot – fame and fortune are his for the taking – that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity – and even a bit of wizardry – Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.

OZ THE GREAT AND POWERFUL opens on March 8. 




via Collider

Tuesday, 18 December 2012

New Character Poster For OZ: THE GREAT AND POWERFUL

...And we have Rachel Weisz as the wicked witch from Disney's OZ: THE GREAT AND POWERFUL looking rather menacing.

I am actually looking forward to seeing this native 3D production and I'm not really a fan of the original story. Did I just say that out loud?

Here's the storyline for the movie:
OZ: THE GREAT AND POWERFUL imagines the origins of L. Frank Baum’s beloved character, the Wizard of Oz. When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot—fame and fortune are his for the taking—that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity—and even a bit of wizardry—Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.

OZ: THE GREAT AND POWERFUL opens on March 8, 2013.

Source: Cine1

Wednesday, 11 July 2012

MUST WATCH: Behind The Scenes Of Sam Raimi's OZ: THE GREAT AND POWERFUL - Plus 3D Production Workflow Info!

3ality Technica Rigs With Red Epic Cameras
Ready for a fresh take on THE WIZARD OF OZ? I am. Well it's really a prequel. Moreover, it looks like Sam Raimi's going to deliver with some new perspectives on the famous characters. Plus, there is no singing and dancing - well very little according to Mila Kunis. In fact, due to licensing restrictions Disney has had to avoid some connections to the original movie, but that could turn out to be a blessing in disguise. I don't have any real interest in a total remake of the first Oz.

Click to enlarge
One of the cool things about the movie is that it's being shot in native 3D using Red Epics and 3ality Technica's 3D rigs. If you're interested in a technical and in-depth review of the workflow involved with OZ: THE GREAT AND POWERFUL, check out this great read found on 695 Quarterly.

James Franco's Oz takes on three witches played by the aforementioned Mila Kunis joined by Rachel Weisz and Michelle Williams.

Says Franco: "This Oz is a little different. You get to see a lot more of who this Oz is. The search for (his heart) is one of the main themes of this movie."

Stereoscopic Monitoring Setup
Here's the movie's official storyline:
Disney’s fantastical adventure “Oz The Great and Powerful,” directed by Sam Raimi, imagines the origins of L. Frank Baum’s beloved character, the Wizard of Oz. When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot—fame and fortune are his for the taking—that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity—and even a bit of wizardry—Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well. When small-time magician Oscar Diggs (James Franco) pulls one flimflam too many, he finds himself hurled into the fantastical Land of Oz where he must somehow transform himself into the great and powerful Wizard—and just maybe into a better man as well.


I would think that Disney will be revealing more OZ during Comic-Con this week - we'll see. 

OZ: THE GREAT AND POWERFUL opens on March 8, 2013. Click here for all of our coverage of the movie. Click here for the movie's official site.

Check out the behind the scenes ET video:



Original Clip Source: IndieWire