Showing posts with label Nicholas Hoult. Show all posts
Showing posts with label Nicholas Hoult. Show all posts

Monday, 29 July 2019

About a Boy (2002)


Hugh Grant often plays such unlikeable characters — Bridget Jones's Diary, Two Weeks Notice, and Paddington, to name a few —, he has over the year become an actor I particularly dislike. His charm is undeniable though and since he's also quite a good actor, I figured I should check out more of his work. About a Boy was my first pick — Netflix has been shoving it on my face for the whole month — and I'm glad I gave it a shot because it is a funny, sweet and heartwarming feel-good film.

Based on Nick Hornby's novel of the same name, the story follows Will Freeman (Hugh Grant), a 38-year-old self-centred slacker who has liver comfortable off the royalties of a song written many years before by his now-deceased father and has never worked a day in his life. 

The idea that he might be what single moms need comes across his mind, so he shows up at a Single Parents Alone Together meeting, and pretends to be a single father. As a result of a date with one of the single mothers, Suzie (Victoria Smurfit), Will meets Marcus (Nicholas Hoult), a 12-year-old vegetarian who lives with his depressed and hippie mother, Fiona (Toni Collette) and is constantly made fun of at school because he's different. When Fiona attempts suicide, Marcus realises that two people are not enough and sets out to pull Will into the equation. 

It's a fairly simple story whose outcome is clichéd and predictable as it's the personal epiphany kind of story that we have seen many times before. Thankfully, the bullet was dodged as the intelligent screenplay is filled with intriguing and well-developed characters. 

Will is a lazy, shallow, manipulative, self-absorbed man with a fear of commitment who invents a son to hit on single mothers as he believes them to be more desperate than he is. He is a very unresponsible and unlikeable character and yet we warm to him because, unlike it happens most of the time, there's no sudden change of heart toward the end in Will; it's rather a process, a slow growth. We witness his coming-of-age as his relationship with Marcus develops. 

Marcus is a shy, nerdy, socially awkward kid who is constantly bulliled because of the hippie lifestyle his mother has forced on him and his quirk of singing out loud without even realizing it. On top of that, he has to deal with and take care of his depressed mother, which is definitely too much to ask for to a 12-year-old. He's a real kid with real problems, reason why we care for him.

Fiona, although she has very limited screentime, makes for a compelling character too. She doesn't have a lot of characterization but her development makes her so interesting. As expected, she does change at the end of the film; however, she doesn't go straight from point A to point B but takes many detours along the way — whenever she is about to recover, she always goes back to the starting point.

The only character I found a bit underwhelming was Rachel Weisz's Rachel. Although Will's relationship with her is different from his past, meaningless, shallow ones and it's because of this romance that we realise Will is growing up, it felt as if both the character and the romantic subplot was underdone — and I would have probably forgotten about it if it wasn't for Weisz in the role. 

About a Boy isn't just well written, it's also filled with great performances from its cast. Hugh Grant give arguably his best performance ever as he brings to the character of Will a depth, a complexity I haven't seen before. He is charismatic as usual but he doesn't come off as pretentious or obnoxious; instead, he's rather likeable and we soon find ourselves sympathizing with him as he slowly takes off Will's mask of superficiality and insecurity. His very expressive face does wonder when it comes to conveying Will's emotions — whether it's anger, selfishness, or hurt — but it's the way he handles the comedy, making you laugh throughout either with a witty line or a weird facial expression, that will win you over. 

The rest of the cast provides Grant more than solid support. Although he struggles a bit as he has too much weight to carry, a young Nicholas Hoult is believable as Marcus, the sky, awkward kid who befriends Will and manages the emotional side egregiously. In addition, the chemistry he has with Grant is outstanding which makes their interactions a real pleasure to watch. Toni Collette is good as Marcus's mother, Fiona, although her performance could/would have been great if she was given some of the film's comedy. Rachel Weisz really makes the best of her small, underused role with yet another brilliant performance of hers.

About a Boy also has a great balance between comedy and drama. As a result, the film manages to make you laugh with its witty and clever humour and touch your heart. The score by Badly Drawn Boy is very fitting and enhances even more the emotions conveyed by the actors.

Also noteworthy is the film's narrative style, the often hated because impersonal, cold voice-over. It's not your typical voice-over though, it's a double voice-over which is very nice as it's often the source of humour and gives us an insight on Will and Marcus's thoughts.

Wednesday, 20 February 2019

The Favourite (2018)

Though I haven't seen all of his non-English language films, I really liked all of Yorgos Lanthimos movies I've seen so far, especially The Lobster, one of the most striking films I've seen —it's been more than two years since I watched it and I still find myself thinking about it quite often. The Favourite stars one of my favourite actresses, Emma Stone, and an actress I really like, Rachel Weisz, so saying that I was excited about it is a bit of an understatement. 

Set in early 18th century England, the story follows Queen Anne (Olivia Colman), who occupies the throne, and her close friend, Lady Sarah (Rachel Weisz), who actually rules the country through her influence on the Queen. Soon Sarah's younger cousin, Abigail Hill (Emma Stone), starts working as a servant and quickly makes her way into the Queen's favour as she sees a chance to return to her aristocratic roots. 

I don't know whether Lanthimos's film is historically accurate or not as I know nothing about Queen Anne —nor about most of England's history— but overall the story is quite interesting and captivating. There are moments though when the story feels dragged as the act goes on too long —the story is divided into eight acts— and the title chapters, while building anticipation for what's coming next, they also kind of ruin the surprise. Hence, I was not able to fully appreciate, enjoy the story, and I really felt the running time. 

Thankfully, The Favourite relies quite a lot on its characters and that's easily its greatest strength. Queen Anne is the most fascinating one as she is intimidating and insecure at the same time. Unpredictable, childish, needy, stubborn, manipulative but also lustful, loving, and witty. She's also physically impaired and often played with, but I never found her pathetic; on the contrary, she is very sympathetic. Most of the credits for it arguably go to Olivia Colman who gives a stunning performance. She switches expressions during close-ups in such a subtle way, she handles the humour very well and she truly conveys the Queen's sadness and melancholy. 

The two supporting characters, Sarah and Abigail, aren't as interesting but Weisz and Stone give such great performances, these two women also end up being compelling —Weisz's dialogue delivery is impeccable, and Stone portrays Abigail's wide range of emotions very well and is believable both as the sweet, and naive and the brutal girl. Also, they have a beautiful chemistry. 

Fox Searchlight Pictures
Robbie Ryan's cinematography is truly outstanding, with its gorgeous shots and camera angles aiming to increase the film's comic side. The unique score is quite effective. Costumes and set designs look beautiful. 

Ultimately, The Favourite is Lanthimos's most accessible film as he still makes a social commentary —regarding gender roles and sexuality— but its tones are definitely lighter than his previous works, which I guess is the reason it didn't fully work for me as I found the humour to be often ineffective, and while the performances were great, the film wasn't always compelling —I was quite bored, to be honest. 

Tuesday, 31 March 2015

I'm Hooked! New MAD MAX: FURY ROAD Trailer Brings Whole New Level Of Fantastic

Wow. I've been reserved about MAD MAX: FURY ROAD since the beginning. The stunts, explosions, grittiness and story elements I'd seen just wasn't cutting it for me. BUT NOW, after this latest trailer? MM:FR is definitely on my must see in theater list.

You see, I've seen many post-apocalyptic movies and many explosion for the sake of explosion movies. I want to see something I haven't seen before. Up until now MM:FR hadn't shown me anything that excited me to any great extent.

But this trailer... Wow. I think they may actually have a half decent storyline and stunts/action that are necessary to move the plot along. It's not just another yawner! At least I hope it's not.

Here's the movie's storyline:
From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary “Mad Max” franchise, comes “Mad Max: Fury Road,” a return to the world of the Road Warrior, Max Rockatansky.

Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with a group fleeing across the Wasteland in a War Rig driven by an elite Imperator, Furiosa. They are escaping a Citadel tyrannized by the Immortan Joe, from whom something irreplaceable has been taken. Enraged, the Warlord marshals all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.

Tom Hardy (“The Dark Knight Rises”) stars in the title role in “Mad Max: Fury Road”—the fourth in the franchise’s history. Oscar winner Charlize Theron (“Monster,” “Prometheus”) stars as the Imperator, Furiosa. The film also stars Nicholas Hoult (“X-Men: Days of Future Past”) as Nux; Hugh Keays-Byrne (“Mad Max,” “Sleeping Beauty”) as Immortan Joe; and Nathan Jones (“Conan the Barbarian”) as Rictus Erectus. Collectively known as The Wives, Zoë Kravitz (“Divergent”) plays Toast, Riley Keough (“Magic Mike”) is Capable, Rosie Huntington-Whiteley (“Transformers: Dark of the Moon”) is Splendid, and supermodel Abbey Lee is The Dag, and Courtney Eaton is Fragile. Also featured in the movie are Josh Helman as Slit, Jennifer Hagan as Miss Giddy, and singer/songwriter/performer iOTA as Coma-Doof Warrior.

So have a look at the latest and definitely greatest trailer for MAD MAX: FURY ROAD. It's coming in 3D and it looks MEAN. MM:FR opens on May 15.

Monday, 11 February 2013

New Trailer For Bryan Singer's JACK THE GIANT SLAYER!

Our exposure so far with director Bryan Singer's JACK THE GIANT SLAYER has been rather low key if you ask me. There's been nothing too dark about it. Up until now that is. Check out the latest trailer for JACK and note the differences. I think they should have started out with this tact and worked into an even more darker place - but then again perhaps the movie just doesn't go there.

Regardless the new trailer is the best of the lot. Enjoy!

Here's the storyline for the movie:
Jack the Giant Slayer tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack, into the battle of his life to stop them. Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend—and gets the chance to become a legend himself.

JACK THE GIANT SLAYER opens on March 1.




Wednesday, 21 November 2012

Must Watch: New Trailer For Bryan Singer's JACK THE GIANT SLAYER

Bryan Singer's JACK THE GIANT SLAYER (Formerly JACK THE GIANT KILLER) is looking like a great time at the theater! I hoping to see the CGI cleaned up and little bit by release, but you can count on this: Picture perfect 3D as our friends at 3ality Digital are behind the rigs being used on the production.

Ewan McGregor is looking very good in his role, adding a needed touch of believability to the story based on a fairy tale.

Here's the storyline for the movie:
Jack the Giant Slayer tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack, into the battle of his life to stop them. Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend—and gets the chance to become a legend himself.

JACK THE GIANT SLAYER opens on March 1, 2013.


Hit the jump to watch the trailer...