Showing posts with label Rosario Dawson. Show all posts
Showing posts with label Rosario Dawson. Show all posts

Friday, 19 April 2019

Someone Great (2019)

There's something about Gina Rodriguez that I don't like. It's not her fault, it's just that she reminds me of a person I know and don't like much and that person basically ruined Gina for me. She is a great actress though — I loved her in Jane the Virgin — so, despite me not being the biggest fan of romantic comedies and the trailer basically screaming "I'm a terrible movie", I checked out Netflix's newest original film, Someone Great. 

Set in New York, the story focuses on Jenny (Gina Rodriguez), a nearly 30-year-old music journalist who has just landed her dream job as a writer for Rolling Stone magazine in San Francisco. Not even contemplating the idea of a long distance relationship, her boyfriend of nine years, Nate (Lakeith Stanfield), breaks up with her. To nurse her broken heart, she decides to have one last, outrageous night in New York City with her two best friends, Erin (DeWanda Wise) and Blair (Brittany Snow).

Someone Great isn't heavy plotted — the three friends trying to get tickets for a concert is all the plot the film has — but it's not much of a problem as it is a "moving on" story. The fact that the premise of the story makes no sense whatsoever — why would Rolling Stone even send her in San Francisco? They don't even have offices there! —, that there are many other holes along the way, and that the outcome is predictable and the overall story far from being engaging and entertaining definitely is.

It's not like director and writer Jennifer Kaytin Robinson put more thought into the characters though. In fact, for a film that relies rather on its characters than its plot, the characters are tremendously thin — no depth, no development, nothing. We spend an hour and a half with Jenny and her two best friends and yet we don't really know anything about them. Only that Jenny is miserable by the end of her relationship — she is supposed to be very passionate about music, hence the job of her dreams, but this passion of hers never comes through. All she seems to care about is to get back with Nate —, that Erin has commitment issues, and that Blair is uptight, and that they do love drink spirits and smoke weed all day long — seriously, these three do nothing other than that and at the end of the day, literally, they are as fresh as they were in the morning. Also, they don't act like normal human beings but like they were celebrities.

There are also some random strangers the three girls meet that made me feel as if I missed something — I'm specifically talking about Rosario Dawson's character, Hannah. Who is this woman? An old friend? One of Nate's ex-girlfriends? Nate's sister, maybe? All we sense is that Jenny doesn't particularly like her and yet she feels the need to tell her about her break-up with Nate. And why does Erin's girlfriend acts and talks like a psychologist when she clearly is not one?

Netflix
Someone Great also has some positive aspects though. While the comedy is nowhere to be found — there are no big laughs, no small laughs. I only chucked once —, the drama works quite well as the flashbacks to Jenny and Nate's relationship, which are romantic and serious, feel genuine, and really sweet and tender — it also helps that Rodriguez and Stanfield have great chemistry and that they are adorable together. The cinematography is also quite beautiful, and the soundtrack is incredible. The performances are also pretty good, especially Gina Rodriguez's who manages to give her thin character some depth and make her likeable, despite the unlikable character.

Friday, 7 December 2018

Sorry to Bother You (2018)

I've seen Sorry to Bother You on my Letterboxd homepage many times but, despite it having Tessa Thompson, whom I love, I never bothered watching it, mainly because some of those Letterboxd ratings/reviews were pretty bad. Then Allie over Often Off Topic reviewed it, she talked about how she liked the film, and she really made me want to see it. 

The film is set in an alternate present-day version of Oakland and follows Cassius "Cash" Green (Lakeith Stanfield), a young African-American telemarketer who starts using his white voice and quickly rises through the ranks of his profession. He soon finds himself with plenty of money and no morals as it turns out that the company he works for is completely unethical.

I really liked the idea — the economy is ruined, everyone struggles to find a job so someone creates a company that provides food and shelter for lifelong work contracts— and I was interested in seeing how it'd play out. Unfortunately, it was dreadfully executed and it ended up being tremendously stupid, something that gets more and more ridiculous and uncomfortable to watch as the "plot" moves forward, excruciatingly boring and ultimately unwatchable. It is supposed to deliver a message about the working class and the loss of one's identity, but it gets lost in.

The characters are pretty bad too. Actually, to be fair to awfully written character, I should say Sorry to Bother you features non-existing characters as they have no dimension nor depth whatsoever. Although they aren't presented as caricatures —maybe they would have worked better if they had—, they lack any emotional depth and therefore I didn't sympathize with any of them, nor care about them.

The performances, however, aren't as terrible as one would expect with so little to work with. Lakeith Stanfield gives a solid performance in the lead role as he handles the transition from timid loser to selfish prick very well. Tessa Thompson is equally good as Detroit, Cash's girlfriend, although what sticks the most is her earrings. As for Armie Hammer, who is the only one who is given a character that is presented as a caricature, he's definitely having more fun than I had while watching this crap.


As for the film's style, I'm not entirely sure how I feel about it as it's very weird and ambiguous, just like the meaning of the film. The camera work is kind of bizarre, which doesn't necessarily mean bad, but here, I'm more inclined to think that as it is flat and detached as if it was the work of someone who does not like films.

Monday, 21 January 2013

Robert Rogriguez On Native 3D For SIN CITY: A DAME TO KILL FOR

Great news - Bruce Willis (Hartigan) is returning to the SIN CITY franchise in co-director Robert Rodriguez's SIN CITY: A DAME TO KILL FOR. Joining him is Joseph Gordon-Levitt, Josh Brolin, Mickey Rourke, Jessica Alba, Rosario Dawson, Christopher Melonni, Jaime King, Jamie Chung and Dennis Haysbert.

Rodriguez addressed the native 3D shoot with MTV:
"We shot this in 3D. We didn’t shoot Sin City in 3D. I wouldn’t want to convert that one probably. The difference in shooting it is just… you can’t even compare. Because this is a very two dimensional world it’s very stylised. To see that kind of stylisation in 3D will blow people’s mind."

Here's a brief storyline from Amazon:
Stuck with nothing but a seedy gumshoe job and some demons, Dwight's thinking of all the ways he's screwed up and what he'd give for one clear chance to wipe the slate clean, to dig his way out of the numb gray hell that is his life. And he'd give anything. Just to feel the fire. One more time. But he can't let himself lose control again, can't ever let the monster out. And then Ava calls.

Can't wait to see this franchise in 3D for the first time - it's practically begging for the third dimension! SIN CITY: A DAME TO KILL FOR opens on October 4.