THOR: RAGNAROK Is Hilariously Well Done... Except For The 3D

Well as they say, I have good news and bad news. The good news is THOR: RAGNAROK is absolutely hilarious and I love what they've done to bring in those laughs. No spoilers in this review by the way. 

There were some very imaginative jokes and gags in the movie - and I simply loved Jeff Goldblum in this!! Perfectly cast if you ask me.

HOWEVER (and it's in all caps) the bad news is the 3D conversion is quite poor at times, frankly. Mind you, the digital visual effects are all superb in 3D as they are rendered natively in 3D - but of course they don't rely upon post-conversion. But the converted optics? *Sigh* Put it to you this way, in the scene with Odin on the cliff fields, the grass is so lazily or cheaply converted that there are clumps of flat grass mixed in with the usual dimensional depth of the location. It was HORRIBLE. It was so bad that it took me out of the movie. These are errors that anybody can see and complain about, not more mundane aspects that I can pick out, or an stereographer.

Marvel, Disney and Stereo D / Legend 3D know better (they both contributed to post conversion). I don't know which conversion company looked after that one particular scene, but something is amiss here. Usually Stereo D / Legend 3D do an outstanding job with post conversion, but something happened - whether they ran out of time or budget. The grass issue was glaring, but there were other issues too, like miniaturization (Hulk in the arena from bird's eye view looked... puny). Ugh.

So, I find it hard to believe Marvel would skimp on budget for a movie they know will rack in the cash. I also find it hard to believe that Stereo D or Legend 3D would sacrifice quality either. So the only real thing left is that everyone just ran out of time. I can't explain it any other way. There mustn't have been enough time to complete all the conversion shots, and some things had to be compromised to hit the release.

If someone knows anything more on what happened, please let me know. This sort of thing doesn't belong in modern 3D movie making. Poor conversions belong with CLASH OF THE TITANS and certainly not with a new Marvel or Disney production. Clean this up.

Final verdict? GO SEE IT!! The movie itself was brilliantly done and one of the funniest Marvel movies ever made. If you can stand the glaring 3D errors (nothing headache inducing mind you!), then I still recommend a 3D screening because of the outstanding VFX shots.
 

China's 3D Influence: James Cameron's TERMINATOR 2 Getting 3D Treatment!

James Cameron has partnered with DMG Entertainment and Studiocanal to relaunch TERMINATOR 2 into worldwide theaters with a digitally remastered 3D version. This is amazing news as I really enjoyed the TITANIC re-release in 3D and I'm expecting the same level of mastery performed here. 

Stereo D will handle the conversion duties and I'm confident in their abilities when they're given the proper time and resources (Marvel conversions for example). Cameron will personally oversee the work, so yes, it'll be awesome.

They're aiming for 2016 and China is the main catalyst for the move. China absolutely is in love with 3D and as the second largest market (and will eventually become the largest) they command and deserve Hollywood's attention.

Says Cameron: "Next year marks the 25th anniversary of Terminator 2 and that seemed like the perfect time to bring it back but this time in an all-new 3D version. If you’ve never seen it, this will be the version you want to see and remember."

Can't wait for this. If there's anything from Tinseltown that's sublime, it's a Cameron 3D movie. 

Source: THR

Official Teaser Trailer For Dwayne Johnson's SAN ANDREAS!

I've been waiting for this! I do get a flashback to Emmerich's 2012 with a few scenes in this. I was hoping for a more accurate depiction of what a large scale fault event would look like, but judging from having a huge crevice open up just in front of the movie's protagonist and ripping a gas station EXACTLY in half, it seems this may be more of a popcorn movie. Still, that's fine by me as long as expectations are communicated well.

Dwayne Johnson can carry just about any movie so I'm not worried about being entertained, but I still have high hopes for some realistic action - I don't want to have to work too hard at suspension of disbelief.

SAN ANDREAS is a 3D conversion headlined by Graham Clark of Stereo D - these are the guys that do the lion-share of the Marvel universe conversions, so they are getting pretty darn good at it.

Here's the movie's storyline and description:
After the infamous San Andreas Fault finally gives, triggering a magnitude 9 earthquake in California, a search and rescue helicopter pilot (Dwayne Johnson) and his estranged wife make their way together from Los Angeles to San Francisco to save their only daughter.

But their treacherous journey north is only the beginning. And when they think the worst may be over…it’s just getting started.

The action thriller “San Andreas,” from New Line Cinema and Village Roadshow Pictures, reunites Dwayne Johnson with director Brad Peyton and producer Beau Flynn, following their collaboration on the global hit “Journey 2: The Mysterious Island.”

The film also stars Carla Gugino (“Night at the Museum,” TV’s “Entourage”), Alexandra Daddario (“Percy Jackson: Sea of Monsters,” TV’s “True Detective”), Ioan Gruffudd (“Fantastic Four: Rise of the Silver Surfer”), Archie Panjabi (TV’s “The Good Wife”), Hugo Johnstone-Burt (Australian TV’s “Home and Away”), Art Parkinson (TV’s “Game of Thrones”) and Oscar nominee Paul Giamatti (“Cinderella Man”).

“San Andreas” is produced by Beau Flynn (“Hercules,” “Journey 2: The Mysterious Island”). Tripp Vinson (“Red Dawn”) also serves as producer. Richard Brener, Samuel J. Brown, Michael Disco, Rob Cowan, and Bruce Berman are the executive producers, and Hiram Garcia is co-producer. The screenplay is by Carlton Cuse, story by Andre Fabrizio & Jeremy Passmore.


The creative filmmaking team includes director of photography Steve Yedlin (“Looper”), production designer Barry Chusid (“The Day After Tomorrow”), editor Bob Ducsay (upcoming “Godzilla”), VFX producer Randall Starr (upcoming “Into the Storm”), VFX supervisor Colin Strause (“The Avengers”), and costume designer Wendy Chuck (“Twilight”).

Shot on location in The Gold Coast and Brisbane, Queensland, Australia, and in Los Angeles and San Francisco, “San Andreas” is slated to open in theatres in both 3D and 2D format on Friday, May 29, 2015.

New Line Cinema presents, in association with Village Roadshow Pictures, a FlynnPictureCo. Production, “San Andreas.” It will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

SAN ANDREAS opens on May 29, 2015.

MUST SEE: New IRON MAN 3 Character Poster For Ben Kingsley's The Mandarin!

Yes! This is what I was hoping for all along! I wanted a fresh take on The Mandarin and it looks like we are getting it. I think everyone kind of took a step back when we heard Ben Kingsley's accent for The Mandarin in the trailer for IRON MAN 3 - and I still don't know what to make of it! That's the beauty of it - so abstract. Where are they going with this character?

Well know we get a much better taste through this single character poster. And I am loving it! You can see the Asian influence on the sleeves and pants and yet it is unmistakeably camouflage. He is posed as a thinker with a heavy weight upon him. I'm liking the incense burning behind him and the what are those... dog tags in the right foreground shadow?

Creates a lot more questions for me, but the desire to see IRON MAN 3 has just been kicked up a notch!

IRON MAN 3 opens on May 3.

3D Conversion Tech Legal Disputes: Digital Domain And Prime Focus Settle; Thomas Randolph Sues StereoD Including Giovanni Ribisi

There have been some interesting legal developments in the 3D conversion space this week, one disagreement being settled amicably and the other just starting to develop.

First off we have a software producer, Thomas Randolph who has made a claim against 3D conversion specialist StereoD for failure to pay him a 5% cut of the company.

Here's a portion of the story taken from Courthouse News Service:
Randolph and his company Interactive Artists LLC sued William Sherak (son of nonparty Tom Sherak, president of the Academy of Motion Pictures Arts and Sciences and a former partner of Revolution Studios); movie producer Christopher Mallick; actor Giovanni Ribisi; Kuniaki Izumi, the owner and developer of VDX software; and Hollywood agent David Phillips, who along with Sherak allegedly introduced Randolph to Mallick.

Mallick formed MRSR LLC fka StereoD LLC in 2009 to market and sell Izumi's VDX technology, according to the complaint. Randolph claims that he created the business plan for the 3D conversion company and introduced Mallick to Izumi's software, which converts 2D movies into 3D.

Randolph says he met with Mallick in late 2008, while he was a principal of Kerner Technologies, when the filmmaker expressed an interest in converting 2D movies into 3D.

Randolph says he told Mallick about the VDX technology, and persuaded Izumi to combine VDX technologies with Kerner's CPX technologies and with Kerner's consent entered into a venture with Mallick.

Under the terms of deal, Randolph would be the venture's Chief Technical Officer, own a 5-10 percent stake and license FrameFree and CPF technologies from Kerner, according to the lawsuit.

Randolph is seeking damages for breach of contract, intentional interference with prospective economic advantage, intentional interference with contractual relations, fraud and negligent misrepresentation. His representation is Alexander Volchegursky, with Lvovich, Volchegursky & Szucsko, in San Francisco.

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Secondly we have a settlement between Digital Domain (who recently bought the top tier conversion house In-Three) and Prime Focus. The two companies will be actually working together in the future so it is my understanding that this is an amicable arrangement.

Here's the press release for the settlement:

Digital Domain Media Group and Prime Focus World Settle DDMG Patent Infringement Claim on 3D Technology Through Licensing

Companies Will Collaborate on Visual Effects and 3D Conversion for Feature Films

Port St. Lucie, Fla. And Los Angeles, CA — July 18, 2012 — Digital Domain Media Group (NYSE: DDMG) and Prime Focus World NV have signed an agreement whereby Digital Domain Media Group (DDMG) will license its 3D conversion technology to Prime Focus World. The agreement settles and terminates the patent infringement litigation action filed by DDMG against Prime Focus World in 2011. Under the agreement DDMG and Prime Focus World will collaborate on visual effects and 2D-to-3D conversion services work for feature films.

“Ultimately this was a lawsuit between two companies that enjoy working together, so we’re happy to put it behind us and resume our prior relationship with Prime Focus one of performing high-quality VFX work collaboratively,” said John Textor, CEO and Chairman of DDMG. “We understand that Prime Focus has its own significant 3D technology and we are pleased to report, as this license suggests, that they respect ours as we respect theirs.”

“Prime Focus is dedicated to delivering the highest level of conversion to its clients. The technology that we’ve licensed from Digital Domain Media Group enhances our own robust proprietary processes and increases our efficiency for our customers. We look forward to continuing our work with DDMG on their most important VFX projects,” said Namit Malhotra, CEO and Chairman of Prime Focus World.”

Through the Digital Domain Stereo Group, DDMG owns the six U.S. patents that represent the original commercially feasible computerized process for converting 2-dimensional filmed imagery into 3-dimensional stereoscopic imagery. The DDSG patents provide fundamental coverage of any modern conversion process that involves rotoscoping (i.e., computerized, semi-automatic and semi-automatic conversion with roto), and relate to any conversion process that includes horizontal image displacement / transform. In 2011, DDMG made its patent portfolio available to select companies in the broader industry through a studio-friendly licensing program. Prime Focus joins Samsung Electronics Co., Ltd., which licensed DDMG’s technology in 2011 for use in its consumer electronics, components, services and software businesses.

About Digital Domain Media Group
Digital Domain Media Group (DDMG: NYSE) leverages its expertise in digital visual effects (VFX) and computer-generated (CG) animation across a group of interrelated businesses. At its foundation is Digital Domain Productions (DDPI), an award-winning digital production company founded in 1993. This leading provider of visuals has contributed to more than 90 major motion pictures, including Titanic, the Transformers series, Pirates of the Caribbean: At World’s End and TRON: Legacy, hundreds of commercials, and recently created the virtual likeness of rapper Tupac Shakur for Dr. Dre’s show at the Coachella Valley Music Festival. Mothership, a DDPI subsidiary, focuses on creating advertising, entertainment and branded content from concept to completion, across multiple media platforms. DDMG, its work and its employees have been recognized with numerous awards, including seven from the Academy of Motion Picture Arts and Sciences. The company is building on its success in VFX to participate as a co-producer in major productions and is currently co-producing the upcoming live-action sci-fi feature film Ender’s Game, as well as virtual likenesses for Elvis Presley that will be jointly owned by CORE Media Group and DDMG. DDMG also converts two-dimensional (2D) imagery to three-dimensional (3D) imagery and holds key patents in this area. The company is also applying its CG expertise to produce original, family-friendly animated feature films at its subsidiary Tradition Studios. The first movie, The Legend of Tembo, is in pre-production and two more features are in development. The company’s education subsidiary, the Digital Domain Institute, sets a new standard in digital media education through a pioneering public-private partnership with The Florida State University College of Motion Picture Arts. DDMG is expanding its worldwide footprint of the highest quality visual effects and animation at the lowest possible cost through global partnerships in India and China. The company has studios in Los Angeles, San Francisco, Florida, Vancouver, Mumbai and London, and is currently establishing studios in Beijing and Abu Dhabi. http://www.ddmg.co

ABOUT PRIME FOCUS WORLD
Prime Focus World is a leading global technology services company providing comprehensive creative and technical services to the film, broadcast and advertising industries. Providing 2D to 3D conversion, visual effects and animation services for major media and entertainment companies, the Company has brought its expertise to many wide release Hollywood films, including Men in Black 3, Star Wars: Episode One – The Phantom Menace, Harry Potter and the Deathly Hallows: Part 2, Narnia: The Voyage of the Dawn Treader, Green Lantern, Immortals, Transformers: Dark of the Moon and Avatar. Prime Focus World has global operations with a presence in key centers of creative content production – Los Angeles, New York, London, Vancouver and Mumbai.

This post makes no interpretation of who is right and wrong in these legal matters that are in the hands of the courts.