Showing posts with label marisa tomei. Show all posts
Showing posts with label marisa tomei. Show all posts

Friday, 7 July 2017

Spider-Man: Homecoming (2017)

Genres

Action, Sci-Fi

Director

Jon Watts

Country

USA

Cast

Tom Holland, Michael Keaton, Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Marisa Tomei, Robert Downey Jr., Jacob Batalon, Laura Harrier, Tony Revolori, Jennifer Connelly, Chris Evans, Gwyneth Paltrow

Storyline

Months after Civil War, Peter Parker (Tom Holland) tries to balance his life as an ordinary high school student while fighting Vulture (Michael Keaton), a new villain that will threaten everything that is important to Peter. 

Opinion

After Logan and Wonder Woman, I think Spider-Man: Homecoming was the most hyped (superhero) film of the year. But I wasn't that excited about it probably because of what happened with The Amazing Spider-Man flicks, so it easily exceeded my expectations. Actually, it was way better than I thought. In fact, Spider-Man: Homecoming was entertaining as hell and one of the funniest MCU films made so far -and I also liked it better than Guardians of the Galaxy Vol.2.

After gods, androids and aliens, this is the film that (finally) brings back down to earth the MCU with another origin story that doesn't feel like an origin story at all. Rather than focusing (again) on the whole bite thing, this film focuses on teen Peter Parker as he struggles to find his place in the (Avengers) world. Although the plot could have used some more depth - it's indeed very simple - it's compelling and engaging. And it also has a nice twist.

The characters, as well as their roles in the role, were a pleasant surprise. The character of Peter Parker is well developed and Tom Holland makes for a fantastic Spidey. He beautifully captures the spirit of teen Peter Parker, a guy who is always trying to prove himself and wants to be involved in bad things. He's fun to be around and he delivers the humour.

A huge surprise was the role of Robert Downey Jr.'s Tony Stark/Iron Man. Because of the trailers, I was expecting him to completely steal the show. But the opposite happened. He was barely in the movie and that gave Holland the chance to really shine. And now the problems with the other characters. While I liked the idea of changing the characters races, it bothered me that all those characters were paper-thin. And the cast was uneven. I think Zendaya was great as Michelle, the quirky student who hangs around Peter, but Laura Harrier was terrible and annoying as Liz, Peter's shallow love interest.

Finally, there's the villain, Michael Keaton's Vulture. While more development would have been appreciated, Vulture and Keaton's mesmerising performance are definitely not forgettable like the majority of villains in Marvel movies. He is one of the most human villains. He's like a superhero villain, and his backstory and the reason he does what he does make you empathise with him.

Also great is the humour. Although it's pretty much the teen comedy kind of humour, it never feels forced and the timing of the actors will make you have a good time. The action is bad either. It doesn't react the spectacularity of the previous Marvel movies, but the sequences are still awesome.

Tuesday, 30 April 2013

Bending Reality: HAPPY ACCIDENTS

As far back as I can remember, I've always been a sucker for a good time-travel story. If the time travel is wrapped around a convincing romance, even better. Literary standouts of the genre include Time and Again, Bid Time Return (which became the movie Somewhere In Time), and The Time Traveler's Wife. Movie-wise you've got Time After Time, 12 Monkeys, the obscure but great 12:01, and last year's Safety Not Guaranteed. On TV the grandaddy of them all was the first-season Star Trek episode, "The City on the Edge of Forever," written by Harlan Ellison and considered among the best Trek episodes ever made (of any generation).

Brad Anderson's Happy Accidents (2000) juggles elements from many of its predecessors yet manages, in its grounded, low-budget way, to make an impressive contribution to the time-travel-romance. You can tell this movie--written, directed, and edited by Anderson--was made with far more love than money. It's sci-fi of the mind, with nary a special effect to be seen. Imagine (if you will) a feature-length episode of The Twilight Zone, only shot in a realistic New York setting with quirky humor and bucketloads of heart.


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Friday, 12 April 2013

Tales of the '70s: Freaks, Geeks, and Slums

Whether by coincidence or fate, two of the titles I decided to review today are late-1990s takes on growing up in the late '70s. One is a snappy indie comedy, the other a painfully honest (and funny) TV series that continues to deserve all belated praise hurled its way.


Slums of Beverly Hills (1998) - EXPIRED


For a long time I avoided this movie. A long time. Like, since it was first released, which goes back 15 years now. Why? I remember the positive reviews when it came out, and it still seems well regarded today. But despite that�and the fact that it co-stars my alternate-reality future wife, Marisa Tomei�I just never felt drawn in enough to give it a shot.

Maybe it was the title. For whatever reason, titles are important to me, and the word "slums" has never exactly squeezed my happy gland. (Come to think of it, that may be why I still haven't seen Slumdog Millionaire.) And though I'd loved Paul Mazursky's Down and Out In Beverly Hills (and liked Beverly Hills Cop well enough), as a devout New Yorker at the time I may have simply had my fill of things L.A.

I was wrong. Twenty lashes for Past David. This brash little comedy/drama is that all-too-rare coming-of-age story told from the girl's point of view, and unlike a lot of American films on the subject, it's not afraid to push a few buttons. That's attributable not only to its indie outlier status, but to writer/director Tamara Jenkins, who based much of the film on her own nomadic childhood. This isn't a rose-colored portrait of (cue violins) "one girl's coming of age." There's little sentimentality here�at least when it comes to the kids�even if it's not as comically merciless as 1995's Welcome to the Dollhouse. Still, any film that depicts its 14-year-old heroine on a bathroom floor experiencing her first vibrator gets big points in a film industry still notoriously squeamish dealing with young girls' sexuality.

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