Monday 31 January 2011

SHORT FEATURE: SEALAB 2021–UH OH

Well, it’s seems to be pretty cold all around the States these days, but at least here at The B-Movie Catechism we’re still hanging out about the beaches. And by about, I mean miles offshore and thousands of leagues down with the crew of Sealab 2021. But whatever works, right?

Uh Oh! Did somebody commit a sin here? I mean, besides the guy with the hooker? Well, according to the New Catholic Encyclopedia of 1967, “theologians make a different distinction… between statements that reveal damaging truths about another unnecessarily and those that are deliberate lies. The former is called detraction, the latter is called calumny. Hence, detraction is the blackening of an absent person's good name by unnecessarily revealing a true but hidden crime, sin, or defect. "Blackening" is used to express the effect of detraction, namely, dulling or obscuring the luster of a good name. Scripture points out that a good name "… is more desirable than great riches" Blackening another's good name is more than an uncharitable act; it is a sin of injustice. That the detracting statements are true is not a justification for their being made. The hidden truth about another that would damage his reputation may not be revealed without necessity.” So it looks like we have a clear case of detraction going on here.

“Many Catholics seem to be unaware of the fact that detraction is also a sin” writes Fr. Kenneth Baker, S.J. of the Catholic Education Resource Center, “a sin contrary to the Eighth Commandment. The seriousness of the sin, in the case of both calumny and detraction, depends upon the gravity of the injury done to the other party. The sin can be either venial or mortal, depending on the circumstances… It follows then, since both calumny and detraction are violations of justice, that both demand some kind of restitution. A person who has lied about another can often right the wrong he has done by retracting the lie and stating the truth. In the case of detraction the situation is more difficult, since it is not a matter of lying but of revealing the hidden sins or faults of another that should not be revealed in these circumstances. Frequently little can be done in the practical order. One cannot deny the statements since they actually are true; to deny them would be to add a lie to the previous detraction. Some moralists recommend, in this situation, apologies and praise of the person's good points.”

Yeah, that’s right. We’re expected to actually apologize. Uh oh.

2011 International Film Festival Rotterdam News

In the Bright Future section there are many films that are being streamed FREE on the fest Youtube channel. Streaming is only for 24 hours so changes every day. Unfortunately viewing is not allowed to all countries on a per film basis, so you have to find if your country is blocked or not for each available film.

Today the film is Qarantina by Oday Rasheed and for example yesterday there were two films: Las Marimbas del Infierno by Julio Hernandez Cordon and Lucia by Niles Atallah. To check if you can watch daily film go here.

Still, at the festival channel there are some complete films from last year that you can watch for free and if you’re interested check available films here.

There are some interesting films like for example Ci qing (Tattoo) by Wang Liren (no, it’s not Spider Lilies) about a “group of young Chinese in a small village in the south of China earn their living with theft, drugs and prostitution. They spend the rest of their days smoking and drinking. Wang Liren watches them with the gaze of a poet from times long gone.” Film has English subtitles. If you’re interested go here.

On other news the New Arrivals Award went to the short film Silent Things by Rob Brown, UK, 2011 that you can watch here or if you don't want to go to the original site below is the short.

Get Microsoft Silverlight Bekijk de video in andere formaten.

Enjoy!

17th Screen Actors Guild Awards Winners

With a very NOT entertaining television traditional awards ceremony show last night SAG gave not much surprises in the film categories (some in the TV categories) and winners are in *BLUE. To check complete list at official site go here.

I really hope that Oscar becomes more than just a parade of presenters that have difficulties to read prompter like happened in this ceremony; not that we don't enjoy watching actors but we have the Red Carpet to watch them. Inside we need an entertainment show so we don't fall asleep. Sigh.

Win this win The King's Speech becomes a front runner in the Oscar race as well as Natalie Portman, Christian Bale and Melissa Leo. I knew and confirm that this is Colin Firth year and I'm so glad that finally he's being recognized for great performances.

Was hoping Hailee Steinfeld will win, as is more than a well-deserved win for a movie that she "stole" from good actors. But seems that not many are willing to accept that an unknown teenager was able to eclipse celebrated actors; still hope that for the Oscar this category becomes the biggest surprise and Steinfeld wins.

To close one positive note, last night most SAG winners were first time winners which is unusual.

--//--

A few minutes ago the nominations were announced and unfortunately with not many surprises; these are the nominees.

Outstanding Performance by a Cast in a Motion Picture
Black Swan (Vincent Cassel, Barbara Hershey, Mila Kunis, Natalie Portman, and Winona Ryder)
The Fighter (Amy Adams, Christian Bale, Melissa Leo, Jack McGee, and Mark Wahlberg)
The Kids Are All Right (Annette Bening, Josh Hutcherson, Julianne Moore, Mark Ruffalo, and Mia Wariskowska)
*The King’s Speech (Anthony Andrews, Helena Bonham Carter, Jennifer Ehle, Colin Firth, Michael Gambon, Derek Jacobi, Guy Pearce, Geoffrey Rush, and Timothy Spall)
The Social Network (Jesse Eisenberg, Andrew Garfield, Armie Hammer, Max Minghella, Josh Pence, and Justin Timberlake)

Outstanding Performance by a Female Actor in a Leading Role
Annette Bening in The Kids Are All Right
Nicole Kidman in Rabbit Hole
Jennifer Lawrence in Winter’s Bone
*Natalie Portman in Black Swan
Hilary Swank in Conviction

Outstanding Performance by a Female Actor in a Supporting Role
Amy Adams in The Fighter
Helena Bonham Carter in The King’s Speech
Mila Kunis in Black Swan
*Melissa Leo in The Fighter
Hailee Steinfeld in True Grit

Outstanding Performance by a Male Actor in a Leading Role
Jeff Bridges in True Grit
Robert Duvall in Get Low
Jesse Eisenberg in The Social Network
*Colin Firth in The King’s Speech
James Franco in 127 Hours

Outstanding Performance by a Male Actor in a Supporting Role
*Christian Bale in The Fighter
John Hawkes in Winter’s Bone
Jeremy Renner in The Town
Mark Ruffalo in The Kids Are All Right
Geoffrey Rush in The King’s Speech

Life Achievement Award: Ernest Borgine

To read the press release at the official site please go here. Most interesting, again, are the nominees in the TV categories. The awards ceremony will be simulcast live on TNT and TBS on Sunday, January 30, 2011 at 8:00 pm EST and I imagine that TNT will broadcast the show to the rest of the world, as happened in previous years.

We have to recall that these nominations are the first we learn from people that actually vote at the Oscar and that this Guild is the largest; meaning, the one that has the most members, i.e. votes. The biggest surprise for me is that SAG filled the last Oscar spot in the Best Actress category with Hilary Swank! I was sure about the other four, but now it becomes possible that Hilary will be against Annette once more and when this happened in the past, Hilary won. Haven’t seen Conviction and of course I’m dying to watch Black Swan; will be only after watching these two films that will dare to do my Oscar predictions for this category.

In the female supporting role category perhaps the surprise is the inclusion of Hailee Steinfeld in True Grit. I don’t particularly like remakes, much less when is from a classic but now I’m becoming curious as Jeff Bridges also got a nod. In the male supporting category the only one unexpected for me is John Hawkes, but he deserves the honor.

Surely the category that became more interesting is the male actor in a leading role as Jeff Bridges and Robert Duvall got honored by their peers. The other three were a given for me. So now is going to be a little bit harder to figure out who will be nominated for Oscar.  But if Bridges and Firth get an Oscar nomination  will be just like last year and only hope that Colin Firth wins this time.

The category that became duller is the cast ensemble as there are no surprises there at all, with actors loving the same performances/movies that critics adore and we already know which movie won almost all critics honors.

In about a month and a half we will learn the winners and then Oscar predictions will become interesting for everyone that plays any of the multiple odds games around Oscar.

Sunday 30 January 2011

2011 Sundance Film Festival Award Winners

Last night the festival announced the winners and here they are.

Feature Films

World Cinema
Jury Prize: Sykt Lykkelig (Happy, Happy), Anne Sewitsky, Norway
Directing Award: Paddy Considine for Tyrannousaur, UK

Special Jury Prizes for Breakout Performances: Olivia Colman and Peter Mullan in Tyrannousaur, Paddy Considine, UK

Audience Award: Kinyarwanda, Alrick Brown, USA and Rwanda

USA
Grand Jury Prize: Like Crazy, Drake Doremus (with Jennifer Lawrence)
Directing Award: Sean Durkin for Martha Marcy May Marlene

Special Jury Prize: Another Earth, Mike Cahill
Special Jury Prize: Felicity Jones in Like Crazy, Drake Doremus

Audience Award: Circumstance, Maryam Keshavarz

To check winners in all categories as well as in documentaries and shorts go here. Think that will try to watch the love story in Like Crazy “about a British student that falls for Jacob only to be separated from him when she’s banned from USA after overstaying her visa” as seems Felicity Jones performance is on the very good side.

Most films are too depressing for me to be interested in watching, but obviously Circumstance is must be seen for me and know will watch Happy, Happy that have been following movie during its travels in the fest circuit. Well, not bad this year as I have movies from this fest that are interesting enough to try to watch them eventually. Another must be seen film from this year is Pariah by Dee Rees.

And Your New SUPERMAN Is...

...Henry Cavill, late of "The Tudors." So sez Deadline. A strapping, square-jawed Caucasian brunette? Who'd a' thunk? Anyway, this marks Cavill's first major franchise "get" after having previously been an also ran for the same part in "Superman Returns," along with Batman and James Bond. Google's got headshots galore kids, so... LET THE PHOTOSHOPPING BEGIN!!!

For those keeping track, the planned feature is a seperate entity from the Richard Donner/Bryan Singer/etc continuity; with a top-secret story by David Goyer, "overseen" by Christopher Nolan ("hey Chris, can the Superman guys borrow some of your fan-rage-proof armor?") and directed by Zack Snyder. Of all of them, it's Snyder's involvement I'm most excited for - the guy jumps in with both feet, doesn't know the meaning of "unfilmmable" and lacks the phobia of compositional-beauty that afflicts so many of his contemporaries. Plus, if it's even 1/10th as good as "Watchmen" was... damn.

Trivia: This makes "Avengers" the only 2012 American superhero movie (out of 4) without a British actor feigning an American accent in the lead - Cavill, Christian Bale and Andrew Garfield are all Brits.

Hors-la-loi (Outside The Law)

It’s a very good movie. Had to take my first statement out of the way as I believe that this is a difficult to objectively review film and will try not to ramble. Think that the best way to start is with a little general information about Rachid Bouchareb trilogy that started with great Indigènes (Days of Glory), continues with this film and will end in a third installment.

The trilogy will be Bouchareb’s personal vision of the History that links France and Algeria; so the first installment, Indigènes, is about World War II and in the beginning Bouchareb wanted film to end with Sétif massacre of May 8, 1945 but changed his mind and decided that film had to end in France, as film did.

Second installment, Hors-la-loi, has a prologue set in 1925 in which the French Code de l’Indigenat is applied to a poor Algerian family, has to leave his ancestral land and move to Sétif. Film starts in 1945 with the Sétif massacre where many members of the prologue family die leaving alive only the mother and three of her sons: Saïd (Jamel Debbouze), Messaoud (Roschdy Zem), and Abdelkader (Sami Bouajila) and the links that France and Algeria have are dramatized by telling the life of these three very different brothers. So, basically film tells about the urban guerrilla activities of the Front de Libération Nationale or FLN (National Liberation Front), the reactions of French secret service Red Hand organization, and ends in 1962 with the recognition of Algeria’s independence.

BUT what I explain in the above paragraph is the background as what REALLY film tells is the story of the three brothers, the emotional story of a family. So story is a strong family drama that will move you no matter if is set against real turbulent times. For me film was an intense emotional ride that kept my total attention until the very end.

Third installment, Bouchareb wishes to tell about 50 years of immigration (after 1962) and says that hopes to make film in four to five years.

Now you know more about story than what I usually tell, but this film is not a History class even when if you’re not familiar with the History told you will learn the basics in film; still, France/Algeria confrontations are not much different than other confrontations that happened between conquers and conquered around the world.

Film as film has extraordinary performances by three lead actors and outstanding visuals that recall epic movies of another era (Bouchareb was inspired by the likes of Leone, Coppola, Kazan, etc); especially many outdoors scenes that were filmed in Tunisia at Tarak Ben Ammar studios famous for films like The English Patient, Star Wars and Indiana Jones and the Raiders of the Lost Ark, which absolutely helps to get the feeling of movies of another era. I imagine that this helped movie (a lot) to get an Oscar nomination, but wonder if very controversial story will give film a chance to win the Oscar.

I strongly recommend this film as must be seen for those that appreciate good movies with strong/emotional drama stories set during real events. This is a French majority production but accordingly to what I read, due to the much publicized controversy decided to submit it as an Algerian film. As we know film was in competition for the Golden Lion at 2010 Cannes.

Enjoy!!!

Watch trailer @MOC

The Tourist

I knew that I will like this movie and I did. A lot more than what imagined as film feels and looks like those glorious movies from a long time ago; the ones like, for example, an old Hitchcock caper starring Cary Grant. Mentioned Grant but don’t think that Johnny is Cary Grant, no he isn’t and I’m so glad as Johnny Depp is Johnny Depp and gives to character his peculiar style that yes, made me smile and even laugh (once) but obviously film is NOT a comedy at all. Ah! the Golden Globes and their misleading (very dumb) classification.

But have to share that film also made me recall the early James Bond movies when Sean Connery was Bond, maybe helped a little that the Russian villain in this film also is the villain in a Bond movie; but also because The Tourist has the absurdly glamorous style of those Bond movies. I know you have to love your cinema to recall those movies and wonder if current audiences have lost the taste for glossy, sophisticated, gloriously improbable romp –escapist fun movies. Then The Tourist is really fun to watch as also there are twists and chases a-plenty while juggling old clichés with total confidence.

By the way film is a remake. Yes, a remake of a 2005 French movie called Anthony Zimmer with Yvan Attal and Sophie Marceau in the lead roles. Haven’t seen the original but surely will do as now I’m curious.

Surprise: I enjoyed Angelina Jolie performance! Lately haven’t enjoyed her but in here she’s the perfect match to Johnny. Most reviews by critics and viewers comment that there was no chemistry between them and surely was due to the fact that there was not to be chemistry between them as according to the plot Elise (Jolie) was using Frank (Depp) as a decoy and her love object is not Frank but Alexander Pearce. Don’t have to mention how much I enjoyed Johnny Depp in this movie and won’t deny the fact that I didn’t see Elise and Frank in the movie, I saw Angelina Jolie and Johnny Depp, which just adds to the fun as this is not a movie to take seriously but to enjoy as simple good old-fashion escapist entertainment.

So what’s story about? Basic plot revolves around a shy, unassuming American tourist (Depp) who is lured by an absurdly glamorous Englishwoman (Jolie) into a devilish web of dangerous intrigue with British police (Timothy Dalton and Paul Bettany) and Russian gangsters wrongly identifying him as an elusive criminal plus he’s being followed by a dark, handsome, mystery man (Rufus Sewell).

Who knew that Florian Henckel von Donnersmarkck, better known for directing great Das Leben der Anderen (The Lives of Others), could do so well this nice entertaining movie? Not me, which is a big surprise as both movies are so different yet both very well-done, each in their own style. Don’t have to tell you -but I will- that production values are excellent and Venice looks unbelievable beautiful.

Maybe too early I guessed right what’s revealed at the end, but it just added to the fun while watching this glamorous movie that I do recommend to those that still remember good old-fashion films from a long gone era. Me, I’m glad that some filmmakers are daring to do today this type of films again.

Enjoy!!!

Watch trailer @MOC

demographics

So... how does Tom Hooper, formerly the director of the superlative "John Adams" miniseries, currently director of "The Kings Speech" - possibly the blandest, safest, most staid (increasingly-prospective) Oscar Juggernaut since... I dunno, "Out of Africa?" - pull a "surprise" upset at the DGAs  for said overblown A&E special over the heavily-favored David Fincher?

Search me, but it's a pretty unpleasant turn of events - yes, even for Hooper to some extent, who's actually pretty talented (see: "John Adams") and now gets to have a 21st Century "WTF" equivalent to "Driving Miss Daisy" hung on him. If I had to take a stab at it, the probable answer is that MOST of the Directors Guild is comprised of paycheck-to-paycheck "journeyman" TV guys, which is precisely what Hooper has been up to this point, so there's a hometown-boy-makes-good angle.

The takeaway, of course, is that given this, the similar Producers Guild win and the fact that it's a big-cast "actor's film" you can pretty-much pencil-in "Speech" as this year's Best Picture Oscar winner which is... simultaneously meaningless and blood-boiling, so... whatever.

Biutiful (2010)

The most recent movie of Mexican director Alejandro González Iñárritu portrays a modern-time Barcelona I didn’t know, though I could imagine it exists. In fact, this movie could have been filmed in most European countries, we all know what is going on but it’s just that we choose not to think about unpleasant things that happen around us.

I have read several times that the movie is about “a conflicted man involved in illegal dealing who struggles to take care of his two children”…or variations of it. It so happens that there is a lot more to this story, like sweatshops and exploited illegal immigrants whose lives we also get to know. This is a movie about people of all races struggling to make a living under desperate circumstances.  

Iñarritu even manages to tackle issues like bipolarity, cancer, homosexuality, adultery, murder and after-life, and yes, it all makes sense and adds to the movie.

As for the cast, Javier Bardem deserves his nomination to the Oscars, but with the script and direction this movie has, it would be hard not to do a good job. I was more surprised with the rest of the cast, since they all do a great job with solid performances. I’m thinking of Maricel Alvarez, Hanaa Bouchaib or Diaryatou Daff. Sometimes having a cast of unknown actors adds to it, because it keeps you focused in the story and on the people that are a part of it.


You will see many people describing this movie as boring, scattered, and inferior to “Babel”. It surely is a movie that demands your full attention. I saw this movie alone and I’m glad that I did that.  As for comparing it with the director’s previous work, I had a chance to re-watch Babel very recently and though I really like that movie, I think Biutiful is better. Well, I’m glad we are all different.

One last note to mention how I love the end of this movie. Or the way it begins?

Biutiful earned itself a Best Foreign Language Film Oscar nomination.

Green light! 

63rd Annual Directors Guild of America Award Winners

Winners are in *BLUE. To check complete list of winners go here.

Was wrong, not Fincher but Hooper. As you can imagine most critics I follow in twitter are not happy with the result; one particular tweet says: "critics matter" like trying to reaffirm critics' function. As DGA is one of the largest Guilds, now 'everyone' is 'affirming' that The King's Speech will win 'everything'.

So, what do I say? Me for one liked a lot more The King's Speech than The Social Network as the first was more emotional than the second which I liked basically for the business story. But if I consider only the director's work, absolutely agree that between these two films, Tom Hooper did a better job creating a better movie.

Of course my award goes to Daren Aronofsky as he did an incredible job with actors, screenplay,tech specs and managed to create a film that almost each viewer will be able to see in it whatever they want to see. Not often you have a movie that so successfully allows viewers to have their own interpretation, much less in American cinema that tends to 'chew' everything so viewers see exactly what they want them to see.

Truth is that if we follow 'tradition' this win means that The King's Speech just went up in the odds. But there is a small percentage that suggests that Oscar race is still interesting, at least until tonight when we learn the SAG (another large Guild) winners. If The King's Speech ensemble wins, then seems that DGA's 'tradition' will remain intact.

In a few hours we will have a more clear perspective if Oscar race becomes less predictable and more interesting or not.

--//--

A few minutes ago the guild announced the nominees for Outstanding Directorial Achievement in Feature Film for 2010. This is one of the oldest guilds as 2011 marks the 75th anniversary of the DGA.

Darren Aronofsky for Black Swan
David Fincher for The Social Network
*Tom Hooper for The King’s Speech
Christopher Nolan for Inception
David O. Russell for The Fighter

I was sure about the first three nominees but can’t deny my surprise with the bottom two and really regret that excellent Debra Granik (for Winter’s Bone) did not get honored. I really liked a lot more Winter’s Bone than Inception or The Fighter and the last, can’t understand why honoring a director that could have made a much better movie or at least, better balanced among all lead characters.

For obvious reasons last year was -and seems will be in the near future- the most exciting times to follow nominees and winner for this guild and the Oscar. Remember when Kathryn Bigelow got a DGA nomination after she and her film was ignored at indie awards?

As they say in the official announcement, that’s here, the DGA winner “has traditionally been one of the industry’s most accurate barometers for who will win the Best Director Academy Award; only six times since the DGA Awards began in 1948 has the DGA winner not gone on to win the corresponding Academy Award”. Today I’m taking a risk to say that the winner is: David Fincher and this year the tradition will continue intact.

Today, January 12, the guild announced the nominees for Outstanding Directorial Achievement.

Lixin Fan for Last Train Home
*Charles Ferguson for Inside Job
Alex Gibney for Client 9: The Rise and Fall of Eliot Spitzer
Davis Guggenheim for Waiting for Superman
Tim Hetherington and Sebastian Junger for Restrepo

Award ceremony will be on Saturday, January 29.

Saturday 29 January 2011

Monumental

A few decades back, when the British Museum System started to give in to international outcry to begin returning historical artifacts initially "discovered" and transported under less-than-legitimate legality to their countries of origin, one of the principal arguments against said returns was that various nations in - for example - Asia, Africa and the Middle-East were too unstable to "trust" with the safekeeping of priceless treasures of human history.

This argument was largely dismissed as self-justifying hyperbole couched in racism and cultural-bigotry; and honestly that was probably the correct response. "I'm better than the person I stole from, so I DESERVE the stolen goods more" is a pretty bad defense in any circumstance, and folks who'd make it pretty-much self-identify as total bastards by doing so.

So... how much does it SUCK that, now that the unfolding clusterfuck in Egypt has predictably led to the desecration of priceless antiquities... those aforementioned bigoted bastards would probably have more than a little cause to say "told ya so?"

Yeah, I'm "that guy" who doesn't really get "torn up" over stuff like this until Museums and cultural-treasures start getting destroyed. Y'know that "heroic" scene in "Volcano" where the guy is chastising the rescue team for trying to save "a buncha paintings and stuff" instead of "the people?" Out of the whole ridiculous movie, that's the part that makes me roll my eyes the most. In the comments section, someone will make the (very sincere) argument that worth of historical art-treasures is nothing compared to "the fight against oppression" or "a poverty-stricken people"... yeah, I know that's how I'm "supposed" to see the world - but I don't. Not really.

Obviously, in the abstract, I'm for "the little guy" and against dictatorships and autocrats... but in all honesty, like the thoroughly-detached, media-placated Ugly American that I am I'm unable to summon much more than a that's-too-bad about the plight of the protesting Egyptian citizenry - whoever the good guys are, I hope they win and I don't want to see any (more) people die needlessly, that's about what I can muster. On the other hand... the idea of Mubarak falling, a Muslim Brotherhood-backed theocracy filling the vacuum a'la the Taliban and the Pyramids, Sphinx etc winding up like The Bamiyan Buddhas? THAT makes me literally shake with indignation. "Things" can win out over "people" with me, on a case by case basis. That's who I am, and I accept it.

Anyway... it got me thinking about one of my favorite "why don't more people know about this?" pieces of 20th Century history; and how much we could use a version of it today. How many of you have heard of "The Monument Men?"

Basically, during WWII the Allies were assissted by a U.S. Government-initiated group of art and history experts culled from the upper-echelons of the University and Museum community (y'know, those terrible "elites" you hear so much about) in the preservation of Europe's art treasures during and after the war effort. They're best known for helping to identify, secure and reclaim the stolen artwork caches of the Nazis, but they had active-combat functions as well. My favorite: When the Allies bombed Nazi-occupied Florence, they built tactics partially around detailed maps and coordinates provided by Monument Men to avoid damaging the city's priceless landmarks. This was very much an of-it's-time phenomenon - it existed because concerned art historians made the case for such an undertaking to the government, and men like FDR and Eisenhower agreed - it's the first time in modern (or pretty much ANY) record that an Army had been instructed to include the preservation of art and cultural treasues as part of their standing orders.

Two thoughts always occur to me about this, in order. First: Why the HELL was this never the plot of an "Indiana Jones" sequel?? Second: Can you IMAGINE the outcry if anyone proposed such a thing today? The wailing and gnashing of teeth from both the reflexively art-hating, "no spending!!!" Right and the "you're spending it on paintings... what about the PEOPLE!!!???" Left?

2011 Austrian Film Awards Winners

Winners are not yet at the official site but from press releases winners for top awards are in *BLUE. As soon as announcement is at site will post link to check winners in all categories.

--//--

The new Austrian Film Academy recently announced the nominations for the first Austrian Film Awards. These are the nominees chosen from a total of 41 films submitted.

Best Film
Der Räuber (The Robber), Benjamin Heisenberg
Lourdes, Jessica Hausner
*Die unabsichtliche Entführung der Frau Elfriede Ott, Andreas Prochaska

Best Director
Tizza Covi and Rainer Frimmel for La Pivellina
Jessica Hauser for Lourdes
*Benjamin Heisenberg for Der Räuber(The Robber)

Best Actress
Dorka Gryllus in Der Kameramörder, Robert-Adrian Pejo
Magdalena Kronschläger in Tag und Nacht, Sabine Derflinger
*Barbara Romaner in Mahler auf der Couch, Feliz O. Adlon and Percy Adlon (I want to watch this movie)

Best Actor
Moritz Bleibtreu in Jud Süss - Film ohne Gewissen (Jew Suss: Rise and Fall), Oskar Roehler
*Andreas Lust in Der Räuber (The Robber), Benjamin Heisenberg
Tobias Moretti in Jud Süss - Film ohne Gewissen (Jew Suss: Rise and Fall), Oskar Roehler

To check nominations in all categories go here available only in German. Awards ceremony will be in Vienna on January 29, 2011.

Love and Other Drugs

After some negative buzz had not much expectations about the movie but I tell you that this drama/romantic-comedy is quite enjoyable especially in the serious moments and there are plenty of it mostly referring to drug marketing and to main character illness. Indeed Maggie Murdock has Parkinson disease which allows Anne Hathaway to portrait a character with some intensity that gave her some Oscar buzz and yes, her performance is worth of it. The romantic part of the movie is kind of different and believable; the comedy part was a surprise as made me laugh, except the moments when Jamie (Jake Gyllenhaal) and his brother Josh (Josh Gad) that were absolutely awful for me.

Film tells about how Maggie, a free spirit that won’t let anyone to tie her down, and Jamie, a typical charming ladies man who doesn’t like commitment, meet and fall in love. This is a simple story that’s spiced with some not positive issues about the pharmaceutical industry marketing ways as well as dealing with a degenerative illness in a somehow realistic way, without making the situation sad.

Not a masterpiece, but an entertaining film with good performances by actors, especially Anne Hathaway that I believe is absolutely great in serious roles so is hard for me to understand why she will be Cat Woman in the next Batman film. Anyway she’s good here.

If you are in the mood for a light entertaining movie then I suggest you watch this film that’s suitable for all audiences, but I suspect women will like it more than men; still due to the ‘excessive’ (for American movies) nudity, know that men will be attracted to watch.

Enjoy!!

Watch trailer @MOC

2011 Slamdance Film Festival Award Winners

Winner is in *BLUE. To check complete list of award winners go here.

--//--

If I have problems with some films in Sundance just imagine with Slamdance; but there are two films that seems could be interesting, one from Chile and another by Mark Jackson. These are the films in the Narrative Feature category.

Atrocious, Fernando Barreda Luna, Mexico and Spain
Beneath Contempt, Benjamin Brewer, USA
Drama, Matias Lira, Chile
Fred & Vinnie, Steve Skrovan, USA
Modern Imbecile’s Planet World, Doug Manley, USA
Pleasant People, Dave Bonawits, USA
Silver Tongues, Simon Arthur, USA
Snow on tha Bluff, Damon Russell, USA
*Stranger Things, Eleanor Burke and Ron Eyal, UK and USA
The Beast Pageant, Albert Birney and Jon Moses, USA
Without, Mark Jackson, USA


To check info and watch some trailers go here.

Wednesday 26 January 2011

BMC MOVIE OF THE WEEK: SURF NAZIS MUST DIE

Surf Nazis Must Die
  • Surf Nazis Must Die
  • Barry Brenner,
  • Gail Neely,
  • Michael Sonya

An earthquake leaves the California coastline in ruins and reduces the beaches to a state of chaos. A group of Neo-Nazis led by Adolf (Brenner), the self-proclaimed "Führer of the new beach," take advantage of the resulting chaos by fighting off several rival surfer gangs to seize control of the beaches. Meanwhile, an African American oil well worker named Leroy (Harden) is killed by the Nazis while jogging on the beach. Leroy's mother "Mama" Washington (Neely), devastated by the loss of her son, vows revenge. After arming herself with a handgun and grenades, she breaks out of her retirement home and sets out to exact bloody vengeance on the Surf Nazis. – Wikipedia

34% liked it

R, 1 hr. 23 min.

Director: Peter George

January 23, 2011: Third Sunday in Ordinary Time (Year A)

There’s basically two kinds of movies you get from Troma. There’s the ones they make themselves that are chock full of unappealing nudity (yes, such a thing exists), cartoonish violence & gore, and more detailed depictions of gross bodily functions than you probably ever wanted to see (or hear) in your lifetime. And then there’s the other kind, the independently made oddities which Troma occasionally picks up and distributes. Mercifully, for my tastes anyway, Surf Nazis Must Die is one of the latter.

Which isn’t to say it’s a good movie. It’s so poorly paced, oddly edited, and awfully acted that it couldn’t be considered a good movie even if it were the only movie ever made and there was nothing else to compare it to. But at least it’s not vomitus. And, believe it or not, if you catch Surf Nazis Must Die in just the right mood, it’s got a couple of things that make it kind of interesting and (almost) enjoyable to watch. For one thing, there’s the throbbing electronic score by Jon McCallum (who, in a telltale sign of just how low budget this movie is, also did the special effects makeup) which manages to create a singular cohesive atmosphere for the film (which is good, because the script sure doesn’t). So if you’re a fan of all those old John Carpenter inspired synthesizer soundtracks, then this one isn’t to be missed. (Of course, if you don’t care for the bloop-bloop bleep-bleep school of scoring, this one will surely make you jam pencils into your ears.)

And then there’s the strange comic book universe the movie creates for itself, sort of like the one you find in Walter Hill’s The Warriors, although admittedly not depicted quite as successfully. As in The Warriors, the back alleys of Surf Nazis Must Die are populated not with Bloods, Crips, Latin Kings or other such real world gangs, but rather with outlandish bands of costumed cretins. There’s The Pipeliners, The all-Japanese Samurai Surfers, and the fashionably attired Designer Waves. And, of course, there’s the Surf Nazis themselves, all adorned with face paint and swastikas and driving around in their shark mouthed van. It’s funny goofy and all the better because the cast plays it dead serious.

Also like in The Warriors, the catalyst for everything that happens in Surf Nazis Must Die is the attempt by one guy to unite the various factions into one undefeatable army. And just like in The Warriors, there’s simply too much distrust and egoism and personal agendas spread amongst the individual gangs for the plan to ever reach fruition. Which works out well for everyone in post-big one California because, after all, who wants to be ruled over by guys with names like Adolph, Mengele, Brutus, Hook, and Smeg? But such internal bickering can be disastrous for groups where unity is considered a fundamental requirement, like say the Body of Christ which is the Church. That’s why Paul scolds the Corinthians in this week’s second reading. “For it has been reported to me about you…” he writes, “that there are rivalries among you. I mean that each of you is saying, “I belong to Paul,” or “I belong to Apollos,” or “I belong to Cephas,” or “I belong to Christ.” Is Christ divided?”

During a 2009 address for the feast of Sts. Peter and Paul, Pope Benedict XVI explained that the “greatest danger” to the Church is not external persecution, but the “negative attitudes” of the world that can pollute and “infect the Christian community” from within.” Among the specific dangers he pointed out were selfishness, vanity, pride, and love of money, all things which can lead to disharmony. That’s why the Catechism warns us, “Christ always gives his Church the gift of unity, but the Church must always pray and work to maintain, reinforce, and perfect the unity that Christ wills for her.” We must always be vigilant about our own hang-ups when we assemble, lest we go the way of the Surf Nazis.

Not literally, of course, as in the Church being taken down by a plus sized African American grandma armed with more firepower than Rambo, but you know what I mean.

Killers






Tuesday 25 January 2011

Oscar Nominations

So, "the narrative" of this year's Oscar race - because there always is one - is Young vs. Old or, rather, Analog vs. Digital: "The King's Speech," a solid but utterly unremarkable film you could none the less sell, unedited, as the ultimate parody of formula Oscar Bait vs. "The Social Network," a film whose subject matter, editing/directing style and even principal-cast may as well have just stepped out of a flying-saucer as far as much of The Academy is concerned.



That's not to say that it's ONLY between those two films, at least not yet, but that's The Narrative. See also: Christopher Nolan snubbed for Best Director (EASILY the biggest outrage of the year - "Inception" DEFINES "director's movie" the same way "Speech" does "actor's movie") and Daft Punk being shut out of a Best Score nod for "Tron: Legacy" - thus denying TV audiences worldwide the fun of seeing two guys in Power Rangers helmets sitting among the swells in crowd-shots... although it's not entirely surprising, can you imagine The Academy's half-mummified voter-base listening to the tracks, futzing with their player and wondering where all that electronic-distortion is coming from and where the "music" is? Honestly, "Tron" being shut-out of the art and FX categories in general is pretty glaring no matter what you think of the overall film.

Also snubbed: Edgar Wright, Mila Kunis, and probably some more I'll think of later.

Big Picture: Fair Game

2011 Academy Awards Nominations – Ranking

As I like to play with numbers here is a tally of what the nominations tells us about films and how many nods each got. List is in alphabetical order according to the rank each film achieved.

Summary

As expected the top ten films with most nominations are the ten nominated movies for the Best Picture category; but what’s interesting is the ranking that suggests how ‘likeable’ film was for academy members. The ‘likeable’ index tells us that IF Best Picture category had only five slots (as was before) nominated films will probably have been the top five: The King’s Speech, True Grit, Inception, The Social Network and The Fighter.

IF the number of honors each film got could tell us how much ‘likeable’ each film was for Academy members, then those Guilds/groups with the most members could be voting for the film as their most ‘likeable’; consequently, it is possible that race for the top award could be between: The King’s Speech, The Social Network AND True Grit. Race has become a bit more interesting for me.

Now who wins in each of the upcoming awards becomes key to not only predict winners in each category but also probable winner in the top award.

Here is the Ranking.

The King’s Speech – 12 (Actor leading role, actress supporting role, actor supporting role, art direction, cinematography, costume design, directing, film editing, original score, sound mixing, original screenplay, Best Picture)

True Grit – 10 (Actress supporting role, actor leading role, art direction, cinematography, costume design, directing, sound editing, sound mixing, adapted screenplay, Best Picture)

Inception – 8 (Art direction, cinematography, original score, sound editing, sound mixing, visual effects, original screenplay, and Best Picture)
The Social Network – 8 (Actor leading role, cinematography, directing, film editing, original score, sound mixing, adapted screenplay, Best Picture)

The Fighter – 7 (Actor supporting role, actress supporting role-2-, directing, film editing, original screenplay, Best Picture)

127 Hours – 6 (Actor leading role, film editing, original score, original song, adapted screenplay, Best Picture)

Black Swan – 5 (Actress Leading role, cinematography, directing, Film editing, Best Picture)
Toy Story 3 – 5 (Original song, sound editing, adapted screenplay, animated feature, Best Picture)

The Kids Are All Right – 4 (Actress leading role, actor supporting role, original screenplay, Best Picture)
Winter’s Bone – 4 (Actress leading role, actor supporting role, adapted screenplay, Best Picture)

Alice in Wonderland – 3 (Art direction, Costume design, Visual effects)

Biutiful – 2 (Actor leading role, Foreign Language)
Harry Potter and the Deathly Hallows Part 1 – 2 (Art direction, visual effects)

Animal Kingdom – 1 (Actress supporting role)
Another Year – 1 (Original screenplay
Barney’s Version – 1 (Makeup)
Blue Valentine – 1 (Actress leading role)
Country Strong – 1 (Original song)
Dogtooth – 1 (Foreign Language)
Gasland – 1 (Documentary Feature)
How to Train Your Dragon – 2 (Animated feature, original score)
I Am Love – 1 (Costume design)
The Illusionist – 1 (Animated feature)
In a Better World – 1 (Foreign Language)
Incendies – 1 (Foreign Language)
Inside Job – 1 (Documentary feature)
Iron Man 2 – 1 (Visual Effects)
Outside the Law – 1 (Foreign language)
Rabbit Hole – 1 (Actress leading role)
Restrepo – 1 (Documentary Feature)
Salt – 1 (Sound mixing)
Tangled – 1 (Original song)
The Tempest – 1 (Costume design)
The Town – 1 (Actor supporting role)
Unstoppable – 1 (Sound editing)
Waste Land – 1 (Documentary feature)
The Way Back – 1 (Makeup)
The Wolfman – 1 (Makeup)

FINAL 2011 OSCAR NOMINATION PREDICTIONS

Live from Sundance for the record...

BEST PICTURE

127 Hours
Black Swan
The Fighter
Inception
The Kids Are All Right
The King's Speech
The Social Network
Toy Story 3
True Grit
Winter's Bone

ALT: Blue Valentine

BEST DIRECTOR

Darren Aronofsky, Black Swan
David Fincher, The Social Network
Tom Hooper, The King's Speech
Christopher Nolan, Inception
David O. Russell, The Fighter

ALT: Joel & Ethan Coen, True Grit

BEST ACTOR

Javier Bardem, Biutiful
Jesse Eisenberg, The Social Network
Colin Firth, The King's Speech
James Franco, 127 Hours
Ryan Gosling, Blue Valentine

ALT: Jeff Bridges, True Grit

BEST ACTRESS

Annette Bening, The Kids Are All Right
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine

ALT: Julianne Moore, The Kids Are All Right

BEST SUPPORTING ACTOR

Christian Bale, The Fighter
Andrew Garfield, The Social Network
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King's Speech

ALT: John Hawkes, Winter's Bone

BEST SUPPORTING ACTRESS

Amy Adams, The Fighter
Helena Bonham Carter, The King's Speech
Melissa Leo, The Fighter
Lesley Manville, Another Year
Hailee Steinfeld, True Grit

ALT: Barbara Hershey, Black Swan

BEST ORIGINAL SCREENPLAY

Black Swan
The Fighter
Inception
The Kids Are All Right
The King's Speech

ALT: Blue Valentine

BEST ADAPTED SCREENPLAY

127 Hours
The Social Network
Toy Story 3
True Grit
Winter's Bone

ALT: Rabbit Hole

BEST ANIMATED FEATURE

Despicable Me
How to Train Your Dragon
Toy Story 3

ALT: The Illusionist

BEST DOCUMENTARY

Client 9
Exit Through the Gift Shop
Inside Job
The Tillman Story
Waiting for Superman

ALT: Waste Land

BEST CINEMATOGRAPHY

Black Swan
Inception
The King's Speech
The Social Network
True Grit

ALT: 127 Hours

BEST EDITING

127 Hours
Black Swan
Inception
The King's Speech
The Social Network

ALT: Blue Valentine

BEST ORIGINAL SCORE

127 Hours
Inception
The King's Speech
The Social Network
Tron: Legacy

ALT: How to Train Your Dragon

Monday 24 January 2011

Very Last Minute Oscar Nominations Predictions

Just checked and is UP! Expect post soon.

Nominations are not up yet, but can't believe I guessed the 10 movies right!! LOL! I'm SOOOOO glad Javier Bardem got a nod!!! Deep inside me I'm VERY glad that Nolan didn't make it to Best Director (didn't enjoyed much film) and well, Russell got in. Also got right the actress (GREAT!) and now we know Hailee got a supporting nod (she should WIN the Oscar) and I'm glad that Hawkes got a nod, which gives Winter's Bone three top nominations - very good! Will wait for nods to be at site to do post!

--//--

My crystal ball says the following.

Best Film
The Social Network
The King’s Speech
Black Swan
The Fighter
True Grit
Toy Story 3
The Kids Are All Right
Inception
127 Hours
Winter’s Bone

Another possible film is The Town, but there are no more slots, so if makes it, maybe one of the last two will be out.

Best Director
David Fincher for The Social Network
Darren Aronofsy for Black Swan
Tom Hooper for The King’s Speech
Christopher Nolan for Inception
Joel & Ethan Coen for True Grit

To be honest I prefer Debra Granik to Nolan but is almost impossible that Granik gets a nod; if she does will be a HUGE and very pleasant surprise. Coen Brothers are not a sure thing as David O. Russell could get in the fifth and last slot.

Best Actress
Natalie Portman in Black Swan
Annette Bening in The Kids Are All Right
Jennifer Lawrence in Winter’s Bone
Nicole Kidman in Rabbit Hole
Michelle Williams in Blue Valentine

I’m so glad that tomorrow we will know who gets nominated as this category has so many good performances that makes guessing quite difficult. The last slot is the one more vulnerable and I didn’t included Hailee Steinfeld as she’s being promoted to the supporting role where she has better winning odds. Still, I insist that she deserves a nomination as lead actress (got one in BAFTA) and I really hope she gets one.

Best Supporting Actress
Helena Bonham Carter in The King’s Speech
Melissa Leo in The Fighter

This category is not easy and my crystal ball has full blur; but will Hailee Steinfeld land here? I don’t know. Will Jacki Weaver? Who knows. Will Amy Adams get a nod? Will Mila Kunis or Barbara Hershey make it? Big mystery besides the two I’m sure will get nominated.

Best Actor
Colin Firth in The King’s Speech
Jesse Eisenberg in The Social Network
Jeff Bridges in True Grit
James Franco in 127 Hours
Ryan Gosling in Blue Valentine

The last slot is the most vulnerable and deep inside I wish that the name will be: Javier Bardem in Biutiful, let’s hope my wish becomes true.

Best Supporting Actor
Geoffrey Rush in The King’s Speech
Christian Bale in The Fighter
Andrew Garfield for The Social Network
Mark Ruffalo in The Kids Are All Right
Jeremy Renner in The Town

Last slot is the most vulnerable and the likes of John Hawkes, Sam Rockwell and sentimental choices like Michael Douglas or Pete Postlethwaite could make it.

Won’t try to guess the other categories but for the first time will guess winners at the last and final prediction of Oscar winners. We don’t have to wait much as nominations are tomorrow and then we will be playing the winners game.

Cheers!!!

2011 Guldbagge Awards Winners

Not yet at the official site but from news, here are the winners -in *Blue. As soon as they publish at their site will post link to check other categories. Noomi Rapace didn't win the award this year, but she got it last year for the Tattoo movie, so is all right; besides Pernilla August's Beyond got three awards.

To check all winners go here, available only in Swedish.

--//--

Yesterday the nominations were announced and the film with more nominations, eight, is none other than Svinalängorna (Beyond) by Pernilla August and starring Noomi Rapace, excellent. Awarded annually since 1964, the Guldbagge or ‘Golden Beetle’ is the name of the Swedish Film Institute’s award for achievements during the previous year and the award ceremony will be on January 24 at Stockholm with Swedish Television SVT broadcasting the event live.

These are the nominees.

Best Film
I rymden finns inga känslor (Simple Simon), Andreas Öhman
*Sebbe, Babak Najafi
Svinalängorna (Beyond), Pernilla August

Best Director
*Pernilla August for Svinalängorna(Beyond)
Lisa Langseth for Till det som är vackert (Pure aka Beloved)
Babak Najafi for Sebbe

Best Actress in a Leading Role
Pernilla August in Miss Kicki, Håkon Liu, Sweden and Taiwan
Noomi Rapace in Svinalängorna (Beyond)
*Alicia Vikander in Till det som är vackert (Pure aka Beloved)

Best Actor in a Leading Role
Sebastian Hiort af Ornäs in Sebbe, Babak Najafi
*Joel Kinnaman in Snabba Cash (Easy Money)
Bill Skarsgård in I rymden finns inga känslor (Simple Simon) (yes, his father is Stellan Skarsgård)

Best Foreign Language Film
Fish Tank, Andrea Arnold, UK and Netherland
*Lourdes, Jessica Hausner, Austria, France and Germany
The Social Network, David Fincher, USA

To check nominees in all categories go here.

These are the best nominations I have learned so far as did you notice the many women honored with nominations? I’m impress. Even in the foreign language category out of three nominees two films are by female directors. Also impressed by Pernilla August who got two nods, one for her debut film as a director and another for her performance in a film that seems interesting. Most films are known to me, but there are a few new ones that captured my interest, especially Miss Kicki.  Since a few months ago I have been 'dying' to be able to watch Noomi Rapace's performance in Beyond and now got more interested as surely film will be great.

Michael Bay TMNT Reboot Will Not Be as Good as This Short

How to get gobs of attention as short-filmmaker:

STEP 1: Adapt popular comic/game/toy/etc property from 1980s or early-90s.

STEP 2: Do really good job.


hat-tip: io9

INTERMISSION

Sorry, I had to take a few days off from blogging to knock out some work so I could slip away and celebrate my wife’s birthday AND head to downtown Atlanta to go for a walk with a few thousand of my new closest pals. Now the Atlanta March For Life draws nowhere near the crowd of places like DC or San Francisco, but there was still an eerie kind of power to be found in thousands of people silently walking through the concrete canyons of the city, the only sounds being the occasional siren, a few helicopter flyovers, and the stray Hail Mary.

Of course, being who I am, on the way down to the march I couldn’t help but call to mind the most recent image of Atlanta which has been on everyone’s mind… that of hordes of zombies shambling through the various Peachtree Streets on AMC’s The Walking Dead.

The knee jerk reaction (especially if one only has the discernment skills of something like, say, an unfunny HBO talk show host) would probably be to compare the marchers to the zombies. But in this instance, the zombies in the above photo are more readily identifiable with a society hell bent on devouring itself. They are a tidal wave of mock-life mindlessly spreading a culture of death. On the other hand, Officer Rick up there, that’s us, trying to survive and protect human life where we find it.

Only, unlike in most zombie stories, there’s more than just a rag tag band of survivors involved in the struggle. At least it sure seemed that way from my viewpoint last Friday afternoon…

2011-01-21 13.21.36

One day, in a more appropriate venue than a silly blog devoted to discussing crappy movies, I’ll have to tell everyone my personal involvement with abortion and why walking in that throng was the very, very least thing I could do. But for now, I’ll just let the Catechism have it's say. “Human life must be respected and protected absolutely from the moment of conception. From the first moment of his existence, a human being must be recognized as having the rights of a person - among which is the inviolable right of every innocent being to life.”

Please take a moment today to pray for our brothers and sisters marching around the country, and for those women (and men) who out of fear and desperation are considering the wrong choice, and especially for those unborn who deserve a chance at the life we ourselves so often take for granted.

----------------------------------------------

And then come back later when things aren’t so serious, cause I’ve still got more crappy movies to discuss than I know what to do with.

Sunday 23 January 2011

Brand New Day

Ladies and gentlemen, the 3rd and final appearance - as host, anyway - of The Game AntiThinker...



...but The Quest of The OverThinker has only just begun!

"I was an insect who dreamed of being a jogger... but now the dream is over"

Y'know what sucks about having over-developed foresight? The fact that it only seems to work in regards to the fate of ill-concieved movie projects. I can't call the Lottery or win a card game to save my life, but are you wondering who or what to short on the Hollywood Stock Exchange? Cuz if so, I'm your man.


The GOOD thing about it? I'm typically through with the stages of fanboy-outrage and into "acceptance" (or, rather, "whatever") pretty quick. Case in point: I find myself unable to summon the energy to give a damn about, say, J.J. Jameson being left out of The SpideReboot - yeah, kinda dissapointing in theory; but I kinda used up all my surplus-irritation for this mess back when they announced it, so every new detail just hits me with a middling sense of "lousy-sounding movie sounds slightly lousier, we'll find out next year."

Case in point: This weekend's meh-inducing panic-button were the above-pictured spy-snaps of Andrew Garfield's stuntman wearing a "stunt version" of the new Spidey-Suit, giving us a (sort-of) first look at the full design and the new mask. (The metal "spats" on the feet are probably to help the stunt-guy run, instead of a "real" part of the costume.)

It's not substantially more "revealing" than the first official shot from last week, nor is there any significant newness worth writing home about. They've gone with much smaller eyes, mainly, and you can more clearly see the how much more "busy" the design is: The blue parts are "broken up" into segments by lines, the strips of red up the arms is super-thin to the point of looking like racing-stripes and there are "matching" ones going down the back of the legs. You can also see that the interior of the gloves has blue fingers. Still immediately recognizable, but like I said... "busier." I'll be honest: I think all the extra detailing is kinda ugly-looking. Devin over at BAD thinks it looks like Ben Reilly's version from the books, which it sorta does and which is perversely appropriate.

What I DO hope this view of a harshly-lit, non-"battle-damaged" version of it does it put to rest this bullshit meme that this version looks more "home-made" than the one from the earlier films. No, it doesn't. It's same style with the same fabric-pattern and even the same raised-webs. Neither of them look anything like something a teenager can make in his house, neither has any live-action Spider-Man suit ever filmmed except the wrestling-costumed from the first one, maybe. And for that matter... why would anyone want it to? In a movie where a guy becomes a superhero - as opposed to a cancer patient - from a radioactive spider-bite, is the sewing skill really where you hinge the suspension of disbelief?

2011 Producers Guild of America Award Winners

Seems that Oscar race could be interesting after all -IF trend continues- as last night (well, not long ago) the first actual Academy voters gave the top award to The King Speech! News are all over but not yet at the site. Winners are in *BLUE.

--//--

Today the Producers Guild of America announced the complete list of nominees and here it is.

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

127 Hours, Danny Boyle
Black Swan, Darren Aronofsky
Inception, Christopher Nolan
The Fighter, David O. Russell
The Kids Are All Right, Lisa Cholodenko
*The King’s Speech, Tom Hooper
The Social Network, David Fincher
The Town, Ben Affleck
Toy Story 3, Lee Unkrich
True Grit, Joel and Ethan Coen

The Award for Outstanding Producer of Animated Theatrical Motion Pictures
Despicable Me, Pierre Coffin and Chris Renaud
How To Train Your Dragon, Dean DeBlois and Chris Sanders
*Toy Story 3, Lee Unkrich

As previously announced these are the nominees for the documentaries.

The Award for Outstanding Producer of Documentary Theatrical Motion Pictures
Client 9: The Rise and Fall of Eliot Spitzer, Alex Gibney
Earth Made of Glass, Deborah Scranton
Inside Job, Charles Ferguson
Smash His Camera, Leon Gast
The Tillman Story, Amir Bar-Lev
*Waiting for Superman, Davis Guggenheim

Above names are directors and to check the list with the producers names plus TV categories go here. Winners will be announced on Saturday, January 22, 2011.

With the announcement of the feature films we get our first idea of how the Best Picture nominees could look at the Oscar, as members of the guild are also Academy voters and even if there are many other Academy members I tend to believe that not much will change as the ten nominated films are the same as the ones that everyone has been speculating will get nominated at Oscar. By the end of the month we will learn the winner and things could get a bit more interesting, but my crystal ball tells me that winner will be one of the following: The Social Network, The King’s Speech or True Grit.