Sunday, 31 March 2013

THE WALKING DEAD: WHEN IS IT OKAY TO BLOW YOUR OWN BRAINS OUT?

The Walking Dead, saison 1

Okay, so the chances of a real zombie apocalypse happening are pretty slim, but if it did it would raise some interesting questions for Christians. For instance, on tonight’s season finale of The Walking Dead, one of the characters who has been with the show since episode one finally gets bitten, and instead of making someone else kill them after they turn, asks for a gun so they can put a bullet through their own head.

In a non-zombie filled world, and assuming there are no mental issues involved, blowing your own brains out would be a clear case of suicide. And as the Catechism points out, this is clearly not allowed because “suicide contradicts the natural inclination of the human being to preserve and perpetuate his life. It is gravely contrary to the just love of self. It likewise offends love of neighbor because it unjustly breaks the ties of solidarity with family, nation, and other human societies to which we continue to have obligations. Suicide is contrary to love for the living God. If suicide is committed with the intention of setting an example, especially to the young, it also takes on the gravity of scandal. Voluntary co-operation in suicide is contrary to the moral law.”

But what about once you add zombies to the equation? In the world of The Walking Dead, unless you manage to chop off the compromised limb within a minute or so, a zombie bite is a guaranteed death sentence. And in the case of tonight’s episode, the character in question was bitten in the neck, so amputation was not an option. That means without a doubt this character was going to die, turn into a zombie, and immediately attack any living person in the room. So, under those circumstances, was it moral or immoral for this character to take their own life?

Alas, as much as I’ve searched, I can’t find anything addressing zombie apocalypse ethics in the Catechism, and I don’t suppose we’re going to a bishop’s ruling on this question anytime soon. That being the case, I’ll go ahead and take a shot at it (so to speak) myself. According to the Catechism, “The object, the intention, and the circumstances make up the "sources," or constitutive elements, of the morality of human acts. The object chosen is a good toward which the will deliberately directs itself… In contrast to the object, the intention resides in the acting subject. Because it lies at the voluntary source of an action and determines it by its end, intention is an element essential to the moral evaluation of an action… [however] a good intention (for example, that of helping one's neighbor) does not make behavior that is intrinsically disordered, such as lying and calumny, good or just. The end does not justify the means… The circumstances, including the consequences, are secondary elements of a moral act. They contribute to increasing or diminishing the moral goodness or evil of human acts (for example, the amount of a theft). They can also diminish or increase the agent's responsibility (such as acting out of a fear of death). Circumstances of themselves cannot change the moral quality of acts themselves; they can make neither good nor right an action that is in itself evil.”

So let’s see. If I’m reading things correctly, in this situation the intention is to protect others, which is inarguably a good thing, however, the moral object (the end towards which the chosen act is inherently directed) would be the extinguishing of one’s own life, which is a grave sin. I’d say the circumstances obviously diminish the culpability of the person pulling the trigger, but are they enough to make the action a moral one? Before we make a decision, let’s throw in one more wrinkle. The Catechism has this to say about defense. “Legitimate defense can be not only a right but a grave duty for one who is responsible for the lives of others. The defense of the common good requires that an unjust aggressor be rendered unable to cause harm.” Given that, perhaps the first question to answer is, since returning as a zombie would obviously endanger others, could shooting yourself in the head actually be considered a legitimate act of defense of others, or would it still be considered suicide (and therefore immoral) because there’s always the possibility someone else could finish off your zombified corpse before it harms anybody?

Well, I’m not the Pope, but in this case, I think that personally I would rather err on the side of mercy and say that if someone in that particular circumstance felt it necessary to take their own life for the safety of the group, God would probably go easy on them. He tends to do that after all.

So, anybody got any ideas on this one?

Wednesday, 27 March 2013

PODCAST 40: Them & Bug [Creepy Crawly Edition]

This week the Forest and Cory talk movies of the creepy crawly variety. Forest shares his thoughts on the atomic-age classic Them, while Cory reviews the not so classic, Bug.
CONTINUE READING

PULP CATHOLICISM #009

Pulp Catholicism 009

SHORT FEATURE: EXTINCT PINK

So this week for Aleteia I reviewed The Croods, a movie I felt managed to pull a last minute save and extract itself from the near-omnipresent “children know best” theme found in most other animated features these days. Be warned, however, premier Catholic movie critic Steven D. Greydanus had very much the opposite reaction. But regardless of which side you choose, if there’s one thing we can all agree was missing from The Croods, it would probably be dinosaurs. Oh sure, I realize that since The Croods are an even more modern stone age age family than The Flinstones, they’ve got to be historically accurate and can’t have cavemen running around with sauropods. But still, weren’t cartoons much more fun when the facts didn’t matter…

Of course, there are some folks out there who believe the occasional mentions of dragons, leviathans, and behemoths in the bible indicate the possibility of dinosaur-like creatures running around in ancient times. The majority of modern theologians, however, tend to accept the current scientific theory that dinosaurs predated the appearance of humans and that those creatures in the bible were something else entirely.

Which leads to an interesting question for Christians, assuming current theories are correct, why did God bother creating dinosaurs to begin with? The short answer is, we just don’t know. From a pragmatic standpoint, it could just be simply that in order for a world to develop where humans could exist, maybe something like the dinosaurs were necessary to help get the place ready. Heck, there’s still things floating around today that we haven’t discovered yet, but they’re part of an ecosystem somewhere. So there’s that idea.

But since God works on any number of levels simultaneously, Michelle Arnold, apologist for Catholic Answers, postulates some possible philosophical reasons behind the existence of dinosaurs, notions such as:

  • “Dinosaurs teach that there is such a thing as universal death, which is one of St. Thomas Aquinas's five arguments for the existence of God.”
  • “Dinosaurs teach the possibility of life after death. There may be no dinosaurs currently inhabiting our world, but, in a certain sense, they live on today -- in our imaginations, in our scientific studies, in our hope that we may one day see such extraordinary creatures in the next life.”
  • “The existence of dinosaurs forces believers to more deeply understand their religion and thus more deeply understand God's hand at work in the world. Questions of the creation of the universe are thrown into a new light and we are forced to re-assess the merit of apparently simple understandings of divine revelation through the Church and the Bible.”
  • “The existence of dinosaurs forces unbelievers to re-assess their rejection of God that may be based at least partly upon the fact that they have not seen him with their own eyes. The fact that there are created beings that we know existed only because of the remnants of their lives that have been uncovered point to the existence of a God who can be known through the use of reason if one is willing to look at the "fossil record" of creation.”

So we’ve got lots of ideas, but in the end, the real reason for dinosaurs is just another one of those mysteries we probably won’t get the answer to while we’re in this world. And that’s fine. After all, the Catechism reminds us that there are “insurmountable limits that man, being a creature, must freely recognize and respect with trust.” And when those instances pop up, “Man is [to be] dependent on his Creator, and subject to the laws of creation and to the moral norms that govern the use of freedom.”

And as for my desire to see men (or pink panthers for that matter) square off against dinosaurs, well, we’ll always have Jurassic Park won’t we?

2013 Quinzaine des Réalisateurs Poster

Today the release of the parallel Cannes section poster, perhaps because is a black and white photo or maybe because is an excellent composition but I'm finding 2013 Cannes graphic identity outstanding as the Festival de Cannes poster is amazing and now this section releases another great poster with a great reasoning behind.

Poster 2013

Two persons in the middle of the desert, under a distant western sky.

The epitome of Adventure. Two modern-day cow-boys in a motor vehicle.

Or, why not, the vehicle of two filmmakers scouting locations, who briefly, forget their solitude to confront their experience and their destiny under a Fordain sky.

The Quinzaine des Réalisateurs this year will be a meeting place for creative artists in the midst of desire.

And a series of adventures, comedies and tragedies of today.

Life, indeed, but under skies bigger than life, as Nicholas Ray would put it...Movies, in short.

Edouard Waintrop

The poster for the 2013 Quinzaine des Réalisateurs was based on a photo by Cécile Burban. Michel Welfringer was in charge of the graphic conception.

Now I'm looking forward to see La Semaine poster as hopefully they will keep similar basic graphic identity.

Banner

Monday, 25 March 2013

CUTAWAYS: THE THREE AMIGOS

Day 162 of reading through the Catechism in one year as a part of the Year of Faith has rolled around, and this little nugget popped up. “God speaks to man through the visible creation. The material cosmos is so presented to man's intelligence that he can read there traces of its Creator. Light and darkness, wind and fire, water and earth, the tree and its fruit speak of God and symbolize both his greatness and his nearness.” Of course, I understand that the Catechism is speaking about hearing and seeing God in nature much in the same way you recognize an artist’s hand in a painting. But still, wouldn’t it be neat if we really could hear what nature was saying…

Hmm, probably better to just skip all that and keep reading the traces like God intended in the first place.

These Are Your New Ninja Turtles

Deadline is reporting that all four roles have now been cast for the Michael Bay-produced, Jonathan Liebesman-directed "TMNT" movie; which is once again moving ahead with no word on what they've done about the terrible screenplay that helped scuttled the project earlier. The four will join Megan Fox as April O'Neil, and apparently the notion that the turtles will be realized through motion-capture CGI is supposed to be news - I thought that was just assumed from the very beginning...

LEONARDO: Pete Ploszek; a virtual unknown fresh out of USC, only prior credits are TV guest spots.

DONATELLO: Jeremy Howard; onetime child-actor turned recurring TV mainstay. Has kind of a DJ Qualls thing going on, that plus the motion-capture leads me to believe we'll be looking at the turtles being somehow "matched" to their actors design-wise (re: Donatello leaning heavy on the geek/nerd angle) rather than being near-identical save for their masks and weapons. Not sure if that sounds like a good idea or not - part of me feels like the guys being differentiated primarily on personality is why they were strong(ish) characters...

MICHAELANGELO: Noel Fisher; who played the blonde high-camp Romanian vampire "Vladimir" in the final "Twilight" movie (he's the "Dat didn't taaake maach!" guy in this clip.)

RAPHAEL: Alan Ritchson; fashion model turned actor, best known as the "Smallville" version of Aquaman.

I assume we'll find out whether Liam Neeson or Morgan Freeman won the knife-fight over who gets to collect the quick paycheck for voicing Master Splinter (I have no idea if that actually happened, you just kind of have to assume they were among the first guys offered the part at this point.)

Beyond that, the rest of the casting should tell us how much (if anything) of the infamous earlier screenplay has survived: Casey Jones was a teenager in that version (and the lead role, think Sam Witwicky again,) Bebop, Rocksteady and Krang all featured and Shredder was an American paramilitary leader named Col. Schrader; so hearing the word "Shredder" or the casting of a Japanese actor would be indicators of substantial change (as would an adult or non-present Casey Jones). Would like to see B&R (and Krang) survive, though - pic will probably still be shit, but getting to check seeing those two in live-action off the "always wanted to see" list would be a solid consolation prize.

7th Gopo Award Winners

Today was the award ceremony which was live streamed for a while (suddenly the live stream turned into another TV show!) but truth is that without Cristian Mungiu's Beyond the Hills the awards lost interest for me.

Nevertheless most tech awards went to Undeva La Pilula so imagine that has to get a top award (no announcement yet about top awards).

Winners are in *BLUE and to check winners in all categories you can go to official site (not up yet but will be eventually) or their facebook page here where organizers announced live the winners.

2/26/13
A few moments ago the nominations for the Romanian annual award were announced and to my huge surprise Cristian Mungiu's Beyond the Hills is NOT nominated in any category.

According to news seems Mungiu requested organizers to not consider film, which can be possible due to the many non-positive cinema-related news (crisis) we been reading lately. Obviously the absence of Mungiu's film makes this edition a lot less interesting for me, but nevertheless my love for Romanian cinema (a cinema that I'm really hoping will not go into pause for long) allows me to share the nominations so you can be aware of the great/good Romanian films that maybe we will be able to see, eventually.

Awards ceremony will take place on March 25 at the National Opera in Bucharest and will be broadcast by TV ProCinema.

These are the nominees in top categories that does not include Best Actress this year as there were not enough contenders.

Best Film
Despre oameni şi melci (Of Snails and Men), Tudor Giurgiu
*Toată lumea din familia noastră (Everybody in Our Family), Radu Jude
Undeva La Palilula (Somewhere in Palilula), Silviu Purcărete
Visul Lui Adalbert (Adalbert's Dream), Gabriel Achim

Best Director
Gabriel Achim for Visul Lui Adalbert (Adalbert's Dream)
*Radu Jude for Toată lumea din familia noastră (Everybody in Our Family)
Silviu Purcărete for Visul Lui Adalbert (Adalbert's Dream)
Tudor Giurgiu for Despre oameni şi melci (Of Snails and Men)

Best Actor
Adrian Titieni in Și caii sunt verzi pe pereți (Chasing Rainbows)
Gabriel Spanhiu in Visul Lui Adalbert (Adalbert's Dream)
*Șerban Pavlu in Toată lumea din familia noastră (Everybody in Our Family)

Best Screenplay
Dan Chișu for Și caii sunt verzi pe pereți (Chasing Rainbows)
Gabriel Achim and Cosmin Manolache for Visul Lui Adalbert (Adalbert's Dream)
Ionuţ Teianu for Despre oameni şi melci (Of Snails and Men)
*Radu Jude and Corina Sabau for Toată lumea din familia noastră (Everybody in Our Family)

To check nominees in all categories go here or here, available only in Romanian. Most films seems to be comedies/dramedies but my experience tells me that Romanian (dry) humor is one I can enjoy, hope these movies are more dry than dumb; still Radu Jude's drama is one that I been followed since was screened at the Berlinale. After watching videos got more interested in watching films as some seem to be visually interesting.

Of Snails and Men



Everybody in Our Family



Somewhere in Palilula


from .

Adalbert's Dream



Chasing Rainbows

New WORLD WAR Z Trailer Drops!

Oh man - this looks good! This is exactly what I am looking for in a zombie movie as running zombies really get under my skin. The anger really adds to the tension to me. The scenes all look really well thought out and nothing is missing in the special effects either. Enjoy the trailer!

And knowing that Corey Turner is involved, the 3D is going to be spectacular in this thing!

Here's the movie's storyline:
The story revolves around United Nations employee Gerry Lane (played by Brad Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself.

WORLD WAR Z opens on June 21.

Cool Trailer Teaser For THE WOLVERINE And Two New Posters!

James Mangold's THE WOLVERINE just released a cool new teaser via Twitter for his upcoming trailer which will be dropping on Wednesday.

It looks action packed as you would expect from a Marvel movie and it does whet the appetite for what's coming.

As far as the posters go, I think it'll be intriguing to see Wolverine in Japan - I haven't read the comics for the character so I will be walking in fresh. The last poster seems to me to be a flashback to the old martial art movie posters - what do you think?

Here's the storyline for the movie:
Based on the celebrated comic book arc, this epic action-adventure takes Wolverine, the most iconic character of the X-Men universe, to modern day Japan. Out of his depth in an unknown world he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before.



THE WOLVERINE opens on July 26. Bring it on!

Sunday, 24 March 2013

HOBBIT: DESOLATION OF SMAUG LIVE EVENT


Hey all, Tim here with some thoughts on what I got to see today from THE HOBBIT: DESOLATION OF SMAUG Live Event Preview that happened at 3 PM EST. The Live Event was hosted by Peter Jackson for about an hour, and it included some a sneak peek of the film plus some behind the scenes. For those of you who were unable to catch the event it will was recorded and will be rebroadcast for you to watch at your own leisure starting March 27th and will be available until May 24th as the fine text says "Content may not be available after 5/24/13."

What did we see? Well in case there are those of you out there who want to remain spoiler free I will put the spoilerish stuff up in a block that you'll have to highlight in order to read. However, for the non-spoilerish stuff here are my thoughts and some interesting information divulged in during the event:
It started with Peter Jackson and James Nesbitt giving a tour of their post-production facility, including the mo-cap room, editing rooms, and the concept art on the walls. Jackson took questions sent in ahead of time via Twitter, with some video questions that were required to be submitted by March 19th, and answered some live questions coming off Twitter. A lot of Behind the Scenes footage was shown from the film, and with that some incomplete shots right out of the editing room. These shots gave us our first looks at some new characters in the film including Luke Evans (Bard), Evangeline Lilly (Tauriel), Stephen Fry (Master of Laketown), and the returning character Legolas played by Orlando Bloom. There was also a special guest appearance by Stephen Colbert, who asked Peter a question regarding the movie. Peter in return had a question for him. Jackson showed a bit of the editing process by showing multiple takes of Martin Freeman (Bilbo) delivering a line. He showed which takes they chose in an edited sequence, which included a neat intro to Bard.
Now for the spoiler stuff. Highlight the white block below to read:
SPOILERS... There was a full scene shown between Gandalf (Ian McKellan) and Radagast (Sylvester McCoy) where they investigate the tombs of Dol Godur. It starts with Gandalf investigating by himself and then jumping at the appearance of Radagast. They converse for a bit as we see the expense of the tombs. This would have been a scene in the first movie before it was moved to the second with the decision to have three movies.
Some of the BTS footage that showed possible spoiler stuff was exchanges between Legolas and his father Thanduil (Lee Pace), Tauriel and Legolas fighting orcs, the barrel riding scenes, Bard running around Laketown, etc. There was a lot of footage that went by fast and require a second watching. However, Laketown and the Elven Kingdom of Mirkwood should be great sets. We also saw a small bit of Bilbo in the Lonely Mountain wading through mounds of gold... but no Smaug.
END SPOILERS. Breath easy, and relax. Jackson revealed that we can expect a trailer in the Summer. I know that seems so far away, but it's so that they can complete effects shots.

And that was the special live event preview held by Jackson and team. If you didn't get a chance to see it, and aren't afraid of spoilers, I suggest you check it out when it hits the public web on the 27th. THE HOBBIT: DESOLATION OF SMAUG hits theaters December 13, 2013!

DWA Seeing The Bright Lights Of 3D Crood Oil Getting Refined! THE CROODS Own Number 1

Wow. Dreamworks Animation's (DWA) THE CROODS is really clubbing the competition this weekend! The family friendly movie is enjoying a massive reaction from fans on its first weekend of release, as OZ THE GREAT AND POWERFUL slips slightly to third at the box office. Still the two 3D movies are doing remarkably well.

In fact the only other 2013 opening weekend that has been better than OZ was THE CROODS; a great one-two punch for 3D so far this year.

What's up next? How about a little flick starring Bruce Willis, The Rock and Channing Tatum: G.I. JOE: RETALIATION in stunning 3D on March 28.

Here are the top five movies this weekend:
1. THE CROODS - $44,700,000 ($44,700,000 / $107,316,000)
2. OLYMPUS HAS FALLEN - $30,500,000 ($30,500,000 / $30,500,000)
3. OZ THE GREAT AND POWERFUL - $22,031,000 ($177, 559,000 / $356,359,000)
4. THE CALL - $8,700,000 ($30,904,000 / $30,904,000)
5. ADMISSION - $6,446,000 ($6,446,000 / $6,446,000)

Stat Source: Box Office Mojo

Must See: New Poster For WORLD WAR Z - New Trailer Tonight!!

An impressive new poster for Brad Pitt's WORLD WAR Z illustrates the incredible strength and dexterity of these new zombies - things aren't looking good for humanity.

Also, a new trailer for WORLD WAR Z hits tonight.

Here's the movie's storyline:
The story revolves around United Nations employee Gerry Lane (played by Brad Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself.

WORLD WAR Z opens on June 21.


Saturday, 23 March 2013

2013 Swiss Film Award Winners

Today at the awards ceremony winners were announced and as expected by me, Ursula Meier's Sister won big, including the top award.

Winners are in *BLUE. To check winners in all categories go here.

1/31/13
Last night the Federal Office of Culture announced the contenders for this edition. This official ceremony, known as “Nominations Night”, was held in Solothurn concert hall as part of the Solothurn Film Festival, and signals the countdown to the Swiss Film Award ceremony, which will take place on 23 March 2013 in the Bâtiment des Forces Motrices in Geneva. The guest speakers at the gala event were Federal Councillor Alain Berset, Charles Beer, President of the Executive Council of the canton of Geneva and President of the Association “Quartz” Genève Zürich, and Christian Frei, President of the Swiss Film Academy.

The awards honor ten categories and here are the nominees for the main categories where Rosie by Marcel Gisler got most nominations, 6; with three nods each, Ursula Meier's Sister, Nicolas Wadimoff's Opération Libertad and Werner Swiss Schweizer's Verliebte Feinde. The real surprise is that Sister didn't got the most nominations and that Rosie plus Verliebte Feinde seem to be interesting movies that had skipped my radar.

Best Film
Il Comandante e la Cicogna (The Commander and the Stork), Silvio Soldini
*L’Enfant d’en haut (Sister), Ursula Meier
Opération Libertad, Nicolas Wadimoff
Rosie, Marcel Gisler
Verliebte Feinde (Enemies In Love), Werner Swiss Schweizer

Best Actress
*Sibylle Brunner in Rosie
Mona Petri in Verliebte Feinde
Sabine Timoteo in Cyanure

Best Actor
Fabian Krüger in Rosie
Fabian Krüger in Verliebte Feinde
*Kacey Mottel Klein in L’Enfant d’en haut (Sister)

Best Performance in a Supporting Role
*Antonio Buil in Opération Libertad
Judith Hofmann in Rosie
Sebastian Ledesma in Rosie

Best Screenplay
Nicolas Wadimoff and Jacob Berger for Opération Libertad
Marcel Gisler and Rudolf Nadler for Rosie
*Ursula Meier and Antoine Jaccoud for L’Enfant d’en haut (Sister)

To read nominations in other categories and check info for each film go here.  Suggest to read synopsis for Rosie (has some gay interest) and Verliebte Feinde (protagonists relationship is compared to Beauvoir and Sartre).

Cheers!!!

PAXEast Special: "The Big Picture of Boston"

A guide to my home city for fans visiting for the big show. Enjoy!

Why We Can't Have Nice Things

A quick object lesson in the way that language can be abused.

Hollywood studio chief says, effectively, "let's maybe think about not being jerks."

Jerks respond by calling her a bigot and censor.

Nowhere in Pascal's (admittedly, let's face it, pie in the sky "nice idea") suggestion as to how the pro-equality fellow execs in her audience could use their positions to help the cause was there a call for censorship, or a rule, or even some kind of official position. It's a simple call for studio bosses with their fingers on the greenlight button to incorporate "being less homophobic" into the shaping of screenplays under their production - which is already their job!

Taking a pencil/red-marker etc to screenplays is what they do, and usually for much more cynical/financial reasons - "let's use that power for good" should not be a controversial request. But because it can be made to look like "liberal hypocrisy" in a meant-to-be-skimmed (you've got to read close to find the qualifying "not in so many words" in Nolte's screed) blurb on a site built on confirmation-bias and ginned-up non-issue outrage.

Friday, 22 March 2013

GREAT, ANOTHER TWIT

Because what the world needs now is one more person on Twitter, I’ve decided to sign up and bore people with random movie quotes, instantaneous rants about whatever I’m watching, and other unnecessary things. Feel free to add me to your already cluttered Twitter feed. You can sign up in the sidebar. Actually I decided to go ahead and join up after Pope Francis followed Benedict VXI’s lead and started to send out tweets. It’s just kind of neat to look at my phone and see the occasional inspirational quote from His Holiness. So, that’s one more begrudging step I take into the modern era. Still not going to buy a Blu-Ray player though, not gonna do it.

Speaking of twits.

Escape to The Movies: "Spring Breakers"

It's a goddamn masterpiece, the first genuine must-see of 2013 and may be Harmony Korine's first truly great movie. No, really - there's no joke there. Go see this. Now.

"Intermission" talks caveman movies, because of "The Croods" (which is actually pretty good.)

Oh, and come see ME at PAXEast! I'll be around the con all weekend, and at the Escapist Movie Night panel at 9:00pm on Saturday in the Merman Theater!


2013 Festival de Cannes Poster

A few minutes ago the official festival poster was announced with American movie icons Joanne Woodward and Paul Newman in a 1963 photo from the shooting of Melville Shavelson's A New Kind of Love.

The following is what the festival announced about the original photo and the poster.

The original photo

To grace the poster for its 66th edition, the Festival de Cannes has chosen a couple who embody the spirit of cinema like no other: Joanne Woodward and Paul Newman, photographed during the shooting of the aptly named A New Kind of Love, by Melville Shavelson (1963).

For the Festival it is a chance both to pay tribute to the memory of Paul Newman, who passed away in 2008, and to mark its undying admiration for Joanne Woodward, his wife and most favored co-star.

They were honored at the Festival de Cannes in 1958 – the year of their marriage – with the selection In Competition of Martin Ritt’s The Long Hot Summer, the first film in which they appeared together. The links between their story and that of the Festival continued with a series of films directed by Newman, who cast Woodward in unforgettable roles in The Effect of the Gamma Rays on Man-in-the-Moon Marigolds (Competition – 1973) and The Glass Menagerie (Competition – 1987).

The 2013 Festival Poster

The photograph from the shoot was isolated, remastered and redesigned by the Bronx agency, who added a kinetic element, toying with the impression of movement and depth in order to enhance the cinematographic effect.

The poster evokes a luminous and tender image of the modern couple, intertwined in perfect balance at the heart of the dizzying whirlwind that is love. The vision of these two lovers caught in a vertiginous embrace, oblivious of the world around them, invites us to experience cinema with all the passion of an everlasting desire.

The ★ Bronx agency (Paris) was responsible for all the graphics of the 2013 Festival.

It also created an animated film for the poster, to the soundtrack of a remixed version of the Festival’s musical theme. Arrangements: Olivier Huguenard - Emmanuel Plégat / Sismic Music.



Can't help but share that one film that never has left my memory is The Long Hot Summer, which perhaps is my favorite from the real life husband and wife couple and a film that I highly recommend to see if you haven't seen it yet. My only suggestion is to see it as a period film from a long-gone era.

Because photos are really worth watching, suggest you check the Poster Couple article at official festival site here.

Find the poster interesting, somehow a great portrait from the sixties but believe that the graphic representation in the vertical, horizontal and square materials is very suggestive as we know this is the 66th edition but because the photo chosen seems more a 69 than a 66. Wonder if is on purpose or just my imagination.


Thursday, 21 March 2013

NEWS FLASH: MAGICIAN PRODUCES ANCIENT IDIOCY OUT OF THIN AIR

Good evening Mr. & Mrs. Catholic, and all you other Christians at sea. We interupt this blog with this news flash. As fate would have it, right on the heels of our review of Oz The Great And Powerful, the fine folks at Aleteia have also requested we take a gander at Steve Carell’s latest effort, The Incredible Burt Wonderstone. Moviegoers haven’t seen this sort of magical mini-trend since 2006 when they were pummeled with the one-two punch of The Illusionist and The Prestige. Of course, this year’s presentation of prestidigitation isn’t quite as angsty as the previous go around, but still, if you like magicians, it’s not a bad time to be a ticket buyer.

But if the recent spate of pseudo-mystic movies hasn’t brought enough magic into your life, then not to worry because apparently there’s another place where you can catch a magician at work… your local church. That’s right, ladies and gentlemen, according to world renowned illusionist David Copperfield, there’s one name that towers above the rest when it comes to magic craft, one man who rises above the great, the powerful, and the incredible, one man who is the greatest magician of all time, and that man is… Jesus Christ.

To be fair, the clip from TMZ provides no real context, showing nothing more than Copperfield spouting off a quick answer to some bothersome reporter. From only that brief exchange, there’s no way of telling if he’s being serious or snarky, or perhaps even a little bit of both. But it wouldn’t be unreasonable to suspect Copperfield believes what he’s saying because the notion that Jesus was simply a really good stage magician with delusions of grandeur goes back a long, long way.

The accusation seems to have first appeared in print during the 2nd century when Greek philosopher Celsus published his book On the True Doctrine: A Discourse Against the Christians. In a treatise worthy (if that’s the proper word) of Richard Dawkins, Celsus insinuated, among other things, that an adulteress Mary gave birth to Jesus illegitimately and then raised him in Egypt where he picked up the magic tricks he would later use to befuddle the poor and stupid into believing he was a god. The early church father Origen of Alexandria was so unimpressed with these arguments that he wrote Contra Celsum, a work Professor Henry Chadwick describes as “the culmination of the whole apologetic movement of the second and third centuries.” In this book, Origen systematically demolished Celsus’ arguments, pointing out some obvious inconsistencies such as the fact that your average magician doesn’t typically cure the sick or come back from the dead.

But as Origen was quick to add, the “tricks” performed by Jesus weren’t just designed to prove his superiority over others. “There would indeed be a resemblance between them” Origen wrote, “if Jesus, like the dealers in magical arts, had performed His works only for show; but now there is not a single juggler who, by means of his proceedings, invites his spectators to reform their manners, or trains those to the fear of God who are amazed at what they see, nor who tries to persuade them so to live as men who are to be justified by God. And jugglers do none of these things, because they have neither the power nor the will, nor any desire to busy themselves about the reformation of men, inasmuch as their own lives are full of the grossest and most notorious sins. But how should not He who, by the miracles which He did, induced those who beheld the excellent results to undertake the reformation of their characters, manifest Himself not only to His genuine disciples, but also to others, as a pattern of most virtuous life, in order that His disciples might devote themselves to the work of instructing men in the will of God, and that the others, after being more fully instructed by His word and character than by His miracles, as to how they were to direct their lives, might in all their conduct have a constant reference to the good pleasure of the universal God? And if such were the life of Jesus, how could any one with reason compare Him with the sect of impostors, and not, on the contrary, believe, according to the promise, that He was God, who appeared in human form to do good to our race?”

In short, miracles are indeed spectacular, but unlike with ordinary stage magicians, the important question one should ask of Jesus and the wonders he performed is not really how did he do that… but why. Of course, be it Celsus or Dawkins or even Copperfield, the skeptics don’t seem to be in too much of a hurry to ask that question. Maybe they don’t want to hear the answer.

And with that, we return you to your regularly scheduled blog, signing off as is our custom with the immortal words of the great Les Nessman. Good evening, and may the good news be yours.

New STAR TREK INTO DARKNESS International Trailer And Poster!

Hey Star Trek fans, we've got a couple of great new marketing items for STAR TREK INTO DARKNESS that you should enjoy - one is a new poster pictured at left. Half of what is interesting about the poster is where it came from. It was part of Paramount's viral marketing as they secretly inserted a bit.ly web link in a freeze frame (pictured right) from the new international trailer (below).

The second marketing piece is a new international trailer and it introduces many new scenes - have a look at bottom...

You have to love what Benedict Cumberbatch is bringing to this motion picture. He just oozes credibility and amps up suspension of disbelief so well. Perfect casting for WHOEVER he is.

"I am better."
"At what?"
"Everything."

Click to enlarge
Here's the movie's storyline:
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

STAR TREK INTO DARKNESS opens on May 15th in IMAX and the 17th in wide release.

Still Not Feeling It

There's a new international trailer for "Star Trek Into Dark Knight" that includes some new footage, most notably/curiously a seemingly gratuitous glimpse of Alice Eve in her underwear that seemingly exists just for the benefit of screencaps. Turns out, it's JJ "Mystery Box" Abrams playing more advertising games with us, as there's actually a hidden URL in the background of the scene that leads to... a new poster.

Okay, so... I'm pretty-much okay with being "the guy" who still not really onboard with Abrams in general and his version of "Trek" specifically; so I get that anything remotely critical I have to say will be summarily dismissed. Fine. If I couldn't put up with that, I wouldn't be in the business. The trailer is pretty good, though I'm not any more persuaded that the problems of the previous installment won't simply be exacerbated.

Also, I understand that this is some kind of sacrilege because... well, because he's "Sherlock," pretty-much... at this point I've got to say it: If not for Cumberbatch's reigning-BBC-pinup-dude status and the obligatory Abrams obfuscation the "mystery villain" here would seem spectacularly boring: Yet another lone chaos-bringer ranting about how unstable everything actually is and how he can't wait to show us and blah blah...

I know, I know, "it's not my father's Star Trek," and I'm sure whatever he ultimately turns out to be will be interesting on some level... but taken at face value it's hard to ignore that we're being asked to pysch ourselves up for The Enterprise Crew's epic showdown with... Angry Man In Black Trenchcoat. Doesn't exactly inspire awe and wonder, is what I'm driving at...



That having been said... my takeaway from this poster is that - moreso than any before it - if you take away the title down the bottom it would be almost impossible to discern that this is supposed to be the poster for a "Star Trek" movie. Is that a problem? Is that a bad thing? I don't know. It feels like it SHOULD be, but I don't know. Thoughts?

Wednesday, 20 March 2013

PULP CATHOLICISM #008

Pulp Catholicism 008

PODCAST 39: Inland Empire & ATM

This week John went to Boston for a super secret Big Sushi gaming mission [PAX East], and as they say, when the cat is away the mice will play. Listen as Forest reviews, and offers some insight into, David Lynch's Inland Empire, while Cory covers an indie thriller from this
CONTINUE READING

Tuesday, 19 March 2013

X-Men Wedding Shocker!!!

Yeah, I know the accompanying image doesn't precisely fit. Cut me some slack, it's the only searchable-image for "X-Men Wedding" that doesn't seem like a lame tie-in to the corny gay joke every other outlet ran with.

Anyway, in what might be the niftiest piece of tangentially-nerdy news of the year so far, Patrick Stewart is marrying New York jazz musician Sunny Ozell. And, since the wedding is set to be held in Massachusetts, they'll be taking advantage of the state's one day marriage-designation law (which allows a friend/relative of a couple to be temporarily empowered to legally perform their wedding) the ceremony will be officiated by Sir Ian McKellan; whom Stewart is set to once again be co-starring with (as Professor X and Magneto, respectively) in the upcoming "X-Men: Days of Future Past."

So... that's pretty cool. Congratulations to all involved.

Big Picture: "Nintiestalgia Stinks!"

Hachi-Machi!


Must See: New IRON MAN 3 Poster!

Click to enlarge
Love this new poster for the upcoming IMAX release of IRON MAN 3. The skin of Tony Stark's armor has been peeled off! But most of all, it's those sparks that really make the poster ;-)

Everyone is looking to the right of the camera - except for Paltrow who has her eye caught by something else entirely. What is she looking at? Perhaps her hubby is a tad upset with her proximity to RDJ? Coldplay buddy. Coldplay.

Here's the movie's storyline:
Marvel’s IRON MAN 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

IRON MAN 3 opens on May 3.

Source: IMAX

Monday, 18 March 2013

Movie Review: OZ THE GREAT AND POWERFUL - 9 Stars

Click to enlarge
I thoroughly enjoyed OZ THE GREAT AND POWERFUL, much more than I thought I would. You know, James Franco either works or he doesn't work there is little in between and thank goodness he works very well as Raimi's wizard. A good choice in fact. I thought the casting in general was quite well done.

Here's the official storyline:
When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot—fame and fortune are his for the taking—that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity—and even a bit of wizardry—Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well.

The 3D is amazing. Right up there with LIFE OF PI, HUGO, THE HOBBIT and AVATAR. Sam Raimi and 3ality Technica sent it soaring. The moment I saw the first trailer with the black and white small screen and the blowing flames I knew that we had the potential of something very good here for 3D. When you use extra black space on the edges it allows you to overplay the 3D when needed - like the flames. And when he widened the shot and brought in color as the balloon emerged from the tornado - pure magic. No wonder Disney was all over this.

I loved, loved Danny Elfman's score throughout this! He deserves to be commended.


Click to enlarge
OZ THE GREAT AND POWERFUL currently sits with $280 million in worldwide box office only 10 days into release. Another 3D blockbuster to say the least.

You really should go see this movie if you haven't already. And bring your family if you have young ones. The finale is especially fun and had me smiling ear to ear. A wonderful story, spectacular scenery and immersion and a satisfying conclusion. Easily 9 stars. Enjoy!


Inevitable Mash-Up

Via CBM

"The Avengers" - "Power Rangers"-style. Pretty impressive, and kind of amazing that it took this long for someone to do it. I especially like that the editor thought to include Saban's weirdly out-of-place typeface for the credits...

Exclusive: AVATAR 2 And 3 Update From A Source *AND* A James Cameron Update!

Let's start with the tantalizing email I received from one of my AVATAR sources about what we can generally expect from AVATAR 2: Water. I'll just let you read his info below, but it's pretty much right on track with what my expectations have been all along. Then we'll go over Cameron's recent interview talking AVATAR...

Here's my source's email (emphasis is mine):

"Jim is probably going to kill himself making this, no I'm not joking. This is going to be the very definition of ambitious film making. The jump will be like Terminator 2 Judgement Day was to The Terminator.

All you need to know is... water. Lots of water. Lots of things in the water. A key component, but by no means the only one. Those who loved the first, will be equally amazed at what they haven't seen. The lengths to which R and D are going, is monumental, but that is just an one aspect, this is pushing on all cylinders. Avatar was just an introduction to a world and an idea, going forward will be where the world is explored and explained, but perhaps not the only one. Which brings challenges in itself, worlds are unique. Not everything in that universe will be so beautiful and picturesque. That is a key word I think, universe.

We always picture ourselves as the invaded, but never the invaders in cinema. If you take a look at the real world, that may not be such a realistic stance, if we were capable of it, we most likely would put profit and resources over planetary systems and ecosystems. We do it here on Earth all the time, and just look at the results.

James Cameron is a genius, I hate that word, but there is no other word to really describe him.

You all need to start getting excited, because I'm telling you, He'll be back."

So the real news here is the source confirmation that water is heavily involved, the AVATAR universe is about to open up and Cameron is not slowing down in the research and development areas of his work. So of course I'm thinking 48 or 60 frames per second, some cool new performance capture technology and perhaps having Cameron himself strapped high above the volume shooting his scenes! Why do I say that? His company, Cameron Pace Group shot CIRQUE DU SOLEIL: WORLD'S AWAY where he did actually strap himself in a harness 80 feet off the ground for some shots. I could very easily see a harness being used for 360 wraparound shots that involve actors swimming underwater. Says Cameron: "Put me in a body harness with a camera and I'm fine. Free rock climbing, however, is something you will never see me do. Ever!"

Here's what Cameron had to say about AVATAR 2 and 3 recently while publicizing the disc release of WORLDS AWAY 3D:

Can you give us some scoop about your upcoming little film called "Avatar 2"
Cameron: "Oh believe me, it's not that little! It's not exactly a little, intimate drama. I'm working on 'Avatar 2' and 'Avatar 3.' I was talking the other day with Peter Jackson and said, 'You had it easy dude. You had the books when you did the second and third 'Lord of the Rings.' I have to create my own books in my head and extract a script from it. I'm deep into it and I'm living in Pandora right now. There is that start up torque where you feel it's coming to you. Then you build up momentum. That's when it gets fun. The characters talk and it's writing itself. I'm almost there right now. It's building fast."

Click to enlarge
Tell us a little bit about your life. For example, what is your writing process? 
Cameron: "As a writer, I need isolation. I'm calling you from New Zealand right now where I'm writing on a little farm. When you live in a special world like Pandora, you have to live in that world."

Do you ever feel the pressure of topping yourself? And do you have a release date you can share with us for "Avatar 2 and 3?"
Cameron: "Pressure, no. It's a little daunting because sequels are always tricky. You have to be surprising and stay ahead of audience anticipation. At the same time, you have to massage their feet with things that they know and love about the first film. I've walked that line in the past, so I'm not too worried about it. At the same time, I definitely have to deliver the goods…As for a release date that will be determined by when I get the script out. No pressure!"

Stay tuned for more! I've got my ears to the ground on this and I'm begging for a concept board shot as soon as I can get it! :-)

Cameron Interview Source: Play Goes Strong via Bleeding Cool




2013 German Film Awards - Audience Award Nominations

Starting today people living in Germany can vote for their favorite 2012 movie from the twelve nominated films that were announce today by organizers. Voting is open from today until April 22.

The following are the nominated films.

Türkisch für Anfänger by Bora Dagtekin
Russendisko by Olivier Ziengenbalg
Hanni & Nanni 2 by Julia von Heinz
Schutzengel by Til Schweiger
Mann tut was Mann kann by Marc Rothemund
Die Vermessung der Welt by Detlev Buck
Cloud Atlas by Tom Tykwer and Wachowski siblings
Jesus liebt mich (Jesus Loves Me) by Florian David Fitz
Die Vampirschwestern by Wolfang Groos
Schlussmacher by Matthias Schweighöfer, Torsten Künstler
Fünf Freunde 2 by Mike Marzuk
Kokowääh 2 by Til Schweiger, Torsten Künstler

To VOTE go here. With a couple of exceptions films are mainstream cinema/crowd pleasers so let's hope one of the exceptions wins.

As was announced earlier Werner Herzog will receive the Lifetime Achievement Award this year. The 2013 German Film Awards will be held April 26 in Berlin.

7th Asian Film Award Winners

A few hours ago the award ceremony spread out the wealth to several films but is Lou Ye's Mystery which won the top award and none other than Takeshi Kitano who won the Best Director for Outrage Beyond. Also worth mentioning is that Bahman Ghobadi's Rhino Season won several tech awards including Best Cinematography. Three great movies.

Winners are in *BLUE. To learn winners in all categories go official site.

1/31/13
On January 16th the Hong Kong International Film Festival Society (HKIFFS) announced the nominees in the 14 categories honored by this award. From over a thousand eligible films across Asia, up to five nominations have been selected in each category. The full list of 70 nominees includes 30 films from 9 countries and regions. In terms of numbers, South Korea leads with 16 nominations this year.

The HKIFFS also announced that the first collaboration of AFA with Yahoo! Movies for The People’s Choice Awards. AFA’s nominees for Best Actor and Actress automatically become candidates in this section and voting is open to the public from around the world. The voting period will run from 6 February 2013 to 11 March 2013 on Yahoo! Movies.

Lou Ye's Mystery and Yun Jong-bin's Nameless Gangster: Rules of the Time lead with six nominations each. The Asian Film Awards Presentation Ceremony will be held at the Grand Hall of the Hong Kong Convention and Exhibition Centre on 18 March 2013.

Best Film
毒戰 Du zhan (Drug War), Johnnie To, Hong Kong and China
Gangs of Wasseypur Part 1 & 2, Anurag Kashyap, India
*浮城謎事 Mystery, Lou Ye, China and France
Autoreiji: Biyondo (Outrage Beyond), Takeshi Kitano, Japan
Pieta, Kim Ki-duk, South Korea

Best Director
Anurag Kashyap for Gangs of Wasseypur Part 1 & 2
Abbas Kiarostami for Like Someone in Love
Kim Ki-duk for Pieta
*Takeshi Kitano for Outrage Beyond
Lou Ye for Mystery

Best Actress
*Nora Aunor in Thy Womb
Cho Min-soo in Pieta
Golshifteh Farahani in The Patience Stone
Lun-Mei Gwei in GF*BF
Hao Lei in Mystery

Best Actor
Joseph Chang in GF*BF
Choi Min-sik in Nameless Gangster: Rules of the Time
*Eddie Garcia in Bwakaw
Tony Leung Ka-fai in Cold War
Liu Ye in The Last Supper

Best Newcomer
Chien Man-Shu in When A Wolf  Falls in Love with a Sheep
Higashide Mashiro in The Kirishima Thing
Huang Yu-Siang in Touch of the Light
Kim Sung-kyun in Nameless Gangster: Rules of the Time
*Qi Xi in Mystery

Best Screenwriter
Anad Gandhi for Ship of Theseus
Kiyasu Kohei and Yoshida Daihachi for The Kirishima Thing
*Mei Feng, Yu Fan and Lou Ye for Mystery
Wai Ka-fai, Yau Nai-hoi, Ryker Chan and Yu Xi for Drug War
Yoon Jong-bin for Nameless Gangster: Rules of the Time

Best Cinematographer
*Touraj Aslani for Rhino Season
Choi Young-hwan for The Thieves
Rajeev Ravi for Gangs of Wasseypur Part 1 & 2
Yanagija Katsumi for Like Someone in Love
Zhang Li and Ma Cheng for The Last Supper

To learn nominations in other categories go here.  Was aware of all films but list remind me of those that haven't seen yet -have seen many- and definitively I'm looking forward to watch them.

Today was announced that the Excellence in Asia Cinema Award this year goes to Michelle Yeoh Choo-Kheng and Roger Garcia, Executive Director of HKIFFS says:

“We are delighted to honor Michelle with the Excellence in Asian Cinema Award this year. Michelle has an impressive career of over 30 movies. Her incredible talent has led her from action films in Hong Kong to international works like The Lady. Her work in Chinese language cinema has helped promote it to an international audience and the global film industry. Michelle has excelled as both an action star and a serious actress – a very rare combination in this business, and practically unique. She is the perfect choice to be awarded with this prestigious honor.”

Cheers!!!

Sunday, 17 March 2013

Disgraceful

(Trigger Warning for discussion of the Steubenville Trial)




I still hear many people who get confused at what people are talking about when they say "rape culture." I can understand that - it should be commonly understood, but since the subject is so profoundly uncomfortable you don't really get exposed to the specifics of unless your "involved" with it either on the activist or academic side.

In simple terms, it's an umbrella term meant to encapsulate all of the myriad justifications, excuses and defenses that are used to normalize and minimize rape and sexual-assault in the culture; including but not limited to:

"The Good Old Days Justification," aka "If something wasn't thought of as rape back in my father's/grandfather's day, it can't be rape now."

"She Asked For It," aka "How can she have actually meant NO when she's showing so much skin in a 'hookup' bar/club/party on a weekend?"

"The Scemantic Obfuscation," aka "Rape is something done by a masked attacker in a dark alley, other things like date-rape, marital rape, false-consent via misleading or intoxication, etc. are really just mistakes/misunderstandings and that people just 'call' rape now." (Bonus points if you can connect these supposed "over-reactions" to a cultural-conspiracy by "feminists" to lessen the negate the societal power of males.)

"Why Are We Even Talking About This?," aka "Rape or whatever you wanna call it (see #1 and #2) isn't really always that big of a deal, so people should get over it."

In any case, this and more was on full and spectacular display today as CNN reported on the guilty verdict and maximum (though still shamefully small, given that they were tried as juveniles) sentencing of the accused rapists in the so-called "Steubenville Trial." The reporting on this whole thing has been embarrassing from day one, though sadly unsurprising for much of the U.S. media - that mainstream American culture (outside of a few pockets of forward-thinking here and there) places such preposterously high value on the "promise" and "futures" of young men in High School/College athletics programs while placing such low value on the sexual autonomy and safety of young women isn't a surprise at this point.

But still, even as bad as most outlets are the national media is at least supposed to be better in these cases - since by their nature they're supposed to be "above" the narrow concerns of local news (or, for example, sports/entertainment news) and able to put things in a big picture context. This is especially expected of CNN, which likes to fancy itself the "grownup" of cable news compared to Fox's sputtering Alex P. Keaton and MSNBC's Wellsely Student Government After-Party... and yet today there was Poppy Harlow etc., reporting on the story not in terms of two dipshits getting maybe a sliver of what they deserve (or even simply "justice being served") but rather in terms of how sad it is that two promising athletes with their whole lives ahead of them rapists have to *gasp!* do some jail time and register as sex offenders - tragically ending their bright potential careers likelihood of ever being paid obscene sums of money to play an ultimately meaningless game of ball-passing.

Yeah. My heart. It just aches...




So, then... people need to start getting shitcanned at CNN, right? I know that, since it's CNN nobody is generally watching to begin with, but still - this has to get somebody in trouble, doesn't it? It should be Somebody's job to watch out for shit like this?

66th Bodil Award Winners

Yesterday Filmmedarbejderforeningens had their award ceremony with awards spread out over several films.

Big winner is Kaprigen (A Hijacking) a good mainstream entertaining film that at times can be thrilling, but in general for me is a drama that deals more with corporate behavior (good and bad) than about human behavior. Still I do recommend you watch it as is as entertaining as Arcel's A Royal Affair.

The Audience Award went to Hvidsten Gruppen by Anne-Grethe Bjarup Riis.

Winners are in *BLUE. To read official announcement go here or here, available only in Danish.

1/3/13
Today Filmmedarbejderforeningens (Denmark's National Association of Film Critics) announced their nominations for these major Danish film awards and not surprisingly Nicolaj Arcel's En Kongelig Affære (A Royal Affair) leads with 6 nominations; perhaps the most interesting fact is the Best Actor category that has two brothers in competition for the award, Mads and Lars Mikkelsen.

These are the nominations.

Best Danish film
10 timer til Paradis (Teddy Bear), Mads Matthiesen
En kongelig affære (A Royal Affair), Nicolaj Arcel
*Kapringen (A Hijacking), Tobias Lindholm
Undskyld jeg forstyrrer, Henrik Ruben Genz
You and Me Forever, Kaspar Munk

Best Actress
Julie Brohorst Andersen in You and Me Forever
Trine Dyrholm in Den skaldede frisør (Love Is All You Need)
*Sara Hjort Ditlevsen in Undskyld jeg forstyrrer
Bodil Jørgensen in Hvidsten Gruppen (This Life)
Alicia Vikander in En kongelig affære (A Royal Affair)

Best Supporting Actress
*Fred Dahl Hansen in You and Me Forever
Emilie Claudius Kruse in You and Me Forever
Elsebeth Stentoft in 10 timer til Paradis (Teddy Bear)
Lotte Andersen in Undskyld jeg forstyrrer
Trine Dyrholm in En kongelig affære (A Royal Affair)

Best Actor
Mads Mikkelsen in En kongelig affære (A Royal Affair)
Søren Malling in Kapringen (A Hijacking)
*Mikkel Boe Følsgaard in En kongelig affære (A Royal Affair)
Pilou Asbæk in Kapringen (A Hijacking)
Lars Mikkelsen in Viceværten (A Caretaker's Tale)

Male Supporting Actor
Nicolas Bro in Undskyld jeg forstyrrer
Roland Mills in Kapringen (A Hijacking)
*Tommy Kenter in Marie Krøyer
Lars Boom in Max Pinlig på Roskilde
Thomas Gabrielsson in En kongelig affære (A Royal Affair)

Best Documentary
Ballerina, Maja Friis
White Black Boy, Camilla Magid
*Putins kys (Putin's Kiss), Lise Birk Pedersen
Lej en famille A/S (Rent a family), Kaspar Astrup Schröder
Kidd Life, Andreas Johnsen

Best Non-American film
*Amour, Michael Haneke
The Artist, Michel Hazanavicius
Shame, Steve McQueen
Searching for Sugar Man, Malik Bendjelloul
Holy Motors, Leos Carx

Best American film
We Need To Talk About Kevin, Lynne Ramsay
*Martha Marcy May Marlene, Sean Durkin
Moonrise Kingdom, Wes Anderson
Take Shelter, Jeff Nichols
The Descendants, Alexander Payne

The announcement was made via Twitter so it is not up yet at the official site, but to read news in Danish go here. The award ceremony will be hosted by Mikael Bertelsen on Saturday, March 16 at Bremen Theatre.

In case you wonder why excellent Jagten (The Hunt) by Thomas Vinterberg has no nominations mainly is because it hasn't been released in Denmark; film is scheduled to be released on January 10, 2013. What really surprises me is that Susanne Bier's Den skaldede frisør (Love Is All You Need) got only one nomination.