Wednesday 31 October 2012
Barbara
I met Petzold with his puzzling Gespenster (Ghosts) and while found film strange -especially for a lesbian interest film- I was highly impressed with his filmmaking and storytelling style. Then saw Yella, another strange movie that absolutely captured my interest as a darkish but very intellectual exercise. Then came Barbara a film that I found not strange at all and perhaps it's Petzold's most accessible film of all I have seen but know that many will find the pace extremely slow, especially Academy members that will see film as is Germany submission to 2013 Oscar.
Pace is so slow and narrative evolves so slow, that is inevitable for viewers to start wondering what is happening here. If you are patient soon you will start to uncover clues to where they are, what time-period story is set, who is Barbara, why she is harassed and why she end up there. But if you blink while watching there are chances that you could miss the clue. Still I believe that Perzold's storytelling style is so interesting that even if you cannot identify any of the above because you are captured by only the evident narrative, you could still enjoy the film that will motivate you to fill the gaps as you wish. To me this is amazing and is the reason why I suggest you see movie without knowing about the plot.
Then film is so good that after watching once and learning what movie is about you could go back and watch again to surely uncover many more layers to film and story. I bet that some will see a different story than the one you imagined the first time. Still the message will or could be the same, what is to live under very difficult circumstances and still be able to behave like a human being. Is all about trust.
Impeccable warmish cinematography -different to Petzold's usually cold visuals- plus an outstanding performance by Nina Hoss that delivers a great -but very slowly- transformation in front of our eyes, from cold and misanthropic to a warmer more living woman that cares no matter the damage she has endured. Truly impressive and a strong reason to make this movie must be seen.
Film premiered in competition at 2012 Berlinale to great reviews in German press, not so in other languages, and while traveling the fest circuit has collected more honors but none like the ones collected in German awards where Petzold got the Silver Bear for Best Director at the Berlinale, Film Award in Silver for Outstanding Feature Film at 2012 German Film Awards and Jasna Fritzi Bauer (Stella) won the New Faces Award for Best Actress. The above makes me think that film perhaps is "too German" for world audiences but if you are familiar with Petzold work I know that movie has to be must be seen for you and surely will enjoy this film that is both about the voyage as the destination.
Have seen it twice, have seen two different stories, maybe will see it again and surely will discover more; but what blew my mind the most, first and second time, is the amazing Nina Hoss performance, truly mesmerizing and in my opinion, superior to highly awarded Yella performance.
Enjoy!!!
Watch trailer @MOC
"Burn Em All!"
What I mean is... I totally "get" that they're just riffing on the familiar fairytale (LOVE the gag with the milk bottles) and that 0.00000% of this is meant to be taken seriously, but... they MUST be aware that "Witch" isn't strictly a fictional, made-up thing like vampires or zombies or whatnot, right? That there's an actual, recognized religion (several of them, in fact) in the 21st Century world that calls it's practice "Witchcraft" and it's adherents "Witches," right? I mean, this cannot be NEWS to anyone making a big-budget American fantasy/horror movie, yes?
I know it's kind of a weird area, since Wicca etc. names itself AFTER the historical/mythic version of Witches/Witchcraft and not the other way around, but still... the whole jokey "the only good witch is a dead witch" thing kinda rubs me the wrong way. Maybe I'm oversensitive to this, having known and been friends with more than a few real Witches in my time, but it seems kind of weird to not be qualifying them as "evil witches" here, fairytale or not.
I dunno, maybe I'm nuts... but this feels, to me, just a little bit like having "The Wandering Jew" show up as a monster in something and saying it's okay because it was an actual 13th Century legend. I don't know that it's a huge deal (any Wiccans and/or Witchcraft-identifying neo-pagans want to chime in?) but it feels odd in the 21st Century - regardless of context, can you see someone making a movie called "Christian Hunter" or "Muslim Hunter?"
PODCAST 20: Don't Be Afraid of the Dark & The Changeling
Tuesday 30 October 2012
MarketSaw Exclusive Confirmed: STAR WARS 7, 8 And 9 Tabled. 3D Announcement Coming... DISNEY HAS BOUGHT LUCASFILM!!
MarketSaw also had the story that the existing STAR WARS library would be converted as well.
$4 billion dollars later and Disney owns Lucasfilm, complete with STAR WARS 7, 8 and 9 in development already. Nice job! Add in Pixar and Marvel with Disney's already burgeoning resources and wow, what a modern media company!
Hit the jump for more...
From THR: Kathleen Kennedy, current co-chair of Lucasfilm, will become Lucasfilm's president, reporting to Walt Disney Studios chair Alan Horn as part of the stock and cash transaction. Disney is paying approximately half the price in cash and will issue 40 million shares of stock on Tuesday, the company said in a statement. Kennedy will serve as executive producer on new Star Wars feature films, with the franchise's creator and Lucasfilm founder George Lucas serving as creative consultant.
Says Lucas: "For the past 35 years, one of my greatest pleasures has been to see Star Wars passed from one generation to the next. It’s now time for me to pass Star Wars on to a new generation of filmmakers. I’ve always believed that Star Wars could live beyond me, and I thought it was important to set up the transition during my lifetime. I’m confident that with Lucasfilm under the leadership of Kathleen Kennedy, and having a new home within the Disney organization, Star Wars will certainly live on and flourish for many generations to come. Disney’s reach and experience give Lucasfilm the opportunity to blaze new trails in film, television, interactive media, theme parks, live entertainment, and consumer products."
Now I am truly excited for the future of the Star Wars universe. Imagine. I mean, Joss Whedon is under the Disney umbrella too! Throw him on STAR WARS 7, 8 and 9! Yeah!!!
That's all for now - I have to catch my breath! :-)
Source: THR
Leia Organa Now Officially a Disney Princess
On the other hand... Disney has been bringing some incredible talent and material under their umbrella lately. People forget this, but the whole reason they bought Marvel was because their attempts to build in-house "boy brands" (their words, not mine) were coming up short and they figured it was easier/cheaper to just BUY a whole bunch. Now they've bought another bunch: Mickey Mouse is now in the business of making movies about The Incredible Hulk and Darth Vader - the future of YOUR popular culture is MY toybox circa 1985.
While I'll always respect Lucas' go-it-alone zeal in claiming/owning his creations (and I can't not worry that there might be something "gone wrong" on his end that's driving this)... the fact is, he just hasn't been the best steward of them for a long time. If his final act as owner of "Star Wars" is to leave it, effectively, in John Lasseter et al's hands? I'm more than okay with that. Especially since this means it's now in the hands of people with no Earthly reason to NOT release the uncut original trilogy.
Okay. I'm onboard. Let's see where this is going.
Movie Review: SILENT HILL: REVELATION - 7 Stars
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However, I will say that the 3D looked amazing. The cinematography, 3ality Technica (3D camera rigs & expertise) and the visual effects saved whats left of the movie and actually salvaged a 7 out of 10 score from me. Without them we're probably looking at a 4 or 5 star movie.
Why? Where to begin. How about at the top - directing. Michael J. Bassett (SOLOMON KANE) just didn't get the job done here. What irked me most was when you have an actor of the caliber of Sean Bean and you have scenes where he does look all that good at all, you're in trouble. Bassett couldn't have had enough takes for these scenes or just couldn't edit it effectively.
Hit the jump for more...
**SPOILER**
Another example of poor directing is when Kit Harington's character Vincent literally tells Heather that he is part of the cult and was in fact sent into reality to bring her back to Silent Hill. HE TELLS HER THAT. Instead of showing her. Instead of having her suddenly come to that shocking revelation that he isn't what he appears to be. Instead of building up the psychological tension. *sigh*
** END SPOILER **
The acting was passable most of the time, but nothing memorable. Suspension of disbelief was broken in quite a few spots - too many times for my liking. For example the nurses looked real (great job!) but the spider creature I found to be too fake - not visceral enough for me. I did like the detail they put into describing how that monster came about though.
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But the biggest two flaws of this movie to me was the lack of a compelling story and the almost total disappearance of the town of Silent Hill as an extra character. Yes, the location was so well done in the first two acts of the original SILENT HILL that it seemed to be alive and contributing to the telling of the story. It was that good. All that is practically gone in this one.
But if you enjoy 3D, some awesome visual effects and one particularly good battle scene at the end (with respectable background info to amp it up), then by all means go see it! Definitely in 3D.
7 out of 10 stars.
Special thanks to Empire Theatres for the screening in RealD 3D. The screen was crisp and well lit as well as a perfect sound level!
Monday 29 October 2012
Watch: New Red Band Trailer For HANSEL AND GRETEL: WITCH HUNTERS
I haven't heard much about the 3D as of yet, but my eyes are on it and I'll have more soon.
HANSEL AND GRETEL: WITCH HUNTERS opens on January 11, 2013. In the meanwhile feast your bloody eyes on this:
Hit the jump to watch the trailer...
Sunday 28 October 2012
SHORT FEATURE: KATE BUSH – EXPERIMENT IV
The attempt to read through the Catechism in one year as part of the Year of Faith continues, and as often happens around these parts, my brain is making some pretty weird pop culture associations. For instance, the reading for Day 15 immediately brought to mind this old sci-fi influenced music video…
So, I suppose you might be wondering what in the world a woman warbling about weaponized sound could possibly have to do with the Catechism? Well, just take a gander at paragraph 102:
“Through all the words of Sacred Scripture, God speaks only one single Word, his one Utterance in whom he expresses himself completely: You recall that one and the same Word of God extends throughout Scripture, that it is one and the same Utterance that resounds in the mouths of all the sacred writers, since he who was in the beginning God with God has no need of separate syllables; for he is not subject to time.”
I’m pretty sure you can spot the dichotomy that set my mind to musing. While Kate’s song is about a single manmade sound that induces instant death, the Catechism, riffing on St. Augustine, describes The Word as a single-syllable utterance by God that echoes throughout eternity and brings life to us all. You know, the Catechism might not delve into poetic territory too often, but that image of Jesus as God’s single note that sparks all of creation is vividly expressive. Is it any wonder that C. S. Lewis appears to have co-opted Augustine’s train of thought with his description of Aslan’s creation of Narnia through the use of song in The Magician’s Nephew.
“In the darkness something was happening at last. A voice had begun to sing… Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise ever heard.”
Nice, huh? I like that there’s passages in the Catechism that brings these type of associations to mind. It’s too easy to fall into the trap of thinking that what we’re reading through is nothing more than a bloodless textbook when in fact it can be a guide to some of the most beautiful things that “whoever has ears ought to hear.”
De rouille et d'os (Rust & Bone)
Story tells about two different people, opposites, Stéphanie (Marion Cotillard) the Orca whale trainer that has her "controlled" world turn upside down after a whale disobeys her "controlling" orders, and Ali (Matthias Scoenaerts) the man that has nothing but his son and a brutal force. The beauty and the brute, the perfect match. But nothing is easy for both and Audiard brilliantly show us through several metaphors and most of all with the most impressive cinematography where what you see is more important than what you hear, how they end up helping each other in the most non-sentimental, crude and direct way. All this while exploring our contemporary world, the huge differences between those that have and have not, and proposing that perhaps nowadays all we have left is no more than ourselves, our feelings, our emotions or -if you wish- love. Amazing.
Had no clear idea how to explain what movie is about as whatever I wrote sounded ridiculous and maybe the previous paragraph still suggests a story that can be considered as silly, risible, unbelievable; but let me assure that film and story are not any of the later words. First film is so well crafted that seems impossible to imagine the above story told the way Audiard tells it, but his master approach is extraordinary. Just as an example let me share that the scenes where Stéphanie has the "accident" are an impressive expressionist collage where you see nothing of the "accident" and you see all, inside your head. Second, story is told in a very raw, realistic way, especially when telling about Ali, but also when telling about Stéphanie as her emotions are raw and realistic too. Film is truly visceral.
I was very curious about the special effects and maybe in the beginning was approaching the scenes where Cotillard has no legs too brainy but film -and special effects- are so good that soon, very soon, absolutely forgot about the special effects as became more concern with feeling whatever emotions the scenes provoked. Fantastic and in my opinion, extraordinary use of special effects that I wish many emulate, as not often these kind of effects are used to generate emotions.
Performances have the excellence that awards reward. Marion Cottillard's character is full of emotions and she gives a perfect performance, similar to the one that gave her an Oscar. Matthias Schoenaerts' performance is so good that now I'm willing to see Rundskop (Bullhead), a film I've been avoiding to see as I imagine with too much violence, but now after seeing how good he is -even in the most raw violence- will see it. No doubt that Jacques Audiard masterful direction makes their extraordinary performances possible as well as gives us a raw expressionism in his film images.
I am a huge Audiard and Marion Cotillard follower that with this film got my expectations (see Cannes preview) surpassed as never imagined that a love story (first surprise) could be told like is told here (second surprise) with so much emotions and the raw violence that characterizes Audiard. Still, have to remind you readers that this is a very French movie in form and style; where the voyage is more relevant than the destination. So I hope some of you will enjoy this fantastic voyage into love.
No doubt that film could be for general adult audiences as believe that film story could appeal them; but wonder if film could motivate them to see beyond the evident, to peel the layers, to see more with emotions than plain sight. Maybe.
Last but not least film premiered to great reviews at 2012 Cannes and just a few days ago collected the top award at BFI London Film Festival, in between the two events and while travelling the fest circuit collected many more honors. Truly regret that France did not send film to Oscar, but let's hope that Cotillard gets some more Oscar love.
Big Enjoy!!!
Watch trailer @MOC
Friday 26 October 2012
First Gollum, Now The Trolls Want To Eat Bilbo! Watch The New TV Spot For THE HOBBIT: AN UNEXPECTED JOURNEY!!
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I love that Bilbo seems to have a sense of humor even when the situation is grim. Those trolls are not exactly civilized - although they do speak English.
Combine this TV Spot with the trolls wanting to eat him, and Gollum from the trailer stating "If Baggins loses, we eats it whole", one starts to imagine a very succulent Hobbit this time around. Or perhaps Bilbo is carrying around some rather enticing cooking spices in his backpack which would naturally led any conversation to eating... ? :-)
Here's the movie's storyline:
THE HOBBIT: AN UNEXPECTED JOURNEY follows title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor, which was long ago conquered by the dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior Thorin Oakenshield. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever… Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of guile and courage that surprise even him, he also gains possession of Gollum’s "precious" ring that holds unexpected and useful qualities… A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.
Hit the jump for more...
THE HOBBIT: AN UNEXPECTED JOURNEY opens December 14th shot in native 3D on 3ality Technica rigs. Advance tickets on sale November 7th.
Escape to The Movies: "Cloud Atlas"
Intermission: "Let's Watch 'The Iron Man 3' Trailer"
Thursday 25 October 2012
HAPPY HAPPY HALLOWEEN VI
As those who have have been hanging around here for the past few years know, the approach of Halloween means that the time has come once again for the B-Movie Catechism to present it’s annual suggestions for cheap and easy to make costumes based on some of the movies we’ve discussed over the past twelve months. We offer this yearly service to help out those Christians who might find many of the costumes offered in the stores to be either a bit too demonic or (as is becoming more or more likely these days) just too uncomfortably close to being nude to wear to their church’s annual Scarecrow Carnival or Hallowed Be Thy Name Festival, and would prefer something with a little more spiritual meaning behind it (even if, in most instances, you have to look pretty hard to find said meaning) without resorting to the usual shepherds, angels, or nuns (not that Sister Julie thinks there’s anything wrong with a nun costume here or there).
To start things off, here’s one you want find in any store. It’s everybody’s favorite giant monster from Denmark, REPTILICUS! Now I can hear you asking, just how exactly is someone supposed to dress up like a Godzilla-sized flying snake that spits acidic loogies? Well, the answer is simple… any way you want to. You see, no matter what you come up with, it’s going to look better than the pathetic creature that actually appeared in the movie, a creation widely acknowledged as one of the worst special effects ever committed to celluloid. Still, if you need some help with the design, we suggest you dress all in black from head to toe and then simply make yourself a paper bag dragon puppet or a dragon sock puppet to wear on your arm. Trust us, it won’t look any worse than what the Danes put onscreen. Plus, when people ask just what it is you’re supposed to be, you can explain all about the origins of your outfit and maybe even bring up the questions Reptilicus raises about miracles. (P.S. You can also recycle this costume and use it as part of a VBS skit on the fall of man in Genesis. How you handle the pre-fig leaf Adam and Eve is your own problem though.)
If you don’t have time for arts and crafts and would prefer something you can just throw together from stuff in the attic, then here’s the perfect getup for you. Although, there’s not much to be had in the way of costumes in INCUBUS, all you really need to dress up as the virtuous ex-soldier Marc is an everyday black long-sleeved t-shirt, an overcoat, and a good amount of hair gel. Oh, and a William Shatner impersonation. C’mon, everybody’s got one, so go ahead and let yours rip. After all, as Incubus showed us, there’s nothing like the irony in hearing the suave tones of the ever amorous Captain Kirk giving an impassioned plea for no sex before marriage. And you don’t have to stop there. Why not treat the world to Shatner quoting from the Bible. Sure, he’s Jewish, so to keep things honest you’d have to stick with the Old Testament, but wouldn’t that still be great? “I… the LORD… am your God… who… brought you out of the land of Egypt, that… place… of slavery. You… shall not… have other gods besides… me.” Bonus points if you sing-speak it.
Now unlike Incubus, there is no shortage of costume ideas in our next film because there are a veritable pants load of monsters to be found in NIGHTBREED. Unfortunately, unless you’ve got access to a professional makeup artist and a special effects crew, chances are pretty slim that you’ll be able to dress up as one of the varied citizens of Midian. Well, except for maybe Ohnaka. You remember him don’t you? He’s that effeminate dude who dresses like a reject from a Pride parade and carries around a Boston Terrier all the time. Pretty much all you would need to dress up as Ohnaka is a bald wig (assuming you’re not already hairless), a few temporary tattoos, some clip-on nipple rings, and a tiny dog, preferably of the shake-and-pee variety. A warning, though. Considering how the Catechism states that “life and physical health are precious gifts entrusted to us by God. We must take reasonable care of them.”, it would probably be wise to take care what neighborhoods you plan to wear this costume in, as a walk through the wrong ones could get you a thump up side the head. On the plus side, a little personal harassment could always serve as a reminder that we should treat those with certain inclinations in the way the Catechism suggests, “with respect, compassion, and sensitivity. Every sign of unjust discrimination in their regard should be avoided.”
If that sounds just a bit too heavy for what has basically become a kids holiday, then why not just stick with a classic monster? For this one, all you need to do is grab an old red tarp, spray some shellac on it, and, tah dah, you’re THE BLOB! If you think about it, it’s the perfect costume for Halloween because it gives you the excuse to glide and slide and creep and leap around, all the time eating everything you see. And if someone happens to complain as their bag of treats disappears into your maw, then just tell them you’re giving them a demonstration on the evils of the capital vice of gluttony. They’ll buy that one, right?
Well, that should help out the more adventurous of you with your costumes this year. Have fun, but be sure not to let the next morning’s candy induced stomach ache keep you away from mass on All Saints Day. Happy Happy Halloween everyone.
What Is Best In Life?
Honestly? If he can get into the best possible shape and they play it as "old Conan" either way, this makes a lot more sense than another "Terminator." I just hope they don't make the mistake of assuming that forgoing a PG-13 was what "went wrong" with last year's awful attempt at a reboot...
Are the wheels ALREADY coming off the re-energized "X-Men" series?
"X-Men: First Class" was a better movie on every concievable level - the best version of X-Men outside of the comics and, to be frank, probably better than most of the comics at this point. It finally seemed like Fox had figured out how to handle these properties. Now word is coming down that Matthew Vaughn has opted not to direct the already in-development sequel, "X-Men: Days of Future Past," and that original helmer Bryan Singer might be stepping in to replace him.
Uh-oh...
I'm not necessarily anti-Singer, and he's going to need a big hit if "Jack The Giant Slayer" is as disasterous as it's been reputed to be, but this sounds like trouble. And no, not only because I don't trust him not to regress the series' aesthetically back to the dour, dreariness he took it to in the first place. "Past" was reputed to be a time-travel story set up to iron-out the continuity issues between the orignals and "Class," possibly establishing a new present-day status-quo rooted more in "Class's" sensibilities.
Meanwhile, the second attempt at a solo "Wolverine" movie is now being described as taking place after the events of "X-Men 3" and not totally junking "Origins" like everyone thought it was. That's unsettling, since "Origins" was pretty solidly deleted by "First Class" as well.
All of this comes on the heels of Fox hiring comic scribe Mark Millar (whose comics occasionally make good movies once someone else completely rewrites them) to "manage" their mini-universe of Marvel properties, another development that doesn't inspire a lot of confidence.
"Evil Dead" Remake Red Band
Thus far, I like it. It's continuing to look like a smart decision to not necessarily make someone "The Ash" in the direct sense - remember, Ash in the first movie wasn't really "Ash" as we've come to remember him.
Honestly, my biggest worry about this and any other "serious" kids-in-the-woods horror film is that "Cabin in The Woods" may have permanently put the genre to bed - I just don't know that I'll be able to take ANY of this remotely seriously without thinking back to how perfectly it was parodied (and then used for greater purposes) there. We'll see.
Wednesday 24 October 2012
PODCAST 19: Halloween 3: Season of the Witch
WRITTEN REVIEW: Celluloid Bloodbath: More Prevues from Hell
What Is That Thing on The Mandarin's Neck?
So what does it mean? It's obviously there to be seen and get fans talking, and it seems unlikely that Marvel would let something that looks this much like a continuity-reference slip in by accident. So what's going on here? I have some theories...
It's almost-certainly symbolic of something. We now know that the world at large has always known about Captain America - at least, they know that a superhuman in a costume fought in WWII and re-appeared in 2012 - and we saw people getting shield tats at the end of "Avengers." Swapping out the star for anything would mean the equivalent of doing the same to the American flag: Making a statement.
But what's it doing on The Mandarin? Or what looks like The Mandarin? Three ideas, top of my head:
1.) That's not The Mandarin. That's someone else doing the impersonate-the-bad-guy thing, and the tattoo is a giveaway. So who is it? You can kind-of see what might be the rim of glasses, but otherwise who's to say? Crazy-unlikely out-of-left-field guess: It's The Winter Soldier, making an introductory cameo prior to "Captain America: The Winter Soldier." Also fun possibilities: Ant-Man, Bruce Banner or the ACTUAL Captain America.
2.) The Mandarin is an Anarchist, and this is his symbol. The terrorists in "Iron Man" called their group "The Ten Rings," a Mandarin reference, and the trailer includes a shot of The Mandarin wearing the actual Ten Rings just like in the comics - so it can be assumed he was pulling their strings. What we don't know, yet, is if he's still exclusively running Brand-X Al-Qaeda's or if he's branched out into manipulating other "movements" to his owns ends. Fronting an American Anarchist group would be a topical twist, though also uncomfortably close to Bane's gambit in "Dark Knight Rises."
3.) The Mandarin is a Super Soldier. In "classic" Marvel lore, a whole slew of good guys and bad guys got their abilities from unsuccessful attempts to replicate the experiment that created Captain America. In the Marvel Movieverse, that's part of the backstory of both The Hulk and The Abomination. Why make this leap for The Mandarin? Well...
Firstly, I'm expecting he won't have his "I found alien technology" origin here. Be interesting if he did (there's certainly a shitload of it all over the place after the finale of "Avengers") but since "Avengers" made it clear that Thor's arrival on Earth was modern Earth's "first contact" I doubt thats how it's going to work here. So he's probably going to need a new backstory, right? Well, think about his "place" in the Marvel movies:
People forget this because the surprise-ending drowned out everything else, but before "Iron Man" opened the "big deal" was that it was going to be THE post-9/11 superhero movie - the trailers were all selling "Tony Stark blasts the FUCK out of The Terrorists" as the main thrust of the narrative. Well, if the Ten Rings are Al-Qaeda, that'd make The Mandarin Osama bin Laden. Remember bin Laden's origin story? He was recruited/trained by U.S. agencies to work agains the Soviets in Afghanistan, then went rogue.
Well, what if they keep that paralell going and THAT'S his "thing" here? An Asian/Mid-East attempt at making a Super Soldier ("tagged" with this tattoo for designation) who turned on his masters? It'd certainly give him an excuse to bust out some extra-human abilities to make him a threat to the guy essentially wearing a tank, and it would tie back in with this specific franchise's "unintended consequences of weapon-making" theme.
First Hobbit TV-Spot Hits
"In a hole in the ground there lived a hobbit."
I really like this TV-Spot because it focuses on Bilbo's lack of experience in adventures. There's plenty of action shots with a few clever lines delivered quickly and on the mark. There's a few new shots, but a lot of the quick action shots are from the trailer released a month ago. Mainly the dialogue is fresh to the ears.
Hit the jump for more...
49th Golden Horse Awards Nominations
Both Yang Ya Che's Gf * Bf and Lou Ye's Mystery lead with seven nominations each closely followed by Johnny To's Life Without Principle and Guan Hu's Design of Death with six nominations each.
These are the nominees for some categories.
Best Feature Film
神探亨特張 Beijing Blues, Gao Qunshu, China
浮城謎事 Mystery, Lou Ye, China and France
奪命金 Dyut meng gam (Life Without Principle), Johnnie To, Hong Kong
女朋友。男朋友 Gf * Bf (Girlfriend Boyfriend), Yang Ya Che, Taiwan
消失的子彈 Xiao shi de zi dan (The Bullet Vanishes), Lo Chi Leung, Hong Kong and China
Best Director
Gao Qunshu for Beijing Blues
Lou Ye for Mystery
Johnnie To for Life Without Principle
Yang Ya Che for Gf * Bf
Doze Niu Chen-Zer for 愛 Love
Best New Director
Yang Yi-Chen and Jim Wang for Cha Cha for Twins, Taiwan
Fung Kai for Din Tao: Leader of the Parade, Taiwan
Hero Lin for Silent Code, Taiwan
Tsai Yueh Hsun for Black & White: The Dawn of Assault, Taiwan and China
Chang Jung-Chi for Touch of the Light, Taiwan, Hong Kong and China
Best Leading Actress
Bai Baihe in Love Is Not Blind
Hao Lei in Mystery
Denise Ho in Life Without Principle
Gwei Lun-Mei in Gf * Bf
Sandrine Pinna in Touch of the Light
Best Leading Actor
Nick Cheung in Nightfall
Lau Ching Wan in Life Without Principle
Joseph Chang in Gf * Bf
Chaman To in Vulgaria
Nicholas Tse in The Viral Factor
Best Documentary
China Heavyweight, Yung Chang, China
Hand in Hand, Juang Yi-tzeng and Yen Lan-chuan, Taiwan
Money and Honey, Jasmmine Lee Ching-hui, Taiwan
Voyage in Time, Chou Tung-Yen, Taiwan
Best Short Film
6th March, Wong Chun, Hong Kong, 32'
My Graduation Travel, Hung Po-Hao, Taiwan, 30'
The Home Gleaners, Zhang siqing, China, 32'
The Present, Hsieh Weng-Ming, 16'
The Outstanding Taiwanese Filmmaker of the Year
Chen Po-Wen
Liao Su Jen
Jimmy Huang
Huang Yu-Siang
Lifetime Achievement Award: Shih Chun
This year there were no nominees in the Best Animation Film category as none of the four films qualified. To check nominees in all categories plus info and trailers (all films have trailers, many with English subtitles) for each nominated film go here.
Most interesting is to notice that Hong Kong and Taiwan submissions to Oscar have been honored with nominations but China's submission is not. From the five films nominated for Best Feature Film no doubt that 2012 Cannes Un Certain Regard Mystery is must be seen for me; also because I enjoy Sandrine Pinna's performances think will give a try to Touch of the Light but know that story could be too melodramatic for my taste.
The judging process consists of three phases. The first round was overseen by film critics and scholars from Taiwan, China, and Hong Kong: including Tan Tang-Mo, Li Yongquan, Liang Liang, Thomas Shin, and Wei Xidi. The second round was reviewed by outstanding filmmakers still active in this field, mostly past Golden Horse winners or nominees, such as Kong Jinlei (editor), Jack Shi (animation director), Wu Mi-Sen (director), Lin Yu-Hsien (director), Lin Jong (cinematographer), Lim Giong (musician / actor), Chen Yi-Wen (director/actor), Chen Ru-Shou (film scholar), Shirley Chan Ku Fang (makeup and costume designer), and Lu Yi-Ching (actress); they spent a month watching all the brilliant Chinese-language films made in the past year, from which they elected this year's finalists. In the final round, the judging panel will be joined by the two-time Best Leading Actor winner Andy Lau, as well as renowned writer Chang Ta-Chun, veteran actor/director Liang Hsiu-Shen, and the equally talented Jiang Wenli. Serving as the chairman of this year's jury, Andy Lau said that it was a great honor to take on such a task and he was looking forward to watching the nominated films and discussing with his colleagues. He also congratulated all the nominees of the 2012 Golden Horse Awards.
The 49th Golden Horse Awards ceremony will be held on November 24 in Luodong Cultural Working House, Yilan County and will be broadcast live exclusively on TTV. At present it is confirmed that the ceremony will be broadcast to Canada, the United States, China, Hong Kong, Malaysia, Singapore, and Macau.
Tuesday 23 October 2012
James Cameron Taps THE INFORMATIONIST As His First Post-AVATAR Directing Gig
That said, the official PR says quite clearly that "The Informationist will be a project for Cameron after he completes work on the second and third AVATAR films..." so do with that as you will. I'll jingle some bells and talk to some of my "people close to the situation".
Here's the official press release:
LOS ANGELES, (October 23, 2012) – Lightstorm Entertainment has acquired motion picture rights to the acclaimed 2011 novel The Informationist by Taylor Stevens, as vehicle for James Cameron to direct for 20th Century Fox Film. The Informationist will be a project for Cameron after he completes work on the second and third “Avatar” films, which are currently in pre-production.
Published in October 2011, Stevens’ tale centers on Vanessa “Michael” Munroe, an information specialist, whose work is in-demand by corporations, heads of state, private clients, and anyone else who can pay for her unique brand of expertise. When a Texas oil billionaire hires her to find his daughter who vanished in Africa four years ago. Munroe finds herself back in the lands of her childhood. Betrayed, cut off from civilization, and left for dead, she must come face-to-face with the past that she’s tried for so long to forget.
Cameron will produce with Lightstorm partner, Jon Landau. The producers expect to hire a writer to adapt the novel shortly.
Jim Cameron stated: “Taylor Stevens’ Vanessa Michael Munroe is an intriguing and compelling heroine with an agile mind and a thirst for adventure. Equally fascinating for me is her emotional life and her unexpected love story. I’m looking forwarding to bringing Vanessa and her world to the big screen.”
Added Landau: “This was an opportunity to continue our relationship with Fox and Jim Gianopulos beyond the ‘Avatar’ films. We were drawn to this book because of the terrific, compelling narrative and the character, who typifies the strong female protagonists that have inhabited Jim’s work – in this case Vanessa Munroe is essentially a mix of Lisbeth Salander and Jason Bourne.”
A second “Vanessa Michael Munroe” novel, The Innocent, was published earlier this year.
Author Taylor Stevens has a background every bit as intriguing as her heroine’s. Born in New York State, and into the Children of God, an apocalyptic religious cult spun from the Jesus Movement of the ’60s, Stevens was raised in communes across the globe. Separated from her family at age twelve and denied an education beyond sixth grade, she lived on three continents and in a dozen countries before reaching fourteen. In place of schooling, the majority of her adolescence was spent begging on city streets at the behest of cult leaders, or as a worker bee child, caring for the many younger commune children, washing laundry and cooking meals for hundreds at a time. In her twenties, Stevens broke free in order to follow hope and a vague idea of what possibilities lay beyond. She now lives in Texas, and juggles full-time writing with full-time motherhood.
Sounds extremely inviting to me. I'll have to read the book as I hadn't heard of it until just now. It certainly sounds like something in Cameron's wheelhouse and I love that it has franchise potential written all over it. AND, of course, that it's going to be shot in native 3D on Cameron | Pace equipment!!
And if you didn't read the last paragraph of the press release - please do so. The author's own life sounds like a movie in the making!
MUST WATCH: First Trailer For IRON MAN 3!
Brace yourself. Tony Stark is handling the fallout from Loki's New York invasion in a very normal, human way. It's refreshing. It's brilliant. The stakes are high to have that much fun in a suit my friends.
Here's the movie's storyline:
Marvel's "Iron Man 3" pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Director: Shane Black
Cast: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, Jon Favreau, Ben Kingsley
IRON MAN 3 hits it's thrusters on May 3rd, 2013.
Are "Aquaman" and "Submariner" now redundant?
"Empires of The Deep" is being referred to as the biggest U.S./Chinese co-production ever at a $100 Million budget, but supposedly the "Chinese" side of that is almost-entirely from a single China-based Real Estate billionaire. I like how nobody even bats an eye anymore at the idea of a supposedly-"communist" country having billionaires, incidentally...
The pitch? It's "Avatar" meets "The Little Mermaid," with a human hero traveling to an underwater kingdom and getting swept up into an epic war between rival fish-person nations. Naturally, it's in 3D (something you need to understand about the 3D "thing" right now: Chinese audiences are madly in love with 3D - thats one of the biggest reasons they keep doing it.) The early buzz is that it's a "Dragon Wars"-level fiasco in every way except the effects (scale wise, at least), design and action stuff:
So... probably a camp classic waiting to happen. Still, I can't look at the "bigger" parts of this and wonder why I seem to be the only person who can totally see how "Aquaman" could actually work...
25th European Film Awards Documentary Nominations
A committee consisting of Nik Powell, director of the NFTS and deputy chairman of the EFA Board (UK), EFA Members Francine Brücher (Switzerland) and Despina Mouzaki (Greece), and the documentary experts Claas Danielsen (Germany), Ally Derks (the Netherlands), and Jacques Laurent (Belgium) selected the nominees.
These are the three (3) nominated films.
Hiver Nomade (Winter Nomads), Manuel von Stürler, Switzerland
London - The Modern Babylon, Julien Temple, UK
Le thé ou l'électricité (Tea or Electricity), Jérôme le Maire, Belgium, France and Morocco
Manuel von Stürler's documentary was premiered at the 2012 Berlinale in the Forum section, collected honors in the festival circuit and went to win the Grand Prix for best Swiss Documentary Feature Film at the Visions du Reel International Film Fest, the following is the jury statement:
"For revealing through this engaging journey the impressive touch of his director, who is able to exploit the cinematographic potential of the film’s two main characters and of their incredible chemistry. These contemporary nomads live an adventure out of time, but still deeply rooted in our present. The director of this first feature documentary creates through the power of his photography, the subtleness of the editing and the use of music, a magic of simplicity."
Premiered on BBC Two during the Olympics Julien Temple's documentary went to be screened at 2012 Toronto Film Festival where Piers Handling wrote the following:
While looking unabashedly at London’s blemishes, Temple also cites many triumphs. He does an exemplary job confronting what immigration meant for the city, as waves of newcomers landed and British industry fired back up in the postwar period. As figures from the past bubble with energy — flappers, debutantes, Teddy Boys, rock stars, models, punks and more tumble across the screen — Temple picks his way through London’s past with dexterity and a stunning grasp of its archival heritage. This effervescent documentary embraces the complexity of a great city, and its final punctuation mark, The Kink’s iconic ode "Waterloo Sunset," provides the perfect summation of a city forever in transition.
Jérôme le Maire's documentary travelled the festival circuit where collected honors like diploma and the medal for the Best Film from the Student Jury at XXII International Film Festival Message To Man in Saint-Petersburg, Best Film on indigenous people at Parnü, Estonia among others and is still being screened as official selection in more festivals to come.
The Academy nominated three highly honored feature films that have and still are collecting honors in general and documentary-only festivals. All have quite interesting stories and from trailers seem to have great visuals.
The nominated documentary films will be made available to the 2,700 members of the European Film Academy. They will vote for the winner who will be presented at the 25th European Film Awards on 1 December in Malta.
You can read more information about each film as well as watch trailers @MOC
"IRON MAN 3" FULL TRAILER
"Iron Man 3's" first trailer is, without a doubt, the most immediately excellent "debut" trailer a Marvel movie has ever had - dramatic, big, good sense of story and a sense that they fully "get" that this thing has to live-up to "Avengers," not just trump the first two. Get watching, kids:
I'll probably write more in depth about this later, but for now the main things jumping out at me are that The Mandarin DOES seem to be wearing the Ten Rings of Power and that I'll be curious to see what mainstream audiences make of the "Iron Patriot" armor (which apparently appears here as the new publicity-friendly paint job for War Machine - which I kinda dig.)
But, mainly... holy shit, THE MANDARIN in a live-action movie. Never thought I'd actually see that.
Monday 22 October 2012
NOW SHOWING AT A BLOG NEAR YOU
You know, we always have some fun during this time of the year here at The B-Movie Catechism, but we’re hardly the only ones. Quite a few folks out there in the Catholic blogosphere are enjoying the Halloween season as well.
First off, while we’ve already mentioned Simcha Fisher’s Twelve Movies To Terrify Your Kids, a list we just had to follow up with one of our own, we thought we’d point it out again because the combox over there has filled up with dozens of great scary movie suggestions from readers. Scanning the posts, however, it doesn’t appear that Ridley Scott’s Prometheus is on anyone’s list yet. Well, that is unless you happen to believe the rumors that it’s shown up on the Vatican’s "Index of Forbidden Films.” Does it? You’ll just have to go to The Catholic World Report to find out. (Here’s a hint: there is no such thing as an index of forbidden films.)
Now with all those movies suggestions, it’s easy to forget there are some spooky stories out there to read as well. Julie and Scott over at the A Good Story Is Hard To Find podcast are discussing some of the spiritual implications in the works of everybody’s favorite prophet of doom H.P. Lovecraft, while Joe Wetterling takes some time at The Baptized Imagination to revisit the novel Dracula and point out some Christ figures that appear to face the Son of the Dragon.
The classics are great, of course, but if you’re looking for something new, then how about some zombies? The Cari part of Clan Donaldson seems to love the little rotters, so imagine her delight in discovering Ora et Labora et Zombies, a “Catholic” zombie novel written by Ryan Charles Trusell. Much like Dracula, the novel is written in the form of a series of personal letters, however, what makes Ora et Labora et Zombies unique is that each letter (or chapter) is actually mailed directly to your home once a week. Neat, huh? You can find out more over at Cari’s blog. And speaking of shambling corpses, just in case you think the genre is about played out, Rebecca over at In The Tangle has a few words to say In Defense of Zombies, their appeal to Catholics, and why their current popularity spells very good things for our culture at large.
Now, based on all that, you might have gotten the notion that this time of year is about nothing more than getting goosebumps for Halloween. That’s not true, of course, but the fact is that there just aren’t that many movies about All Saints Day (at least not that many without those pesky zombies). So if you want to have a little fun with the actual Church holiday, you’re going to have to make your own. So why not head on over to Acts of The Apostasy for Larry’s first ever annual All Saints Day Limerick Contest and join in the fun? Puns are most welcome.
So get out there and haunt some other sites, but be sure to head back here when you’re done. We’ve still got some treats in store before Halloween rolls around.
MARVEL UPDATE: ANT-MAN Starts Shooting In January * A New IRON MAN 3 Poster * And Our First Look At Ben Kingsley As The Mandarin!!
Artwork: Gerald Parel |
ANT-MAN starts shooting in London in January says The Examiner: ANT-MAN centers on Biophysicist Dr. Henry "Hank" Pym, who becomes a superhero after discovering a chemical substance that allows him to change his size. Armed with a helmet and suit that could control ants, Pym would shrink down to the size of an insect to become the mystery-solving Ant-Man. Scott Lang became Pym's successor after stealing Ant-Man suit to save his daughter Cassie from a heart condition. At one point the film adaptation was said to involve both Pym and Lang, however this is to be seen after the film comes out in theaters.
Three-time British Academy of Film and Television Arts BAFTA Award nominated English filmmaker Edgar Wright will direct "Ant-Man" from an adapted screenplay written by himself and BAFTA Award nominee Joe Cornish. Wright has been working on the script for over 6 years, with a third draft given to Marvel in June, 2011. The studio officially presented the character Ant Man with an entertaining and riveting test video at Comic-Con 2012. Ant Man had very unique abilities where he transforms instantly from full size to tiny size and and vice versa. He is also portrayed as a trained operative.
Interested in being cast as an actor or background performer in Marvel's ANT-MAN? Check out this site for all the particulars.
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Click to enlarge |
Here's what producer Kevin Feige had to say about the villain:
"It’s less about his specific ethnicity than the symbolism of various cultures and iconography that he perverts for his own end."
Don't forget about the release of the first full trailer for IRON MAN 3 tomorrow!!
Here's the storyline for the movie:
Marvel Studios’ Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Amped yet or what? The Mandarin is the leader of The Ten Rings so with this confrontation we should see some spectacular stuff. It should round out the trilogy. Can't wait!
Source: Examiner
Politics, Clarified
So... pretty much every time I have anything to say vis-a-vi politics people either try to "figure out" where I stand or assume they know, and the whole back and forth can get a little tiresome. So, hopefully just this once, I'm going to explain as best as I'm able "where I'm coming from." Bookmark it for later if you wish - especially if you're going to nitpick everything I've said for a decad-plus of web presence looking for "hypocrisy," that never gets old.
I'll do this in the form of an arbitrarily numbered list - if it's good enough for the "winner" of a presidential debate, it's good enough for me:
1.) I do not have an "ideology." Political ideology doesn't make sense to me. Actually, moral/philosophical "codes" don't make sense to me, period. I organize my life around situational, practical reason - something is "good" for as long as it achieves the optimal result sought (for me, "optimal" generally includes "causes no direct unwarranted harm to others," just so we're clear), when it ceases to do so it becomes neutral, when it becomes harmful and/or counterproductive it becomes "bad." Ideology means doing counterproductive things because you've subscribed to some kind of "value system" that says this is the right thing to do even when it doesn't work; and while I understand why that sort of psychological masochism works for some minds ("my suffering will be rewarded in heaven!") it doesn't work for mine.
2.) Example for #1: I am an environmentalist. I am NOT an environmentalist because it makes me feel good, or because I believe myself a steward of the Earth, or because I believe Mother Gaia has been wounded by industry, or because I'm awash in concern for the fate of My Fellow Man. I am an environmentalist because I breathe air, I drink water, and I am likely to live longer and healthier if those things are uncontaminated. Simple as that. This is why the supposed "gray area" of "You can't regulate the ______ industry out of existance! Think of the JOBS!!!!" doesn't really move me all that much overall - I sympathize, to a degree I'd rather not get too deep into, with people who finds themselves suddenly unemployed; but given the choice in bad outcomes between "me dying early of mercury poisoning" and "someone else's hopefully-brief unemployment"... sorry, I'm taking the option clearly less likely to shorten my life - and I take no "moral" exception with people who support the opposite option based on the same calculation. Law of the jungle and all that.
3.) Lack of ideology DOES NOT mean I lack empathy or am "selfish." Case in point: Another part of the reason that I do not see "jobs will be lost" as a reason not to pursue an aggressive environmental policy is the demonstrable knowledge that the "liberal" politicians I am likely to support for their environmental policies are of the same party/persuasion that consistently vote to extend and increase benefits and The Safety Net to said unemployed people. The notion that reason is a poor substitute for "morality" is a falsehood far more often than it is a truth; as almost all great historical evils supposedly conducted in the name of "logic" were in fact conducted in the name of ideology in the guise of logic or, simply, based on bad logic. That's the one drawback to reason on the macro level: to use it properly, you have to be reasonably intelligent yourself - which cuts a lot of humanity out of the user-base. Bringing us to...
4.) We are NOT "all in this together." My votes as far as politicians go swing pretty reliably toward Democrats and/or liberals, but please don't mistake that for an embrace of "one big happy human family" liberal piety. The fact is, everyone has not always needed everyone else, and as the world becomes more technologically-centered and more mechanized it becomes less true by the day. There are varying degrees for this, of course, and varying types of measurement i.e. worth in the societal-machinery sense versus worth as assigned by relations (friends, family, loved-ones, etc) but it doesn't change the basic and (admittedly, unpleasant) truth we do not all "matter" equally or at all... at least in the strict physical-world sense - obviously, if you believe in God or some other transcendant assigner of worth then there's another dimension for you. To put it another way: If I'm hanging off a cliff, and the guy with the cure for cancer is hanging off a cliff, save the cancer guy - he's more important. However...
5.) #4 is NOT nihilism or cynicism. In fact, I consider it a great motivator: Because I don't accept that I am "entitled" to worth simply by virtue of drawing breath, I am driven to make sure that I make myself worth something. HOWEVER...
6.) Acknowledging #4 and #5 is NOT a license to ignore the plight of others. Accepting that we are not "all in this together" is not (and can never be) an excuse or justification for cruelty, malice or any other denial of humanity to others. One can debate the "worth" of this or that life as an intellectual exercise, but even the lowest of us have a right to our lives and to fight for them; and no matter how much more "worthy" you may think yourself (or may well be) you are not in charge of who lives and who dies. I'm not certain that the universe has or needs a metaphysical god, but it definitely doesn't need a tangible one here among us. This isn't based on emotion or philosophy, but once again on LOGIC: It makes more sense to help others, within reason, than to not help others.
7.) Example for #6: The so-called "Safety Net." Having explained why I don't subscribe to "liberal" ideology, let me now explain why I reject "conservative" ideology as well. While I'm accepting of Natural Selection and a chaotic universe, I'm also accepting of reality. And in reality, the baseline right-wing approach to society of removing "Safety Net" social programs in order to let Survival of The Fittest do it's thing just doesn't work out. Even if you were cold and inhuman enough to cut the disadvantaged, undereducated, homeless, mentally-unwell, etc loose from help to fend for themselves... it's not going to "work." These people will not simply "die off" or "disappear," the species is too resilient for that. They will survive, they will "organize" in one form or another, and they'll likely exact a certain amount of payback upon those who decided to cut them loose... which they will deserve. Hence, this is another illustration of why I tend to vote for liberals even though I find "liberalism" fairly foolish: Since a "third option" does not exist, I would rather pay the comparitively SMALL price in taxes it costs to provide the chronically-disadvantaged with basic needs and even methods of mobility out of their disadvantage than pay the much HIGHER cost (in multiple sense of the word) of containing or "putting down" (with all the nightmarish and amoral conotations that word conjures) a 21st Century version of the French Revolution.
8 -I.) As you will be unsurprised to learn, I am generally disillusioned with democracy. I fully agree with Winston Churchill's famous quote about democracy being the worst system except for every other system... except that Churchill meant it as a clever turn of phrase and I mean it as a sobering reminder that we seem to have stopped trying to find something better. The basic tenet of democracy - citizens choosing their leaders - is sound, but in the modern world it has a fatal (and ironic) flaw: It's become much too easy for "the people" to actually effect lawmaking directly, while at the same time "the people" seem to be getting progressively less capable of making those decisions intelligently. The days when voting and political engagement in general required a greater investment of time, intellect and effort may having been taxing in their own way, but at least it helped keep those too dumb and/or unengaged to bother being involved from getting involved and mucking things up. Today, thanks to the internet and cable news, the uninformed are now JUST informed enough to show up and vote the way Sean Hannity tells them to. I'm NOT saying I wish to be "ruled" by some kind of dictator, I'm saying that right now I am living under laws made in part by polticians elected by pandering to (and doing the bidding of) the nation's thriving population of idiots - and that just doesn't seem right or reasonable to me: For example, I should not be denied access to life-saving medicines or life-improving technologies/activities because I'm outnumbered by a population of fools with some kind of "moral" superstition that considers them (or the research into them) "taboo." Speaking of population, see #9...
8-II.) Case in point: Not everything should be up for a vote. The most obvious example here is the current fascination with putting gay marriage and other equality issues up for a popular vote, but I can only assume that anyone who's read this far "gets" how asinine and awful that is. I'm thinking more about things like science, technology or environmental policy: Things that simply aren't a matter of opinion - science either works or it doesn't - shouldn't be decided by opinion and definitely shouldn't be decided by people who don't actually "get" what they are voting on. Why do we put politicians in charge of these things when we know they are susceptible to their constituencies over the facts and that they cannot be trusted to fully grasp the often complicated things they
9.) Overpopulation is a REAL and serious problem, and saying so does NOT make one a Nazi, a eugenicist or "anti-human." Y'know why the jobless rate isn't getting better faster? Because the collapse of the labor market isn't an accident - it's a reality check. The fact is, American society has been becoming mechanizing at a faster and faster rate. Manufacturing, construction and even war-fighting are increasingly replacing men with machines, while the developing world is undercutting the ones that remain by doing what developing regions do: Having major manufacturing booms. This has been going on at a steady pace for a long time, and would not necessarily be as big a problem had the U.S. not continued to reproduce at rates that are only sustainable if you need a massive and ever-increasing physical labor force and physical boots-on-the-ground military... and we don't really NEED either of those things to anywhere near the degree we used to. Things change. Unfortunately, because the U.S. has remained committed "traditional values" about family-planning and other related topics ("traditional values" that were invented in order to encourage population-expansion in the eras when it WAS needed) the arithmetic of the whole mess is adding up in a bad way. It's actually even worse than it seems, because we spend massive amounts of money subsidizing the agriculture industry - not because that farming can't be done cheaper and more efficiently via export or by further mechanization but because without artificially-prioritized farming jobs to keep citizens employed whole communities and even whole regions of the country could be decimated by mass unemployment (see #7.)
10.) However, overpopulation does NOT require any kind of draconian or force-of-law "solution," and to suggest that is does IS both anti-human and lazy. Our overpopulation muck is going to be a problem for a long time, but it's not a crippling one, it can be mitigated and maybe even reversed. The first step goes back to #7 again: Once you accept that we simply have more people than we have jobs to fill them, the only rational answer is once again the so-called "liberal" answer: YES, we've got to spend some money on taking care of folks who ultimately can't find work or can't create a livelihood. Crappy situation, but better than the alternative. And hey, y'know what else "liberal" policies ultimate support? Expanded and well-funded family-planning (YES, including abortion) services, funded and more widely-disseminated birth control, science-based (as opposed to "values"-based) sex education and in general the emergence of a secular society wherein individuals are not told that monogamy, early-as-possible marriage and "traditional" family dynamics (those things are fine if you choose them, of course) are the only proper course of action - and what do ALL of those things have in common? They all at once increase individual freedom while having a strong potential for (gradually, over time) stabilizing (following an initial period of "slowing") the overall birthrate in a given society. Of course, to do most of that you have to take care of the elephant in the room...
11-I.) Roe vs. Wade is the most important Supreme Court decision still considered to be "up for discussion," and if it is reversed America is OVER as a nation of greatness. I'm what you could call "emphatically" pro-abortion rights - not only because I support equal rights but because I support the basic idea that individual, sentient humans ought to have final, absolute control over their own bodies and the importance of de-mythologizing the life-sciences to human improvement: Laws governing science (and medicine) should be made based only on science - not on emotion, not on superstition, not on ancient taboos. Science. Knowledge. FACTS. Apart from it's immediate effect of being the ultimate equalizer of gender in American society (now neither sex needs to be "locked-in" to an unwanted pregnancy), Roe is a massively important symbolic victory of science and progress over superstition and "tradition." The statement of Roe as a peice of U.S. law is: "This country's laws are made based on the universal truths of reason and logic, not on the subjective spiritual or emotional "truths" only held by some." That's vitally important. That's what makes us a modern, relevant nation capable of surviving into a future that is only going to get more secular, scientific and mechanized. The superstitions (and I'm not necessarily talking about "all religions" or even "religion" itself here so Atheists please zip your pants back up) that animate, say, the pro-life movement or the anti-gay movement are not long for this world as taken-seriously institutions, and if American law (and culture) regress back into them now we will be swept off the table with them later...
11-II.) ...As such, so long as the Republican Party is reliably the party of inserting religion, superstition and "tradition" into lawmaking I cannot consider any Republican electable to any office. There are a lot of things I agree with Republicans and/or the political "Right" about. On balance, probably moreso than Democrats. But they are all of lesser importance, to me, than the solidifying of a secular, science-focused, reason-based America for the future. An America that is still wringing it's hands over whether a petri dish has a "soul" a generation from now is an American that doesn't matter a generation from now. So long as "the religious right" exists and so long as they can exercise a SLIVER of power over the GOP, I have to oppose at all levels on all fronts (politically.) On the day that religious fundamentalists in America have equal or lesser "political clout" than, say, Trekkies or some other devotional subculture; the Republican Party might be worth giving a second look to. Until then, they're in the way. I don't like things being like that - one party having a monopoly on reason-based lawmaking isn't a good thing - but thats how things are. And before anyone asks...
11-III.) "Libertarianism" doesn't work for me, either. Libertarians are good people, by and large. I pretty-much like all the flavors, from the committed "realist Right" to the "we just want legal weed" College dudes to the "we want a lable but Dems and Reps are just too mainstream" poli-hipsters. But apart from their useful function in siphoning away votes from Republicans and ensuring Democrat victories in certain races... I don't think it's that practical of an ideology. "Small government" is a nice ideal, but in the practical reality of the real world right now a strong, central and activist government is the only way I can see to implement and solidify the long overdue transformations that this country needs in a timeframe that will keep it strong and competitive into the future. Also, it lends itself too handily to weak-minded conspiracy-fetishists; if you really think that the U.N. is out to get you, that The Rothschild Family has been controlling the world from behind the scenes like S.P.E.C.T.R.E. or that we'd actually be doing better as fifty autonomous mini-countries, I've got a bridge to sell you... and no, I will not take payment in gold.
12.) The most important reasons to vote for president are defensive. American Presidents, by design, have less power than we think they do and less ability to direct that power than people tend to want them to (when it's "their guy," at least.) Unlike congress, their role is often reactive - whatever they may WANT to do as President will be shaped, subsumed and even pushed aside by what they HAVE to deal with. We really can't say whether George W. Bush would have been such a disaster without a 9/11 response to screw the pooch on, and I don't think anyone really expected anti-war Democrat Barack Obama to be a cold executioner of terrorists or the political father of America's unprecedented leap into robotic warfare. As such, I consider the most reliable reasons to vote for a president is the basis of what they WON'T do or what they'll PREVENT congress etc. from doing. I'm counting on Obama, for example, to stop congressional Republicans from doing... pretty much anything they want to do, and I know he won't put pro-life judges on the courts.
13.) A Romney victory in 2012 would be a major disaster, long term. I am not a Barack Obama "fan." His clear dislike for political bloodletting annoys me, and as I'm a supporter of a Space Program I don't like that he seems to genuinely buy into the "why are we spending money on moonrocks when people are going hungry!!!???" bleeding-heart mentality. But, by and large, he can be relied upon for the judicial appointments and vetos I need to see made, so he's "the guy" for now. And, of course, I appreciate the symbolic importance of his victory four years ago... which is why I appreciate the very real disaster of his possible loss this year: A Romney victory will be, fair or not, the most racially-divisive event in American culture since the O.J. Trial; in that it will be seen as a "repudiation" of the so-called "browning of America" and the re-installation of the "rightful" white/hetero/male power structure - as surely as Reagan's victory was seen as a "repudiation" of the social-progress made from the 60s onward and a "mandate" to turn back to the clock to "the good old days." The fact is, everything from demographic trends to the sweep of history indicates that the New America represented "symbolically" by Obama (less monolithically white, less religious, less partriarchal, etc) is something of an innevitability - but "pausing" that overwhelmingly positive transformation now so that Mitt Romney can cosplay as Ronald Reagan (while "traditional family values America" plays we're-still-the-center-of-the-universe make-believe) for four years until Hillary sweeps him out will be a vacation from reality we can't afford to take. The better, more enlightened America will get here soon enough regardless... but if it gets here sooner it can be a more prosperous America as well.
Okay, there you go. That's what I think about... pretty much everything - with the caveat that if a plausibly-electable presidential candidate of either party were to lead with "we're canceling every single known program and jacking up taxes so we can pump every dollar into space travel so that Bob can see something resembling Starfleet in his lifetime"... I'd volunteer pro-bono to run that campaign myself. Because a man has to be honest about his priorities, in the end.
Election is November 6th. Get out there and vote - and whoever you're thinking of pulling for, ask yourself "am I doing the right thing?" before you do.