Saturday 28 February 2015

The Weekly Movie Watch Volume 32

This week I watched Fury, Young Frankenstein, Tootsie.

I watch movies every week and then write down my thoughts. Read my previous reviews!
My rating is simple, Watch It, It Depends, Skip it

Brad Pitt in the movie fury
Fury - An indoctrination to war.
Fury (2014)
Watch Fury
Written by: David Ayer
Directed by: David Ayer
Starring: Brad Pitt, Shia LaBeouf, Logan Lerman
Rated: R

Plot: 
In the heart of Germany during World War II, a five man tank crew faces insurmountable odds

Review:
It's difficult to bring something new to the war genre, but Fury does that. It doesn't tug at your emotions like Saving Private Ryan, but continues to improve from start to finish.
The tanks look great, with shots that convey what the inside of a tank is like. The cinematography and acting is good. While Shia got better as the movie went on, he just doesn't seem old or grizzled enough for the role. Gunfire looks like a laser show. I don't know how it was passed for the final. The longer I watched, the more I liked it. The last half of the movie ramps steadily to a great ending.
Watch it.


Gene Wilder in Young Frankenstein
Young Frankenstein - A comedy send up of a horror classic.
Young Frankenstein (1974)
Watch Young Frankenstein
Written by: Gene Wilder and Mel Brooks (screen story and screenplay), Mary Shelley (novel)
Directed by: Mel Brooks
Starring: Gene Wilder, Madeline Kahn, Marty Feldman
Rated: PG

Plot: 
In this comedic send-up, Dr. Frankenstein, (pronounced Fronk-en-steen), inherits his grandfather's castle and soon resumes the experiments of reanimation.

Review:
The cast is great. I appreciate humor that's clever and relies on wordplay instead of just being raunchy. Though filmed in 1974, the credits, and gray scale image give it a much older feel. It's a great send up and parody of Frankenstein. It's a Mel Brooks film, and it plays similarly.
It depends.


Dustin Hoffman in the movie Tootsie
Tootsie - That is Dustin Hoffman.
Tootsie (1982)
Watch Tootsie
Written by: Larry Gelbart & Murray Schisgal (screenplay), Don McGuire and Larry Gelbart (story), Barry Levinson and Robert Garland and Elaine May (uncredited)
Directed by: Sydney Pollack
Starring: Dustin Hoffman, Jessica Lange, Teri Garr
Rated: PG

Plot: 
An unemployed actor dresses as a woman to snag a role and ends up becoming a star.

Review:
Surprisingly good despite the premise that feels like a broadcast sitcom. What sets this movie apart is that it isn't played for laughs.  These are normal people in a ridiculous situation. bill murray!  i'm not sure there are many actors that could pull this off like Dustin Hoffman.
It depends.

Detour (2013)

Genre


Director


Country


Cast

Neil Hopkins, Brea Grant, John Forest, Ptolemy Slocum, Deb Snyder

Plot

Trapped inside his car by a mudslide, smooth-talking Jackson Alder (Neil Hopkins) finds himself in a situation he can't talk his way out of. With no hope of rescue, he must defy the odds; battling Mother Nature for his survival.

Opinion

If you enjoyed Cast Away, 127 Hours, All Is Lost, or Gravity, then this film might be for you. I am always amazed by how strong a human being can be to survive, and this film amazed me. Detour is an intense and thrilling story about a literally buried man that puts all his efforts to survive. How did he end up there? Will he survive? If so, how? These are the questions that kept me in my seat.
Director and co-writer William Dickerson teaches us to appreciate life and what we have. The filming, which explore the small set, is great.
Whoever wrote The Rat’s Rabbits Are Calling song is a genius: the lyrics are monotonous but catchy at the same time, and I can’t get this song out of my head.
Neil Hopkins does an incredible job: he is able to carry the film through until the end.

Buy on Amazon.com | Buy/Rent on Amazon Instant Video

Quotes

Jackson: I see this experience as being born again. Born into the world, from the world itself.

Rating

7.5/10

Friday 27 February 2015

Before Sunrise (1995)

Genre


Director


Country


Cast

Ethan Hawke, Julie Delpy, Andrea Eckert, Hanno Pöschl, Karl Bruckschwaiger, Tex Rubinowitz, Erni Mangold, Dominik Castell, Haymon Maria Buttinger, Bilge Jeschim, Adam Goldberg

Plot

American tourist Jesse (Ethan Hawke) and French student Celine (Julie Delpy) meet by chance on the train from Budapest to Vienna.
Sensing that they are developing a connection, Jesse asks Celine to spend the day with him in Vienna, and she agrees. Unfortunately, both know that this will probably be their only night together.

Opinion

Before Sunrise is pure cinematic gold, yet one of the most underrated films ever made. Richard Linklater delights us with a honest look at relationship. The absolute beauty of this film is the dialogues, because, although they are ordinary conversation between two people who just met, they really fascinated me. This film teaches us love is never absurd, and after watching it, you will realize falling in love with someone in just one night doesn't sound that stupid after all.
Ethan Hawke and Julie Delpy bring to life two unforgettable characters, and they are the pillars of the film, contributing in making of it one of the best romance films of all the times.

Buy on Amazon.com | Buy/Rent on Amazon Instant Video

Quotes

Jesse: I always think that I'm still this thirteen-year-old boy, you know, who just doesn't really know how to be an adult, pretending live my life, taking notes for when, you know, I'll really have to do it.

Street Poet: Daydream delusion, limousine eyelash / Oh baby with your pretty face / Drop a tear in my wineglass / Look at those big eyes / See what you mean to me / Sweet-cakes and milkshakes / I'm a delusion angel / I'm a fantasy parade / I want you to know what I think / Don't want you to guess anymore / You have no idea where I came from / We have no idea where we're going / Lodged in life / Like branches in a river/ Flowing downstream / Caught in the current / I carry you / You'll carry me / That's how it could be / Don't you know me? / Don't you know me by now?

Jesse: I kind of see this all love as this, escape for two people who don't know how to be alone. People always talk about how love is this totally unselfish, giving thing, but if you think about it, there's nothing more selfish.

Celine: I used to think that if none of your family or friends knew you were dead, it was like not really being dead. People can invent the best and the worst for you.

Rating

9.0/10

Thursday 26 February 2015

Countdown to the Oscars: The War Years, 1940-1945


1940
At the 1939 Awards, the world was already at war. Though America had not yet joined the fight, the movies were seen as a powerful tool for aiding the national defense and solidarity, prompting President Roosevelt to give a six-minute direct-line radio address to the 1,500 guest at the 13th Academy Awards, held on February 27, 1941 at the Biltmore Bowl of the Los Angeles Biltmore Hotel (85 Years of the Oscar, Robert Osborne). You can hear a portion of his speech below:

 
Bette Davie reading a letter of thanks to President Roosevelt

There was also a feeling of nervousness, as this was the first year that the winners were kept secret. Bob Hope was again the master of ceremonies and was given a silver plaque for "his unselfish services to the motion picture industry." The awards were presented by Alfred Lunt and Lynn Fontaine.

 
Best Picture: Rebecca starring Joan Fontaine and Laurence Olivier, directed by Alfred Hitchcock (his first American film)
 
 
Best Actor: James Stewart in The Philadelphia Story
 
 
Best Actress: Ginger Rogers in Kitty Foyle (winning over both Joan Fontaine and Katharine Hepburn in The Philadelphia Story)
 
         
Wouldn't have picked her, but she looks so happy :)
 
Best Supporting Actor: Walter Brennan in The Westerner, making him the first to win three Oscars
 
(at the mic)
 
Best Supporting Actress: Jane Darwell in The Grapes of Wrath
 
 
Best Director: John Ford for The Grapes of Wrath
 
 
1941
 
1941 was the year the Oscars were almost canceled. The Japanese had bombed Pear Harbor on December 7th and on January 16th, actress Carole Lombard was killed in a plane crash after finishing up a successful bond-selling tour in the U.S. Bette Davis, the newly elected president of the Academy, suggested that it be open to the public with ticket proceeds going to the Red Cross. The Academy governors decided to have the Awards as a non-formal dinner instead. It was held on February 26th at the Biltmore Hotel. The Master of Ceremonies was again Bob Hope, and the keynote speaker was Republican Wendell Willkie. Also, a new category was added: the Documentary. It would become very important as the War wore on.
 
Willkie
 
Shots from the evening's events
 
Best Picture: How Green Was My Valley (1941) starring Walter Pidgeon and Maureen O'Hara. *Warning* This was the most depressing movie I have ever seen.
 
 
Best Actor: Gary Cooper in Sergeant York
 
Presented by James Stewart (in uniform)
 
Fontaine and Cooper
 
Best Actress: Joan Fontaine in Suspicion (the only actor or actress to win an award for a role in a Hitchcock film). She beat her sister, Olivia de Havilland for her role in Hold Back the Dawn.
 

Joan and Olivia
 
Best Supporting Actor: Donald Crisp in How Green Was My Valley
 
Crisp and Stewart, both in uniform
 
Best Supporting Actress: Mary Astor in The Great Lie (this was also the year of The Maltese Falcon)
 
 
Cooper, Fontaine, Astor, and Crisp with their awards
 
Best Director: John Ford for How Green Was My Valley
 
Best Original Screenplay: Orson Welles for Citizen Kane, now the most famous film of all time.
 
 
Irving Thalberg Memorial Award: Walt Disney - for his outstanding contribution to the advancement of the use of sound in motion pictures through the production of Fantasia.
 
 
1942
 
1942 was the year of Mrs. Miniver, a picture Winston Churchill declared was worth more propaganda value than a dozen battleships. President Roosevelt ordered that the minister's speech at the end of the film be printed into leaflets and dropped into occupied Europe. It also swayed America's feelings about the war, as many were still neutral about the war in Europe at the time.
 
Held on March 4, 1943 at the Cocoanut Grove, it would be the last year that the Academy Awards would be held as a small, industry banquet. Bob Hope was Master of Ceremonies (clearly he was a favorite) and actress Jeanette MacDonald sang the National Anthem. The evening had a military flair to it. Due to war-time shortages, the statues were made of plaster (they were replaced after the war).
 
Best Picture: Mrs. Miniver (1942) starring Greer Garson and Walter Pidgeon (check out some screenshots of the beautiful set here)
 
 
Best Actor: James Cagney in Yankee Doodle Dandy
 
         
Garson and Cagney
 
Best Actress: Greer Garson in Mrs. Miniver
 
Garson gave the longest acceptance speech in history, at 5 and a half minutes.
 
Best Supporting Actor: Van Heflin in Johnny Eager
 
Heflin, Garson, Cagney, and Wright
 
Best Supporting Actress: Teresa Wright in Mrs. Miniver (also nominated for Best Actress for her role in The Pride of the Yankees with Gary Cooper)
 
 
Best Director: William Wyler for Mrs. Miniver
 
Garson and Wyler on the set of Mrs. Miniver
 
Best Song: "White Christmas" in Holiday Inn - Irving Berlin, who wrote the song, was the presenter. When he opened the envelope he said, "I'm glad to present the award. I've known the fellow for a long time."
 
 
Special Awards:  
 
To Charles Boyer for his "progressive cultural achievement in establishing the French Research Foundation in Los Angeles as a source of reference for the Hollywood motion picture industry."
 
To MGM for its "achievement in representing the American way of life in the production of the Andy Hardy series of films."
 
1943
 
The 1943 Academy Awards, held on March 2, 1944, was a year of changes. It was the first time the ceremony was held at a theater, the legendary Grauman's Chinese Theatre on Hollywood Blvd. The Documentary category was divided into Short Subjects and Features. Best Supporting Actors and Actress's were given statues instead of plaques (previous winners also received statues). Jack Benny was the Master of Ceremonies and a radio broadcast was sent to the troops overseas. It was also the year of Casablanca, one of the most celebrated movies ever made (Ingrid Bergman did not think it would do well).
 
 
Best Picture: Casablanca (1943) starring Humphrey Bogart and Ingrid Bergman
 
 
Best Actor: Paul Lukas in Watch on the Rhine
 
Lukas and Jones
 
Best Actress: Jennifer Jones in The Song of Bernadette
 
Lukas and Jones
 
Best Supporting Actor: Charles Coburn in The More the Merrier
 
Paxinou and Coburn
 
Best Supporting Actress: Katina Paxinou in For Whom the Bell Tolls
 
The winners
 
Best Director: Michael Curtiz for Casablanca 
 
 
1944
 
The 17th Academy Awards was held on March 15, 1945 at Grauman's Chinese Theatre. The entire ceremony was broadcast over the radio - Listen to the 17th Academy Awards. It was the first ceremony to show clips of the nominated films at the ceremony. It was also the second, and last time plaster statues were handed out. Bob Hope and director John Cromwell were the MC's.
 
Best Picture: Going My Way (1944) starring Bing Crosby and Barry Fitzgerald (it won over Since You Went Away which was nominated in 9 categories)
 
 
Best Actor: Bing Crosby in Going My Way
 
Presented by Gary Cooper (oh how I wish Bob Hope would have presented this!)
 
Crosby originally did not want to make the picture - imagine!
 
Best Actress: Ingrid Bergman in Gaslight
 
 
 
Best Supporting Actor: Barry Fitzgerald in Going My Way (he was also nominated for Best Actor for the same role, the only time this happened)
 
With Bing (love the hat and pipe)
 
Best Supporting Actress: Ethel Barrymore in None but the Lonely Heart (accepted by Charlas Koerner)
 
 
Best Director: Leo McCarey for Going My Way
 
 
Special Awards:  
 
To Margaret O'Brien (Juvenile Award) in Meet Me in St. Louis. Bob dubbed it the "Oscarette." Her award was lost for 45 years. You can read about it here.
 
With host, Bob Hope
 
 
Margaret O'Brien has said about that evening, "I was very excited...because I received the award from Bob Hope, who was my secret heart-throb...I was thrilled when Bob Hope hugged me...I felt special because I was the only one he both hugged and lifted."
 
To Bob Hope for his "many services to the Academy." He also was awarded lifetime membership in the Academy.
 
Fitzgerald, Bergman, and Bing

 
On the set of The Bells of St. Mary's looking at their recently won awards:
Bergman, McCarey, and Crosby
 
1945

The 18th Academy Awards was held on March 7, 1946, and held at the same location as the previous two awards. It was co-hosted by Bob Hope and James Stewart. It was also the first Awards ceremony since the end of WWII, so once again the attendees donned their tux's and evening gowns of pre-war days. You can watch clips from the ceremony below:
 
 
Best Picture: The Lost Weekend (1945) starring Ray Milland and Jane Wyman
 
 
Best Actor: Ray Milland in The Lost Weekend
 
          
Presented by Ingrid Bergman (who was nominated that year for
her performances in The Bells of St. Mary's)
 
Best Actress: Joan Crawford in Mildred Pierce (accepted by director Michael Curtiz, the award was brought to her home that night as Crawford was too ill - or nervous - to attend)
 
 
Best Supporting Actor: James Dunn in A Tree Grows in Brooklyn
 
With his co-star Peggy Ann Garner with her Juvenile Award
 
Best Supporting Actress: Anne Revere in National Velvet
 
 
Best Director: Billy Wilder for The Lost Weekend
 
(photo may be from the Golden Globes, where Wilder also won Best Director)
 
Special Awards:  
 
To Peggy Ann Garner (Juvenile Award)
 
 
Oh Bob!
 
To Republic Studio and the Studio Sound Department for "the building of an outstanding musical scoring auditorium which provided optimum recording conditions and combines all elements of acoustic an engineering design."
 
The winners: Garner, Dunn, Revere, Milland
 
 
All images found via Pinterest
 
*Sorry for the tardiness of this post (which was supposed to be posted last Sunday before the Oscars started) but I have been battling a good ol' cold. I also had to work on a future post as the book I was using was due at the library! That being said, should I finish these Oscar posts like I originally planned (I wanted to finish with 1969), or move on to something else? Let me know in the comments!